Roland Fantom G8 User Manual page 175

Roland fantom g8: user guide
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47: 3TAP PAN DELAY
Produces three delay sounds; center, left and right.
fig.MFX-47
L in
Left Tap
Triple Tap Delay
Feedback
Right Tap
R in
Parameter
Value
Delay Left/
0–2600 ms,
Right/Center
note
Center
-98– +98 %
Feedback #
HF Damp
200–8000 Hz,
BYPASS
Left/Right/
0–127
Center Level
Low Gain
-15– +15 dB
High Gain
-15– +15 dB
Balance #
D100:0W–
D0:100W
Level
0–127
48: 4TAP PAN DELAY
This effect has four delays.
fig.MFX-48a
L in
Delay 1
Feedback
Delay 2
Quadruple Tap Delay
Delay 3
Delay 4
R in
fig.MFX-48b
Stereo location of each delay
2
3
1
4
R
L
Parameter
Value
Delay 1–4
0–2600 ms,
Time
note
Delay 1
-98– +98 %
Feedback #
HF Damp
200–8000 Hz,
BYPASS
Delay 1–4
0–127
Level
Low Gain
-15– +15 dB
High Gain
-15– +15 dB
Balance #
D100:0W–
D0:100W
Level
0–127
Balance D
2-Band
L out
EQ
Balance W
Center Tap
Balance W
2-Band
R out
EQ
Balance D
Description
Adjusts the time until the delay sound
is heard.
Adjusts the amount of the delay sound
that's fed back into the effect. Negative
(-) settings invert the phase.
Adjusts the frequency above which
sound fed back to the effect is filtered
out. If you do not want to filter out any
high frequencies, set this parameter to
BYPASS.
Volume of each delay
Gain of the low frequency range
Gain of the high frequency range
Volume balance between the direct
sound (D) and the delay sound (W)
Output level
Balance D
L out
Balance W
Balance W
R out
Balance D
Description
Adjusts the time until the delay sound
is heard.
Adjusts the amount of the delay sound
that's fed back into the effect. Negative
(-) settings invert the phase.
Adjusts the frequency above which
sound fed back to the effect is filtered
out. If you do not want to filter out any
high frequencies, set this parameter to
BYPASS.
Volume of each delay
Gain of the low frequency range
Gain of the high frequency range
Volume balance between the direct
sound (D) and the delay sound (W)
Output level
49: MULTI TAP DELAY
This effect provides four delays. Each of the Delay Time parameters
can be set to a note length based on the selected tempo. You can also
set the panning and level of each delay sound.
fig.MFX-49
L in
Delay 1
Feed
back
Delay 3
Multi Tap Delay
Delay 4
Delay 2
R in
Parameter
Value
Delay 1–4
0–2600 ms,
Time
note
Delay 1
-98– +98 %
Feedback #
HF Damp
200–8000 Hz,
BYPASS
Delay 1–4
L64–63R
Pan
Delay 1–4
0–127
Level
Low Gain
-15– +15 dB
High Gain
-15– +15 dB
Balance #
D100:0W–
D0:100W
Level
0–127
50: REVERSE DELAY
This is a reverse delay that adds a reversed and delayed sound to the
input sound. A tap delay is connected immediately after the reverse
delay.
fig.MFX-50
L in
Feedback
Rev
Rev. Delay
R in
Parameter
Range
Threshold
0–127
Rev Delay
0–1300 ms, note
Time
Rev Delay
-98– +98%
Feedback #
Rev Delay HF
200–8000 Hz,
Damp
BYPASS
Rev Delay Pan
L64–63R
Rev Delay
0–127
Level
Delay 1 – 3
0–1300 ms, note
Time
Effects List
Balance D
2-Band
L out
EQ
Balance W
Balance W
2-Band
R out
EQ
Balance D
Description
Adjusts the time until Delays 1–4 are
heard.
Adjusts the amount of the delay sound
that's fed back into the effect. Negative
(-) settings invert the phase.
Adjusts the frequency above which
sound fed back to the effect is filtered
out. If you don't want to filter out any
the high frequencies, set this parameter
to BYPASS.
Stereo location of Delays 1–4
Output level of Delays 1–4
Gain of the low frequency range
Gain of the high frequency range
Volume balance between the direct
sound (D) and the effect sound (W)
Output level
2-Band
EQ
D1
Delay
D2
D3
2-Band
EQ
Explanation
Volume at which the reverse
delay will begin to be applied
Delay time from when sound
is input into the reverse delay
until the delay sound is heard
Proportion of the delay sound
that is to be returned to the in-
put of the reverse delay (nega-
tive values invert the phase)
Frequency at which the high-
frequency content of the re-
verse-delayed sound will be
cut (BYPASS: no cut)
Panning of the reverse delay
sound
Volume of the reverse delay
sound
Delay time from when sound
is input into the tap delay un-
til the delay sound is heard
175
L out
R out

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