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Caractéristiques D'entrée/sortie - Yamaha PM5D-RHPM5D Manuel Du Propriétaire

Yamaha digital mixing console owner's manual.
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Caractéristiques d'entrée/sortie
Caractéristiques d'entrée/sortie
❏ Analog Input Characteristics (PM5D)
Input Terminals
PAD
0
INPUT 1-48
26
ST IN1-4 [L,R]
INSERT IN 1-48
2TR IN ANALOG
1,2 [L,R]
TALKBACK
❏ Analog Input Characteristics (PM5D-RH)
Input Terminals
GAIN
–62dB
INPUT 1-48
+10dB
–62dB
ST IN1-4 [L,R]
+10dB
2TR IN ANALOG
1,2 [L,R]
TALKBACK
*1. Sensitivity is the lowest level that will produce an output of +4 dBu (1.23 V) or the nominal output level when the unit is set to maximum gain. (All faders
and level controls are maximum position.)
*2. XLR-3-31 type connectors are balanced. (1=GND, 2=HOT, 3=COLD)
*3. Phone jacks are balanced. (Tip=HOT, Ring=COLD, Sleeve=GND )
*4. There are switches inside the body to preset the maximum input level.
* In these specifications, 0 dBu = 0.775 Vrms.
* All input AD converters are 24bit linear, 128 times (@48 kHz) oversampling.
* PM5D: +48V DC (phantom power) is supplied to INPUT (1-48) XLR type connectors via each individual switch, and TALKBACK XLR type connectors via
software switch.
PM5D-RH: +48V DC (phantom power) is supplied to INPUT (1-48) and TALKBACK XLR type connectors via master mechanical switch and each individ-
ual software switch.
348
Mode d'emploi du PM5D/PM5D-RH
Actual Load
For Use With
GAIN
Impedance
Nominal
–60dB
50-600Ω Mics
3kΩ
&
600Ω Lines
–16dB
–34dB
4kΩ
600Ω Lines
10dB
10kΩ
600Ω Lines
10kΩ
600Ω Lines
50-600Ω Mics
3kΩ
&
600Ω Lines
Actual Load
For Use With
Impedance
Nominal
50-600Ω Mics
3kΩ
&
600Ω Lines
50-600Ω Mics
3kΩ
&
600Ω Lines
10kΩ
600Ω Lines
50-600Ω Mics
3kΩ
&
600Ω Lines
Section Références
Input Level
*4
GAIN SW
*1
Nominal
Sensitivity
–80 dBu
–60 dBu
(0.0775 mV)
(0.775 mV)
–36 dBu
–16 dBu
(12.3 mV)
(123 mV)
–10 dBu
+10 dBu
(245 mV)
(2.45 V)
–54 dBu
–34 dBu
(1.55 mV)
(15.5 mV)
–10 dBu
+10 dBu
(245 mV)
(2.54 V)
–16 dBu
+4 dBu
(123 mV)
(1.23 V)
+24 dB
–6 dBu
+4 dBu
(default)
(388 mV)
(1.23 V)
–12 dBu
–2 dBu
+18 dB
(195 mV)
(0.616 V)
–60 dBu
–50 dBu
(0.775 mV)
(2.45 mV)
Input Level
GAIN SW *4
Sensitivity *1
Nominal
–82 dBu
–62 dBu
(61.6 µV)
(0.616 mV)
–10 dBu
+10 dBu
(245 mV)
(2.45 V)
–82dBu
–62 dBu
(61.6 µV)
(0.616 mV)
–10 dBu
+10 dBu
(245 mV)
(2.45 V)
+24 dB
–6 dBu
+4 dBu
(default)
(388 mV)
(1.23 V)
–12 dBu
–2 dBu
+18 dB
(195 mV)
(0.616 V)
–60 dBu
–50 dBu
(0.775 mV)
(2.45 mV)
Connector
Max. Before
Clip
–40 dBu
(7.75 mV)
XLR-3-31 Type
+4 dBu
*2
(1.23 V)
(Balanced)
+30 dBu
(24.51 V)
–14 dBu
(155 mV)
XLR-3-31 Type
*2
(Balanced)
+30 dBu
(24.51 V)
Phone Jack (TRS)
+24 dBu
*3
(12.28 V)
(Balanced)
+24 dBu
(12.28 V)
XLR-3-31 Type
*2
(Balanced)
+18 dBu
(6.16 V)
XLR-3-31 Type
–30 dBu
*2
(24.5 mV)
(Balanced)
Connector
Max. Before
Clip
–42 dBu
(6.16 mV)
XLR-3-31 Type
*2
(Balanced)
+30 dBu
(24.5 V)
–42 dBu
(6.16 mV)
XLR-3-31 Type
*2
(Balanced)
+30 dBu
(24.5 V)
+24 dBu
(12.28 V)
XLR-3-31 Type
*2
(Balanced)
+18 dBu
(6.16 V)
XLR-3-31 Type
–30 dBu
*2
(24.5 mV)
(Balanced)

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  • Salomon ouedraogo Jun 08, 2016 11:01:
    Je veux le mode d'emploi de yamaha pm5d pour mieux me outiller en matière de mixe