Appendix; Input Library List - Yamaha AW 1600 Owner's Manual

No. Name
00 Initial Data
EG: Electric guitar
01 Multi Drive AmpSimulate
02 Light Crunch AmpSimulate
03 Studio Lead Dist->Delay
04 Clean Lead Rev->Sympho
05 Hard Blues AmpSimulate
06 Melody Drive Dist->Delay
07 Pop Ryhthm Mono Delay
08 Heavy Rock AmpSimulate
09 Stack Lead AmpSimulate
10 Funk Cut Dyna.Phaser
11 Trad Blues AmpSimulate
12 NeoRockabily Dist->Delay
13 Air Clean Delay+Rev
14 City Lead Mod.Delay
15 Pop Chorus Chorus
16 Fuzzy Drive AmpSimulate
17 Jazzy Night Reverb Room
18 Retro Phase Phaser
19 Mistic Chord Dual Pitch
20 Drive Amp AmpSimulate
21 Smooth Lead AmpSimulate
22 Crunch Box AmpSimulate
23 Double Drive Dist->Delay
24 Comp Driver AmpSimulate
25 Rotary Rotary
AG: Acoustic guitar
26 Arppegio Rev+Sympho
27 Chorus Chorus
28 Lead Mod.Delay
29 Finger Cut ReverbRoom
30 Stroke Symphonic
BA: Bass
31 Pick Drive AmpSimulate
32 Finger Pick AmpSimulate
33 Rock Boost AmpSimulate
34 Best Slap AmpSimulate
35 Melody Rev->Chorus
VO: Vocal
36 Pop Vocal ReverbPlate
37 Rock Vocal MonoDelay
38 Delay Vocal MonoDelay
39 Ballad Vocal Symphonic
40 ROBOT RingMod
Speaker simulation
01 SMALL TYPE
02 REAL FEEL
03 HIGH RANGE
04 STACK TYPE
05 MID RANGE

Appendix

Input library list

Effect Type
Initialize to a default state in which EQ, DYN, and EFFECT are not applied.
Drive sound usable in a wide range of situations from backing to lead.
Light crunch sound suitable for chords (that are allowed to ring).
Lead with delay sound, with an amp-like character.
Clean and transparent sound.
Hard blues sound with rich distortion.
Long sustaining sound suitable for melodies or ballades.
Clean backing sound with doubling.
Heavy rock sound with all frequency ranges distorted.
Sound that simulates an old amp stack.
Phase sound that adds an effect to the picking attack.
Simulation of a traditional blues guitar sound.
Rockabilly sound using a short delay, warped by adding distortion.
Clean sound with a sense of air.
Combination sound with lightly applied modulation and delay.
Chorus sound suitable for a wide range of uses, from chording to arpeggios.
A useful and original fuzz sound.
Comp sound that lets you express nuances by your picking dynamics.
Simulation of a classic compact phaser.
SFX sound that produces a mystical effect from chords or harmonics.
Natural-sounding overdrive that simulates overdriving a combo amp.
Smooth distortion lead with a smooth playing feel.
Crunch sound with a nice amount of distortion, usable for anything from backing to lead.
Heavy distortion with doubling.
Overdrive with compressor to bring out the nuances of your picking.
The familiar rotary speaker sound, optimized for guitar.
Graceful arpeggio sound with good definition.
Deep chorus sound usable in any situation.
Light modulation sound, suitable for lead guitar.
Suitable for finger strumming or walking-bass phrases.
Symphonic sound effective on single-note melodic playing.
A sound ideal for root-note picking.
Sound suitable for finger-picking, with emphasis on response.
Heavy and solid distortion sound.
Slap bass sound for everyone (reminiscent of when slap became fashionable).
Sweet-toned sound for lead melodies.
Clear and transparent effect for vocal, that cuts the low range.
Effect for rock vocal that uses doubling to create depth.
Vocal effect that uses a basic delay.
Vocal effect with symphonic, effective on ballades etc.
SFX sound for vocal and speech, also usable as a sound-effect.
— Small cabinet simulation.
— Creates realism (picking produces grit).
— Cabinet with boosted highs.
— Large cabinet simulation.
— Simulation of a cabinet with distinctive mid-range.
Description
AW1600 Owner's Manual
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