FujiFilm FinePix F11 Owner's Manual page 21

Fujifilm digital camera manual finepix f11
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SELECTING PHOTOGRAPHY MODE
PHOTOGRAPHY MENU
3
N N N 10 10 10
ISO ISO 200
SELECT
SELECT
SET
SET
500
500
F4 F4 F4
Shutter speed
Shutter speed
N N N 10 10 10
ISO ISO 200
F2.8
F2.8
F2.8
Lit red
Lit red
SELECT
SELECT
SET
SET
1000
1000
F2.8
F2.8
F2.8
N N N 10 10 10
ISO ISO 200
SELECT
SELECT
SET
SET
50 50
50
F---
F---
F---
4
Click
40
Press "d" or "c" to select the shutter speed.
h Shutter speed setting
3 sec. to 1/1000 sec. in 1/3 EV increments
!
Macro and Flash mode cannot be selected during adjusting
shutter speed. To select these modes, press the "
button.
!
[500] in the bottom-left corner of LCD monitor is shown that
the shutter speed is 1/500 second. When the shutter speed is
3 seconds, [3"] appears on the LCD monitor.
When the correct exposure cannot be obtained with
selected shutter speed, the aperture setting appears
in red. When this occurs, adjust the shutter speed
again.
When the brightness of the subject is outside the
camera's brightness metering range, "F---" appears
as the aperture setting. When this occurs, press the
shutter button down halfway to measure the light
level again.
Press the shutter button to take pictures.
Shutter speed
When shooting a moving subject, you can either "freeze the motion" or "capture the sense of
movement" by adjusting the shutter speed.
Fast
Ñ
(b)"
< Aperture priority AE
1
!
0
1
2
@
0
2
A
SETTING APERTURE
SETTING APERTURE
320
320
320
Freezes the motion of
Slow
the subject.
This is an automatic mode to set the aperture.
APERTURE PRIORITY AE
APERTURE PRIORITY AE
Use this mode to have the area in front of and
behind the subject out of focus (large aperture) or
M
M M
:
:
S
OFF
OFF
have both near and far subjects in focus (small
:
0
A
aperture).
:
1 Select "
<
" APERTURE PRIORITY AE (➡P.38).
:
AUTO
AUTO
:
OFF
OFF
2 Press the "MENU/OK" button to confirm your
selection.
Press the "
Ñ
(b )" button to select SETTING
N N N 10 10 10
APERTURE.
ISO ISO 200
F4.5
F4.5
F4.5
Photographs the traces
left by the subject's
movement.
3
Continued
41

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