Mixing Two Tones (Mixer); Setting The Volume And Panning For Each Channel; Setting The Mix Balance; Setting The Delay And Reverb (Delay/Reverb) - Roland VG-99 Owner's Manual

Roland vg-99 v-guitar system owner's manual
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Mixing Two Tones (MIXER)

For detailed about the block diagram, refer to "Signal
Flow" (p. 183).
Setting the Volume and Panning
for Each Channel
1.
Press [MIXER].
2.
Press PAGE [
] to display Page 1.
Make the settings for each channel on this page.
* Page 2 and later pages contain the mixer section's common settings.
3.
Set the volume and panning with [F1]–[F6] or
with the F1–F6 knobs.
4.
If you want to save the edited settings,
perform the Write procedure (p. 38).
* If not saving the settings, press [EXIT] to return to the Play screen.
When mixing two channels, you can produce a more
realistic twin guitar tone by setting a channel delay in
one of the channels, thus causing the two guitar sounds
to be output at different times.
For detailed information on all the parameters, refer to
"MIXER" (p. 146).
Chapter 2 Creating Sounds

Setting the Mix Balance

You can set the balance in the mix of Channel A and Channel B with
the BALANCE knob. Soon after the knob is turned, the balance value
pops up in the screen.
* You can also adjust this parameter in Page 2 of the Mixer screen.
* This knob is disabled when the Dynamic function is switched on.
Setting the Delay and Reverb
(DELAY/REVERB)
This sets the mixer section's delay and reverb.
1.
Press [DELAY/REVERB].
2.
Press PAGE [
] to display Page 1.
3.
Switch the delay on or off with [F1] (OFF/ON);
switch the reverb on or off with [F4] (OFF/ON).
4.
Set the parameters with [F1]–[F6] or with the
F1–F6 knobs.
* Each press of PAGE [
] takes you to the settings screen for the
next parameter.
5.
Adjust the parameters until you achieve the
desired sound.
6.
If you want to save the edited settings,
perform the Write procedure (p. 38).
* If not saving the values, press [EXIT] to return to the Play screen.
For detailed information on all the parameters, refer to
"DELAY/REVERB" (p. 148).
35

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