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Orban OPTIMOD TRIO Operating Manual
Orban OPTIMOD TRIO Operating Manual

Orban OPTIMOD TRIO Operating Manual

Multi-mode digital audio processor
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Summary of Contents for Orban OPTIMOD TRIO

  • Page 1 OPTIMOD TRIO...
  • Page 2 ...
  • Page 4 All the safety and operating instructions should be read before the appliance is operated. Retain Instructions: The safety and operation instructions should be retained for future reference. Heed Warnings: All warnings on the appliance and in the operating instructions should be adhered to. Follow Instructions: All operation and user instructions should be followed.
  • Page 5       ...
  • Page 6 20,000 volts. This is the spark or shock you may have felt when touching a doorknob or some other conductive surface. A much smaller static discharge is likely to destroy one or more of the CMOS semiconductors employed in OPTIMOD TRIO-AM- FM. Static damage will not be covered under warranty.
  • Page 12 Orban TRIO Technical Manual Introduction          ...
  • Page 13 Introduction          ...
  • Page 14 Orban TRIO Technical Manual Introduction      ...
  • Page 15 Introduction  ...
  • Page 16 Orban TRIO Technical Manual Introduction...
  • Page 17 Introduction...
  • Page 18 Orban TRIO Technical Manual Introduction       ...
  • Page 19 Introduction Figure 1-1: Wiring the 25-pin Remote Interface Connector.
  • Page 20 Orban TRIO Technical Manual Introduction  ...
  • Page 21 1-10 Introduction        ...
  • Page 22 1-11 Orban TRIO Technical Manual Introduction          ...
  • Page 23 1-12 Introduction               ...
  • Page 24 1-13 Orban TRIO Technical Manual Introduction            ...
  • Page 25 1-14 Introduction     ...
  • Page 26 OPTIMOD TRIO-AM ...
  • Page 27 OPTIMOD TRIO-AM     ONTROL       ...
  • Page 28 OPTIMOD TRIO-AM          ODIFY > > B > L ROCESSING ASIC ONTROLS...
  • Page 29 OPTIMOD TRIO-AM...
  • Page 30 OPTIMOD TRIO-AM         ...
  • Page 31 OPTIMOD TRIO-AM    ...
  • Page 32 OPTIMOD TRIO-AM Figure 2-1: A REDUNDANT setup with static IP addresses. Figure 2-2: A SWITCHED setup with a DHCP-sourced IP address...
  • Page 33 OPTIMOD TRIO-AM Figure 2-3: A Dante Controller reports the OPTIMOD TRIO-AM network status when a OPTIMOD TRIO- AM has been configured and connected for dual-redundant networks.    ...
  • Page 34 OPTIMOD TRIO-AM    ...
  • Page 35 2-10 OPTIMOD TRIO-AM       ...
  • Page 36 2-11 OPTIMOD TRIO-AM  The Remote Control Interface is a set of eight optically isolated GPI inputs on a DB-25 connector, which can be activated by 5-12V DC. They can control various functions of the TRIO-AM via closures through automation systems or remote controls.
  • Page 37 2-12 OPTIMOD TRIO-AM...
  • Page 38 2-13 OPTIMOD TRIO-AM...
  • Page 39 2-14 OPTIMOD TRIO-AM ...
  • Page 40 2-15 OPTIMOD TRIO-AM...
  • Page 41 2-16 OPTIMOD TRIO-AM...
  • Page 42 2-17 OPTIMOD TRIO-AM...
  • Page 43 2-18 OPTIMOD TRIO-AM...
  • Page 44 2-19 OPTIMOD TRIO-AM...
  • Page 45 2-20 OPTIMOD TRIO-AM...
  • Page 46 2-21 OPTIMOD TRIO-AM...
  • Page 47 2-22 OPTIMOD TRIO-AM...
  • Page 48 2-23 OPTIMOD TRIO-AM...
  • Page 49 2-24 OPTIMOD TRIO-AM Figure 2-3: NRSC Modified 75 µs Deemphasis...
  • Page 50 2-25 OPTIMOD TRIO-AM Figure 2-4: NRSC Lowpass Filter...
  • Page 51 2-26 OPTIMOD TRIO-AM...
  • Page 52 2-27 OPTIMOD TRIO-AM      ...
  • Page 53 2-28 OPTIMOD TRIO-AM GEN PURPOSE MEDIUM HF C GEN PURPOSE MEDIUM URVE HF G HF C URVE...
  • Page 54 2-29 OPTIMOD TRIO-AM...
  • Page 55 2-30 OPTIMOD TRIO-AM ...
  • Page 56 2-31 OPTIMOD TRIO-AM...
  • Page 57 2-32 OPTIMOD TRIO-AM ...
  • Page 58 2-33 OPTIMOD TRIO-AM  ...
  • Page 59 2-34 OPTIMOD TRIO-AM ...
  • Page 60 2-35 OPTIMOD TRIO-AM Of course, is still available for the unedited preset if you want to go back to it. There is no way you can erase or otherwise damage the Factory Presets. So, feel free to experiment. ENERAL URPOSE...
  • Page 61 2-36 OPTIMOD TRIO-AM Figure 2-5: Factory Programming Presets...
  • Page 62 2-37 OPTIMOD TRIO-AM GEN PURPOSE HEAVY...
  • Page 63 2-38 OPTIMOD TRIO-AM...
  • Page 64 2-39 OPTIMOD TRIO-AM...
  • Page 65 2-40 OPTIMOD TRIO-AM...
  • Page 66 2-41 OPTIMOD TRIO-AM    ...
  • Page 67 2-42 OPTIMOD TRIO-AM         ...
  • Page 68 2-43 OPTIMOD TRIO-AM...
  • Page 69 2-44 OPTIMOD TRIO-AM  Figure 2-6: Test Modes  ...
  • Page 70 2-45 OPTIMOD TRIO-AM   ...
  • Page 71 2-46 OPTIMOD TRIO-AM Error! Reference source not found. summarizes the equalization controls available for the TRIO-AM. Table 2-7: Equalization Controls...
  • Page 72 2-47 OPTIMOD TRIO-AM  LF GAIN determines the amount of peak boost or cut (in dB) over a 10 dB range. threshold of limiting of the 150Hz band has been substantially lowered so that more gain reduction (and thus, less bass) is produced.
  • Page 73 2-48 OPTIMOD TRIO-AM attempt to keep the gain constant) to prevent excessive stridency in program material that already has a great deal of presence power. Therefore, with large amounts of gain reduction, the density of presence region energy will be increased more than will the level of energy in that region.
  • Page 74 (necessary to control occupied RRF bandwidth adequately) can produce audible ringing, which many people find objectionable. By limiting the amount of boost at the cutoff frequency of the OPTIMOD TRIO- AM-AM lowpass filter, you can reduce the audibility of filter ringing.
  • Page 75 2-50 OPTIMOD TRIO-AM If you like a larger-than-life, “chesty” sound on male voice, set this control O , which allows band 1 and band 2 to be gated independently. The amount of bass boost will depend on the fundamental frequency of a given voice. If the fundamental frequency is far above 100Hz, there will be little voice energy in the bottom band and little or no audio bass boost can occur even if the gain of the bottom band is higher than the gain of its neighbor.
  • Page 76 2-51 OPTIMOD TRIO-AM...
  • Page 77 2-52 OPTIMOD TRIO-AM Table 2-8: AGC Controls AGC D RIVE ULTIBAND RIVE AGC REL (“AGC Master Release”) control provides an adjustable range from 0.5 dB/second (slow) to 20 dB/second (fast). The increase in density caused by setting the AGC R...
  • Page 78 AGC GATE (“AGC Gate Threshold”) control determines the lowest input level that will be recognized as program by OPTIMOD TRIO-AM-AM; lower levels are considered to be noise or background sounds and cause the AGC or multiband compressor to gate, effectively freezing gain to prevent noise breathing.
  • Page 79 2-54 OPTIMOD TRIO-AM ASTER AGC W INDOW AGC W INDOW AGC W INDOW ELEASE INDOW ELEASE INDOW INDOW AGC B C AGC B HRESHOLD AGC B AGC B C HRESHOLD AGC B HRESHOLD AGC D RIVE...
  • Page 80 2-55 OPTIMOD TRIO-AM AGC D AGC I RIVE AGC D RIVE AGC D AGC I RIVE AGC D RIVE AGC I...
  • Page 81 2-56 OPTIMOD TRIO-AM This control and the F control govern the trade-off between loudness and distortion. Note that INAL RIVE these ranges are relative, and do not indicate the exact amount of clipping. 0dB refers to the average setting that we have found to be the best compromise for many settings of the other controls.
  • Page 82 2-57 OPTIMOD TRIO-AM Table 2-10: Multiband Controls ULTIBAND RIVE ULTIBAND RIVE ULTIBAND ELEASE ULTIBAND RIVE ULTIBAND HRESHOLD...
  • Page 83 2-58 OPTIMOD TRIO-AM When the release time of the multiband compressor is set to its faster settings, the setting of the M ULTIBAND control becomes much more critical to sound quality because density increases as the control is turned up.
  • Page 84 MB GATE (“Multiband Gate Threshold”) control determines the lowest input level that will be recognized as program by OPTIMOD TRIO-AM-AM; lower levels are considered to be noise or background sounds and cause the AGC or multiband compressor to gate, effectively freezing gain to prevent noise breathing.
  • Page 85 2-60 OPTIMOD TRIO-AM MB G DJ B HRESH DwnExp Thr (“Downward Expander Threshold”) determines the level below which the single-ended noise reduction system’s downward expander begins to decrease system gain, and below which the high frequencies begin to become low-pass filtered to reduce perceived noise. Activate the single-ended dynamic noise reduction by setting the D control to a setting other than OFF.
  • Page 86 2-61 OPTIMOD TRIO-AM MB C ...
  • Page 87 2-62 OPTIMOD TRIO-AM MB B TTACK ULTIBAND ELEASE ULTIBAND ELEASE ELTA ULTIBAND ELEASE ELTA ULTIBAND ELEASE ULTIBAND ELEASE ELTA ELEASE ULTIBAND ELEASE ...
  • Page 88 2-63 OPTIMOD TRIO-AM         Performance ±...
  • Page 89 2-64 OPTIMOD TRIO-AM  No jumper selection available for 600. Through-hole pads are available on I/O module for user-installed 600 termination.
  • Page 90 2-65 OPTIMOD TRIO-AM     ...
  • Page 91 2-66 OPTIMOD TRIO-AM       ...
  • Page 92 2-67 OPTIMOD TRIO-AM...
  • Page 93 2-68 OPTIMOD TRIO-AM    ...
  • Page 94 OPTIMOD TRIO-FM...
  • Page 95 OPTIMOD TRIO-FM...
  • Page 96 OPTIMOD TRIO-FM...
  • Page 97 OPTIMOD TRIO-FM...
  • Page 98 OPTIMOD TRIO-FM ...
  • Page 99 OPTIMOD TRIO-FM ...
  • Page 100 OPTIMOD TRIO-FM   ...
  • Page 101 OPTIMOD TRIO-FM         ...
  • Page 102 OPTIMOD TRIO-FM                 ...
  • Page 103 3-10 OPTIMOD TRIO-FM         ...
  • Page 104 3-11 OPTIMOD TRIO-FM    ...
  • Page 105 3-12 OPTIMOD TRIO-FM Figuer 2-1: A REDUNDANT setup with static IP addresses. Figure 2-2: A SWITCHED setup with a DHCP-sourced IP address:...
  • Page 106 3-13 OPTIMOD TRIO-FM Figure 2-3: A Dante Controller reports the TRIO-FM network status when a TRIO-FM has been configured and connected for dual-redundant networks.    ...
  • Page 107 3-14 OPTIMOD TRIO-FM    ...
  • Page 108 3-15 OPTIMOD TRIO-FM        ...
  • Page 109 3-16 OPTIMOD TRIO-FM          ...
  • Page 110 3-17 OPTIMOD TRIO-FM          As shipped from the factory, the second SCA connector emits a stereo pilot tone reference for RDS or RBDS subcarrier generators. If you wish to reconfigure it to accept an SCA signal, move the link on jumper J6 (on the Composite/SCA daughter-board) from pins 3 and 4 to pins 1 and 2.
  • Page 111 3-18 OPTIMOD TRIO-FM  ...
  • Page 112 3-19 OPTIMOD TRIO-FM           ...
  • Page 113 3-20 OPTIMOD TRIO-FM Figure 3-1: Wiring the 25-pin Remote Interface Connector...
  • Page 114 3-21 OPTIMOD TRIO-FM  ...
  • Page 115 3-22 OPTIMOD TRIO-FM         ...
  • Page 116 3-23 OPTIMOD TRIO-FM          ...
  • Page 117 3-24 OPTIMOD TRIO-FM             ...
  • Page 118 3-25 OPTIMOD TRIO-FM       ...
  • Page 119 3-26 OPTIMOD TRIO-FM   ...
  • Page 120 3-27 OPTIMOD TRIO-FM   ...
  • Page 121 3-28 OPTIMOD TRIO-FM  ...
  • Page 122 3-29 OPTIMOD TRIO-FM ...
  • Page 123 3-30 OPTIMOD TRIO-FM  ...
  • Page 124 3-31 OPTIMOD TRIO-FM          ...
  • Page 125 3-32 OPTIMOD TRIO-FM ...
  • Page 126 3-33 OPTIMOD TRIO-FM...
  • Page 127 3-34 OPTIMOD TRIO-FM...
  • Page 128 3-35 OPTIMOD TRIO-FM...
  • Page 129 3-36 OPTIMOD TRIO-FM...
  • Page 130 3-37 OPTIMOD TRIO-FM     ...
  • Page 131 3-38 OPTIMOD TRIO-FM BS.1770 Loudness Meter Block Diagram (from ITU-R document)
  • Page 132 3-39 OPTIMOD TRIO-FM  MPX P OWER...
  • Page 133 3-40 OPTIMOD TRIO-FM MPX P OWER     0.25333 06418 0016 25647   25647 81921 > U NPUT OUTPUT TILITIES ULTIPLEX OWER HRESHOLD > U NPUT OUTPUT TILITIES Figure 6-11: Multiplex power over 15 minute observation interval with Multiplex power controller active, measured at the Optimod’s composite output...
  • Page 134 3-41 OPTIMOD TRIO-FM ULTIPLEX OWER FFSET ILOT EVEL OMPOSITE IMIT RIVE ±...
  • Page 135 3-42 OPTIMOD TRIO-FM...
  • Page 136 3-43 OPTIMOD TRIO-FM  ...
  • Page 137 3-44 OPTIMOD TRIO-FM...
  • Page 138 3-45 OPTIMOD TRIO-FM   ...
  • Page 139 3-46 OPTIMOD TRIO-FM    ...
  • Page 140 3-47 OPTIMOD TRIO-FM...
  • Page 141 3-48 OPTIMOD TRIO-FM...
  • Page 142 3-49 OPTIMOD TRIO-FM...
  • Page 143 3-50 OPTIMOD TRIO-FM          ...
  • Page 144 3-51 OPTIMOD TRIO-FM    ...
  • Page 145 3-52 OPTIMOD TRIO-FM...
  • Page 146 3-53 OPTIMOD TRIO-FM...
  • Page 147 3-54 OPTIMOD TRIO-FM...
  • Page 148 3-55 OPTIMOD TRIO-FM  ...
  • Page 149 3-56 OPTIMOD TRIO-FM ...
  • Page 150 3-57 OPTIMOD TRIO-FM...
  • Page 151 3-58 OPTIMOD TRIO-FM...
  • Page 152 3-59 OPTIMOD TRIO-FM In Windows 7 and higher, you must enable the Telnet client; it is not enabled by default. If you do not know how, use a search engine to find out. The general idea is to navigate to C >...
  • Page 153 3-60 OPTIMOD TRIO-FM RT=KKDB MORE HIT MUSIC DRTS=Off PI=3D44 PTY=9 PTYN=ROCK MS=Music DI=Stereo TP=No TA=No TATIME=30 TIME=No RDS=Yes RDSLEVEL= 6.0 % AF 1=87.7 MHz AF 2=0 AF 3=0 AF 4=0 AF 5=0 AF 6=0 AF 7=0 AF 8=0 AF 9=0...
  • Page 154 3-61 OPTIMOD TRIO-FM lists the terminal commands. Note that you can fetch the status of the RDS generator as follows: [command] ? returns current value returns current value of all controls HELP returns a list of the RDS terminal commands ...
  • Page 155 3-62 OPTIMOD TRIO-FM COMMAND PARAMETER INFORMATION EXAMPLE 0 = Station does not carry traffic info TP=0 Traffic Program 1 = Station broadcasts routine traffic info (No Traffic) 0 = Flag Off Traffic Alert TA=0 1 = Flag On ON-AIR NOW...
  • Page 156 3-63 OPTIMOD TRIO-FM QUERIES TIME=20:15:36 Returns the current time, as read from the OPTIMOD’s real-time clock. TI DATE=Jan.1, 2015 Returns the number of seconds remaining for the current on-air EAS alert EASTIME ? EASTIME ? transmission. Returns the EAS text currently in the RDS encoder’s memory.
  • Page 157 3-64 OPTIMOD TRIO-FM CHAN CHAN CHAN CHAN 90.4 95.5 100.6 105.7 90.5 95.6 100.7 105.8 90.6 95.7 100.8 105.9 90.7 95.8 100.9 106.0 90.8 95.9 101.0 106.1 90.9 96.0 101.1 106.2 91.0 96.1 101.2 106.3 91.1 96.2 101.3 106.4 91.2 96.3...
  • Page 158 3-65 OPTIMOD TRIO-FM Program Type – US Program Type – EU Public Non-Commercial Travel College Leisure Spanish Talk Jazz Music Spanish Music Country Music Hip-Hop National Music (unassigned) Oldies Music (unassigned) Folk Music Weather Documentary Emergency Test Alarm Test Emergency!
  • Page 159 3-66 OPTIMOD TRIO-FM ETUP (CCW ARAMETER ABELS NITS EFAULT ANGE MODE PERATE PERATE YPASS 18 … +25 BYPASS GAIN 16, 20, 25, 31.5, 40, 50, 63, 80, 100, 125, 160, 200, 250, 315, 400, 500, TONE FREQ 630, 800, 1000, 1250, 1600, 2000,...
  • Page 160 3-67 OPTIMOD TRIO-FM...
  • Page 161 3-68 OPTIMOD TRIO-FM → → → →...
  • Page 162 3-69 OPTIMOD TRIO-FM...
  • Page 163 3-70 OPTIMOD TRIO-FM...
  • Page 164 3-71 OPTIMOD TRIO-FM   ...
  • Page 165 3-72 OPTIMOD TRIO-FM     ...
  • Page 166 3-73 OPTIMOD TRIO-FM         ...
  • Page 167 3-74 OPTIMOD TRIO-FM        ...
  • Page 168 3-75 OPTIMOD TRIO-FM...
  • Page 169 3-76 OPTIMOD TRIO-FM...
  • Page 170 3-77 OPTIMOD TRIO-FM B4 > B5 C OUPLE...
  • Page 171 3-78 OPTIMOD TRIO-FM        ...
  • Page 172 3-79 OPTIMOD TRIO-FM    ...
  • Page 173 3-80 OPTIMOD TRIO-FM PEECH ETECT    ...
  • Page 174 3-81 OPTIMOD TRIO-FM...
  • Page 175 3-82 OPTIMOD TRIO-FM         ...
  • Page 176 3-83 OPTIMOD TRIO-FM     ...
  • Page 177 3-84 OPTIMOD TRIO-FM          ...
  • Page 178 3-85 OPTIMOD TRIO-FM        ...
  • Page 179 3-86 OPTIMOD TRIO-FM     ...
  • Page 180 3-87 OPTIMOD TRIO-FM   ...
  • Page 181 3-88 OPTIMOD TRIO-FM...
  • Page 182 3-89 OPTIMOD TRIO-FM...
  • Page 183 3-90 OPTIMOD TRIO-FM...
  • Page 184 3-91 OPTIMOD TRIO-FM...
  • Page 185 3-92 OPTIMOD TRIO-FM...
  • Page 186 3-93 OPTIMOD TRIO-FM...
  • Page 187 3-94 OPTIMOD TRIO-FM...
  • Page 188 3-95 OPTIMOD TRIO-FM...
  • Page 189 3-96 OPTIMOD TRIO-FM...
  • Page 190 TRIO DM...
  • Page 192 Maintenance...
  • Page 194 Technical Data...
  • Page 195 Technical Data...
  • Page 196 Technical Data...
  • Page 197 Technical Data Figure 5-1: Typical Trio FM baseband spectrum with heavy processing, 0-100 kHz. ...
  • Page 198 Technical Data...
  • Page 199 Technical Data...
  • Page 200 Technical Data...
  • Page 201 Technical Data...
  • Page 202 Technical Data...
  • Page 203 6-10 Technical Data Figure 6.2: Studio Line-up Levels and Headroom...
  • Page 204 6-11 Technical Data Figure 6-3: Metering of Levels and Subjective Loudness...
  • Page 205 6-12 Technical Data Figure 6-4: BS.1770 Loudness Meter Block Diagram (from ITU-R document)
  • Page 206 6-13 Technical Data...
  • Page 207 6-14 Technical Data  MPX P OWER MPX P OWER...
  • Page 208 6-15 Technical Data     0.25333 06418 0016 25647   25647 81921 > U NPUT OUTPUT TILITIES ULTIPLEX OWER HRESHOLD > U NPUT OUTPUT TILITIES...
  • Page 209 6-16 Technical Data ULTIPLEX OWER HRESHOLD ULTIPLEX OWER HRESHOLD ULTIPLEX OWER FFSET ILOT EVEL OMPOSITE IMIT RIVE...
  • Page 210 6-17 Technical Data ± MPX P MPX P OWER HRESHOLD TRLR...
  • Page 211 6-18 Technical Data Parameter Labels Units Default Range (CCW to CW) Step — — Mode Operate Operate, Bypass, Tone 18 … +25 Bypass Gain 16, 20, 25, 31.5, 40, 50, 63, 80, 100, 125, 160, 200, 250, 315, 400, 500, Tone Frequency 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000,...
  • Page 212 6-19 Technical Data ff...
  • Page 213 6-20 Technical Data ff...
  • Page 214 6-21 Technical Data...
  • Page 215 6-22 Technical Data...
  • Page 216 6-23 Technical Data...
  • Page 217 6-24 Technical Data...
  • Page 218 6-25 Technical Data...
  • Page 219 6-26 Technical Data...
  • Page 220 6-27 Technical Data...
  • Page 221 6-28 Technical Data...
  • Page 222 6-29 Technical Data...

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