Table of Contents
Advertisement
61
X32 DIGITAL MIXER Preliminary User Manual
•
Mix Bus AFL/PFL: This toggles the AFL/PFL setting for the mix
buses when they are soloed (as opposed to the soloing of a single
input channel).
•
DCA Group AFL: This puts the contents of a soloed DCA group into after-
fader listen mode when the solo button is pressed on a DCA channel.
•
Use Master Fader: This allows the Main Fader/mute button to control the
solo/mon output.
3. Tap the 2nd encoder to select and assign the currently chosen solo option.
4. Adjust the 3rd encoder to adjust the amount of digital delay that is applied to
the control room signal path. The display on the screen will show the current
amount of delay in feet, meters, and milliseconds.
5. Tap the 3rd encoder to toggle the delay function on/off.
TIP: The delay function is useful for aligning the sound of audio monitored
through headphones or speakers used at the Front-of-House position with audio
that is coming from the stage location.
By delaying the control room audio, it can be brought into alignment with
the slightly delayed audio that has to travel from the stage to the Front of
House position.
6. Adjust the 4th encoder to set the amount of volume reduction that occurs
when the control room bus has its "dim" function enabled. The amount of
volume reduction ranges from -40 dB to 0 dB (no change).
7. Tap the 4th encoder to toggle the dim function on/off.
8. Adjust the 5th encoder to adjust the volume trim for the source currently
feeding the control room bus, allowing it to be level/matched with other
sources. The amount of trim can be adjusted from -20 dB to +20 dB.
9. Tap the 5th encoder to toggle the control room between mono and stereo
operation. This is very useful in a studio context for checking how a mix
sounds when played back on a mono speaker such as a clock radio.
10. Adjust the 6th encoder to select what specific signal source to monitor in the
control room bus. Choices include:
•
Off (No source)
•
LR Bus
•
LR + C/M
•
LR PFL (pre-fader listen solo bus)
•
LR AFL (after-fader listen solo bus)
•
Auxiliary returns 5/6
•
Auxiliary returns 7/8
11. Tap the 6th encoder to activate the signal source that has been chosen.
7.10.2 Monitor/Talkback Screen: Talkback Tabs:
The talkback tabs offer various adjustments for the talkback paths of the console,
such as destination of the talkback signal and more.
To adjust the various settings on the Talkback A tab, perform the following steps:
1. The screen displays a multi-segment level meter showing the signal strength
of the talkback signal as it has currently been set. It also displays a multi-
segment gain reduction meter, showing the user how much compression has
been automatically applied to the talkback signal to keep its level even to
the recipient.
2. Tap the 1st encoder to enable the talkback circuit. The internal/external
talkback microphone will now transmit audio to the Talkback A path's
assigned destination.
3. Tap the 2nd encoder to switch the talkback circuit from the internal talkback
to the external microphone connector. A 2nd tap of the encoder switches the
console back to using the internal talkback microphone.
4. Adjust the 3rd encoder to set the gain of the talkback A signal. This is an
additional gain stage that follows the initial gain stage set by the top panel
Talk Level knob.
5. Tap the 3rd encoder to toggle on/off the talkback circuit's "auto-dim"
function. This function is useful in a studio setting, and will automatically
dim the control room outputs when the talkback circuit is active.
This prevents a feedback loop from occurring between the talkback
microphone and the nearby studio monitors.
6. Adjust the 4th encoder to scroll through the various talkback destinations,
which include:
•
Mix Bus 1-16
•
LR Bus
•
Center/Mono Bus
7. Tap the 4th encoder to activate any talkback destination when it is currently
selected. Multiple talkback destinations can be selected, allowing the
talkback signal to reach many destinations at the same time.
8. Tap the 5th encoder to toggle the dedicated top-panel talkback buttons
between latching and non-latching operation.
9. Adjust the 6th encoder to adjust the brightness of the lamp that is connected
to the console's top-panel lamp connector.
10. Tap the 6th encoder to toggle the attached lamp on/off.
All controls for the talkback B tab work as described above, but pertain to the
talkback B signal path.
Advertisement
Table of Contents
