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Using Insert Effects
Parameter/
Explanation
Range
FREQUENCY *3
Adjusts the center frequency of the Wah
0–100
effect.
PEAK *3
Adjusts the way in which the wah effect applies to the area
around the center frequency.
Higher values will produce a stronger tone
which emphasizes the wah effect more.
0–100
With a value of 50 a standard wah sound
will be produced.
PEDAL POS (Pedal Position) *4
0–100
Adjusts the position of the wah pedal.
PEDAL MIN (Pedal Minimum) *4
Selects the tone produced when the heel of
0–100
the pedal is depressed.
PEDAL MAX (Pedal Maximum) *4
Selects the tone produced when the toe of
0–100
the pedal is depressed.
E.LEVEL (Effect Level)
0–100
Adjusts the volume of the effect sound.
D.LEVEL (Direct Level)
0–100
Adjusts the volume of the direct sound.
*1 Setting available when the algorithm is set to GUITAR MULTI.
*2 Setting available when the algorithm is set to BASS MULTI
or GUITAR TO BASS.
*3 Setting available when MODE is set to TOUCH.
*4 Setting available when MODE is set to PEDAL.
DISTORTION
This effect distorts the sound to create long sustain.
Parameter/
Explanation
Range
ON/OFF
OFF, ON
Turns the DISTORTION effect on/off.
TYPE
Selects the type of distortion.
This is a booster with unique character-
istics in the midrange.
MID BOOST
Making the connection before the
COSM amp produces sound suitable
for solos.
This not only functions as a booster,
CLN BOOST
but also produces a clean tone that has
punch even when used alone.
This is a booster that has bright charac-
TREB BOOST
teristics.
68
Parameter/
Explanation
Range
This is a crunch sound of the BOSS BD-2.
BLUES OD
This produces distortion that faithfully
reproduces the nuances of picking.
A lustrous crunch sound with an add-
CRUNCH
ed element of amp distortion.
NATURAL
This is an overdrive sound that pro-
OD
vides distortion with a natural feeling.
This is the sound of the BOSS OD-1.
OD-1
This produces sweet, mild distortion.
T-SCREAM
This models an Ibanez TS-808.
This is the high-gain overdrive sound
TURBO OD
of the BOSS OD-2.
WARM OD
This is a warm overdrive.
This gives a basic, traditional distortion
DISTORTION
sound.
This is a distortion sound that provides
MILD DS
a mild distortion.
This distortion sound features a boost-
MID DS
ed midrange.
RAT
This models a Proco RAT.
GUV DS
This models a Marshall GUV' NOR.
DST+
This models a MXR DISTORTION+.
This is the deep distortion sound of a
MODERN DS
large high-gain amp.
This is a distortion sound featuring an
SOLID DS
edge effect.
A fat sound with an added element of a
STACK
stack amp's distortion.
This is distortion sound that is ideal for
LOUD
performances of heavy riffs.
This is the sound of the BOSS MT-2.
METAL
It produces a wide range of metal
ZONE
sounds, from old style to slash metal.
Produces a distortion sound with both
LEAD
the smoothness of an overdrive along
with a deep distortion.
This models a FUZZFACE.
'60s FUZZ
It produces a fat fuzz sound.
OCT FUZZ
This models an ACETONE FUZZ.
This models an Electro-Harmonix big
MUFF FUZZ
Muff π.
DRIVE
0–120
Adjusts the depth of distortion.
BOTTOM
Adjusts the tone for the low frequency
range. Turning this to the left (counter-
-50–+50
clockwise) produces a sound with the
low end cut; turning it to the right
boosts the low end in the sound.
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