How Do I Share Signals Over Aes50 Supermac Network; Aes50 Cabling Requirements; What Kinds Of Utilities Are Available - Behringer X32-TP User Manual

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X32 DIGITAL MIXER Preliminary User Manual
3. Press any of encoders 1-5 to switch to the edit screen for the specific custom
control that you have highlighted. The main screen will switch to an editing
screen where you can assign a console parameter to the custom control.
4. Adjust and press the encoders 3-6 on the editing screen from left to right to
make a custom control assignment.
5. When you are finished, you will see that the LCD screen located in the
custom controls section reflects the assignment you have made in both
screen color and text.
6. You are now free to use and enjoy the custom assignments you have made.
5.11 How do I share signals over
AES50 Supermac network?
In many live sound situations, a single mixing console is used to cover both the
front of house (FOH) mix that the audience hears, as well as all the individual
"monitor mixes" that are sent to stage wedges or transmitters for in-ear
monitor systems.
However, in larger live sound situations, it is common to operate two separate
consoles, one that covers the FOH mix, and a second, completely independent
console that covers just the monitor mixes that are sent to the talent. This makes
a lot of sense, because the FOH engineer can concentrate 100% on the audience
mix, while a completely different monitor engineer can dedicate himself to the
thankless task of crafting great monitor mixes for the different musicians.
With an analog console, operating separate FOH and monitor consoles can be
quite expensive, because the original stage microphone signals have to all be
"split" into two copies, using an expensive multi-channel microphone splitter.
The splitters ends one set of mic signals to the FOH console and the other set to
the monitor console. Microphone splitters are a specialized piece of equipment
and ones that work reliably and sound good are very expensive.
The X32 family of products, however, makes using separate FOH and monitor
consoles easy and affordable. This is due to the fact that the microphone signals,
once digitized, can be easily duplicated and sent to multiple locations, using a
single off-the-shelf shielded shielded CAT-5e Ethernet cable. Now, an expensive
and bulky microphone splitter can be replaced by a couple of low-cost S16 digital
stage boxes, and running separate FOH and monitor consoles is within reach of
even the most modest production.
This is an example for using 2 consoles and 2 stage boxes (possible are up
to 3 per AES50 port) in a monitor/FOH setup:
1. Connect the AES50 A port on the first S16 to the AES50 A port on the X32
on-stage console via shielded CAT-5e.
2. Connect the AES50 B port on the first S16 unit to the AES50 A port on the
second S16 via shielded CAT-5e.
3. Connect the AES50 A port of the FOH X32 unit to the AES50 B port of the
on-stage X32 via shielded CAT-5e.
4. Now the configuration of the monitor console has to be set. Keep in mind
that in this configuration, the on-stage console will be the one controlling
the input gains of the mic preamps, so a good and intensive soundcheck
should be done.
5. Press the ROUTING switch next to the display on the on-stage console.
On the HOME tab select "AES50 A 1-8" as source for "Inputs 1-8",
"AES50 A 9-16" for "Input 9-16", and accordingly for channels 17-32.
6. To route the channels through the on-stage console to the FOH console,
switch to the AES50 B page and set "Output 1-8" to "AES50 A 1-8",
"Output 9-16" to "AES50 A 9-16", etc.
7. On the FOH X32 console, press the ROUTING switch next to the display.
On the HOME tab select "AES50 A 1-8" as source for "Inputs 1-8",
"AES50 A 9-16" for "Input 9-16", and accordingly for channels 17-32.
8. To get the main out from the FOH back to one of the stage boxes to feed
the PA, the main outs of the console which are routed per default to OUT 15
and OUT 16 have to be routed through the on-stage X32 console. To achieve
this, select the AES50 A tab and set Out 1-8 to "OUT 9-16". On the on-stage
console, choose the AES50 A tab and set Output 1-8 to "AES50 B 1-8".
The Main Outputs of the FOH console are now available on the first S16 on
OUT 7 and OUT 8 to connect your main PA system.
9. Ready to rock!

5.12 AES50 cabling requirements

In order to ensure trouble-free operation when connecting X32 consoles to other
X32 mixers or to S16 stage boxes, the following specifications should be met
when choosing your cables:
• Shielded Cat-5e cables only
• Ethercon terminated cable ends
• Maximum cable length 100 meters (300 feet)

5.13 What kinds of Utilities are available?

The X32 console provides various utilities that make the console much easier
and more fun to use, while providing a great deal of flexibility and power.
Examples Include:
Channel Customization: Various input and output channels can have custom
colors, names, and icons assigned to them, which are then shown in the color
LCD screens located on each channel strip. Using these functions, you will always
know exactly what source and destination is tied to the channel, with no need
for board tape and sharpie pens. For example, an input channel could be labeled
"kick drum" while the channel for a mix output could be labeled "Joey's monitor".
• Press the SELECT button for a channel you wish to assign a custom label,
icon, and color for.
• Press the home key, then page right to the CONFIG page. You can also press
the VIEW button next to the LOW CUT pot to go to the CONFIG page.
• Press the UTILITIES button.
• Adjust the various encoders to select a color, icon, and type in a name for the
selected channel. The X32 also provides a long list of preset names for typical
input sources and output destinations, saving time and effort.
Copy/Paste: The X32 also provides a "copy and paste" function that allows you
to take settings you have configured for one channel, and copy those settings to
another channel.
• Press the SELECT button for a channel whose settings you wish to copy.
• Press the HOME button, then the UTILITY button.
• Press the 5th encoder to copy all settings of the selected channel into the
copy buffer.
• Press the SELECT button for a channel who you wish to paste the settings into.
• Adjust the first encoder to select which aspects of the channel you wish to
copy from the source channel (i.e. the one in the paste buffer).
• Press the 6th encoder to "paste" the copied settings into the currently
selected channel.