Page 1 Owner’s Manual Thank you, and congratulations on your choice of the BOSS BR-600 Digital Recorder. Before using this unit, carefully read the sections entitled: • USING THE UNIT SAFELY (page 2–3) • IMPORTANT NOTES (page 4–5) These sections provide important information concerning the proper operation of the unit.
Page 2 • Immediately turn the power off, remove the AC adaptor from the outlet, and request servicing by your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” sheet when: • The AC adaptor or the power-supply cord has been damaged;...
Page 3 • Before using the unit in a foreign country, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” sheet. • Batteries must never be recharged, heated, taken apart, or thrown into fire or water.
Page 4: Important Notes
• Unfortunately, it may be impossible to restore the contents of data that was stored in the unit’s memory or a memory card once it has been lost. Roland Corporation assumes no liability concerning such loss of data. • Use a reasonable amount of care when using the unit’s buttons, dials, or other controls;...
Page 5 FV-500H; sold separately). By connecting any other expression pedals, you risk causing malfunction and/or damage to the unit. • Use a cable from Roland to make the connection. If using some other make of connection cable, please note the following precautions.
Page 6: Table Of Contents
Contents IMPORTANT NOTES ... 4 Introduction to the BR-600 ...12 Features ...12 Memory Cards Supported by Your BR-600 ...15 Formatting the memory card (CompactFlash) ...15 How to remove the card cover ...15 Panel Descriptions ...16 Front Panel ...16 Rear Panel...22 Front Panel ...23...
Page 7 Section 1 Recording and Playback ... 53 Recording ...54 Creating Songs for Recording ...54 About data types...54 Selecting the Recording Track...55 Changing V-Tracks ...56 Adjusting the Perception of Stereo in the Input Sounds (Pan) ...56 Recording Operations ...57 Repeating Playback (Repeat) ...58 Setting the Repeat Portion with Accurate Timing...59 Re-recording Only a Mistake...
Page 8 Section 3 Using Effects ... 91 Using the Insert Effects ...92 Effect Patches and Banks...92 Editing Insert Effect Settings ...93 Saving Insert Effects Settings (Write)...94 Changing the destination Insert Effects are Connected ...95 Insert Effect Parameter Functions ...96 Algorithm List ...96 BANK : GUITAR ...96 1.
Page 9 Fixing the Pitch of Vocals (Pitch Correction)...123 The Pitch Correction ...123 Makeup of the Pitch Correction...123 Pitch Correction Patches ...123 Precautions for Pitch Correction Usage...123 Using the Pitch Correction...124 Setting the Correction Method for Vocal Pitch (Pitch Correction Edit)...126 Saving the Pitch Correction Settings (Write)...127 Making Detailed Settings for Pitch Correction (Correction Event Map)...128...
Page 10 Connecting a Computer ...163 Notes on Using USB...163 With Windows...164 Saving BR-600 Data to Computers (Backup)...164 Reading backup data back into the BR-600 from PC (Recover)...165 Saving BR-600 Track Data in WAV/AIFF Format (WAV/AIFF Export)...167 Resolving insufficient memory issues when exporting WAV/AIFF ...169...
Page 11 (Phrase Trainer) ...195 Slowing Down the Speed (Time Stretch) ...195 Canceling the Center Sound (Center Cancel) ...196 Initializing the BR-600’s Settings ...197 Initializing All the BR-600’s Settings...197 Initializing the System Settings...197 Initializing the Effect Settings ...198 Initializing the Rhythm Arrangements/ Patterns/Drum Kits...198...
Page 12: Introduction To The Br-600
Slender shape for easy ■ portability With portability a priority in its design, the BR-600 features a smaller than Letter size (183 x 257 mm (10-1/8 x 7-1/4 inches)) and is only 27 mm (1-1/8 inches) thick. It can also run on six...
Page 13 Introduction to the BR-600 Editing functions With the BR-600, you can copy, move, and erase audio, and perform many other editing operations that are only possible with digital recorders. This means operations such as copying and repeating a multiple-bar phrase, moving a multiple-bar phrase to another track, and erasing the data of a track, whole or in part, can be performed with ease.
Page 14 Two-way power supply ■ allows you to record anywhere You can use the BR-600 powered by batteries (six size AA dry cells x 6, alkaline batteries recommended) or with the AC adaptor. And, thanks to its an onboard stereo microphone, you can...
Page 15: Memory Cards Supported By Your Br-600
Your BR-600 The BR-600 uses CompactFlash cards as the storage media for recording and playback. The BR-600 uses 32 MB to 1 GB CompactFlash cards with a 3.3 V power supply. For more on supported memory cards (CompactFlash) for the BR-600, refer to “About Memory Cards”...
Page 16: Panel Descriptions
Panel Descriptions Front Panel fig.00-050 Input section GUITAR/BASS/MIC2 dial This dial adjusts the input sensitivity for the GUITAR/ BASS and MIC2 inputs. MIC1 dial This dial adjusts the sensitivity for MIC1 and the onboard stereo mic. PEAK indicator This indicator shows how strong the input level is at the various input jacks (e.g., GUITAR/BASS, MIC2, and MIC1).
Page 17 INPUT SELECT buttons Use these buttons to select the input source (input jack) that you wish to record. The selected button will light. You can mute (silence) the input sound by pressing a button that is lit. “Selecting the Input” (p. 36) [GUITAR] For selecting either guitar or bass use of the GUITAR/BASS jack, or the MIC2 jack.
Page 18 Panel Descriptions [TUNER] Use this button to turn on and off the tuner. “Tuning an Instrument (Tuner)” (p. 192) [RHYTHM ON/OFF] This switches the Rhythm function on and off. [ARRANGE] This switches the Rhythm function to Arrange mode. “Playing Rhythm Arrangements” (p. 143) “Creating Original Arrangements”...
Page 19 REC/PLAY section AUTO PUNCH This button is used to make settings for the automatic punch in/out function. [ON/OFF] This turns the auto punch-in/out function on/off. When this is on, the button will light. “Specifying the area for auto punching in/out” (p.
Page 20 “Playing Arrangements” (p. 41) “Playing Patterns” (p. 41) MASTER fader Controls the overall volume of the BR-600. “Listening to a Demo Song” (p. 32) REC TRACK (Recording Track) buttons 1–4, 5/6–7/8 Use these buttons to select to which track you will record.
Page 21 Display fig.00-051 Information about items for which settings are available in volume level and menu screens, parameter settings screens, and other screens are displayed here. If the screen is difficult to view, see “Adjusting the Display Contrast” (p. 190). 1. MEASURE Displays the current position within the song.
Page 22: Rear Panel
“Using a Foot Switch or Expression Pedal” (p. 191) 7. POWER switch This is the power switch. It turns the power of the BR-600 on/off (p. 31). 8. DC IN (AC Adaptor) jack Connect the supplied AC adaptor (PSA series) to this jack.
Page 23: Front Panel
High-impedance input jack to directly connect your guitar or bass.(p. 34) 2. MIC1 L / R (onboard stereo microphone L / R) This microphone can be used for recording with the BR-600. “Selecting the Input” (p. 36) “Turning on the onboard stereo microphone” (p. 36) * This mic is not a speaker.
Page 24: Inserting Batteries
Panel Descriptions Inserting Batteries Make sure that the power of the BR-600 is turned off. Turn over the BR-600. Slide the battery cover in the direction indicated by the arrow and remove. Being careful not to reverse the polarity (+/-), insert six AA dry-cell batteries into the battery compartment.
Page 25: About The Play Screen
Panel Descriptions About the Play Screen The Play screen is the most fundamental screen of the BR- 600, and is the first screen that appears when the BR-600 is turned on (see below). fig.00-242 Play Screen Unless special note is made otherwise, the screen content referred to in the procedures described in this manual is that of the Play screen.
Page 26 MEMO...
Page 27: Quick Start
Quick Start Quick Start...
Page 28: Connecting Peripheral Devices
Make connections as shown in the diagram below. When making any connections, make sure that all devices are turned off. fig.00-110 Front Panel Electric Guitar Stereo Headphone Electric Bass Rear Panel AC Adaptor (PSA series) CD Player etc. Computer Foot Switch (FS-5U etc.) Audio Set etc. Expression Pedal (Roland EV-5 etc.)
Page 29: How To Use The Cord Hook
“0.” Connecting Peripheral Devices How to Use the Cord Hook The bottom of the BR-600 features a groove (cord hook) for securing the AC adaptor (PSA series) cord. To prevent the inadvertent disruption of power to your unit (should the plug be pulled out accidentally), and to avoid applying undue stress to the AC adaptor jack, anchor the power cord using the cord hook.
Page 30: Using A Mic Converter Cable
Connecting Peripheral Devices Using a Mic Converter Cable If your mic cable has an XLR connector, you can connect the mic using the converter cable included with the BR-600. The following describes how to connect the mic using this cable. fig.00-111 Converter Cable •...
Page 31: Turning On / Off The Br-600
Before you turn the power on, make sure of the following points. ■ Are all external devices connected properly? ■ Is the volume on the BR-600 and all other devices completely lowered? ■ Is the memory card inserted? Lower the MASTER fader on the BR-600.
Page 32: Listening To A Demo Song
Slide the TRACK faders to adjust the volume of each track to the desired level. • The BR-600 comes programmed with one demo song. When the power is first turned on, the demo song is automatically selected, and the data required for playback is loaded.
Page 33: Moving The Current Position
Moving the current position You can use the following method to move the current position. Fast Forwarding and ■ Rewinding The song fast forwards as long as the [FF] is held down, and rewinds (reverses) while the [REW] button is held down. Moving to the start of a ■...
Page 34: Connecting Instruments
Connecting Instruments Choose which jack you will ■ use to connect your instrument Your BR-600 is equipped with a number of input jacks to match the type of instrument that you will connect. Select an instrument appropriate for your purposes. fig.00-280 GUITAR/BASS : An electric guitar or bass can be connected to this jack.
Page 35: Preparing Songs For Recording
* During updating, “Keep power on!” appears in the upper line of the display, while the lower line shows what is being processed. The BR-600 uses a sample rate of 44.1 kHz. It is not possible to change the sample rate.
Page 36: Selecting The Input
Selecting the Input Select the input source to record. The selected button will light. fig.00-290 [GUITAR] Select to record the instrument connected to the GUITAR/ BASS jack or the MIC 2 jack. [MIC] Select to record the signal from a microphone connected to the MIC1 jack and the MIC2 jack or from the onboard stereo microphone.
Page 37: Adjusting The Recording Level
(GUITAR/BASS jack, LINE IN jack) may be low. If this happens, use connection cables that do not contain resistors, such as those from the Roland PCS series. Selecting the Input ■ Displaying the Level Meter This meter indicates the level for each track.
Page 38: Using Insert Effects
Using Insert Effects The BR-600 comes with five onboard effects processors: an insert effect, loop effects, track EQ, pitch correction and mastering tool kit. Below is an explanation of the operations related to the insert effects. What is an insert effect?
Page 39: Recording Without Insert Effects
Confirm that [PAD] is not lit, then press [EFFECTS] to display the currently selected effect patch. The BR-600 is set to output sound without the insert effects applied, allowing you to record sounds without the insert effects. Selecting “INPUT <REC DRY>” as the point to which...
Page 40: Using The Rhythm
Using the Rhythm What is the Rhythm? ■ The “Rhythm” is a dedicated Rhythm track that can not only play back Rhythm sounds as a guide during recording, you can also use it to play internal Rhythm patterns and original user-created Rhythm patterns and to play and record these patterns as your own Rhythm part performances.
Page 41: Playing Arrangements
■ Playing Arrangements Confirm that [PAD] is not lit, then press [ARRANGE] so that the button lights up (indicating the BR-600 is in Arrangement mode). [RHYTHM ON/OFF] simultaneously lights, confirm that the rhythms are enabled. Press [PLAY]. The arrangement plays with the start of playback or recording.
Page 42: Changing Arrangements
Song Arrangements (S) Song arrangements can be written; however, the data for song arrangements are stored along with the song data to the memory card. fig.00-420 BR-600 Preset Arrangement Press [EXIT] to return to the Play screen. ■ Changing patterns Confirm that [PAD] is not lit, then press [PATTERN] so that the button lights up.
Page 43: Changing The Tempo Of The Arrangements Or Patterns
■ Changing the tempo of the arrangements or patterns You can temporarily change the tempo of the arrangement or pattern being played by carrying out the following procedure while the Play screen is displayed. Use [CURSOR] and align the cursor up with “TEMPO”...
Page 44: Recording
Recording Selecting the recording track ■ Press either [1]–[7/8] at REC TRACK to select the recording track. If the button flashes in red, that track is ready for recording. fig.00-480 The status of each track can be determined from the indicator on the button.
Page 45: About The Recording (Rec) Modes
■ About the recording (REC) modes Recording on the BR-600 is separated into three main modes. Use whichever mode is suitable in the course of bringing your song to completion. fig.00-520 INPUT BOUNCE TRACK TRACK Guitar Bass Vocal Mixing down...
Page 46: Procedure
* During updating, “Keep power on!” appears in the upper You cannot play back sounds recorded for less than one second. The BR-600 features eight audio tracks that can be used for recording and playback. Tracks 1 – 4 are independent mono tracks. Tracks 5/6 and 7/8 are linked as stereo tracks.
Page 47: Playing Back Recorded Music
Playing Back Recorded Music fig.00-561 Press [ZERO] to move to the time location 00:00:00- 00.0. Press [PLAY]. [PLAY] lights in green, and playback begins. Use the TRACK faders to adjust the volume separately for each track. Silencing the sound of ■...
Page 48: Recording An Additional Performance While Listening To An Existing Performance (Overdubbing)
Adjust the faders so the tracks being played back are at a suitable level. Press [REC]. [REC] flashes in red and the BR-600 enters the recording standby state. Overdubbing Press [PLAY].
Page 49: Putting Multiple Tracks Together (Bounce)
Putting multiple tracks together (Bounce) Adjusting the Sound for Each Track You can adjust the tone, panning, and volume balance for each track individually. Adjusting the Perception of ■ Stereo for the Sound (Pan) Confirm that [PAD] is not lit, then press [PAN/EQ/ LOOP FX].
Page 50: Adjusting The Tone (Track Eq)
■ Breadth to the Sound (Loop Effect) The BR-600 features chorus, delay, and doubling (any one of these three can be selected at any one time) as loop effects, and includes reverb as well. Effective use of these allows you to add greater breadth to the sound.
Page 51 Press CURSOR [ ] until “FX Type” or “Type” is displayed, then turn the TIME/VALUE dial to select the loop effect. When using CHO/DLY Select from “CHORUS,” “DELAY,” or “DBLN” (doubling). fig.00-660 When using REV Select from “HALL” or “ROOM.” fig.00-670 You cannot use chorus, delay, and doubling simultaneously.
Page 52: Bouncing
] and the TIME/VALUE dial to select the track/V-track to which you want to record. Press [REC]. [REC] flashes in red and the BR-600 enters the recording standby state. fig.00-740 Press [PLAY]. [PLAY] lights in green, the [REC] and REC TRACK buttons now light solidly instead of flashing in red, and recording begins.
Page 53: Recording And Playback
Section 1 Recording Playback Section 1 Recording and Playback...
Page 54: Recording
About data types ■ When you record a new song, the BR-600 allows you to set the data type. This enables you to select the combination of audio quality and recording time that is most suitable for the material you are recording.
Page 55: Selecting The Recording Track
Selecting the Recording Track Press either [1]–[7/8] at REC TRACK to select the recording track. If the button flashes in red, that track is ready for recording. fig.00-480 The status of each track can be determined from the indicator on the button. Off : No recorded data exists on the track.
Page 56: Changing V-Tracks
Recording Changing V-Tracks The BR-600 is a eight-track multitrack recorder, and each track consists of eight V-Tracks. You can select any one of these V-Tracks for recording or playback. This allows a wide range of uses, such as recording one take of a guitar solo or vocal, and then recording another take without having to erase the first one.
Page 57: Recording Operations
Recording Operations Press [REC MODE] repeatedly until INPUT indicator lights up. fig.00-540 Press [REC]. [REC] flashes in red and the BR-600 enters the recording standby state. fig.00-550 Flash Press [PLAY]. [PLAY] lights in green, the [REC] and REC TRACK buttons now light solidly instead of flashing in red, and recording begins.
Page 58: Repeating Playback (Repeat)
Repeating Playback (Repeat) By using the “Repeat function” you can repeatedly play back a specified part. Repeating playback allows you to check the mixing balance or perform loop recordings (p. 63) with the punch in/out functions. Playback repeats in the portion set with Repeat as shown below.
Page 59: Setting The Repeat Portion With Accurate Timing
Setting the Repeat Portion with Accurate Timing Normally, the repeat start and end points are registered at the exact position where [REPEAT] is pressed. This may make it difficult for you to set the repeat portion exactly as you desire. If this is the case, you can use the quantize function to have the time [REPEAT] is pressed be adjusted to the timing of the song.
Page 60: Re-Recording Only A Mistake (Punch-In/Out)
Punch-Out [ PLAY ] [ REC ] [ REC ] With your BR-600, you can choose from manual or automatic punching in/out. Manually Punching In/Out You can use the [REC] or a foot switch to punch in or out. * When using manual punch-in/out, you need to allow for an interval of at least one second between the punch-in and punch-out points.
Page 61: Manually Punching In And Out Using A Foot Switch
When you are using a sold separately foot switch to punch in and out, connect the foot switch to the FOOT SW jack on the BR-600 and change the function of the FOOT SW jack by following the procedure given below.
Page 62: Erasing A Registered Auto Punch In/Out Location
AUTO PUNCH [ON/OFF]. The button lights up, showing that the auto punch in and out have been set. Press [REC] to place the BR-600 in recording standby and then press [PLAY]. Recording automatically starts at the auto punch-in location, so start playing what you want to record.
Page 63: Repeatedly Recording Over The Same Location (Loop Recording)
Repeatedly Recording Over the Same Location (Loop Recording) The repeat function (p. 58) allows you to play a certain portion of a song (the loop portion) over and over again. If you used auto punch in/out together with the repeat function, the portion will be repeated so the result of the recording can be heard right away.
Page 64: Canceling An Operation (Undo/Redo)
Canceling an Operation (Undo/Redo) Occasionally when the recording you make may not turn out as you wish, or the settings you make for an editing operation are incorrect, and you want to reverse what you have done. At these times, you can use the “Undo function.”...
Page 65: Putting Multiple Tracks Together (Bounce)
Putting Multiple Tracks Together (Bounce) Although the BR-600 allows the simultaneous playback of eight tracks, when you run out of tracks, the BR-600 also lets you copy the recordings of multiple tracks together onto one track (V-Track). This is called “bounce” (also known as bounce recording or ping-pong recording).
Page 66 Putting Multiple Tracks Together (Bounce) If you want to mix in the sound of the Rhythm as well, increase the Rhythm fader. If you do not want to record the Rhythm, lower the fader. Use CURSOR [ ] and the TIME/VALUE dial to select the recording-destination track/V-Track.
Page 67: Loading Songs Created With The Br-900Cd/Br-864/Br-532
L oading Songs Created with the BR-900CD/BR-864/BR-532 You can load songs created with the BR-900CD, BR-864, or BR-532 into the BR-600 via memory cards. Loading Songs Created with the BR-900CD/BR-864 First, save the song data created with the BR-900CD or BR- 864 to a memory card, then insert the memory card into the BR-600.
Page 68: Loading Songs Created With The Br-532
Loading Songs Created with the BR-532 When copying song data created with the BR-532 from SmartMedia to a BR-600 memory card, you can load the data as a BR-600 song. Fist, insert the memory card containing the copy of the desired data into the BR-600.
Page 69: Displaying The Song Information
Displaying the Song Information Displaying the Remaining Available Recording Time Follow the procedure below to either display the elapsed recording time in the recording standby and recording screens. Confirm that [PAD] is not lit, then press [UTILITY]. Press CURSOR [ ] to move the cursor to “SYS,”...
Page 70 MEMO...
Page 71: Section 2 Editing
Section 2 Editing Section 2 Editing...
Page 72: Registering Time (Locator)
Registering Time (Locator) Using the locator function, you can register any desired time in a song as a “locator point” so that you can jump to that point later with just the press of a button. This function is quite useful during editing. Registering a Locator Point At the Play screen, move to the location where you want to register the locator point.
Page 73: Search For The Music's Start And End (Scrub/Preview)
To enable you to find these points accurately, the BR-600 is equipped with the Scrub function. When you use the Scrub function during playback (called “scrubbing”), the portion from your before or after the...
Page 74: Changing The Scrub Points
Search for the Music’s Start and End (Scrub/Preview) Changing the Scrub Points Besides switching the scrub point in the Play screen (p. 73), you can also use the following method to switch the scrub point. Confirm that [PAD] is not lit, then press [UTILITY]. Press CURSOR [ ] to move the cursor to “SCR,”...
Page 75: Editing The Performance On A Track (Track Edit)
Editing the Performance on a Track (Track Edit) The BR-600 allows you to edit your songs by performing editing functions such as copying and moving data recorded on the tracks. About the Measure/ Time Specification screen Measures and time are specified in the “S” (Start), “E”...
Page 76 Editing the Performance on a Track (Track Edit) Confirm that [PAD] is not lit, then press [UTILITY]. Press CURSOR [ ] to move the cursor to “TRK,” and press [ENTER]. fig.02-180 Press CURSOR [ ] to move the cursor to “CPY,”...
Page 77: Copying The Repeated Portion (Ab)
After specifying the time in the procedure above, a “+” may appear to show that there is a discrepancy between the actual current position and the position displayed. If you specify the locations using measures, specify the locations at each screen using the TIME/VALUE dial to eliminate the discrepancy.
Page 78: Copying A Complete Track (All)
Editing the Performance on a Track (Track Edit) Press [ENTER]. fig.02-150 Turn the TIME/VALUE dial to select the number of copies you want to be placed. When you are ready to execute the copy, press [ENTER]. The display will ask “Are you sure?,” so that you can confirm the operation.
Page 79: Moving Data (Track Move)
Moving Data (Track Move) Track Move allows you to move a specific portion of data to a different location. After the data is moved, the location it was in will be left empty. Moving by specifying the ■ time (TME/MES) Perform the procedure given below to move the portion between specific times.
Page 80: Moving The Repeated Portion (Ab)
Editing the Performance on a Track (Track Edit) Press [ENTER]. fig.02-410 Use [CURSOR] and the TIME/VALUE dial to specify the time of the beginning of the location “T” (To) where you want the data moved. When you are ready to execute the move, press [ENTER].
Page 81: Moving A Complete Track (All)
Turn the TIME/VALUE dial to select “AB” and press [ENTER]. fig.02-320 Move Destination Move Source Use CURSOR [ ] and the TIME/VALUE dial to select the track/V-Track to move from, and track/V- Track to move to. Press [ENTER]. fig.02-330 Use CURSOR [ ] and the TIME/VALUE dial to specify the time of the beginning of the location “T”...
Page 82: Erasing Data (Track Erase)
Editing the Performance on a Track (Track Edit) Press [ENTER]. fig.02-450 Use [CURSOR] and the TIME/VALUE dial to specify the time of the beginning of the location “T” (To) where you want the data to be moved. When you are ready to execute the move, press [ENTER].
Page 83: Erasing The Repeated Portion (Ab)
Press CURSOR [ ] to move the cursor to “ERS,” and press [ENTER]. fig.02-520 Turn the TIME/VALUE dial to select “TME/MES” and press [ENTER]. fig.02-530 Use CURSOR [ ] and the TIME/VALUE dial to select the track/V-Track to erase from. Press [ENTER].
Page 84: Erasing A Complete Track (All)
Editing the Performance on a Track (Track Edit) Press CURSOR [ ] to move the cursor to “ERS,” and press [ENTER]. fig.02-480 Turn the TIME/VALUE dial to select “AB” and press [ENTER]. fig.02-490 Use CURSOR [ ] and the TIME/VALUE dial to select the track/V-Track to erase from.
Page 85: Exchanging Data (Track Exchange)
Exchanging Data (Track Exchange) Perform the procedure given below to exchange the data between two tracks. Ex. : exchanging all the data on track 1 with all the data on track 2 fig.02-590 Track 1 Track 2 Track 1 Track 2 Confirm that [PAD] is not lit, then press [UTILITY].
Page 86: Organizing The Songs You've Recorded
Organizing the Songs You’ve Recorded Copying a Song (Song Copy) Follow the procedure below to copy the currently selected song. Confirm that [PAD] is not lit, then press [UTILITY]. Press CURSOR [ ] to move the cursor to “EDT,” and press [ENTER]. fig.02-620 Press CURSOR [ ] to move the cursor to...
Page 87: Saving Memory On The Memory Card (Song Optimize)
This will cause the time available for recording to be less than it should be. By performing a “Song Optimize”, you can have the BR-600 erase any unnecessary data on the memory card and increase the unused space.
Page 88: Naming A Song (Song Name)
Organizing the Songs You’ve Recorded Naming a Song (Song Name) When a new song is created, it is automatically given a name such as “SONG 0001.” With your 600, you can use “Song Name” to give each song a name, which helps you manage and organize your songs.
Page 89: Saving The Current Settings To The Song (Song Save)
Organizing the Songs You’ve Recorded Saving the Current Settings to the Song (Song Save) The BR-600 can save the following contents as song data. • Recorded data • Mixer settings (Pan, Track EQ, etc.) • Insert Effect song patches •...
Page 90: Creating A Master Tape/ Disc
CD Recorder etc. Put the cassette tape recorder in record mode. Press [PLAY] on the BR-600 and start the playback of the recorded data. When playback is finished, stop recording with the recorder and then press [STOP] on the BR-600.
Page 91: Section 3 Using Effects
Section 3 Using Effects Section 3 Using Effects...
Page 92: Using The Insert Effects
The effects used by insert effects and the parameters of each effect are changed by calling up “effect patches.” Your BR-600 comes equipped with a number of preset effect patches for use with vocals and instruments. These are grouped according to different input sources and each group is called a “bank.”...
Page 93: Editing Insert Effect Settings
Editing Insert Effect Settings If you wish to create a new effect sound, you should first select an existing patch that is closest to the sound you want, and then edit its settings. If you wish to save the effect settings that you edited, save them as a user patch or song patch.
Page 94: Saving Insert Effects Settings (Write)
Using the Insert Effects Saving Insert Effects Settings (Write) Follow the procedure below to enter a name (patch name) for an effect that you’ve modified, and save it as a new effect patch. * If you do not need to change the patch name, go to Step 4 after entering the Effect screen.
Page 95: Changing The Destination Insert Effects Are Connected
(wet) sound to be recorded and monitored. However, sometimes you want to change the connection order. On the BR-600, you can accommodate a wide variety of situations by changing the point to which the insert effects are connected. Follow the procedure below to change where insert effects are connected.
Page 96: Insert Effect Parameter Functions
Insert Effect Parameter Functions Algorithm List The algorithms (the available effects and their connection order) that can be used as an insert effect are shown below. The algorithms that can be selected will differ for each bank. To select the algorithm that you wish to use, first select the effect bank that includes that algorithm, and then refer to the “Effect Patch List”...
Page 97: Bass Sim
3. BASS SIM Simulates the sound of a bass guitar. Obtain the sound of a bass guitar while playing an electric guitar. * You should avoid playing chords when using the Bass Simulator. fig.03-190 –[ BSIM ]–[ COMP/DEF ]–[ NS ]–[ FV ]–[ MOD ]= Bass Simulator Compressor/Defretter - Compressor...
Page 98: Cosm Bass Amp
Insert Effect Parameter Functions 7. COSM BASS AMP This is a multi-effect designed for bass guitar. This features an amp sound that uses a preamp and speaker simulator. fig.03-230 –[ COMP ]–[ PAMP ]–[ SP ]–[ EQ/WAH ] –[ NS ]–[ FV ]–[ MOD ]=[ DLY ]= Compressor Preamp Speaker Simulator...
Page 99: 11. Cosm Comp Vcl
11. COSM COMP VCL This is a multi-effect designed for vocals. The COSM compressor/limiter is perfect for creating a basic sound. fig.03-270 –[ COMP/LIM ]–[ DES ]–[ ENH ] [ EQ ]–[ NS ]–[ FV ]–[ DLY ]= COSM Comp/Limiter De-esser Enhancer 4Band Equalizer...
Page 100: Bank : Simul
Insert Effect Parameter Functions BANK : SIMUL 14. VO+GT AMP This algorithm is for use when simultaneously recording a vocal and electric guitar. For the guitar, you can produce an amp sound using a preamp and speaker simulator. (GUITAR) –[ COMP ]–[ PAMP ]–[ SP ]–[ NS ]–[ DLY ]– (MIC) –[ COMP ]–[ EQ ]–[ NS ]–[ DLY ]–...
Page 101: Parameter List
The trademarks listed in this document are trademarks of their respective owners, which are separate companies from BOSS. Those companies are not affiliated with BOSS and have not licensed or authorized BOSS’s BR-600. Their marks are used solely to identify the equipment whose sound is simulated by BOSS’s BR-600.
Page 102: Chorus
(threshold). You can get the same effect achieved with the compressor by setting the threshold at a low value. 0 – 100 The BR-600 uses COSM technology to model four types of compressor/limiter in which the compressor and limiter 0 – 100 functions are combined.
Page 103: De-Esser
Attack Time (with VtgRack) This adjusts the amount of time it takes for the compression ratio set in Ratio to be reached once compression begins, as the input level exceeds the set threshold level. The larger the value set here, the more rapidly compression is applied. Release Time (with VtgRack) This adjusts the time from when the signal level drops below the threshold until when the compression is...
Page 104: Enhancer
Insert Effect Parameter Functions Enhancer By adding sounds which are out-of-phase with the direct sound, this effect enhances the definition of the sound, and pushes it to the forefront. On/Off This parameter turns the enhancer effect on/off. Sens Adjusts the manner in which the enhancer will be applied relative to the input signals.
Page 105: Lo-Fi Box
Lo-Fi Box Produces a lo-fi sound. On/Off This parameter turns the lo-fi box effect on/off. Type Select the mode of the lo-fi box. RADIO : The sound will appear to be heard from an AM radio. * By adjusting “Tuning,” you can simulate the sounds that occur when you adjust the tuning frequency of the radio.
Page 106: Noise Suppressor
Insert Effect Parameter Functions Noise Suppressor This effect reduces the noise and hum. Since it suppresses the noise in synchronization with the envelope of the sound (the way in which the sound decays over time), it has very little effect on the sound, and does not harm the natural character of the sound.
Page 107: Preamp
■ With “COSM GTR AMP,” “COSM COMP GTR,” or “VO+GT AMP” algorithms JC-120 The sound of the Roland “JC-120,” a favorite of pro musicians around the world. CLEAN The sound of a conventional built-in tube amp.
Page 108: Ring Modulator
Adjust the volume of the slow attack sound. Speaker Simulator This simulates the characteristics of various types of speakers. When the output of the BR-600 is connected directly to a mixer, etc., this can be used to create the sound of your favorite speakers system.
Page 109: Tremolo/Pan
Tremolo/Pan Tremolo is an effect that creates a cyclic change in volume. Pan cyclically moves the stereo position between left and right (when stereo output is used). * This effect can be used when the MODULATION “Type” parameter is set to “TRM/PAN.” On/Off This parameter turns the tremolo/pan effect on/off.
Page 110: Wah
Insert Effect Parameter Functions The wah effect creates a unique tone by changing the frequency response characteristics of a filter. Touch wah creates an automatic wah by changing the filter in response to the volume of the input. Pedal wah lets you use an Expression pedal or the like to obtain real-time control of the wah effect.
Page 111: Mastering
* The Mastering Tool Kit features 19 pre-programmed “Preset Patches” (P01–P19), 19 rewritable “User Patches” (U01–U19), and 19 “Song Patches,” which are stored individually for each song (S01–S19). fig.03-380 BR-600 Preset User Patch Patch “Mastering Tool Kit Patch List” (p. 207) In Mastering mode, the following buttons are disabled.
Page 112 The overall volume is adjusted by the MASTER fader. At this time, raise the volume as high as possible without allowing the sound to distort. Press [REC]. [REC] flashes in red and the BR-600 enters the recording standby state. fig.03-420 Flash Press [PLAY].
Page 113: Editing The Mastering Tool Kit Settings
Editing the Mastering Tool Kit Settings To create a new patch, select the patch that most closely resembles the sound you have in mind from the effects patches already stored in the unit, then edit its settings. If you wish to save the effect settings that you edited, save them as a user patch or song patch.
Page 114: Saving The Mastering Tool Kit Settings (Write)
Mastering Saving the Mastering Tool Kit Settings (Write) This assigns a name (patch name) to the edited patch settings and saves the settings. * If you do not need to change the patch name, go to Step 4 after entering the Mastering Tool Kit selection screen. At the Mastering Tool Kit selection screen, press CURSOR [ ] to move the cursor to “NAME,”...
Page 115: Mastering Tool Kit Parameter Functions
Mastering Tool Kit Parameter Functions Algorithm The Mastering Tool Kit's algorithms are composed from the following effects. =[ EQ ]=[ BCUT ]=[ ENH ]=[ IN ]=[ EXP ] [ COMP ]=[ MIX ]=[ LIM ]=[ OUT ] Equalizer Bass Cut Filter Enhancer Input Expander...
Page 116: Bass Cut Filter
Mastering Tool Kit Parameter Functions Bass Cut Filter This is a filter that cuts unwanted low range noise, such as pops. On/Off This setting turns the Bass Cut Filter on/off. Freq This sets the frequency containing popping or other undesirable lower-range noises that you want to cut. Enhancer This adds more liveliness to the sound, putting sounds at the forefront.
Page 117: Compressor
Compressor This compresses the overall output signal when the input volume level exceeds a set value. On/Off This parameter turns the compressor effect on/off. Lo Thres This sets the volume level at which the lower-range compressor goes into effect. Lo Ratio 1:1.00 –...
Page 118: Using The Loop Effects
Using the Loop Effects Here is an explanation of how to change the various parameters for the loop effects (chorus/delay/doubling/ reverb). For an explanation of loop effects, refer to “Loop Effect Parameter Functions” (p. 120). Selecting the Loop Effect Confirm that [PAD] is not lit, then press [PAN/EQ/ LOOP FX].
Page 119: Adjusting How The Loop Effect Is Applied
Adjusting How the Loop Effect is Applied The following explains how you can alter the volume of the signals sent by each track to the loop effects (the send level), and control the degree to which the loop effects are applied. Confirm that [PAD] is not lit, then press [PAN/EQ/ LOOP FX].
Page 120: Loop Effect Parameter Functions
Loop Effect Parameter Functions Parameter List CHORUS/DELAY/DBLN (Doubling) This selects the chorus, delay, or doubling effect. FX Type This sets the type of the effect. CHORUS : A sound with a subtly shifted pitch is added to the direct sound, making the final output sound thicker and broader. DELAY : This creates a thicker sound by applying a delayed sound to the direct sound.
Page 121: Using The Track Eq
Using the Track EQ Setting the Track EQ This section explains how to edit the Track EQ settings (parameters). For a fuller description of Track EQ, refer to “Track EQ Parameter Functions” (p. 122). Confirm that [PAD] is not lit, then press [PAN/EQ/ LOOP FX].
Page 122: Track Eq Parameter Functions
Track EQ Parameter Functions Parameter List This is a two-band equalizer that is independent for each track. On/Off This parameter turns the equalizer effect on/off. This sets the gain (-12 to +12 dB) for the low-range equalizer (shelving type). This sets the center frequency (40Hz to 1.5 kHz) for the low- range equalizer (shelving type).
Page 123: Fixing The Pitch Of Vocals (Pitch Correction)
Patch. In addition to the Preset Patches, you can also store five rewritable “User Patches” in the BR-600. And on memory cards, you can store five “Song Patches,” which are patches that can be used on an individual song basis.
Page 124: Using The Pitch Correction
Fixing the Pitch of Vocals (Pitch Correction) Using the Pitch Correction Let’s now use the BR-600’s pitch correction feature to clean up some mistakes in a solo vocal part. Using this feature, we will be able to correct pitches in real time and in semitone units.
Page 125 Press [STOP] at the point where you want to stop recording. The BR-600 will stop playback. Press [ZERO] to jump to the start of the song once again and then start playback of the recorded track.
Page 126: Setting The Correction Method For Vocal Pitch (Pitch Correction Edit)
Select this setting for a low-pitched, female voice. HI.FEML (High Female) Select this setting for a high-pitched, female voice. * If the BR-600 is frequently incorrect when detecting the pitch, either change the type setting. In certain cases, this will reduce the number of incorrect detections.
Page 127: Saving The Pitch Correction Settings (Write)
Saving the Pitch Correction Settings (Write) Modified Pitch Correction settings are saved by writing them together under a new patch name. * If you do not need to change the patch name, go to Step 4 after entering the Pitch Correction patch selection screen. At the Pitch Correction patch selection screen, press CURSOR [ ] to move the cursor to “NAME,”...
Page 128: Making Detailed Settings For Pitch Correction (Correction Event Map)
Fixing the Pitch of Vocals (Pitch Correction) Making Detailed Settings for Pitch Correction (Correction Event Map) In the procedures described thus far, what has been explained is how to correct the overall pitch for the entire song, from start to finish, in semitone increments. In actual practice, however, there may be situations where you want to correct only a certain section or adjust the pitch differently.
Page 129 Use [CURSOR] to move the cursor to “Smth” and specify the correction speed. Smth (Smooth) The value set here is added to the value for the “Smooth” patch parameter (p. 127). When set to 0, the correction proceeds at the rate set in the patch’s “Smooth”...
Page 130 MEMO...
Page 131: Using The Rhythm
Section 4 Using The Rhythm Section 4 Using The Rhythm...
Page 132: About Rhythms
About Rhythms With the BR-600, you can use the panel buttons (drum pads) to play the drum sounds any way you like. The BR-600 features nine pre-programmed collections of drum sounds designed for use in different musical genres (drum kits); select the drum kit suited to the type of music you are playing.
Page 133: What Are Patterns And Arrangements
What Are Patterns and Arrangements? The BR-600’s rhythms are composed of performance data of two main types called “patterns” and “arrangements.” What is a Pattern? ■ When bands and other groups play, the drums usually repeat a predetermined pattern lasting about one or two measures.
Page 134: What Is An Arrangement
You cannot have patterns switch automatically during the song. To play a pattern, press [PATTERN], causing the indicator to light and switching the BR-600 to Pattern mode. Arrangement Mode This mode is used for performing arrangements. The patterns are switched during the song according to the order in which they are arranged.
Page 135: Playing The Drum Sounds
Playing the Drum Sounds Now try playing the drum sounds using free hand movements to play the pads. With the Play screen active, press [PAD] so that the button lights. You do not need to press [PAD] if the indicator is already lit.
Page 136: Changing The Drum Sound (Drum Kits)
Changing the Drum Sound (Drum Kits) Selecting Drum Kits A drum kit consists of a collection of various rhythm instrument sounds organized as one set. The BR-600 is programmed with nine internal “preset drum kits.” Also included are five original “song drum kits.”...
Page 137 ] and the TIME/VALUE dial Standard sets Set with moderate ambience applied Set appropriate for hard rock Set appropriate for jazz Set appropriate for dance Set appropriate for dance Set appropriate for reggae Set based on the renowned “Roland TR- 808” rhythm machine song.
Page 138: Creating Original Drum Kits (Tone Load)
Changing the Drum Sound (Drum Kits) Creating Original Drum Kits (Tone Load) With the BR-600, you can create original drum kits not only with the internal drum sounds, but by loading drum sounds from external sources as well (Tone Load).
Page 139 Use CURSOR [ ] and the TIME/VALUE dial to specify the range (start and end points) of drum sounds to be loaded in terms of measures or time locations. Start Point (“S”) Specify the measure or location to be used as the start point for loading the drum sounds.
Page 140: Copying Drum Sounds From Other Drum Kits
Changing the Drum Sound (Drum Kits) Copying drum sounds from other drum kits Confirm that [PAD] is not lit, then press [UTILITY]. Press CURSOR[ ]to move the cursor to “TONE,” and press [ENTER]. fig.04-150 Press CURSOR [ ] to move the cursor to “COPY,”...
Page 141: Erasing Drum Sounds
Erasing drum sounds Confirm that [PAD] is not lit, then press [UTILITY]. Press CURSOR [ ] to move the cursor to “TONE,” and press [ENTER]. Press CURSOR [ ] to move the cursor to “ERASE,” and press [ENTER]. fig.04-210 Turn the TIME/VALUE dial to specify the erase drum kit, then press [ENTER].
Page 142: Playing Rhythm Patterns
Adjust the RHYTHM fader and MASTER fader to appropriate levels Press [STOP] to stop the performance. • When the BR-600 is shipped from the factory, the song patterns (S001 – S100) contain no data, thus no patterns are played even when selected.
Page 143: Playing Rhythm Arrangements
Adjust the RHYTHM fader and MASTER fader to appropriate levels. Press [STOP] to stop the performance. When the BR-600 is shipped from the factory, the song arrangements (S01 – S05) contain no data, thus no arrangements are played even when selected.
Page 144: Creating Original Patterns
Creating Original Patterns With the BR-600 you can create your own original patterns and then save these as song patterns. This is convenient when, for example, you cannot find just the pattern you want from the preset patterns. There are three ways to create patterns.
Page 145: Creating Patterns By Tapping The Drum Pads (Realtime Recording)
Creating Patterns by Tapping the Drum Pads (Realtime Recording) Confirm that [PAD] is not lit, then press [PATTERN]. [PATTERN] and [RHYTHM ON/OFF] light. Press [RHYTHM EDIT]. [PAD] lights up, indicating that the drum pads are enabled for use. fig.04-320 Use CURSOR [ ] and the TIME/VALUE dial to select a song pattern (S001 –...
Page 146: Rehearsing Recordings
Press CURSOR [ ] repeatedly to move the cursor to “RHR,” and press [ENTER]. The BR-600 is put into Rehearsal mode. fig.04-360 Tap the drum pads to practice the performance. The drum sounds are played but not recorded to the pattern.
Page 147: Deleting Unneeded Drum Sounds
Deleting Unneeded Drum Sounds During Realtime Recording, you can delete any drum sounds you do not need by holding down [DELETE/ MUTE] and pressing the drum pad for the drum sound you want to delete. Hold down [DELETE/MUTE] and press the drum pad for the drum sound you want to delete.
Page 148: Inputting Sounds One By One While Confirming The Input Visually (Step Recording)
Creating Original Patterns Inputting Sounds One by One While Confirming the Input Visually (Step Recording) When inputting patterns, you can add drum sounds one at a time and confirm the input visually in the display. This is convenient for inputting patterns that are difficult to perform using the drum pads.
Page 149 If you input drum sounds using a fine Quantize setting and then change the quantization to a setting that is less precise, the BR-600 won't be able to show all of the drum sounds in a cell. If more than one drum sound is present in the same cell, this is indicated by “...
Page 150 Creating Original Patterns If you mistakenly input the wrong drum sound, delete that sound. You can use the following procedure to delete drum sounds. Move the cursor to the position of the drum sound you want to delete, then carry out the following. •...
Page 151: Naming Patterns
Naming Patterns Song patterns can be given a name (pattern name) that consists of up to eight characters. Confirm that [PAD] is not lit, then press [PATTERN]. [PATTERN] and [RHYTHM ON/OFF] light. Press [RHYTHM EDIT]. The Pattern Edit screen appears in the display. Use CURSOR [ ] and the TIME/VALUE dial to select a song pattern (S001 –...
Page 152: Copying Patterns
Copying Patterns When you want to change a preset pattern slightly to create a desired pattern, you can copy the preset pattern to a song pattern, after which you have complete freedom to change the performance data. Confirm that [PAD] is not lit, then press [PATTERN]. [PATTERN] and [RHYTHM ON/OFF] light.
Page 153: Erasing Patterns
Erasing Patterns Confirm that [PAD] is not lit, then press [PATTERN]. [PATTERN] and [RHYTHM ON/OFF] light. Press [RHYTHM EDIT]. The Pattern Edit screen appears in the display. Press CURSOR [ ] to move the cursor to “ERASE,” and press [ENTER]. fig.04-481 Turn the TIME/VALUE dial to select the song pattern (S001 –...
Page 154: Creating Original Arrangements
In other words, since even lengthy songs are sequences of these compositional units, or steps, these songs can be finished with less steps. With the BR-600, you can arrange sequences of up to 50 steps. Now try actually creating an arrangement.
Page 155 Press CURSOR [ ] to move the cursor to the parameter you want to change, then turn the TIME/ VALUE dial to change the setting’s value. You can press [PLAY] to play the sound of the pattern in the currently selected step. Starting Measure This sets the measure from which the performance of the pattern selected for the current step is to start.
Page 156: Inserting Steps
Creating Original Arrangements Inserting Steps Perform the procedure below to insert a new step at the current step. fig.04-550 Insert Verse Step 1 Step 2 Step 3 Intro Verse Fill Step 1 Step 2 Step 3 Intro Verse Verse Confirm that [PAD] is not lit, then press [ARRANGE] so that the button lights.
Page 157: Naming Arrangements
Press [EXIT] repeatedly to return to the Play screen. “Keep power on!” appears in the display, and the changed arrangement name is saved. The Preset Arrangement names are permanently assigned when the BR-600 is shipped; these names cannot be changed.
Page 158: Copying Arrangements
Copying Arrangements When you want to change a preset arrangement slightly to create a desired arrangement or create a variation of a source arrangement, you can copy the preset arrangement as a song arrangement, after which you can change it freely. Confirm that [PAD] is not lit, then press [ARRANGE].
Page 159: Erasing Arrangements
Erasing Arrangements This erases Step 2 and all subsequent steps in the currently selected song arrangement. Step 1 cannot be erased, but instead remains with the step set to “Metro” (Metronome). Confirm that [PAD] is not lit, then press [ARRANGE]. [ARRANGE] and [RHYTHM ON/OFF] light.
Page 160 MEMO...
Page 161: Section5 Using Usb
Section 5 Using USB Section5 Using USB...
Page 162: Before Using Usb (Overview)
SMF Folder SMF File USB Folder WAV/AIFF File ROLAND Folder The structure of the files and folders on the BR-600 is as follows. BR0 Folder Song data (recording data, song arrangements/patterns/ drum kits, effect song patches, and song information) are saved to each song folder.
Page 163: Connecting A Computer
(Ex.) Before Using USB (Overview) Connecting a Computer Use the USB cable to connect the BR-600 to your computer. * Purchase USB cables at computer stores or other retailers. fig.05-040 To USB connector of your computer Notes on Using USB Do not perform any of the following actions while the BR- 600 is connected via USB.
Page 164: With Windows
• Tones from the Song Kit or imported with Tone Load • Utility (For a detailed explanation, refer to “Parameter List” (p. 210).) Connect your computer and the BR-600 with a USB cable. Confirm that [PAD] is not lit, and with the recorder stopped, press [UTILITY].
Page 165: Reading Backup Data Back Into The Br-600 From Pc (Recover)
BR-600 from PC (Recover) When the BR-600 performs Recover, the data on memory cards will be overwrited. Connect your computer and the BR-600 with a USB Task Tray cable. Confirm that [PAD] is not lit, and with the recorder stopped, press [UTILITY].
Page 166 If “NO” is selected even onece, the recovery operation will be incomplete, and this may prevent the BR-600 from operating correctly. • When the BR-600 performs Recover, the data on memory cards will be overwrited. Quit the connection to the computer.
Page 167: Saving Br-600 Track Data In Wav/Aiff Format (Wav/Aiff Export)
Saving BR-600 Track Data in WAV/AIFF Format (WAV/AIFF Export) You can convert the BR-600’s track data into WAV or AIFF files and save these on your computer. After converting your mastered tracks to WAV or AIFF files, you can easily use your computer to create audio CDs with the data, as well as load the data into audio applications.
Page 168 1) Click the “BOSS_BR-600” (or “Removable disk (*:)”) icon. 2) Drag the WAV or AIFF file in the “USB” folder in the “ROLAND” folder to the computer’s folder and drop it in the folder. fig.05-150 When you have finished exporting the data, the Idling screen returns to the display.
Page 169: Resolving Insufficient Memory Issues When Exporting Wav/Aiff
Recover the data (see p. 165). 2.Using a high-capacity memory card For more on supported memory cards (CompactFlash) for the BR-600, refer to the separate sheet “About Memory Cards.” Back up the data on the card (see p. 164). Insert the high-capacity memory card in the BR-600, then initialize the card (see p.199).
Page 170: Loading Wav/Aiff Files In Br-600 Tracks (Wav/Aiff Import)
Pattern mode at the time of the import, it takes place in accord with the timing of the Pattern mode. Connect your computer and the BR-600 with a USB cable. Confirm that [PAD] is not lit, and with the recorder stopped, press [UTILITY].
Page 171 At this point, you can safely disconnect the USB cable Task Tray from the BR-600 and the computer. Repeat Steps 4–9 as needed. When you have finished importing the WAV or AIFF file(s), press [EXIT] repeatedly to return to the Play screen.
Page 172: Importing Smfs And Creating Patterns
• Add the extension “MID” to SMFs you are importing. • Use file names containing eight alphanumeric characters. Connect your computer and the BR-600 with a USB cable. Confirm that [PAD] is not lit, and with the recorder stopped, press [UTILITY].
Page 173 GM/GS/XG-compatible SMF files generally have rhythm performance data assigned to MIDI Channel 10. For this reason, the BR-600 imports only the data extracted from MIDI Channel 10. Note that data assigned to other channels is disregarded.
Page 174: Loading Drum Sounds From Wav/Aiff Files (Tone Load)
● Stereo WAV and AIFF files imported with Tone Load are loaded as “mono” sounds with the left and right sides mixed. Connect your computer and the BR-600 with a USB cable. Confirm that [PAD] is not lit, and with the recorder stopped, press [UTILITY].
Page 175 In this case, pressing [ENTER] and then [EXIT] returns the Play screen to the display. fig.05-420 At this point, you can safely disconnect the USB cable from the BR-600 and the computer. Press [UTILITY]. Task Tray Press CURSOR [ “TONE,” and press [ENTER].
Page 176: Using The Br-900Cd/Br-864/ Br-532'S Data
Using the BR-900CD/BR-864/ BR-532’s Data You can use the BR-600 to play BR-900CD, BR-864, or BR- 532 data. * First be sure to back up the BR-900CD / BR-864 / BR-532’s “ROLAND” folder to the computer.
Page 177 Delete the BR-600 “ROLAND” folder. 1) Click the “BOSS_BR-600” (or “Removable disk (*:)”) icon, and delete the “ROLAND” folder. Drag the previously backed up BR-900CD / BR-864 / BR-532 “ROLAND” folder to the “BOSS_BR-600” (or “Removable disk (*:)”) icon and drop it there.
Page 178: With Macintosh
• Tones from the Song Kit or imported with Tone Load • Utility (For a detailed explanation, refer to “Parameter List” (p. 210).) Connect your computer and the BR-600 with a USB cable. Confirm that [PAD] is not lit, and with the recorder stopped, press [UTILITY].
Page 179: Reading Backup Data Back Into The Br-600 From Pc (Recover)
BR-600 from PC (Recover) When the BR-600 performs Recover, the data on memory cards will be overwrited. Connect your computer and the BR-600 with a USB cable. Confirm that [PAD] is not lit, and with the recorder stopped, press [UTILITY].
Page 180: Saving Br-600 Track Data In Wav/Aiff Format (Wav/Aiff Export)
Saving BR-600 Track Data in WAV/AIFF Format (WAV/AIFF Export) You can convert the BR-600’s track data into WAV or AIFF files and save these on your computer. After converting your mastered tracks to WAV or AIFF files, you can easily use your computer to create audio CDs with the data, as well as load the data into audio applications.
Page 181: Resolving Insufficient Memory Issues When Exporting Wav/Aiff
Recover the data (see p. 179). 2.Using a high-capacity memory card For more on supported memory cards (CompactFlash) for the BR-600, refer to the separate sheet “About Memory Cards.” Back up the data on the card (see p. 178). Insert the high-capacity memory card in the BR-600, then initialize the card (see p.199).
Page 182: Loading Wav/Aiff Files In Br-600 Tracks (Wav/Aiff Import)
Pattern mode at the time of the import, it takes place in accord with the timing of the Pattern mode. Connect your computer and the BR-600 with a USB cable. Confirm that [PAD] is not lit, and with the recorder stopped, press [UTILITY].
Page 183 Once the import is complete, you are returned to the screen for specifying the import-source track/V-Track. At this point, you can safely disconnect the USB cable from the BR-600 and the computer. Repeat Steps 4–9 as needed. When you have finished importing the WAV or AIFF file(s), press [EXIT] repeatedly to return to the Play screen.
Page 184: Importing Smfs And Creating Patterns
• Add the extension “MID” to SMFs you are importing. • Use file names containing eight alphanumeric characters. Connect your computer and the BR-600 with a USB cable. Confirm that [PAD] is not lit, and with the recorder stopped, press [UTILITY].
Page 185 GM/GS/XG-compatible SMF files generally have rhythm performance data assigned to MIDI Channel 10. For this reason, the BR-600 imports only the data extracted from MIDI Channel 10. Note that data assigned to other channels is disregarded.
Page 186: Loading Drum Sounds From Wav/Aiff Files (Tone Load)
● Stereo WAV and AIFF files imported with Tone Load are loaded as “mono” sounds with the left and right sides mixed. Connect your computer and the BR-600 with a USB cable. Confirm that [PAD] is not lit, and with the recorder stopped, press [UTILITY].
Page 187 If these files are no longer needed, connect the BR-600 to your computer via USB and use the computer to delete the files. Any files that are retained will use the required amount of memory on the memory card.
Page 188: Using The Br-900Cd
With Macintosh Using the BR-900CD / BR-864 / BR-532’s Data You can use the BR-600 to play BR-900CD / BR-864 / BR- 532 data. * First be sure to back up the BR-900CD / BR-864 / BR-532’s “ROLAND” folder to the computer.
Page 189: Other Convenient Functions
Section 6 Other Convenient Functions Section6 Other Convenient Functions...
Page 190: Adjusting The Display Contrast
Adjusting the Display Contrast Depending on where the BR-600 is situated, the display contents may be difficult to read. If this is the case, perform the procedure given below to adjust the contrast (1 to 17). fig.06-010 Confirm that [PAD] is not lit, then press [UTILITY].
Page 191: Using A Foot Switch Or Expression Pedal
Using a Foot Switch or Expression Pedal You can connect a sold separately foot switch (such as the BOSS FS-5U or Roland DP-2) or expression pedal (such as the Roland EV-5 or BOSS FV-500L/FV-500H) to the FOOT SW/EXP PEDAL jack on the rear panel, allowing you to use your foot to control a number of functions.
Page 192: Tuning An Instrument (Tuner)
■ that appear while tuning When the built-in tuner of the BR-600 is used, the reference pitch is shown in the upper left of the display, and the note name in the right. The lower part will display a tuning guide to indicate the difference between the input sound and the displayed note.
Page 193: Setting The Reference Pitch Of The Tuner
(e.g., piano). On the BR-600, you can set the reference pitch of the tuner to any value between 435 and 445 Hz. * This was set to 440 Hz when the unit was shipped from the factory.
Page 194: Mixing The Output From An External Audio Device With The Output From Your Br-600 (Audio Sub Mix)
Mixing the Output from an External Audio Device with the Output from Your BR-600 (Audio Sub Mix) The Audio Sub Mix function allows you to mix the signal input from LINE IN with the signal output to LINE OUT. Using “Audio Sub Mix,” you can mix sounds from an external audio device with the output of the BR-600–all...
Page 195: Practicing Difficult Phrases (Phrase Trainer)
Practicing Difficult Phrases (Phrase Trainer) Your BR-600 features a built-in “Phrase Trainer.” You can also slow down (Time Stretch) the playback to aid in practicing difficult phrases or remove the guitar solo sound (Center Cancel) to play along with only the backing instruments as a practice aid.
Page 196: Canceling The Center Sound (Center Cancel)
Practicing Difficult Phrases (Phrase Trainer) Canceling the Center Sound (Center Cancel) The Center Cancel function allows you to remove the central sound of the playback (e.g., vocals or guitar solos). This is helpful if you want to practice playing along with the backing instruments.
Page 197: Initializing The Br-600'S Settings
[MIC], and [LINE] while turning the POWER switch ON, then pressing [ENTER]. However, the initialization cannot be carried out unless a memory card is inserted in the BR-600 and the song protect function is switched off. Initializing the System Settings Follow the procedure below to initialize the system parameters.
Page 198: Initializing The Effect Settings
Initializing the BR-600’s Settings Initializing the Effect Settings Follow the procedure below to initialize the user effect patches or song effect patches. * The same content as that in the Preset patches is copied. Confirm that [PAD] is not lit, then press [UTILITY].
Page 199: Initializing The Memory Card
• Be aware that when initialized, any existing data on the card will be erased. • If you initialize the memory card supplied with the BR-600, the demo songs on the card will be lost. • Before you insert or remove a memory card, always turn off the BR-600 first.
Page 200: Conserving Battery Power (Power Save)
When the power save function is activated, if no button, or TIME/VALUE dial on the BR-600 is used for a certain amount of time, the BR-600 will enter the standby state and turn off the display backlight and button indicators.
Page 201: Utility Parameter List
Utility Parameter List Utilities include the following : • “System parameters” for setting functions affecting the entire BR-600 • “Sync parameters” for setting synchronized performance functions • “Scrub parameters” for setting scrub functions About the System Parameters This section describes the System parameters.
Page 202: About The Sync Parameters
Utility Parameter List About the Sync Parameters Confirm that [PAD] is not lit, then press [UTILITY]. Press CURSOR [ ] to move the cursor to “SYNC,” and press [ENTER]. Make the settings with the TIME/VALUE dial Offset Valid Settings : 00:00:00-00.0– 23:59:59-29.9 (Initial value : 00:00:00-00.0) This function allows audio tracks to be played back with...
Page 203: Section7 Appendices
Section 7 Appendices Section7 Appendices...
Page 204: Effect Patch List
Effect Patch List ■ GTR (GUITAR/BASS) Patch Name Algorithm JC Clean COSM GTR AMP HiGainLd COSM GTR AMP Over Drv COSM GTR AMP Phased COSM GTR AMP Crunch COSM GTR AMP MS Strgt COSM GTR AMP St WACK COSM GTR AMP Ambient COSM GTR AMP Voxy!
Page 205 ■ Patch Name Algorithm Vo Comp1 COSM COMP VCL Vo Comp2 COSM COMP VCL Kick Cmp COSM COMP VCL SnareCmp COSM COMP VCL BrassCmp COSM COMP VCL VocalFx1 VOCAL MULTI VocalFx2 VOCAL MULTI VocalFx3 VOCAL MULTI VocalFx4 VOCAL MULTI NARRATOR VOCAL MULTI VOX DOUB VOCAL MULTI...
Page 206 Effect Patch List ■ SML (SIMUL) Patch Name Algorithm EQ + JC VO+GT AMP DELAY+JC VO+GT AMP CMP+TWIN VO+GT AMP EQ+twin VO+GT AMP CMP+SMAL VO+GT AMP EQ+CRNCH VO+GT AMP EQ+MATCH VO+GT AMP DL+match VO+GT AMP EQ+VO VO+GT AMP COMP+vo VO+GT AMP CMP+BLUS VO+GT AMP CMP+BG...
Page 207: Mastering Tool Kit Patch List
Mastering Tool Kit Patch List ■ MTK (MASTERING TOOL KIT) Patch Name Mix Down PreMastr Live Mix Pop Mix DanceMix JinglMix HardComp SoftComp CleanCmp DanceCmp OrchComp VocalCmp Acoustic RockBand Orchestr LowBoost Brighten DJsVoice PhoneVox Pitch Correction Patch List ■ PCR (PITCH CORRECTION) Patch Name Alto Soprano...
Page 208: Arrangement / Pattern List
Arrangement / Pattern List Preset Arrangement List Each of the preset Arrangement (except Metro4/4) is set so that a three-measure BREAK, followed by V1 (verse) comes after the E (ending). Arrangement Initial Name Tempo ROCK1 ROCK2 ROCK3 ROCK4 ROCK5 ROCK6 HdRck1 HdRck2 HdRck3...
Page 209: Preset Pattern List
Preset Pattern List Pattern Name Initial (Abbreviation shown Tempo in display) ROCK1 ROCK2 ROCK3 ROCK4 ROCK5 ROCK6 Hard Rock 1(HdRc1) Hard Rock 1(HdRc2) Hard Rock 1(HdRc3) Hard Rock 1(HdRc4) Hard Rock 1(HdRc5) HEAVY1 (HEVY1) HEAVY2 (HEVY2) HEAVY3 (HEVY3) HEAVY4 (HEVY4) HEAVY5 (HEVY5) POP1 POP2...
Page 210: Parameter List
Parameter List (*1) If you want to save the settings as the currently selected song data, hold down [STOP] and press [REC]. (*2) Stored in the BR-600. (*3) Not Stored. ■ Mixer Parameter Parameter Name Display Input Select Recording Mode...
Page 211 Pitch Correction Parameter Name Display Location Location Track EQ Parameter Name Display Equalizer On/Off Equalizer Low Gain Lo G Equalizer Low Frequency Lo F Equalizer High Gain Hi G Equalizer High Frequency Hi F Recorder Parameter ■ Parameter Name Display Recording Track V-Track V-TRACK...
Page 212 Parameter List Sync Parameter ■ Parameter Name Display Sync Offset Offset Scrub Parameter ■ Parameter Name Display Scrub From/To Mode From/To Preview Switch Preview SW ■ Rhythm Parameter Parameter Name Display Rhythm On / Off Arrangement Pattern Arrangement Mode Arrangement Name P01 Pattern Mode Pattern Name Arrangement Parameter...
Page 213: Troubleshooting
Troubleshooting If the BR-600 does not function as you expect, please check the following points before assuming that a malfunction has occurred. If this does not resolve the problem, contact a nearby Roland service center or your dealer. Problems with the Sound No sound ❍...
Page 214: Problems With The Memory Card
Problems with the Memory Card “Unsupported Card!” is displayed ❍ Do you have a compatible (CompactFlash) memory card inserted in the BR-600? ❍ Is the memory card fully and securely inserted? Memory card data was damaged If memory card data has been damaged, the following causes are possible.
Page 215: Error Messages
Cause : Memory card data cannot be loaded correctly. Solution 1 : Turn off the BR-600, properly insert the memory card, then turn the BR-600 back Solution 2 : Initialize the card (p. 199). * If the same message appears after you have taken the above steps, it is possible that the memory card is malfunctioning.
Page 216 Perform the Song Optimize operation (p. 87). What is an event? The smallest unit of memory used by the BR-600 to store recorded results on a memory card is the event. A newly created song provides approximately 2,000 events per song.
Page 217 Unformatted! Cause : The Memory card is not formatted by DOS. Solution 1 : Turn off the BR-600, properly insert the memory card, then turn the BR-600BR- 600 back on. Solution 2 : Initialize the card (p. 199). Unsupported Card!
Page 218: Specifications
DA Conversion : 24 bit, ∆∑ Modulation Internal Processing :24 bit (digital mixer section) * AF method (Adaptive Focus method) Adaptive Focus is a unique Roland/BOSS technology that allows the signal noise (S/N) ratios of AD and DA converters to be vastly improved.
Page 219: Power Supply
700 g / 1 lb 9 oz (excluding batteries) ● Accessories Soft Case Size AA alkaline dry cell batteries (6) TRS-XLR converter cable Demo Card (Already inserted when the BR-600 is shipped) Owner’s Manual Separate sheet (“About Memory Cards” ) Roland Service (information sheet) ● Options...
Page 220: Index
Index Numerics 4Band Equalizer ... 96–100 4Band Equalizer/Wah ... 96–99 808 ... 137 AB ... 77, 80–81, 83–84 AB Qtz ... 201 AC ... 107 ACOUSTIC GTR ... 97 Acoustic Guitar Simulator ... 96, 100–101 Acoustic Processor ... 97, 101 ACOUSTIC SIM ...
Page 221 Delay ... 96–100, 103 DELETE/MUTE ... 47 Demo Song ... 32 Depth ... 102–104, 106, 109, 120 DIGITAL ... 105 Dir Level ... 105–106, 108–109 Display ... 190 Dither ... 117 Dly Time ... 116 Dly Tme ... 103, 120 Doubling ...
Page 222 Index Rhythm ... 198 System ... 197 INPUT ... 37, 45, 57, 95 Input ... 102, 116 Input Gain ... 115 INPUT SELECT ... 55 Input Sensitivity ... 36 INSERT ... 156 Insert Effect ... 38, 92 JAZZ ... 137 JC-120 ...
Page 223 NAM ... 88 NAME ... 114, 127, 151, 157 NEW ... 35 Noise ... 105 Noise Suppressor ... 96–100, 106 NOTE ... 128 Oct Level ... 106 Octave ... 97, 106 OFF ... 105, 107, 128 Offset ... 202 ON ... 107 Onboard Stereo Microphone ...
Page 224 RHY ... 198 RHYTHM ... 37, 95 Rhythm ... 40 Ring Modulator ... 99, 108 RiseTme ... 108 ROLAND Folder ... 162 ROOM ... 120, 137 S EFX ... 198 Saving Memory ... 87 Scrub ... 73 Scrub Point ... 74 Send Level ...
Page 225 Index USB ... 162 USB Folder ... 163 User Patch ... 39, 92, 111 V ... 133 VO DRV ... 107 VO+AC.SIM ... 100 VO+ACOUSTIC ... 100 VO+GT AMP ... 100 VOCAL MULTI ... 98 VOICE TRANS ... 98 Voice Transformer ... 98, 109 Volume ...
Page 226 TRACK SHEET...
Page 227 Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada. DECLARATION OF CONFORMITY Compliance Information Statement Model Name : BR-600 Type of Equipment : Digital Recorder Roland Corporation U.S. Responsible Party : 5100 S.Eastern Avenue, Los Angeles, CA 90040-2938 Address : Telephone : (323) 890-3700 NOTICE AVIS For the U.K.
Page 228 17041748...

Boss BR-600 Owner's Manual

Important Notes

Introduction to the BR-600

Panel Descriptions

Quick Start

Connecting Peripheral Devices

Turning on / off the BR-600

Listening to a Demo Song

Moving the Current Position

Connecting Instruments

Preparing Songs for Recording

Selecting the Input

Using Insert Effects

Using the Rhythm

Recording

Playing Back Recorded Music

Recording an Additional Performance While Listening to an Existing Performance (Overdubbing)

Putting Multiple Tracks Together (Bounce)

Recording and Playback

Recording

Repeating Playback (Repeat)

Re-Recording Only a Mistake (Punch-In/Out)

Canceling an Operation (Undo/Redo)

Putting Multiple Tracks Together (Bounce)

Loading Songs Created with the BR-900CD/BR-864/BR-532

Displaying the Song Information

Section 2 Editing

Registering Time (Locator)

Search for the Music's Start and End (Scrub/Preview)

Editing the Performance on a Track (Track Edit)

Organizing the Songs You've Recorded

Creating a Master Tape/ Disc

Section 3 Using Effects

Using the Insert Effects

Insert Effect Parameter Functions

1 Cosm Gtr Amp

2 Acoustic Sim

3 Bass Sim

4 Cosm Comp Gtr

5 Acoustic Gtr

6 Bass Multi

7 Cosm Bass Amp

8 Cosm Comp Bss

9 Vocal Multi

10 Voice Trans

11 Cosm Comp Vcl

12 Stereo Multi

13 Lo-Fi Box

14 Vo+Gt Amp

15 Vo+Ac.sim

16 Vo+Acoustic

Mastering

Mastering Tool Kit Parameter Functions

Using the Loop Effects

Loop Effect Parameter Functions

Using the Track EQ

Track EQ Parameter Functions

Fixing the Pitch of Vocals (Pitch Correction)

Using the Rhythm

About Rhythms

Playing the Drum Sounds

Changing the Drum Sound (Drum Kits)

Selecting Drum Kits

Creating Original Drum Kits (Tone Load)

Playing Rhythm Patterns

Playing Rhythm Arrangements

Creating Original Patterns

Creating Patterns by Tapping the Drum Pads (Realtime Recording)

Inputting Sounds One by One While Confirming the Input Visually (Step Recording)

Naming Patterns

Copying Patterns

Erasing Patterns

Creating Original Arrangements

Naming Arrangements

Copying Arrangements

Erasing Arrangements

Section5 Using USB

Before Using USB (Overview)

With Windows

With Macintosh