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to mix with the main waveform or it can be output separately
via the I/O jack.
7 MODE
The MODE socket lets you select the synthesis mode. The
synthesis mode a ects both the OSC OUT and the
SECONDARY OSC OUT.
When nothing is connected the synthesis mode at OSC
OUT is phase modulation and at SECONDARY OSC OUT
is phase distortion.
When a modulation signal plugged into this jack is high (or
just patched to the "+" socket), the synthesis mode
becomes track & hold modulation on the OSC OUT and
formant synthesis on the SECONDARY OSC OUT.
When the signal connected here is low (or just patched to
"–" socket) you are in dual noise mode with more tonal
character at the SECONDARY OSC OUT.
See the
Synthesis Types
section for more information.
8 +/– SOCKETS
To set the MODE socket statically to specific synth mode
use the low = "–" or high = "+" patch sockets. These patch
points can be also useful to set the BIT IN pin. "+" can be
used to o set any modulation signal and "–" connects
directly to ground so it can be used to connect grounds
between several instruments.
9 LFO RATE
The LFO RATE sets the speed of the modulation. The
modulation is displayed by an LED close to the LFO RATE
knob. A modulation signal can be connected to the RATE
MOD socket and the RATE MOD knob sets the amount of
the modulation. This is especially useful when creating
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