Page 1 Owner’s Manual Thank you, and congratulations on your choice of the Roland VG-99. 201b Before using this unit, carefully read the sections entitled: “USING THE UNIT SAFELY” (p. 2–3), and “IMPORTANT NOTES” (p. 4–5). These sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, Handbook and Owner’s manual should be read in its entirety.
Page 2 • Do not attempt to repair the unit, or replace parts within it (except when this manual provides specific instructions directing you to do so). Refer all servicing to your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.
Page 3 101c • This VG-99 for use only with Roland rack-mount adaptor RAD-99 or Stand PDS-10. Use with other rack-mount adaptors or stands are capable of resulting in instability causing possible injury.
Page 4: Important Notes
Roland assumes no liability concerning such loss of data. Additional Precautions • Please be aware that the contents of memory can be irretrievably lost as a result of a malfunction, or the improper operation of the unit.
Page 5 • While under most conditions, a computer similar to the above will permit normal operation of the VG-99, Roland cannot guarantee compatibility solely on these factors. This is due to numerous variables that may influence the...
Page 6: Table Of Contents
Contents IMPORTANT NOTES ...4 Main Features...11 Ultimate guitar modeling system provides unlimited possibilities in creating sounds...11 Two complete sound creation systems ... 11 Equipped with D-Beam, ribbon, and other new realtime controllers ... 11 Console style accommodates a variety of usage environments ... 11 Combine with the FC-300 to create the perfect live system...
Page 7 Adjusting the Screen’s Contrast ... 51 Setting the Output Signal and Level (SYSTEM OUTPUT)... 51 Chapter 5 Using the VG-99 in Combination with an FC-300 ...52 Connecting with the RRC2 IN Connector... 52 Settings Related to the FC-300 ... 52 Settings for Control of the FC-300 ...
Page 8 Setting the Direct Monitor ... 74 Recording the VG-99’s Output with a Computer... 75 Using the VG-99 to Add Effects to Audio Playback from a Computer... 75 Chapter 8 Other Functions...76 Changing the Tone in Real Time with the D Beam and Ribbon Controllers... 76 Adjusting the D Beam (CALIBRATION)...
Page 9 Setting V-LINK ... 97 Using the VG-99 on a Stand ... 98 Using the VG-99 Mounted in a Rack ... 99 Restoring the VG-99 to its Original Factory Condition (FACTORY RESET)... 100 Chapter 9 Parameters Guide...101 COSM GUITAR ... 101 Modeling Type List...
Page 10 Chapter 10 Appendices ...179 MIDI Implementation Chart ... 179 Signal Flow ... 183 Specifications... 184 VG-99: V-Guitar System... 184 VG-99 Software System Requirements ... 185 For Windows ... 185 For Mac OS... 185 Error Messages... 186 Troubleshooting... 186 Problems with Sounds... 186 Other Problems...
Page 11: Main Features
Console style accommodates a variety of usage environments The VG-99 can be set up in a number of different ways to suit the needs of the user—as a desktop unit for recording or when using computer input, attached to its stand (optional) and set up right by the performer, or placed in a rack with the (optional) rack mount adaptor.
Page 12: Names Of Things And What They Do
ASSIGNABLE Button Use this to assign different parameters and functions to the D-Beam and change the tone in real time. Various information regarding the VG-99 is indicated here. PATCH/VALUE Dial Used to switch patches and change settings values. CATEGORY Button Used to select and change categories.
Page 13: Balance Knob
This sets the GUITAR TO MIDI function (the function that converts what is played on the guitar into MIDI signals). (p. 27. SYSTEM Button Used for making settings related to the VG-99’s operating environment. (p. 42) 28. GLOBAL Button This sets the GLOBAL function (which affects the tone of all patches).
Page 14: Rear Panel
EXP PEDAL (EXPRESSION PEDAL) Jack Connect an optional expression pedal (such as a Roland EV-5) here. (p. 16) * The VG-99 is set at the factory so that the pedal is automatically enabled to function as a foot volume. 9 10 11 12 10.
Page 15: Chapter 1 Outputting Sounds
With the VG-99, you can assign various different functions to the GK-3’s GK volume control. p. 82 You may not be able to control the VG-99’s volume level with the GK volume control another parameter is assigned to the GK volume control.
Page 16: Making The Connections
Chapter 1 Outputting Sounds Making the Connections Top Panel Rear Panel Stereo Headphones Mixer etc. Normal Guitar Guitar Amp (for Normal Guitar) GK cable Digital Recorder etc. Computer V-LINK MIDI IN Compatible Device (EDIROL MD-P1 etc.) RRC2 cable EXP Pedal Footswitch Computer (EV-5 etc.)
Page 17 * Never connect anything other than the FC-300’s RRC2 OUT connector to the VG-99’s RRC2 IN connector. Connecting to a LAN or other devices that use modular jacks of the same size and shape (RJ45) may result in damage to the VG-99 and/or the connected device.
Page 18: Turning On The Power
Play screen displayed. * When the power to the VG-99 is turned on, the patch selected at the time the power was last turned off is called up. • The explanations in this manual include illustrations that depict what should typically be shown by the display.
Page 19: About The Play Screen
About the Play Screen The VG-99 has a variety of Play screen variations, each providing different information about the current state of the VG-99. You can switch the information shown in the Play screen by pressing PAGE [ Screen 1: The first nine characters of the patch name are displayed in large type;...
Page 20: Adjusting The Volume
Press [F4] (SELECT) or turn the F4 knob to set the type of device to be connected to the MAIN OUT jacks. Value Explanation Use this setting when connecting to Roland’s JC-120 JC-120 guitar amp. Use this setting when connecting to a small SMALL AMP guitar amp.
Page 21: Inputting The Divided Pickup Settings (Gk Settings)
* For information on parameters not described in this chapter, refer to “GK SETTING” (p. 166). When using more than one guitar with the VG-99, you can save the settings for each guitar separately. The GK settings are extremely important to getting good tones from the VG-99.
Page 22: Tuning The Guitar (Tuner)
For more information on other parameters in the GK Settings, refer to “GK SETTING” (p. 166). Tuning the Guitar (TUNER) Tune the guitar using the VG-99’s tuner function. * To get the best tone quality from the VG-99, make sure the tuning is accurate. fig.01-190 Press [TUNER].
Page 23: Switching Tones (Patch)
Chapter 1 Outputting Sounds Switching Tones (Patch) What is a patch? The VG-99 can store 400 configurations of tone-related settings, including the COSM guitar, COSM amp, and effects. Each one of these is called a patch. Each time you switch a patch, you can instantly change to a different tone.
Page 24: Switching With The Patch/Value Dial
Turning Off the Power Confirm the following before turning off the power. • Are the volume levels for the VG-99 and connected amp and other devices turned down completely? Turn off the power to the guitar amp (power amp).
Page 25: Chapter 2 Creating Sounds
Chapter 2 Creating Sounds First, let’s take a look at how the VG-99 is organized internally. ● COSM Guitars You can use COSM modeling to create the tones of a variety of different guitars. Available sounds include not just electric and...
Page 26: Setting The Alternate Tuning
The Alternate Tuning feature allows you to change the tuning of a COSM guitar without changing the actual pitch of the guitar’s strings. To accomplish this, the VG-99 analyzes the pitch of the signals transmitted by the divided pickup for each individual string while keeping best possible sound quality.
Page 27: Setting Tuning
Setting TUNING Press [ALTERNATE TUNING]. Press PAGE [ ] to display Page 1. fig.01-060d Select A or B with [F2] (A/B) or the F2 knob. * You cannot select this when AB LINK is on. Switch the function on or off with the F3 knob. Select the tuning TYPE with [F4] (TYPE) or the F4 knob.
Page 28: Setting 12-String
Chapter 2 Creating Sounds Example of BEND Parameter Settings By making the parameter settings shown below, you can achieve a string bender-like effect which smoothly raises the pitch of the second string a whole step. Values Set for the Alternate Tuning Parameter [ALT TUNING] AB LINK = ON BEND SW = ON...
Page 29: Setting User Tuning
Setting USER TUNING Press [ALTERNATE TUNING]. Press PAGE [ ] to display Page 1. fig.01-060d Select A or B with [F2] (A/B) or the F2 knob. * You cannot select this when AB LINK is on. Switch the function on or off with the F3 knob. Use [F4] (TYPE) or the F4 knob to select USER.
Page 30: Setting Harmony
Chapter 2 Creating Sounds Setting HARMONY Press [ALTERNATE TUNING]. Press PAGE [ ] to go to Page 2. fig.01-060d Switch the function on or off with the F3 or F6 knob. If making detailed parameter settings for HARMONY, press [F3] (HARMO) or [F6] (HARMO).
Page 31: Setting The Effects
Setting the Effects POLY FX (Poly Effect) * You can use POLY FX in only one channel at a time (A or B). Press [POLY FX] for the channel, either A or B, in which you want to use it. Press PAGE [ ] several times to display Page fig.01-060d...
Page 32: Rearranging The Effect And Amp Connection Sequence (Chain)
Chapter 2 Creating Sounds Rearranging the Effect and Amp Connection Sequence (CHAIN) You can freely set the order in which the effects and COSM amps are connected. Press [CHAIN]. The Chain screen is displayed. * If the effects and COSM amps are off, OFF is indicated. Select the channel for which you want to change the connection sequence with [F1] (A/B).
Page 33: Setting The Key
Setting the Key Press [NAME/KEY/BPM]. Press [F2] (KEY). Set the song’s key with [F1] (SELECT) or the F1 knob. * The Alternate Tuning HARMONY and FX MOD 1/2 HARMONIST functions operate in accordance with the key set here. If you want to save the edited settings, perform the Write procedure (p.
Page 34: Setting The Point At Which The Cosm Guitar Is Connected
Chapter 2 Creating Sounds Setting the Point at Which the COSM Guitar is Connected Press [CHAIN]. Use [F2] ( SEL) and [F3] (SEL the arrow indicating the connection point. Use [F4] (←MOVE) and [F5] (MOVE→) to shift the COSM guitar’s connection point. If you want to save the edited settings, perform the Write procedure (p.
Page 35: Mixing Two Tones (Mixer)
Mixing Two Tones (MIXER) For detailed about the block diagram, refer to “Signal Flow” (p. 183). Setting the Volume and Panning for Each Channel Press [MIXER]. Press PAGE [ ] to display Page 1. Make the settings for each channel on this page. * Page 2 and later pages contain the mixer section’s common settings.
Page 36: Using Picking Dynamics To Control The Mix Between The Two Channels (Dynamic)
Chapter 2 Creating Sounds Using Picking Dynamics to Control the Mix Between the Two Channels (DYNAMIC) You can control the mix between the two channels according to how strongly the strings are picked. Press [DYNAMIC]. Press PAGE [ ] to display Page 1. Switch the Dynamic function on or off with [F1] (OFF/ON).
Page 37: Setting The Output Signal And Level (Output)
Setting the Output Signal and Level (OUTPUT) This sets the signals and levels output for each of the VG-99’s output jacks and connectors. Press [MIXER]. Press PAGE [ ] to display Page 5. Set the signal and level output to MAIN OUT, SUB OUT, and DIGITAL OUT with [F1]–[F6] or...
Page 38: Saving A Patch (Write)
Chapter 2 Creating Sounds Saving a Patch (WRITE) The settings made to change a sound are temporary; when you switch to a different patch, the settings revert to the values in effect before the changes were made. If you want to save the changes in the settings, carry out the Write procedure.
Page 39: Chapter 3 Creating Your Own Effect Types (Customize)
Chapter 3 Creating Your Own Effect Types (CUSTOMIZE) The Customize function allows you to make even more detailed changes to settings for COSM AMP (Preamp section, Speaker section), Overdrive/Distortion, and Pedal Wah, just like designing your own original effects processors. Customizing the Preamp Press [COSM AMP].
Page 40: Customizing The Speaker
Chapter 3 Creating Your Own Effect Types (CUSTOMIZE) Customizing the Speaker * You cannot customize the speaker when BASS AMP VINTAGE or BASS AMP MODERN is selected with PREAMP TYPE. Press [COSM AMP]. The COSM AMP Edit screen appears. Press PAGE [ ] to display the Speaker Type selection screen.
Page 41: Customizing Pedal Wah
Customizing Pedal Wah Press [FX]. The FX Edit screen appears. Press PAGE [ ] to display Page 1. Press [F3] (WAH). Select CUSTOM as the WAH TYPE with [F2] (SELECT) or the F2 knob. Press PAGE [ ] to display Page 2. Select the basic type with [F1] (SELECT) or the F1 knob.
Page 42: Chapter 4 Global Device Settings (System)
Selecting the Settings The VG-99 can store ten separate sets of GK settings. If you are playing more than one guitar using the VG-99, you can store separate settings for each one, allowing you to be ready in moments with the necessary settings when the guitars are switched.
Page 43: Selecting The Divided Pickup Type
Selecting the Divided Pickup Type Follow Steps 1–3 in “Selecting the Settings” (p. 42) to display the GK SETTING screen. Press PAGE [ ] to display Page 2. Use F1 (SELECT) or the F1 knob to select the pickup type. Settings Explanation GK-3...
Page 44: Setting The Down/S1, Up/S2 Switch Arrangement
Chapter 4 Global Device Settings (SYSTEM) Setting the DOWN/S1, UP/S2 Switch Arrangement On some guitars with the Divided pickup built in, the positions of the DOWN/S1 and UP/S2 switches are reversed from those of the Divided pickup. Set this so that the functions match. Follow Steps 1–3 in “Selecting the Settings”...
Page 45: Adjusting The Sensitivity For Each String
Setting Whether or Not the Deviced Pickup Is Used (GK CONNCT) The VG-99 comes equipped with a function that automatically determines whether or not a GK connection exists and switches the internal settings accordingly. This makes it possible for you to all functions other than a COSM guitar (COSM amp, effects, tuner, etc.)
Page 46: Using Different Guitar Settings In Each Patch (Set Mode)
The VG-99 includes a function for adjusting the overall tone produced by the device. This is referred to as the Global function. You can use the Global function to adjust the overall sound of the VG-99 to suit the equipment being used or environment you are in without altering the individual patches.
Page 47: Naming The Settings (Global Name)
Chapter 4 Global Device Settings (SYSTEM) Setting the Types of Connected Devices (OUTPUT SELECT) You can match the VG-99’s output response to that of the connected device. Making this setting helps keep differences in sound qualities respective to the connected device to a minimum.
Page 48: Adjusting The Overall Tone (Global Eq)
Chapter 4 Global Device Settings (SYSTEM) Adjusting the Overall Tone (GLOBAL EQ) Both MAIN OUT and SUB OUT feature four-band EQs. EQ (MAIN) is applied to the output from MAIN OUT; EQ (SUB) is applied to the output from SUB OUT. Press [GLOBAL].
Page 49: Controlling The Overall Reverb Level (Total Reverb)
Controlling the Overall Reverb Level (Total REVERB) This controls the overall reverb level settings in the individual patches. This is effective for adjusting to the acoustics of the performance venue. This setting does not affect the individual patch settings. Press [GLOBAL]. Press PAGE [ ] to display Page 6.
Page 50: Having Values From An External Pedal, Gk Volume Control
Chapter 4 Global Device Settings (SYSTEM) Having Values from an External Pedal, GK VOLUME Control, or Other Controller Carried Over When Patches are Called Up (ASSIGN HOLD) This setting determines whether or not the current settings for each controller (the expression pedals, the FC-300’s expression pedals, control pedals or other controllers) are applied to the patch when patches are switched.
Page 51: Adjusting The Screen's Contrast
Chapter 4 Global Device Settings (SYSTEM) Setting the Output Signal and Level (SYSTEM OUTPUT) This sets the signals and levels output for each of the VG-99’s output jacks and connectors (MAIN OUT, SUB OUT, and DIGITAL OUT). Press [SYSTEM]. Press PAGE [ ] to display Page 2.
Page 52: Chapter 5 Using The Vg-99 In Combination With An Fc-300
Cable designed for straight-through connection. * Ethernet cables designed for crossover connections cannot be used. Settings Related to the FC- If connecting the VG-99 with an FC-300 using an RRC2 cable, make the settings below as needed. Settings for Control of the FC- This sets the method for controlling the FC-300.
Page 53: Setting The Operation When Patches Are Switched
Chapter 5 Using the VG-99 in Combination with an FC-300 Setting the Operation When Patches Are Switched This sets the timing at which patches are switched when you press ] pedals on the FC-300. Press [SYSTEM]. Press PAGE [ ] to display Page 1.
Page 54: Setting The Fc-300 Amp Control
When the guitar amp’s channel switch jack is connected to the FC- 300’s AMP CONTROL 1 jack (or AMP CONTROL 2 jack), you can then switch the guitar amp channels with the VG-99’s AMP CTL1 (or AMP CTL2) parameter. Use the PATCH/VALUE dial to select the patch you want to set.
Page 55: Chapter 6 Using Midi
Transmitting Data You can use Exclusive messages to transmit settings for effect sounds and other data stored in the VG-99 to other MIDI devices. This allows you to give another VG-99 the identical settings and to save effect sound settings to MIDI sequencers and other such devices.
Page 56: Main Types Of Midi Messages Handled By The Vg-99
“Using the Switches, Pedals, and MIDI to Control the Sounds (CONTROL ASSIGN)” (p. 82). Receiving Data The VG-99 can receive data transmitted from other VG-99’s and data saved to MIDI sequencers. Main Types of MIDI Messages Handled by the VG-99...
Page 57: About The Midi Implementation
Chapter 6 Using MIDI Description Messages from other MIDI devices are received here. Messages from the VG-99 are transmitted here. TV information from many different broadcasting station is sent through an antenna. Select the channel of the broadcasting station you wish to watch.
Page 58: Bank Select And Program Change
Select MSB, LSB numbers 0–127 and Program numbers 1–128. * The VG-99 disregards the Bank Select LSB. Setting the MIDI-Related Functions This section describes the VG-99’s MIDI-related functions. Set these according to how they are to be used. Press [SYSTEM]. The System screen appears.
Page 59: Midi Omni Mode
MIDI Omni Mode When set to MIDI Omni mode, the VG-99 receives messages on all MIDI channels, regardless of the MIDI channel settings. You can use Omni mode whenever you do not need to use specific MIDI channels in controlling the VG-99.
Page 60: Midi Pc Out
Chapter 6 Using MIDI MIDI PC OUT This setting determines whether or not Program Change messages are output when the VG-99’s patches are switched. Follow Steps 1–3 in “Setting the MIDI-Related Functions” (p. 58) to display the MIDI screen. Press PAGE [ ] to display Page 5.
Page 61 )/F2 or F3 Knob Selects the Program number. • [F5] (SELECT)/F5 Knob Selects the patch. When the combination of the Bank number and Program number selected with F1, F2, and F3 is received, the VG-99 switches to the patch selected with F5.
Page 62 * Control Changes message cannot be output if OFF is selected. Bulk Dump With the VG-99, you can use Exclusive messages to set another VG- 99 to the same settings or to save effect sound settings to MIDI sequencers and other such devices.
Page 63: Bulk Load
You can cancel the procedure in progress by pressing [EXIT]. Chapter 6 Using MIDI Bulk Load Reception of VG-99 data saved to MIDI sequencers and other devices is referred to as bulk load. When Receiving Data Saved to a MIDI Sequencer Connect the devices as shown below.
Page 64: Syncing To The Midi Clock From An External Device
• AUTO (USB) The VG-99 is synchronized to the MIDI Clock received via USB. However, operations are automatically synchronized to the VG-99’s internal Clock if the VG-99 is unable to receive the external Clock. • AUTO (MIDI) The VG-99 is synchronized to the MIDI Clock received via MIDI.
Page 65 HOLD CTL Controller GK S1, S2 GK-3 DOWN/S1, UP/S2 switch VG-99’s CONTROL 1, 2 buttons or foot CTL 1–4 switch connected to CTL 3,4 jack FC-300’s CTL 1, 2 pedals or foot switch con- FC-300 CTL1–8 nected to CTL jacks 3–8...
Page 66: Setting The Midi Transmit Channel
Setting the MIDI Transmit Channel (BASIC CH) This sets the MIDI channel used for output of string performance data from the VG-99. Set the MIDI channels according to the POLY/MONO mode as shown below. • When set to POLY mode The performance data for all of the strings is transmitted over the basic channel.
Page 67: Setting The Guitar To Midi Function (Patch Parameters)
Setting the GUITAR TO MIDI Function (Patch Parameters) Patch parameters are settings made individually for each patch. The Write procedure is required to save changes in the settings. Carry out the Write procedure as needed. Setting the Transmission Mode (MODE) Press [GUITAR TO MIDI].
Page 68 Changing the Pitch in Semitone Units (CHROMATIC) When using string bending or other such techniques to gradually change the pitch with the guitar or bass, you can set the VG-99 so that the pitch of the MIDI messages being output changes in semitone increments.
Page 69 Selecting How the Hold Functions (HOLD TYPE) This selects the Hold function type when the controller set with the HOLD CTL parameter (p. 65) is adjusted. Follow Steps 1–2 in “Setting the Transmission Mode (MODE)” (p. 67) to display the GTR TO MIDI screen.
Page 70 Simultaneously When Switching Patches (PC) This sets the Program Change messages that are output when the VG-99’s patches are switched. * Program Change messages are not output while PC MASK (p. 66) is set to ON. Follow Steps 1–2 in “Setting the Transmission Mode (MODE)”...
Page 71: Chapter 7 Using The Vg-99 Connected To A Computer Via Usb
Computer Via USB Before Using the USB Connection By using USB with the VG-99, you’ll be able to exchange digital audio signals and MIDI messages with your computer. Installing and Setting the USB Driver Use of the VG-99’s USB functionality requires that the USB driver first be installed on the computer.
Page 72: Switching The Driver Mode
About MIDI in Standard Driver Mode You cannot use MIDI when STNDRD is selected as the driver mode. If you want to use MIDI with the USB connection, set the VG-99 to the advanced driver mode.
Page 73: Setting The Usb Functions
* If the USB IN parameter is set to COSM GTR A, COSM GTR B, or NORMAL PU, the setting automatically changes to MAIN & SUB the next time the VG-99 is powered up. If you plan to use COSM GTR A, COSM GTR B, or NORMAL PU, make the setting each time you turn on the power to the VG-99.
Page 74: Setting The Direct Monitor
The Direct Monitor command is enabled, al- lowing the Direct Monitor mode to be switched from an external device. DIRECT MON (Direct Monitor) Switches the output of the VG-99 sound to the PHONES jack, MAIN OUT jacks, or SUB OUT jacks. Audio signal USB OUT...
Page 75: Recording The Vg-99'S Output With A Computer
Computer In the computer application, set the audio output port to the VG-99. You can use the VG-99 to apply effects to the audio data played by the computer, then record the data again with the computer. Use this process when, for example, you want to add effects to existing audio data.
Page 76: Chapter 8 Other Functions
D Beam controller. • First, hold the object you will use to activate the controller (your hand, guitar neck, etc.) at the point farthest from the VG-99 in the range you want the controller to respond, and press [F1] (SetMIN).
Page 77: Disabling The D Beam (Disable)
Disabling the D Beam (DISABLE) You can disable the D Beam controller for the entire device. If you are using the VG-99 rack-mounted or otherwise not using the D Beam controller, we recommend disabling the D Beam controller by setting D BEAM DISAB to OFF.
Page 78: Adjusting The Ribbon Controller (Calibration)
If the message continues to appear even after the calibration is correctly performed, it may indicate damage or malfunction. Consult your Roland dealer or contact Roland Service. Press [EXIT] several times to return to the Play screen.
Page 79: Controlling The Sounds With The Movement Of Your Fingertip (Ribbon Controller)
Controlling the Sounds with the Movement of Your Fingertip (Ribbon Controller) The ribbon controller allows you to change sounds by “scratching” or tracing your finger along the ribbon. You can apply various effects to the sound by changing the functions assigned to this controller. Press the RIBBON CONTROLLER [PITCH], [FILTER], or [ASSIGNABLE] button to switch on the ribbon controller.
Page 80: Changing The Pitch As With A Tremolo Arm (T-Arm)
Chapter 8 Other Functions pedal, MIDI device, or any of a variety of other controllers. Changing the Pitch as with a Tremolo Arm (T-ARM) You can press the D BEAM or RIBBON CONTROLLER [PITCH] button to use T-ARM, which changes the pitch of the COSM guitar like a tremolo arm.
Page 81: Adding Nuance To The Sound (Filter)
Adding Nuance to the Sound (FILTER) You can press the D BEAM or RIBBON CONTROLLER [FILTER] button to apply the FILTER effect and add nuance to the tone in Channel A or B, or both channels. Press [CONTROL ASSIGN] Press PAGE [ ] to go to Page 2 for the D Beam, or Page 3 for the ribbon controller.
Page 82: Changing The Sounds With The Knobs As You Play (Direct Edit)
99’s CONTROL buttons, an external pedal or other connected controller, or a connected MIDI device. In addition to settings already assigned to controllers, the VG-99 also features sixteen prepared general-purpose control assigns that let you freely assign settings to controllers as you like.
Page 83 EXP PEDAL jack on the VG-99’s rear panel. Settings for the footswitch connect- CTL3 CTL3 ed to the CTL3 jack on the VG-99’s rear panel. Settings for the footswitch connect- CTL4 CTL4 ed to the CTL4 jack on the VG-99’s rear panel.
Page 84 ASGN16 scribed above. Settings for the function knobs ar- F1–F6 DIRECT EDIT ranged below the VG-99’s LCD. Select the function you want to assign with PAGE [ ], [F1]–[F6], and the F1–F6 knobs. You can assign two different functions to one controller.
Page 85 F4: MODE (GK S1, S2 only) This specifies how the switches function. * Combinations of the actions below are possible. S1: DEC / S2: INC S1: INC / S2: DEC S1: MIN / S2: MAX S1: MAX / S2: MIN Available Settings Explanation The value increases.
Page 86: One Touch Call Up Of Favorite Patches (Direct Patch)
Chapter 8 Other Functions About the Range of Controllers’ Change This sets the operational range (range in which the value actually changes) for an expression pedal, or similar controller that changes the value of a setting in a continuous fashion, when it has been set as the source.
Page 87: Managing The Patches
Press [WRITE] again. The message “NOW WRITING...” is displayed as the patch is copied, and the VG-99 changes to the copy-destination patch number. * If you are not saving the settings, press [EXIT] to return to the Play screen.
Page 88: Initializing User Patches (Patch Initialize)
Chapter 8 Other Functions Initializing User Patches (PATCH INITIALIZE) You can set user patches to their initial conditions, with all effects switched off. This is convenient when you want to create a patch from scratch. * You cannot initialize preset patches. Confirm that the Play screen for a user patch is displayed.
Page 89: Partially Copying Parameters In A Different Patch (Module Copy)
Partially Copying Parameters in a Different Patch (MODULE COPY) You can copy and reuse portions of patch parameters (such as COSM amps, effects, and other modules). Go to the settings screen for the parameters whose settings you want to copy. Press PAGE [ ] several times to go to the last page.
Page 90: Separating Patches Into Groups (Category)
Chapter 8 Other Functions Separating Patches into Groups (CATEGORY) The VG-99 includes a function that allows you to categorize patches into a number of different groups. This is called the CATEGORY function. Specifying the category for each patch makes searching for patches more convenient.
Page 91: Naming User Categories (Category Name)
Settings Individually (FAVORITE SETTINGS) What are Favorite Settings? The VG-99 includes a function that, apart from the patches, stores the settings you like for each effects processor. These are called Favorite Settings. By storing the settings you like for each of a variety of effects processors, you can then easily create sounds simply by combining these settings.
Page 92: Calling Up Favorite Settings
Chapter 8 Other Functions Calling Up Favorite Settings Here is an example using the compressor effect. Press [FX]. Press PAGE [ ] to go to Page 1. Press [F1] (COMP). Press PAGE [ ] to display the last page (in this case, Page 3).
Page 93: Saving Changed Tones
Saving Changed Tones There are two methods you can use to save changed tones. Saving to Patches Press [WRITE]. The PATCH WRITE screen appears. Use the PATCH/VALUE dial to select the save- destination patch. Press [WRITE]. “NOW WRITING...” is displayed as the patch is being saved, and then the Play screen returns to the display.
Page 94: Naming Favorite Settings (Favorite Name)
Chapter 8 Other Functions Naming Favorite Settings (FAVORITE NAME) When storing Favorite Settings, you can also give the settings names. Carry out the following procedure in Step 2 of “Saving to the Favorite Settings” (p. 93). Press [F5] (NAME). The Name edit screen appears. Press PAGE [ ] to move the cursor to the position with the character you want to...
Page 95: Activating The Virtual Expression Pedal At The Start Of Operations (Internal Pedal System)
Expression Pedal at the Start of Operations (Internal Pedal System) The VG-99 features a function called Internal Pedal system. This function assigns specified parameters to a virtual expression pedal (the internal pedal), providing an effect automatically that changes volume and tone in real time just the way an expression pedal functions.
Page 96: Controlling Video Images With Your Guitar (V-Link)
For example, combining the VG-99 with the EDIROL motion dive. tokyo performance package lets you do the following. • Set the required information for motion dive. tokyo performance package performances.
Page 97: Setting V-Link
Setting V-LINK Press [SYSTEM]. Press PAGE [ ] to go to Page 2. Press [F3] (V-LINK). The V-LINK screen appears. Press [F1] (CLIP). The PATCH/CLIP screen appears. Use [F1] and [F2] or the F1 or F2 knobs to set the palette and clip for V-LINK Channel A; set the palette and clip for V-LINK Channel B with [F4] and [F5] or the F4 or F5 knobs.
Page 98: Using The Vg-99 On A Stand
Chapter 8 Other Functions Using the VG-99 on a Stand You can use the VG-99 while attached to a PDS-10 stand (optional). Turn the VG-99 over and remove the screws from the bottom panel. Attach the mounting plate as shown in the figure, using the screws removed in Step 1 or the knob nuts included with the kit.
Page 99: Using The Vg-99 Mounted In A Rack
Setting Manual. Chapter 8 Other Functions 928, 929 • Use the screws (M5 x 10) included with the VG-99 to attach the RAD-99. Use of other screws may damage the device internally or cause the unit to be inadequately secured.
Page 100: Restoring The Vg-99 To Its Original Factory Condition (Factory Reset)
Chapter 8 Other Functions Restoring the VG-99 to its Original Factory Condition (FACTORY RESET) Press [SYSTEM]. Press PAGE [ ] to display Page 3. Press [F1] (F.RST). Select the parameters you want to restore to the original factory condition. vailable Settings Explanation...
Page 101: Chapter 9 Parameters Guide
Chapter 9 Parameters Guide In this chapter you will find detailed descriptions for each of the VG-99’s parameters used to control them. The trademarks listed in this document are trademarks of their respective owners, which are separate companies from Roland.
Page 102 Range GR-300 This models the Roland GR-300, the famed analog polyphonic guitar synthesizer of yesteryear. With the HEXA-DISTORTION effect and pitch-shifting six-string sawtooth wave generation from the instrument’s HEXA VCO and VCF (variable frequency filter) brings out all the nuance from guitar performance, yet with the tone of an analog synthesizer.
Page 103 COSM GUITAR E.GTR (Electric Guitar) Setting the parameter of electric guitar. CLA-ST/MOD-ST Parameter/ Explanation Range PU SEL (Pickup Select) REAR Use the rear pickup. Use both center and rear pickups. CENTER Use the center pickup. Use both front and center pickups. FRONT Use the front pickup.
Page 104: High Gain
It will have the same phase as pickup FRONT. It will be mixed in opposite phase. E. GTR Common Parameters Besides the other COSM E.GTR parameters, the VG-99 also includes the following shared parameters. Parameter/ Range EQ (Equalizer) A four-band equalizer with high and low ranges is provided. The sound processed by the effect can be boosted by frequency range be- fore it is output.
Page 105 COSM GUITAR Parameter/ Explanation Range MIX LEVEL COSM GUITAR 0–100 Specifies the level of the COSM GUITAR. NORMAL PU (Normal Pickup) 0–100 Adjusts the volume of the normal pickup. Parameter/ Explanation Range NS (Noise Suppressor) This effect reduces the noise and hum picked up by guitar pickups. Since it suppresses the noise in synchronization with the envelope of the guitar sound (the way in which the guitar sound decays over time), it has very little effect on the guitar sound, and does not harm...
Page 106 Chapter 9 Parameters Guide NYLON Parameter/ Explanation Range BODY 0–100 Adjusts the body resonation. Raising the val- ue produces more of a sense of the guitar body in the sound. Lower the value in condi- tions where feedback is prone to occur. * The body resonance is monophonic.
Page 107: Low Cut
COSM GUITAR RESO Parameter/ Explanation Range SUSTAIN You can specify how the resulting volume will be affected by chang- es (loud/soft dynamics) in the guitar string vibrations that are input. 0–100 Adjusts the range (time) over which low- level signals are boosted. Larger values will result in longer sustain.
Page 108 Chapter 9 Parameters Guide AC Common Parameters Besides the other COSM AC parameters, the VG-99 also includes the following shared parameters. Parameter/ Explanation Range EQ (Equalizer) A four-band equalizer with high and low ranges is provided. The sound processed by the effect can be boosted by frequency range be- fore it is output.
Page 109 TONE 0–100 Adjusts the tone. Chapter 9 Parameters Guide BASS Common Parameters Besides the other COSM BASS parameters, the VG-99 also includes the following shared parameters. Parameter/ Explanation Range EQ (Equalizer) A four-band equalizer with high and low ranges is provided. The sound processed by the effect can be boosted by frequency range be- fore it is output.
Page 110 Chapter 9 Parameters Guide Parameter/ Explanation Range MIX LEVEL COSM GUITAR 0–100 Specifies the level of the COSM GUITAR. NORMAL PU (Normal Pickup) 0–100 Adjusts the volume of the normal pickup. Parameter/ Explanation Range NS (Noise Suppressor) This effect reduces the noise and hum picked up by guitar pickups. Since it suppresses the noise in synchronization with the envelope of the guitar sound (the way in which the guitar sound decays over time), it has very little effect on the guitar sound, and does not harm...
Page 111 COSM GUITAR Parameter/ Explanation Range Sensitivity) SENS ( 0–100 Adjusts the input sensitivity for the enve- lope modulation function. As the value is raised, the change from the envelope modu- lation broadens with even weaker picking. Confirm the change in the tone as you make the adjustment.
Page 112: Power Bend
Chapter 9 Parameters Guide BOWED/PIPE Parameter/ Explanation Range FILTER CUTOFF 0–100 Adjusts the cutoff frequency, setting the brightness (hardness) of the sound. The sound gets brighter (harder) as the value is raised. FILTER RESO (Filter Resonance) 0–100 Adjusts the resonance (distinctiveness of the sound).
Page 113: Filter Bass
COSM GUITAR FILTER BASS Parameter/ Explanation Range FILTER CUTOFF 0–100 Adjusts the cutoff frequency, setting the brightness (hardness) of the sound. The sound gets brighter (harder) as the value is raised. FILTER RESO (Filter Resonance) 0–100 Adjusts the resonance (distinctiveness of the sound).
Page 114: Pwm Depth
Chapter 9 Parameters Guide Parameter/ Explanation Range FILTER CUTOFF 0–100 Adjusts the cutoff frequency, setting the brightness (hardness) of the sound. The sound gets brighter (harder) as the value is raised. FILTER RESO (Filter Resonance) 0–100 Adjusts the resonance (distinctiveness of the sound).
Page 115 When set to a negative value, the VCF cutoff frequency shifts from a low value to a high value. Chapter 9 Parameters Guide SYNTH Common Parameters Besides the other COSM SYNTH parameters, the VG-99 also includes the following shared parameters. Parameter/ Explanation Range EQ (Equalizer) A four-band equalizer with high and low ranges is provided.
Page 116: Alternate Tuning
Chapter 9 Parameters Guide ALTERNATE TUNING With the Alternate Tuning function, you can convert the pitch of each individual string of a COSM guitar, without changing the guitar’s actual tuning. Alternate Tuning includes the five following functions. • TUNING • BEND •...
Page 117: User Tuning 1St–6Th
COSM GUITAR Parameter/ Explanation Range -1 OCT This tuning lowers all the strings one octave. -2 OCT This tuning raises all the strings one octave. USER This assigns the tuning set in USER TUN- ING. USER TUNING 1st–6th -24–+24 This sets the amount of shift for each indi- vidual string.
Page 118: Poly Fx (Poly Effect)
Chapter 9 Parameters Guide POLY FX (Poly Effect) Parameter/ Explanation Range POLYFX SW (Poly Effect Switch) OFF, ON Turns the poly effect on/off. TYPE POLY COMP Select the poly effect type. POLY DIST * The parameters that can be set differ with POLY OCTAVE each type.
Page 119 POLY FX (Poly Effect) POLY OCTAVE (Poly Octave) This supports playing technique related to octaves. * When 12STR (p. 116) in ALTERNATE TUNING is switched on, noise may occur in the octave sound. Parameter/ Explanation Range -1OCTAVE LEVEL 1st–6th 0–100 This adds sound one octave lower than the original sound.
Page 120: Fx (Effects)
Chapter 9 Parameters Guide FX (Effects) COMP (Compressor) This is an effect that produces a long sustain by evening out the volume level of the input signal. You can switch it to a limiter to suppress only the sound peaks and prevent distortion. Parameter/ Explanation Range...
Page 121 FX (Effects) Parameter/ Explanation Range OCT FUZZ This models an ACETONE FUZZ. MUFF FUZZ This models an Electro-Harmonix Big Muff π. CUSTOM Custom OD/DS DRIVE 0–120 Adjusts the depth of distortion. BOTTOM -50–+50 Adjusts the tone for the low frequency range.
Page 122: Wah Sw
Chapter 9 Parameters Guide You can control the wah effect in real time by adjusting the EXP pedal connected to the EXP PEDAL jack or FC-300 EXP pedal. Parameter/ Explanation Range WAH SW OFF, ON Turns the WAH effect on/off. TYPE Selects the type of wah.
Page 123 FX (Effects) EQ (Equalizer) This adjusts the tone as a sub equalizer. A parametric type is adopted for the high-middle and low-middle range. Parameter/ Explanation Range EQ SW (Equalizer Switch) OFF, ON Turns the EQ effect on/off. TOTAL GAIN -20–+20dB Adjusts the overall volume level of the equalizer.
Page 124: Delay Common Parameters
Chapter 9 Parameters Guide Parameter/ Explanation Range MOD (Modulate) This delay adds a pleasant wavering effect to the sound. HOLD Up to 2.8 seconds of performance content is recorded, then played back repeatedly. You can also layer this as you perform some- thing else, then record these together (over- dub), allowing you to produce what is called sound-on-sound or looping.
Page 125: Using The Hold (Hold Delay)
FX (Effects) WARP Parameter/ Explanation Range WARP SW OFF, ON Turns the WARP effect on/off. This parameter is assigned to the footswitch (CTL 1/2, CTL 3/4) and/or FC-300’s CTL pedal. RISE TIME 0–100 Adjusts how rapidly the warped delay sound rises. FEEDBACK DEPTH 0–100 Adjusts the feedback level of the warped de-...
Page 126 Chapter 9 Parameters Guide CHORUS In this effect, a slightly detuned sound is added to the original sound to add depth and breadth. Parameter/ Explanation Range CHORUS SW OFF, ON Turns the CHORUS effect on/off. CHORUS MODE Selection for the chorus mode. MONO This chorus effect outputs the same sound from both L channel and R channel.
Page 127: Phaser
FX (Effects) MOD1, MOD2 With MOD1 and MOD2, you can select the effect to be used from the following. You can select the same effect for FX-1 and FX-2. MOD TYPE PHASER Phaser FLANGR Flanger TREML Tremolo T.WAH Touch Wah AUTO WAH Auto Wah OCTAVE...
Page 128: Flanger
Chapter 9 Parameters Guide FLANGER The flanging effect gives a twisting, jet-airplane-like character to the sound. Parameter/ Explanation Range RATE 0–100, This sets the rate of the flanging effect. –BPM When set to BPM, the value of each parameter will be set according to the value of the BPM (p.
Page 129: T.wah (Touch Wah)
FX (Effects) T.WAH (Touch Wah) You can produce a wah effect with the filter changing in response to the guitar level. Parameter/ Explanation Range MODE Selects the wah mode. This creates a wah effect over a wide fre- (Low Pass Filter) quency range.
Page 130: Pitch Shift (Pitch Shifter)
Chapter 9 Parameters Guide PITCH SHIFT (Pitch Shifter) This effect changes the pitch of the original sound (up or down) within a range of two octaves. Parameter/ Explanation Range VOICE Selects the number of voices for the pitch shift sound. 1VOICE One-voice pitch-shifted sound output in monaural.
Page 131: Creating Harmonist Scales (User Scale)
FX (Effects) Parameter/ Explanation Range HARMONY1, HARMONY2 *1 HARM1, HARM2 (Harmony) *1 This determines the pitch of the sound added to the input sound, when you are making a harmony. -2 oct–+2 oct, It allows you to set it by up to 2 octaves USER higher or lower than the input sound.
Page 132: Pedal Bend
This lets you use the pedal to get a pitch bend effect. * Because of the need to analyze the pitch, chords (two or more sounds played simultaneously) cannot be played. “Chapter 5 Using the VG-99 in Combination with an FC-300” (p. 52) Parameter/...
Page 133: Rotary
FX (Effects) ROTARY This produces an effect like the sound of a rotary speaker. Parameter/ Explanation Range SPEED SLOW, FAST This parameter changes the simulated speaker’s rotating speed (Slow or Fast). RATE SLOW 0–100, This parameter adjusts the speed of rotation when set to Slow.
Page 134: Slicer
Chapter 9 Parameters Guide SLICER This consecutively interrupts the sound to create the impression that a rhythm backing phrase is being played. Parameter/ Explanation Range PATTERN P1–P20 Select the slice pattern that will be used to cut the sound. RATE 0–100, Adjust the rate at which the sound will be cut.
Page 135: Slow Gear
FX (Effects) SLOW GEAR This produces a volume-swell effect (“violin-like” sound). Parameter/ Explanation Range SENS (Sensitivity) 0–100 Adjusts the sensitivity. RISE TIME 0–100 Adjusts the time needed for the volume to reach its maximum from the moment you begin picking. DEFRET This simulates a fretless guitar.
Page 136: Ring Mod (Ring Modulator)
Chapter 9 Parameters Guide RING MOD (Ring Modulator) This creates a bell-like sound by ring-modulating the guitar sound with the signal from the internal oscillator. The sound can be unmusical and lack distinctive pitches. Parameter/ Explanation Range MODE This selects the mode for the ring modulator. NORMAL This is a normal ring modulator.
Page 137: Limitr (Limiter)
FX (Effects) LIMITR (Limiter) The limiter attenuates loud input levels to prevent distortion. Parameter/ Explanation Range TYPE Selects the limiter type. BOSS LIMITR This selects a stereo limiter. RACK 160D This models a dbx 160X. VTG RACK U This models a UREI 1178. ATTACK 0–100 Adjusts the strength of the picking attack...
Page 138: Sub Delay (Sub Delay)
Chapter 9 Parameters Guide SUB DELAY (Sub Delay) This is a delay with the maximum delay time of 400 ms. This effect is useful for making the sound fatter. Parameter/ Explanation Range DELAY TIME 1 ms–400 ms, Adjusts the delay time. –BPM When set to BPM, the value of each parameter will be set according to the value of the BPM (p.
Page 139 FX (Effects) FV (Foot Volume) This is a volume control effect. Normally, this is controlled with the expression pedal connected to the EXP PEDAL jack or the FC-300’s EXP pedal. * When making the settings determining each pedal’s foot volume operations, refer to “Using the Switches, Pedals, and MIDI to Control the Sounds (CONTROL ASSIGN)”...
Page 140: Cosm Amp
List Preamp Type List Type Explanation JC CLEAN (p. 141) JC-120 This is the sound of the Roland JC-120. WARM CLEAN This gives a mellow, clean sound. JAZZ COMBO This is a sound suited to jazz. FULL RANGE This is a sound with flat response. Good for...
Page 141 COSM AMP Type Explanation METAL (p. 141) 5150 DRIVE This models the lead channel of a Peavey EVH 5150. METAL STACK This is a drive sound suited to metal. METAL LEAD This is a lead sound suited to metal. CUSTOM (p. 143) CUSTOM Custom amp BASS AMP (p.
Page 142 Chapter 9 Parameters Guide Parameter/ Explanation Range SP TYPE (Speaker Type) Select the speaker type. This turns off the speaker simulator. ORIG This is the built-in speaker of the amp you selected with PREAMP TYPE. 1x8” This is a compact open-back speaker cabinet with one 8-inch speaker.
Page 143: Custom Type
Explanation Range CUSTOM TYPE Selects the basic type of preamp. JC CLEAN This is the sound of the Roland JC-120. TW CLEAN This models a Fender Twin Reverb. CRUNCH This is a crunch sound that can produce nat- ural distortion.
Page 144: Bass Amp Vintage
Chapter 9 Parameters Guide Parameter/ Explanation Range MIC TYPE This setting selects the simulated mic type. DYN57 This is the sound of the SHURE SM-57. General dynamic mic used for instruments and vocals. Optimal for use in miking guitar amps. DYN421 This is the sound of the SENNHEISER MD- 421.
Page 145: Bass Amp Modern
COSM AMP BASS AMP MODERN Parameter/ Explanation Range GAIN 0–100 Adjusts the distortion of the amp. BASS -50–+50 Adjusts the tone for the low frequency range. MIDDLE -50–+50 Adjusts the tone for the middle frequency range. MIDDLE FREQ (Middle Frequency) 220Hz, 800Hz, 3.0kHz This control adjusts the center frequency of the frequency range adjusted with the Mid- dle control.
Page 146: Mixer
Chapter 9 Parameter Guide Chapter 9 Parameter Guide MIXER MIXER This mixes the signals in Channel A and Channel B. MIXER A, B (MIXER CHANNEL A, B) Parameter/ Explanation Range MIX SW OFF, ON This setting switches mixing of Channel A (or Channel B) on and off.
Page 147: Output
MIXER OUTPUT This setting determines which signals are output at each output and the level at which they are output. Parameter/ Explanation Range MAIN OUT This switches the signals output from the MAIN OUT. CH A This outputs Channel A. This output also reflects the mixer’s MIX SW, PAN, LEVEL, and A/B BAL settings.
Page 148: Delay
Chapter 9 Parameter Guide DELAY/REVERB You can apply delay and reverb jointly to Channel A and Channel B. DELAY/REVERB Signal Flow LEVEL (DELAY LEVEL) DELAY REVERB SEND CH A CH B DELAY SEND REVERB DELAY Parameter/ Explanation Range DELAY SW OFF, ON Turns the DELAY effect on/off.
Page 149: Dyna Sw
MIXER DYNAMIC This function allows you use your picking dynamics to control the volume of the mix of the two channels. The volume and balance of the channels change according to the dynamics each time you pick the strings. You can set the point at which the volume changes in the settings screen as you check the dynamics level shown by the meter.
Page 150: Master
CONTROL ASSIGN Adjust these settings if you would like to use a pedal connected to the VG-99, or an external MIDI device (control source) to control parameters as you play. You can set two parameters as targets to each control source.
Page 151: Panel Ctl1/Ctl2 (Control Button 1/2)
MASTER PANEL CTL1/CTL2 (Control Button 1/2) Parameter/ Explanation Range SW (Switch) OFF, ON This setting switches CONTROL button on and off. TARGET PARAMETER This selects the parameter to be changed. Refer to “TARGET PARAMETER” (p. 157). MIN (Minimum) This sets the minimum value for the range in which the parameter can change.
Page 152 Chapter 9 Parameter Guide Parameter/ Explanation Range FREEZE CH (Freeze Channel) This selects the channel to which the FREEZE effect is applied. FREEZE is applied only to Channel A. FREEZE is applied only to Channel B. FREEZE is applied to both Channel A and B. ATTACK 0–100 This sets the attack time for the FREEZE...
Page 153: Ribbon
MASTER RIBBON PITCH Parameter/ Explanation Range T-ARM CH (T-ARM Channel) This selects the channel to which the tremolo T-ARM is applied. T-ARM is applied only to Channel A. T-ARM is applied only to Channel B. T-ARM is applied to both Channel A and B. TYPE This selects the T-ARM type.
Page 154: Exp Pedal (Expression Pedal)
Chapter 9 Parameter Guide EXP PEDAL (Expression Pedal) Parameter/ Explanation Range SW (Switch) OFF, ON This setting determines whether control us- ing an expression pedal connected to the EXP PEDAL jack is switched on or off. TARGET PARAMETER This selects the parameter to be changed. Refer to “TARGET PARAMETER”...
Page 155: Fc-300 Control
“CTL3, CTL4 (Control3, Control4)” (p. 154). Chapter 9 Parameter Guide ASSIGN 1–16 You can freely assign functions to the VG-99’s and FC-300’s controllers. Parameter/ Explanation...
Page 156: Direct Edit F1-F6
Chapter 9 Parameter Guide Parameter/ Explanation Range MAX (Maximum) This sets the minimum value for the range in which the parameter can change. The value differs depending on the parameter assigned for TARGET PARAMETER. SW MODE (Switch Mode) This sets the behavior of the value each time the switch is operated. MOMENT The setting is normally OFF (minimum val- ue), switching to ON (maximum value)
Page 157 MASTER TARGET PARAMETER Parameter (F4) Parameter (F5) KEY/BPM/ AMPCTL SELECT PITCH TYPE T-ARM T-ARM (S/B/F) T-ARM (TRANS) FREEZE D BEAM FREEZE (A) FREEZE (B) FILTER SELECT T-ARM T-ARM (S/B/F) T-ARM (TRANS) RIBBON FILTER Parameter (F4) Parameter (F5) Parameter (F6) BPM TAP FC AMP CTL1 ALT TUNE FC AMP CTL2...
Page 158 Chapter 9 Parameter Guide Parameter (F4) Parameter (F5) AC RESO AC VARI BASS SYNTH TYPE [A] COSM GTR/ [B] COSM GTR SYNTH GR-300 SYNTH BOWED SYNTH DUAL Parameter (F6) Parameter (F4) Parameter (F5) SUSTAIN RESO TONE LEVEL BODY TYPE SIZE RESO ATTACK BODY...
Page 159 MASTER Parameter (F4) Parameter (F5) EQ SW LOW GAIN HIGH GAIN LOW MID FREQ LOW MID Q LOW MID GAIN HIGH MID FREQ HIGH MID Q [A] COSM GTR/ HIGH MID GAIN [B] COSM GTR TOTAL GAIN STRING PAN 1st–6th STRING LEVEL 1st–6th COSM GUITAR...
Page 160 Chapter 9 Parameter Guide Parameter (F4) Parameter (F5) DELAY (HOLD) CHORUS REVERB MOD1/MOD2 MOD1 PHASER/ [A] FX/[B] FX MOD2 PHASER MOD1 FLANGER/ MOD2 FLANGER MOD1 TREMOLO/ MOD2 TREMOLO MOD1 PAN/MOD2 MOD1 T.WAH/ MOD2 T.WAH Parameter (F6) Parameter (F4) Parameter (F5) STOP CHORUS SW CHORUS MODE...
Page 161 MASTER Parameter (F4) Parameter (F5) PATTERN MOD1 SLICER/ RATE MOD2 SLICER TRIG SENS MODE VOWEL1, 2 SENS MOD1 HUMANIZER/ RATE MOD2 HUMANIZER DEPTH MANUAL LEVEL SENS MOD1 SLOW GEAR/ MOD2 SLOW GEAR RISE TIME TONE SENS ATTACK MOD1 DEFRETTER/ DEPTH MOD2 DEFRETTER RESO EFFECT LEVEL...
Page 162 Chapter 9 Parameter Guide Parameter (F4) Parameter (F5) BASS AMP [A] COSM AMP/ [B] COSM AMP BASS AMP SP DELAY DELAY/REVERB REVERB DYNAMIC [A] MIXER/ [B] MIXER Parameter (F6) Parameter (F4) Parameter (F5) GAIN BASS MIDDLE TREBLE LEVEL BRIGHT MIDDLE FREQ RESPONSE MIXER (A&B) ENHANCER...
Page 163: Amp Control
MASTER NAME/KEY/BPM PATCH NAME Parameter/ Explanation Range PATCH NAME This sets the Patch name. INSERT Insert a space at the cursor location. DELETE Delete a character. The characters that fol- low get shifted to the left. SPACE Input a space at the cursor location. Switch between uppercase letters, numbers, and characters.
Page 164: Guitar To Midi
GUITAR TO MIDI Parameter/ Explanation Range CHROMATIC This sets the VG-99 so that if you play bends or slides, the unit will not send pitch bend message but instead will play the notes in half steps. Pitches are output continuously. TYPE1...
Page 165: Bend Thin
Explanation Range PC (Program Change) OFF, 1–128 This sets the Program Number. SYSTEM These parameters are applied to the entire VG-99 in the GUITAR TO MIDI function. Parameter/ Explanation Range HOLD CTL (Hold Control) This setting determines the controller used for the HOLD function.
Page 166: System
Separate Controllers” (p. 168). SET MODE This setting allows you to select whether one GK SETTING is used globally for the entire VG-99 or if different GK SETTINGS are speci- fied for each patch individually. SYSTEM The GK SETTING set here is used globally for the entire VG-99.
Page 167: Guitar Scale
This sets the input sensitivity for each string. Chapter 9 Parameter Guide CONTROL ASSIGN Parameter/ Explanation Range Controller You can freely assign functions to the VG-99’s and FC-300’s control- lers. GK VOL GK-3 GK volume knob GK S1, S2 GK-3 DOWN/S1, UP/S2 switch CTL1...
Page 168: Parameters That Can Be Assigned To Separate Controllers
When set to INC, patch num- DEC/INC bers increase when patches are switched; setting this to DEC causes the VG-99 to switch to lower patch numbers when patches are switched. CTL1-4, FC-300 EXP SW1/EXP SW2, FC-300 CTL1, 2, 4, 6, 8...
Page 169: Bank Change
When connected to the VG-99, the FC-300 automatically changes to System Exclusive mode and operates in accordance with the settings made with the VG-99. This is the setting you should normally select. You can control the FC-300 even without matching the VG-99’s and FC- 300’s Device IDs.
Page 170: Midi In
AUTO (MIDI) Operations are synchronized to the MIDI Clock received via MIDI. However, operations are automatically synchronized to the VG-99’s internal Clock if the VG-99 is unable to receive the external Clock. AUTO (RRC2) Operations are synchronized to the MIDI Clock received via the RRC2 connector.
Page 171 Explanation Range BULK DUMP With the VG-99, you can use Exclusive messages to set another VG- 99 to the same settings or to save effect sound settings to MIDI se- quencers and other such devices. All transmittable data (SYSTEM, GK SET- TING, GLOBAL, PATCH 001–200, FAVOR-...
Page 172: Output Mode
Chapter 9 Parameter Guide OUTPUT Parameter/ Explanation Range OUTPUT MODE SYSTEM The values set in the SYSTEM parameters MAIN OUT, MAIN LEVEL, SUB OUT, SUB LEVEL, D OUT, and D OUT LEVEL are en- abled. PATCH The values set in MAIN OUT, MAIN LEV- EL, SUB OUT, SUB LEVEL, D OUT, D OUT LEVEL for each patch are enabled.
Page 173: Usb Out
* If the USB IN parameter is set to COSM GTR A, COSM GTR B, or NORMAL PU, the setting automatically changes to MAIN & SUB the next time the VG-99 is powered up. If you plan to use COSM GTR A, COSM GTR B, or NORMAL PU, make the setting each time you turn on the power to the VG-99.
Page 174: V-Link Patch
ASSIGN 1–2 Parameter/ Explanation Range These settings are necessary for controlling video using the guitar’s performance data and messages from the VG-99’s controllers. You can make up to two types of settings. SOURCE The V-LINK function is not assigned. BEND...
Page 175 SYSTEM Parameter/ Explanation Range TRIGGR *2 Sets the point at which the virtual expression pedal’s action begins. PATCH CHANGE Functions when patches are switched. GK VOL Functions when the divided pickup’s vol- ume knob is adjusted. GK S1, S2 Functions when the divided pickup’s DOWN/S1 or UP/S2 switch position is changed.
Page 176: V-Link System
FACTORY RESET Parameter/ Explanation Range FACTORY RESET This restores the VG-99 to the settings it had when it was shipped from the factory. All data SYSTEM Content of the settings for the SYSTEM parameters, HARMONIST scales, AUTO RIFF phrases, preamps and speakers,...
Page 177: Global
Parameter/ Explanation Range MAIN OUTPUT SELECT This selects the type of device to be connected. JC-120 Set this when connecting a Roland JC-120 guitar amp. SMALL AMP Use this setting when connecting a compact guitar amp. COMBO AMP Set this when connecting to the guitar input...
Page 178: Tuner
Chapter 9 Parameter Guide SUB OUT LEVEL Parameter/ Explanation Range SUB OUT LEVEL 0–200% This controls the global output level from the SUB OUT connectors. It does not affect the settings in each individual patch. To use line level (+4 dBu) as the output level, set this to 100%.
Page 179: Chapter 10 Appendices
Chapter 10 Appendices MIDI Implementation Chart V-Guitar System MIDI Implementation Chart (Main Section) Model VG-99 Function... Basic Default Changed Channel Default Mode Messages Altered Note Number True Voice Velocity Note ON Note OFF After Key's Ch's Touch Pitch Bend 0, 32 Control 1 –...
Page 180 Chapter 10 Appendices V-Guitar System MIDI Implementation Chart (GUITAR TO MIDI Section) Model VG-99 Function... Basic Default Channel Changed Default Mode Messages Altered Note Number True Voice Velocity Note ON Note OFF After Key's Touch Ch's Pitch Bend Control 0, 32 1 –...
Page 181 V-LINK V-Guitar System MIDI Implementation Chart (V-LINK Section) Model VG-99 Function... Basic Default Channel Changed Default Messages Mode Altered Note Number True Voice Velocity Note ON Note OFF After Key's Ch's Touch Pitch Bend 0, 32 Control Change Program True #...
Page 182 Chapter 10 Appendices V-LINK Function These are used with models such as the DV-7PR or the motion dive .tokyo performance package. PALETTE 1–32 (Palette Change) CLIP 1–32 (Clip Change) These are used with the motion dive .tokyo performance package. COLOR EQ–FG COLOR EQ–BG SCRTCH SW SPEED KNOB...
Page 183: Signal Flow
Chapter 10 Appendices Signal Flow...
Page 184: Specifications
Chapter 10 Appendices Specifications VG-99: V-Guitar System AD Conversion 24 bits + AF method DA Conversion 24 bits Sampling Frequency 44.1 kHz Program Memories 400: 200 (User) + 200 (Preset) Nominal Input Level GUITAR INPUT: -10 dBu Input Impedance GUITAR INPUT: 2.2 M ohms...
Page 185: Software System Requirements
Editor and VG-99 Librarian, Roland cannot guarantee that a given computer can be used satisfactorily with the VG-99 Editor and VG-99 Librarian based solely on the fact that it meets the above requirements. This is because there are too many other...
Page 186: Error Messages
❍ The unit may be damaged. Consult the nearest Roland service center. Troubleshooting If the VG-99 is not producing sounds or if you think it is not operating properly, first check the following points. If checking these points fails to resolve the problem, consult your dealer or the nearest Roland service center.
Page 187 INPUT ❏ Could you be using an audio cable that incorporates a resistor? → Use only connecting cables (such as one from the Roland PCS Series) that don’t contain a resistor. Oscillating sound audible ❏ Are any gain values or volume-related parameter values in the effect settings set too high? →...
Page 188: Other Problems
→ If the USB IN parameter is set to COSM GTR A, COSM GTR B, or NORMAL PU, then MAIN & SUB will be set the next time the VG-99 is powered up. If you plan to use COSM GTR A, COSM GTR B, or NORMAL PU, remake this setting each time you turn on the power to the VG- 99 (p.
Page 189: Index
Index Symbols -1OCTAVE LEVEL ... 119 +1OCTAVE LEVEL ... 119 Numerics 12STR ... 117 12-STRING ... 26, 28, 116 1st–6th ... 117, 175 2x2 CHORUS ... 127, 132 335 ... 103 A ch/B ch CLIP ... 174 A ch/B ch PALETTE ... 174 A/B ...
Page 190 Index CURVE ... 156, 175 CUSTOM ... 121–122, 141 CUSTOM SPEAKER ... 142, 144 CUSTOM TYPE ... 143 CUSTOMIZE ... 39 CUTOFF ... 115 CUTOFF FREQ ... 110 D BEAM ... 12, 151 D BEAM CALIB ... 176 D Beam Controller ... 77 D BEAM DISAB ...
Page 191 FILTER DEPTH ... 115 FILTER RESO ... 112–114 FILTER TYPE ... 115 FINE 1st–6th ... 117 FINE1 ... 130 FINE2 ... 130 FLANGER ... 128 FLANGR ... 127 Foot Volume ... 139 FORM ... 156, 175 FREEZE ... 79 FREEZE CH ... 152 FREQ ...
Page 192 Index LOW GAIN ... 104, 108–109, 115, 123, 137, 146, 177 LOW LEVEL ... 132 LOW MID FREQ . 104, 108–109, 115, 123, 137, 146, 177 LOW MID GAIN . 104, 108–109, 115, 123, 137, 146, 177 LOW MID Q ... 104, 108–109, 115, 123, 137, 146, 177 LOW PREDLY ...
Page 193 INITIALIZE ... 88 LEVEL ... 146, 163 NAME ... 37, 163 Patch ... 23 PATCH LEVEL Knob ... 13 Patch Numbers ... 23 Patch Volume Level ... 36 PATCH/VALUE Dial ... 12, 24 PATTERN ... 134 PC ... 70, 163, 165, 171 PC MASK ...
Page 194 User Scale ... 117, 131 USER TUNING ... 29 USER TUNING 1st–6th ... 117 VARI ... 103, 107 VG-99 Editor ... 72 VG-99 Librarian ... 72 VG-99 Software System Requirements ... 185 VIB ... 127, 133 VIB DEPTH ... 135 VIB RATE ... 135...
Page 195 Index VIBRATO ... 111, 133 V-LINK ... 11, 96, 174 V-LINK Button ... 13 V-LINK PATCH ... 174 V-LINK SYSTEM ... 176 VOICE ... 130 VOICE1 INTERVAL C–B ... 131 VOICE2 INTERVAL C–B ... 131 VOL ... 103, 109 VOL CURVE ... 103, 139 Volume ...
Page 196 Index...
Page 197 MEMO...
Page 198 MEMO...
Page 199 MEMO...
Page 200 MEMO...
Page 201 MEMO...
Page 202 For China For EU Countries...
Page 203 Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada. Compliance Information Statement Model Name : VG-99 Type of Equipment : Guitar Effector Responsible Party : Roland Corporation U.S. Address : 5100 S.Eastern Avenue, Los Angeles, CA 90040-2938 Telephone : (323) 890-3700 ® ®...
Page 204 Information When you need repair service, call your nearest Roland Service Center or authorized Roland distributor in your country as shown below. PHILIPPINES AFRICA G.A. Yupangco & Co. Inc. 339 Gil J. Puyat Avenue EGYPT Makati, Metro Manila 1200, Al Fanny Trading Office...

Roland VG-99 Owner's Manual

Important Notes

Main Features

Names of Things and What They Do

Balance Knob

Chapter 1 Outputting Sounds

Chapter 2 Creating Sounds

Chapter 3 Creating Your Own Effect Types (CUSTOMIZE)

Chapter 4 Global Device Settings (SYSTEM)

Chapter 5 Using the VG-99 in Combination with an FC-300

Chapter 6 Using MIDI

Chapter 7 Using the VG-99 Connected to a Computer Via USB

Chapter 8 Other Functions

Chapter 9 Parameters Guide

Quick Links

Related Manuals for Roland VG-99

Summary of Contents for Roland VG-99