Ä Self-Timer Photography - FujiFilm FinePix S5200 Owner's Manual

PHOTOGRAPHY MENU
PHOTOGRAPHY MENU
Ä SELF-TIMER PHOTOGRAPHY
Available Photography modes: B, √, À, U, ,, /, N, M, <, >
1
10 SEC SEC
:
1 :
: AUTO AUTO OFF OFF
: OFF OFF
2
:
:
SET SET
◆
Using the 2-second self-timer
This is useful when you have the camera on a tripod and you want to prevent camera shake.
2
0 1
N N N 12 12 12
0 2 3 0
Beep
Bebeep
3
4
9
60
✽ Displaying the menus (➡P.58)
The self-timer is used in situations where the
photographer is included in the shot.
When selecting the self-timer setting, the self-timer
icon appears on the screen.
*
: The picture is taken after 10 seconds.
(
: The picture is taken after 2 seconds.
N N N 12 12 12
●
!
Any of the following cancels the self-timer setting:
i Completing the shooting
i Changing the Mode dial setting
i Setting the camera to Playback mode
i Turning the camera off
◆
1 Position the AF frame over the subject.
2 Press the shutter button down halfway to focus
on the subject.
3 Without releasing the shutter button, press the
button all the way down (fully pressed) to start
the self-timer.
●
!
The AF/AE lock can be used (➡P.26).
●
!
Take care not to stand in front of the lens when pressing the
shutter button as this can prevent the correct focus or
brightness (exposure) from being achieved.
●
!
The amount of light emitted by AF-assist illuminator
decreases when taking pictures using self-timer.
The self-timer lamp lights and then starts blinking
until the picture is taken.
■ Self-timer lamp display
* Lit for 5 seconds ➡ Blinking for 5 seconds
(
Blinking for 2 seconds
●
!
To stop the self-timer, once it has started running, press the
"DISP/BACK" button.
A countdown appears on the screen indicating the
time remaining until the picture is taken.
Self-timer mode is canceled after each shot.
ˆ PHOTOMETRY
PHOTOMETRY PHOTOMETRY
: OFF OFF
1 :
: AUTO AUTO
:
OFF OFF
2
:
:
SET SET
◆
The photometry modes are effective for the following subjects
h MULTI
In this mode, the camera uses automatic scene recognition to analyze the subject and provide
optimum exposure in a wide range of shooting conditions. This mode should be used for everyday
photography.
h SPOT
This mode is useful for subjects with strongly contrasting light and dark areas where you want to
achieve the correct exposure for a particular feature.
h AVERAGE
The advantage of this mode is that the exposure tends not to change for different compositions or
subjects. This mode is particularly effective for shots of people wearing black or white clothing and
shots of scenery.
» WHITE BALANCE ( SELECTING THE LIGHT SOURCE )
WHITE BALLANCE WHITE BALLANCE
:
OFF OFF AUTO AUTO
1 :
: AUTO AUTO
:
OFF OFF
2
:
:
SET SET
AUTO: Automatic adjustment
(shooting to show the ambience of
the light source)
≥
: Custom white balance
6
: Shooting outdoors in good weather
7
: Shooting in shade
✽ When the flash fires, the white balance setting (excluding custom white balance) for the flash is used. Consequently,
to achieve a particular effect, the flash mode should be set to Suppressed flash (➡P.48).
●
!
The color tones may vary depending on the shooting conditions (light source, etc.).
Available Photography modes: N, M, <, >
Use this mode for scenes where the brightness of
the subject and background differ markedly so that
the MULTI setting is unlikely to achieve the desired
result.
∏ MULTI (Pattern): Light metering where the
camera assesses the scene
and selects the correct
exposure.
" SPOT: Light metering where the exposure is
optimized for the center of the image.
' AVERAGE: Light metering where an average
value for the entire image is used.
●
!
In the " B ", " √ ", " À ", " U ", " , ", " / " and " r " modes,
light metering is fixed at the MULTI setting and cannot be
changed.
◆
Available Photography modes: N, M, <, >
Change the white balance setting to suit for the
surroundings and lighting.
In AUTO mode, the correct white balance may not
be achieved for subjects such as close-ups of
people's faces and pictures taken under a special
light source. Select the correct white balance for
the light source. See P.130 for more information on
the white balance.
9
: Shooting under "Daylight" fluorescent
lamps
0
: Shooting under "Warm White" fluorescent
lamps
-
: Shooting under "Cool White" fluorescent
lamps
8
: Shooting in incandescent light
Continued
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61