Midi Filter Function; Setting The Track's Midi Channel - Akai MPC2000XL Operator's Manual

MIDI Filter Function

This sets the MPC2000XL to receive or not receive MIDI events.
•
MIDI filter:
This is the on or off setting for the entire MIDI filter function. When this is off, all MIDI events
will be received regardless of the settings in the Type: and Pass?: fields.
•
Type:
Set the type of MIDI event - the following MIDI events can be filtered (for details on MIDI
events, it is advisable to read a MIDI guide book).
NOTES, PITCH BEND, PROG(ram) CHANGE, CH(annel) PRESSURE, POLY
PRESS(ure), EXCLUSIVE, CONTROL:ALL (All control changes, Control Change
#000 ~ #127).
•
Pass?:
This sets the reception of a MIDI event selected in Type:. Set this to YES to receive MIDI
events set in Type: and NO to ignore the events.
Pressing MONITR [F2] displays the MIDI input monitor, where you can monitor which MIDI chan-
nels are being received (the black squares above the MIDI channel numbers will flash).

Setting the Track's MIDI Channel

This sets the MIDI output channel of the selected track.
Sq:01-(Sequence01)
.......................................................
™:120.0(MAS)
Count:OFF
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Tr:01-Track-01
S:MIDI : S:MIDI :10A-Device10
STEP
Select the field as shown above with the CURSOR keys and rotate the DATA wheel to select the
MIDI output channel.
For example, in the setting shown above, the data of track 01 (which is currently selected) sends
data from MIDI OUT A on MIDI channel 10.
Set the MIDI channel to correspond to the connected MIDI sound source. For example, if the MIDI
channel of the external MIDI sound source you want to play is set to 5, you can use track data to
play the MIDI sound source by setting the MIDI channel of the track to 5. The drum tracks are
normally used to play the internal sampler, but if a MIDI channel is set it will output MIDI data from
the selected channel. If you do not want to output the drum track data in MIDI format, set the MIDI
channel to OFF.
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MIDI Input Monitor MIDI Input Monitor
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Timing:1/16
Loop: ON Loop: ON
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Page 52
Chapter 3: Recording Sequences
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