Xerox 2000 Owner's Manual
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Xerox 2000 Owner's Manual

Xerox 2000 Owner's Manual

Xerox solutions owner manual printer 2000
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Table of Contents

Document creation
Prepress
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1-5
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Summary of Contents for Xerox 2000

  • Page 1: Table Of Contents

    Table of Contents Introduction A new way to look at documents An overview of the DocuColor 2000 Series Design Guide 1. Digital print What is digital print? Digital print workflow Document creation Prepress Press Postpress Correction required? What does digital print mean to you?
  • Page 2 Submission of PDF Files for print In summary 5. Selecting paper stock Stock considerations Digital printing process Paper influences on print quality Formation Grain direction Weight Finish DocuColor 2000 series design guide 1 – 2 3-16 3-17 3-19 3-19 3-20 3-21 3-21 3-22...
  • Page 3 table of contents Why paper doesn’t always work the way it should Coated paper and offset Coated paper and digital printing Moisture and offset Moisture and digital printing Textured stock and offset Textured stock and digital printing Thick paper stocks Coated papers Paper stretch Optical paper qualities that influence image quality...
  • Page 4 Health care Public sector Appendix 1. Microsoft Office colour charts Appendix 2. RGB colour charts Appendix 3. CMYK colour charts Appendix 4. Pantone colour charts Reference Glossary DocuColor 2000 series design guide 1 - 4 7-10 7-13 7-15 7-18 7-21...

  • Page 5: Introduction

    Xerox DocuColor 2045 or 2060 digital colour press. An overview of the DocuColor 2000 Series Design Guide The DocuColor 2000 Series Design Guide has been written to provide you with all the information you need to ensure you get the highest quality printed documents from the DocuColor 2045 and 2060 with the minimum of fuss –...
  • Page 6 The Glossary section includes definitions of digital printing terms. Use this section to check words or abbreviations that may be unfamiliar to you. If you have any suggestions on how this Design Guide can be improved, please send your comments to DocuColor.2060@aus.xerox.com. DocuColor 2060 design guide 0 - 2...

  • Page 7: Digital Print

    Digital print Digital technology has changed many facets of business and industry today. Computing and communications technology has allowed companies to revolutionise the manufacturing process – from producing goods and then hoping to sell them, to just-in- time production, where products are sold first and then manufactured to order, reducing waste, inventory and cost.
  • Page 8 The digital colour presses that dominate the market now – and for the foreseeable future – are all toner based. They utilise electrophotography, either with liquid toners (Indigo), or dry toners (IBM, Kodak-Heidelberg, MAN Roland, Xeikon and Xerox). The market for colour print can be split into segments defined by run length and specific applications.

  • Page 9: Digital Print Workflow

    digital print Digital print workflow The entire process for the production of a printed document can be broken-down into three phases: prepress (which includes all steps after the design is completed up to the point where the job is printing), press or printing (the printing phase), and postpress or finishing (all the steps required to finish the job after printing and before distribution).
  • Page 10 Newer technologies today allow printers to produce plates or image carriers directly from electronic files. Called CTP (short for Computer-to-Plate) or DI (short for Direct Imaging on a press), these technologies are designed to streamline the prepress requirements of offset presses. DocuColor 2000 series design guide 1 - 4...

  • Page 11: Press

    digital print Press The job is now at the stage where it’s ready to be printed. If the job is being printed on a DocuColor 2045 or 2060, the operator will have calibrated the press earlier in the day and loaded the right paper. The job is then RIPped (using the appropriate settings) and printed.

  • Page 12: What Does Digital Print Mean To You

    – either pay a very high unit price, print many more copies than required (most of which would be wasted), or accept that the work can’t be done economically. DocuColor 2000 series design guide 1 - 6...

  • Page 13: Just-In-Time Printing

    digital print The DocuColor 2045 and 2060 now allow consumers of print to have high quality colour work printed cost effectively on short runs – anywhere from a one-off up to 2,000 copies. You no longer have to buy long print runs to drive unit costs down. Because a digital press prints each page differently, you can even print one book at-a- time in a single print run.

  • Page 14: Distribute And Print

    No longer do you need to print first and wait for it to be distributed, you can now distribute your document instantly world-wide and have it printed locally without delay. DocuColor 2000 series design guide 1 - 8 • Brochures •...

  • Page 15: Variable Information Printing

    digital print Variable information printing A unique characteristic of digital print is the ability to print every page differently. Not only does this mean you can print a multi-page document (like a book) in a single print run, but you can also personalise each sheet or page to an individual. It is achieved by changing certain text (like name and address) and/or images on the page.

  • Page 16: Use Of Colour

    Until recently, colour was too expensive to use in everyday applications. With the introduction of Xerox solutions like the DocuColor 1250, 2045 and 2060, everyone now has the ability to produce high quality full colour documents at an affordable price –...

  • Page 17: Image Reproduction Process

    DocuColor 2000 Series that will help you in designing documents for the press. This includes topics such as size considerations, print speeds, available colours, print resolution and screens available.

  • Page 18: Digital Blanket

    Significant improvements in image quality can be attributed to the Digital Blanket used in the DocuColor 2000 Series. The Digital Blanket passes under the four printing stations where the image is transferred to the blanket. The four colours of the image are assembled on the blanket –...

  • Page 19: Tracs

    TRACS To ensure consistency from first print to last, the DocuColor 2000 Series utilises a technology called TRACS (Toner Reproduction Auto Correction System). TRACS automatically measures 16 levels of density and colour, and makes adjustments on the fly.
  • Page 20 The production speed of the DocuColor 2045, in single-sided sheets per hour, is follows: 64 – 80 gsm: 81 – 105 gsm: 106 – 150 gsm: 151 – 280 gsm: DocuColor 2000 series design guide 2 – 4 45 ipm 30 ipm 60 ipm...

  • Page 21: Image Size/Paper Size

    image reproduction process Image size/paper size The DocuColor 2045 and 2060 accept standard paper sizes of A4, A3 and SRA3. They will also accept non-standard paper sizes, from 182 mm to 320 mm in height, and 182 mm to 488 mm in width. The DocuColor 2045 and 2060 will print to within 4 mm of each paper edge.
  • Page 22 A highly magnified picture of the 200 cluster dot screen is shown below for three input density levels. PLEASE SUPPLY ORIGINAL PIC The next section, Designing documents, provides examples of the different screens available on the DocuColor 2045 and 2060, and recommendations for their use. DocuColor 2000 series design guide 2 – 6...

  • Page 23: Gamut

    Also, every device capable of reproducing colour has a different gamut. The gamut of an RGB computer display is larger than the CMYK gamut of a DocuColor 2000 Series system, which in turn is larger than the CMYK gamut of an offset press.

  • Page 24: Process Colours

    For colour matching, a DE of 5 is acceptable, but anything greater than 5 is usually rejected as being an unsatisfactory match. Offset presses using process colours can generally match no more than 50% of Pantone colours. DocuColor 2000 series design guide 2 – 8...

  • Page 25: Designing Documents

    280 gsm and size can vary from 182 x 182 mm to 320 x 488 mm. The most versatile stock for the DocuColor 2000 Series is the Xerox Colotech+ uncoated range of stocks. They offer more forgiveness than coated stocks, which more readily display any print artifacts such as oil streaking.

  • Page 26: Image Considerations

    600 dpi (the print resolution of the DocuColor 2000 series) will only waste processing time and will not give you better results. The images on the opposite page will allow you to make your own judgement on image quality, with images ranging from 300 dpi down to 72 dpi.
  • Page 27 designing documents 300dpi 225dpi 150dpi 72dpi 3 - 3...

  • Page 28: Image Area, Bleeds And Folds

    RIPped. If you scan images with UCR, do so with a maximum ink limit of 280%. The Creo and Fiery RIPs used with the DocuColor 2000 Series will automatically apply ink reductions to jobs when RIPping and limit ink to 280% (or any other amount with the Creo).
  • Page 29 designing documents Minimum paper size 182 x 182mm Image area 174 x 174mm A4 paper size 210 x 297mm Image area 202 x 289mm A3 paper size 297 x 210mm Image area 289 x 412mm 3 - 5...
  • Page 30 (if the stock is not scored, the paper cracks will show as white lines through the colour). See Section 6, Binding and finishing, for more information. DocuColor 2000 series design guide 3 - 6 SRA3 paper size...

  • Page 31: Specifying Colours

    designing documents Specifying colours The DocuColor 2045 and 2060 print using process colours, ie, a mix of cyan, magenta, yellow and black. You have the ability to mix and blend variations of CMYK to create virtually limitless colour palettes. Refer to Appendix 3, CMYK colour charts, for examples of some of the combinations you can choose.
  • Page 32 600 SCREEN...
  • Page 33 300 SCREEN...
  • Page 34 200 SCREEN...
  • Page 35 150 SCREEN...
  • Page 36 600 SCREEN...
  • Page 37 300 SCREEN...
  • Page 38 200 SCREEN...
  • Page 39 150 SCREEN...

  • Page 40: Vignettes

    A narrow range forces the use of larger bands of tints, while a broader range enhances the blend’s smoothness. Poor example of vignette (created in a Microsoft Office application) Good example of vignette (created in Adobe Photoshop) DocuColor 2000 series design guide 3 - 16...

  • Page 41: Text

    designing documents Try restricting vignettes to smaller areas (less than 180 mm) rather than full page vignettes. Try adding “noise” to a raster vignette (eg, use the “Add Noise” filter in Photoshop). Create vignettes in Photoshop rather than Quark Xpress for better quality blends. Text With the DocuColor 2045 and 2060, you can use both PostScript and True Type fonts.
  • Page 42 4 point text on white background, 0.125 point line 4 point text on black background, 0.125 point line Remember to always include full font families with your artwork as missing fonts will be substituted. DocuColor 2000 series design guide 3 - 18...

  • Page 43: Solid Blacks

    designing documents Solid blacks Large areas of solid black can often appear washed out, whether printed on an offset or digital press. Also, when overprinting text, underlying colours and patterns can show through. To avoid these issues, use a black that has been mixed with other colours for added punch.

  • Page 44: Image Mottle

    When overprint is specified, the shape prints over whatever colours have already been printed. This can result in a shift of colour due to overlapping ink or toner. DocuColor 2000 series design guide 3 - 20...

  • Page 45: File Formats

    PostScript files should be created using a print driver supplied by your print provider (a print driver specifically created for the DocuColor 2000 Series with Creo or Fiery RIP). PDF files should be created at print or press quality. If you try to use a screen quality PDF file, it will not contain enough resolution to print out at high quality on the DocuColor 2045 or 2060 and images will appear pixilated.

  • Page 46: Creating Pdfs

    • Save the PDF as high resolution (minimum downsampling of 300dpi) • Leave the file uncompressed • Embed the profile for your output provider’s DocuColor 2045 or 2060, if available. INCLUDE SCREEN GRAB OF ACROBAT WITH APPROPRIATE SELECTIONS (PLEASE SUPPLY) DocuColor 2000 series design guide 3 - 22...

  • Page 47: Dot Gain

    designing documents Dot gain Dot gain is the tendency for halftone dots to become larger and appear darker because of wet ink spreading when it comes into contact with paper. It is a real issue with offset presses and inkjet printers, but is not a problem with the DocuColor 2045 and 2060. Design elements to avoid The following are elements you should avoid in your designs for the DocuColor 2045 and 2060.
  • Page 48 DocuColor 2000 series design guide 3 - 24...

  • Page 49: Large Areas Of Solid Colour

    designing documents Large areas of solid colour Large solid areas of colour will always present a challenge for a press, whether it is offset or digital. The DocuColor 2045 and 2060 are capable of producing great results when it comes to flat tints, however, particular colours – like C100, M70 – can show up with banding in the solid area.

  • Page 50: Coated Stock And Large White Text On Heavy Background

    (white) text. By putting in a coloured text, even of a light shade, can help the fuser avoid the ghost image occurring. Avoid large text on dark background. Instead, lightly tint or colour the text. DocuColor 2000 series design guide 3 - 26...

  • Page 51: Selecting Paper Stock

    Selecting paper stock With any print job, it’s important to understand that paper quality has a direct relationship to print quality. No matter whether you’re printing offset, on a digital press, or at home on an inkjet, this is, and always will be, the case. Also, paper represents a significant proportion of the cost of a job, and can account for between one-third and one-half of the final cost of the printed work.

  • Page 52: Paper Influences On Print Quality

    Heavy stocks fold most smoothly parallel to the grain. Folds against the grain may cause paper to crack and appear lumpy and ragged. This is why printers prefer to fold jobs with the grain. DocuColor 2000 series design guide 5 - 2...

  • Page 53: Weight

    selecting paper stock Weight This is a measure of the weight of paper or stock, in grams per square metre (gsm), and is another important consideration in paper selection. Most office papers are around 80 or 90 gsm, and are normally used for correspondence. Heavier sheets, used for covers and business cards, are often thicker because they contain more fibres.

  • Page 54: Moisture And Offset

    If the paper texture is too rough, some particles may never come in contact with the paper, and parts of your image won’t print. The result will be uneven printing and loss of detail. DocuColor 2000 series design guide 5 - 4 Imaging drum on rough surface...

  • Page 55: Thick Paper Stocks

    selecting paper stock Thick paper stocks Image quality on recommended heavy weight stocks is often excellent, but cannot always be expected to match the image quality on 100 gsm Colotech+ paper. Degradation in image quality is more likely to occur as paper weight increases. The rough formation of heavy weight papers increases the possibility of mottle with some images, particularly those with uniform halftone areas (ie, flat tints).

  • Page 56: Optical Paper Qualities That Influence Image Quality

    When toner or ink is applied to brighter papers, images have higher contrast which improves printability and quality. Use brighter papers for best results with documents that contain complex graphics or photos. DocuColor 2000 series design guide 5 - 6...

  • Page 57: Reflectivity

    selecting paper stock Reflectivity When toner or ink is applied to a smooth surface, the resulting image is sharper because the image is reflected back in a straightforward direction. Images resulting from toner or ink applied to a rough surface are not as sharp because the image reflection is scattered in several directions.

  • Page 58: Paper Grades

    Smooth writing type surface. Sometimes treated for inkjet printing. Tinted. Application General office communications, letterheads, forms, statements, newsletters, reports, manuals, flyers, directories and leaflets. DocuColor 2000 series design guide 5 - 8 635 x 880 mm S/G 650 x 910 mm L/G A4, A3...

  • Page 59: Uncoated Offset

    BOND (continued) Xerox equivalent Blue Wrap 80 gsm Blue Wrap 90 gsm Purple Wrap 80 gsm Business 80 gsm Performer 80 gsm Symphony Tints 80 gsm Comment Surface not suited to high resolution image reproduction. Ideal for spot colours.
  • Page 60 XPrint 80, 90, 100 and 120 gsm A4, A3 Comment Xerox grades developed for finer resolution image output. Well suited to drawings and spot colour. 90 gsm and up recommended for double sided printing to maximise opacity. Offset grades will often suffer image deletions due to higher moisture contents.

  • Page 61: Text And Covers

    Green Wrap 80 gsm 615 x 870 mm S/G, A4, A3 Green Wrap 90 gsm 615 x 870 mm S/G Revive 80 gsm Comment Xerox stocks developed to overcome traditional roughness and dusting problems. Some grades could contaminate printing equipment and increase wear that would degrade image quality. Type...

  • Page 62: Coated Offset

    Feeding and paper transport may be difficult if papers are too smooth. Poor base formation will induce image mottle in some images. DocuColor 2000 series design guide 5 - 12 enhance surface quality and printing. They are chosen when high quality printing and fine detail resolution are required.

  • Page 63: Uncoated Digital

    Books, manuals, annual reports, leaflets, mailers, annual reports, posters, labels, calendars, menus, greeting cards, quality apparel enclosures, presentations, advertising, covers, post cards, directories, catalogues. Xerox equivalent Colotech+ 90, 100, 120, 160, 200, 220, 250, 280 gsm Colotech+ Gloss 140 gsm Comment Specifically designed to ensure the smooth matt type surface will lift toner gloss.
  • Page 64 430 x 610, 450 x 640, 510 x 635, 640 x 900, 650 x 910, 700 x 1000 mm Cut sizes Finish Very smooth, high gloss, mirror-like DocuColor 2000 series design guide 5 - 14 paper against a polished, hot metal drum. A4, A3, SRA3 A4, A3, SRA3...

  • Page 65: Index Or Bristol

    COVER (continued) Application High quality covers, greeting cards, point of sale, posters, postcards, business cards, menus, high quality advertising Xerox equivalent Colotech Imaging Supergloss 135, 160 gsm Colotech Imaging Supergloss 210 gsm Colotech Imaging Supergloss 250, 275 gsm Comment Oil streaks can be highlighted with these stocks. Edge quality is important in order to avoid contamination within machine and cross contamination to high coverage image areas.

  • Page 66: Paper Handling And Storage

    Reseal open reams with tape and keep in a moisture- proof container. Always run paper in accordance with directions on the wrapper that state "Print side first". This is important to minimise curl in the printing process. DocuColor 2000 series design guide 5 - 16...

  • Page 67: Wrap-Up

    selecting paper stock Wrap-up Paper has a direct relationship to print quality – the better the paper, the better the results. Specify paper that has been designed for digital printing. Select paper that has good formation. Use smooth or coated finishes for documents that have fine detail, shaded areas or halftone images.
  • Page 68 DocuColor 2000 series design guide 5 - 18...

  • Page 69: Binding And Finishing

    Binding and finishing Outside of the commercial print world, a vital part of a document’s lifecycle is often overlooked. Many people believe a document is completed once the pages leave the printer, disregarding the finishing process altogether. Yet advancements in binding and finishing processes are just as revolutionary as those found in the rest of the printing marketplace.

  • Page 70: Scoring

    A right angle fold takes the parallel fold one step further. It simply means that a fold falls at a right angle to the previous fold. DocuColor 2000 series design guide 6 – 2...
  • Page 71 binding and finishing An accordion fold is when two or more parallel folds are made in reversing directions. Gate folds are useful for brochures and book covers because they create a pair of foldouts. 6 – 3...

  • Page 72: Binding

    Side stitching is used when the bulk is too great for saddle stitching. The sections are collated, placed flat under a stitching head, and the stitches (or staples) inserted about 8 mm from the edge. Side stitched books cannot be opened completely flat. DocuColor 2000 series design guide 6 - 4...

  • Page 73: Edition Binding

    binding and finishing Edition binding The conventional method of bookbinding, producing "hardback" books. Signatures are collated in sequence, endleaves pasted on the first and last signature, and then sewn together. The book is then trimmed on three edges, the spine (or backbone) roughed up and rounded (to lay flat when opened), and glue applied.

  • Page 74: Mechanical Binding

    Looseleaf bindings include screw and post bindings and ring binders. They allow for unlimited use of inserts and are ideal for manuals that undergo frequent updates. Pages can be inserted and removed easily. DocuColor 2000 series design guide 6 - 6...

  • Page 75: Finishing Touches

    binding and finishing Finishing touches Trimming Trimming is generally performed on a guillotine cutter after binding. Documents are placed in the gutter, with the bound side away from the knife. The knife is lined up to the desired edge of the document in position, and the knife cuts off the unnecessary margin between the edge of the document and the edge of the paper.

  • Page 76: Varnish

    This is a simple way of keeping items together and protecting them for shipping or storage. DocuColor 2000 series design guide 6 - 8...

  • Page 77: Double-Sided Printing

    binding and finishing Double-sided printing The DocuColor 2060 is capable of automatically duplex printing on up to 220 gsm media. During automatic duplex printing mode the machine will make printing process control changes during the side 2 pass, in an attempt to closely match the image on side 1.
  • Page 78 DocuColor 2000 series design guide 6 - 10...

  • Page 79: Applications By Industry

    Applications by Industry Financial services Banking, finance, securities, funds management, insurance, brokers, credit unions Business graphics Typical vertical application name Decision making role Key benefits of digital colour printing Presentations/proposals/reports Typical vertical application name • “Red herring” draft prospectus • Pitch book •...
  • Page 80 Decision making role Key benefits of digital colour printing Manuals Typical vertical application name Decision making role DocuColor 2000 series design guide 1 – 2 • Marketing • Retail sales • CEO • Managing director • Research • Annuities marketing •...

  • Page 81: Promotional Materials

    applications by industry Key benefits of digital colour printing Promotional materials Typical vertical application name Decision making role • Speed up turnaround time • Target based on needs/features/services • Ensure consistency • Provide multi-lingual documentation to improve understanding • Reduce inventory/obsolescence •...
  • Page 82 Key benefits of digital colour printing Newsletters Typical vertical application name Decision making role Key benefits of digital colour printing DocuColor 2000 series design guide 7 - 4 • Increase sales • Grow business, revenue and profits • Gain competitive advantage •...
  • Page 83 applications by industry Compensation and benefit booklets/directories Typical vertical application name Decision making role Key benefits of digital colour printing Notifications Typical vertical application name Decision making role Key benefits of digital colour printing Statements Typical vertical application name Decision making role Key benefits of digital colour printing •...

  • Page 84: Consumer Products

    Manufacturing, industrial, retail, wholesale, consumer electronics Catalogues Typical vertical application name Decision making role Key benefits of digital colour printing Promotional materials Typical vertical application name DocuColor 2000 series design guide 7 - 6 • Product • Parts • Channel • Marketing • Catalogue sales •...
  • Page 85 applications by industry Decision making role Key benefits of digital colour printing Newsletters Typical vertical application name Decision making role Key benefits of digital colour printing • Marketing • Advertising • Graphic arts/creative services • Public relations • Increase sales •...
  • Page 86 Decision making role Key benefits of digital colour printing Notifications Typical vertical application name Decision making role Key benefits of digital colour printing DocuColor 2000 series design guide 7 - 8 • Training • Operations and procedure • Product marketing • Service/repair •...
  • Page 87 applications by industry Presentations/proposals/reports Typical vertical application name Decision making role Key benefits of digital colour printing Compensation and benefit booklets Typical vertical application name Decision making role Key benefits of digital colour printing • Proposals • Overheads • Handouts •...

  • Page 88: Hospitality

    Restaurants, hotels, convention centres, travel agencies, advertising agencies, cruise lines, tour operators Promotional materials Typical vertical application name Decision making role Key benefits of digital colour printing DocuColor 2000 series design guide 7 - 10 • Conference materials • Flyers • Danglers • Brochures •...
  • Page 89 applications by industry Compensation and benefit booklets Typical vertical application name Decision making role Key benefits of digital colour printing Presentations/proposals/reports Typical vertical application name Decision making role Key benefits of digital colour printing based on buying preferences • Facilitate micro-marketing •...
  • Page 90 Key benefits of digital colour printing Newsletters Typical vertical application name Decision making role Key benefits of digital colour printing DocuColor 2000 series design guide 7 - 12 • Training • Operations and procedures • Product and services marketing • Seminars •...

  • Page 91: Professional Services

    applications by industry Professional services Legal firms, accountancy firms, real estate, travel, consulting firms, IT, peak bodies Presentations/proposals/reports Typical vertical application name Decision making role Key benefits of digital colour printing Newsletters Typical vertical application name Decision making role Key benefits of digital colour printing •...
  • Page 92 Typical vertical application name Decision making role Key benefits of digital colour printing Promotional materials Typical vertical application name DocuColor 2000 series design guide 7 - 14 • Training • Operations and procedures • Product and services marketing • Seminars •...

  • Page 93: Education

    applications by industry Decision making role Key benefits of digital colour printing Education Primary, secondary, higher education Course packs/manuals/booklets Typical vertical application name • Signage, posters, banners • Directories • Direct mail campaigns • Business cards • Trade show materials •...
  • Page 94 Typical vertical application name Decision making role Key benefits of digital colour printing Newsletters/mailers Typical vertical application name Decision making role DocuColor 2000 series design guide 7 - 16 • Vice-chancellors • School principals • Department heads • Reduce costs/contain costs •...
  • Page 95 applications by industry Key benefits of digital colour printing Promotional materials Typical vertical application name Decision making role Key benefits of digital colour printing • Reduce costs/contain costs • Improve quality • Improve parent satisfaction • Improve student satisfaction • Improve employee satisfaction •...

  • Page 96: Health Care

    Course packs/manuals/booklets Typical vertical application name Decision making role Key benefits of digital colour printing Promotional materials Typical vertical application name DocuColor 2000 series design guide 7 - 18 • Student ID cards • Phone cards • Certificates • Diploma •...
  • Page 97 applications by industry Decision making role Key benefits of digital colour printing Presentations/proposals/reports Typical vertical application name Decision making role Key benefits of digital colour printing • Event/program notices • Postcards • Signage, posters, banners • Directories • Direct mail campaigns •...
  • Page 98 Decision making role Key benefits of digital colour printing Other Typical vertical application name Decision making role Key benefits of digital colour printing DocuColor 2000 series design guide 7 - 20 • Cover/spine • Booklet • Human resources • Employee services •...

  • Page 99: Public Sector

    applications by industry Public sector Federal Government – Armed forces Key applications Key benefits of digital colour printing Local Council - General services Key applications Key benefits of digital colour printing State Government - Department of Health Key applications Key benefits of digital colour printing •...
  • Page 100 Key applications Key benefits of digital colour printing State Government - Department of Labor Key applications DocuColor 2000 series design guide 7 - 22 • Colour covers for technical documentation • Colour covers for training materials • Signage, posters, banners •...
  • Page 101 applications by industry Key benefits of digital colour printing Federal/State/Local Government - Department of Roads Key applications Key benefits of digital colour printing Federal/State Government - Department of Welfare Key applications Key benefits of digital colour printing • Enable JIT delivery of print •...
  • Page 102 Federal/State/Local Government - Department of Parks Key applications Key benefits of digital colour printing DocuColor 2000 series design guide 7 - 24 • Brochures • Flyers • Postcards (including souvenir) • Maps • Events • Invitations/programs • Fund raising campaigns •...

  • Page 103: Appendix 1. Microsoft Office Colour Charts

    APPENDIX 1: Microsoft Office colour charts All Microsoft Office applications (Word, Excel, PowerPoint, Access, etc.) work in the RGB colour space. The RGB gamut is much broader than the gamut of a process colour printer or press. Consequently, many colours available in Microsoft Office applications cannot be reproduced on a process colour device.
  • Page 104 Microsoft Office applications. It also includes the additional standard colours used in Microsoft Excel and Microsoft Chart for chart fills and chart lines. Microsoft Excel standard "Chart fills" and "Chart lines" colours Microsoft Chart standard "Chart fills" and "Chart lines" colours DocuColor 2000 series design guide 1 - 2...
  • Page 105 microsoft office colour charts The next chart shows the same colours with the name Microsoft uses for each colour. Olive Black Brown Green Dark Dark Orange Yellow Light Lime Orange Pink Gold Yellow Light Rose Yellow Microsoft Excel standard "Chart fills" and "Chart lines" colours Plum Dark Pink...
  • Page 106 Microsoft Chart standard "Chart fills" and "Chart lines" colours Yellow Out of gamut colour - no close match possible Close to out of gamut - acceptable colour match may be possible Close colour match possible DocuColor 2000 series design guide 1 - 4 Olive Dark Dark...
  • Page 107 microsoft office colour charts The following chart shows the extended standard colour palette available in Microsoft Office applications. It includes the names of the 40 basic standard colours where they appear on the palette. Dark Teal Teal Aqua Green Bright Green Dark Green...
  • Page 108 Dark Yellow White Out of gamut colour - no close match possible Close to out of gamut - acceptable colour match may be possible Close colour match possible DocuColor 2000 series design guide 1 - 6 Dark Teal Blue Light...

  • Page 109: Appendix 2. Rgb Colour Charts

    APPENDIX 2: RGB colour charts The RGB colour space (or gamut) is much broader than the gamut of a process colour printer or press. Consequently, many colours available in the RGB colour space cannot be reproduced on a process colour device. A common area of discontent with customers is the issue of colour conversion from RGB to CMYK, ie, the colours they see on their display and the same colours as they appear on the printed page.
  • Page 110 Red = 0 Blue DocuColor 2000 series design guide 2 - 2...
  • Page 111 RGB colour charts Red = 25 Blue 2 - 3...
  • Page 112 Red = 50 Blue DocuColor 2000 series design guide 2 - 4...
  • Page 113 RGB colour charts Red = 75 Blue 2 - 5...
  • Page 114 Red = 100 Blue DocuColor 2000 series design guide 2 - 6...
  • Page 115 RGB colour charts Red = 125 Blue 2 - 7...
  • Page 116 Red = 150 Blue DocuColor 2000 series design guide 2 - 8...
  • Page 117 RGB colour charts Red = 175 Blue 2 - 9...
  • Page 118 Red = 200 Blue DocuColor 2000 series design guide 2 - 10...
  • Page 119 RGB colour charts Red = 225 Blue 2 - 11...
  • Page 120 Red = 255 Blue DocuColor 2000 series design guide 2 - 12...
  • Page 121 APPENDIX 3: CMYK colour charts The DocuColor 2060 prints using process colours, viz. cyan (C), magenta (M), yellow (Y) and black (K). You have the ability to mix and blend variations of CMYK to create virtually limitless colour palettes. The following charts provide examples of mixtures of CMYK that you can use to select colours.
  • Page 122 0% Yellow 100% Cyan DocuColor 2000 series design guide 3 - 2...
  • Page 123 CMYK colour charts 20% Black 30% Black 0% Yellow 5% Black 10% Black 100% Cyan 3 - 3...
  • Page 124 10% Yellow 100% Cyan DocuColor 2000 series design guide 3 - 4...
  • Page 125 CMYK colour charts 20% Black 30% Black 10% Yellow 5% Black 10% Black 100% Cyan 3 - 5...
  • Page 126 20% Yellow 100% Cyan DocuColor 2000 series design guide 3 - 6...
  • Page 127 CMYK colour charts 20% Black 30% Black 20% Yellow 5% Black 10% Black 100% Cyan 3 - 7...
  • Page 128 30% Yellow 100% Cyan DocuColor 2000 series design guide 3 - 8...
  • Page 129 CMYK colour charts 20% Black 30% Black 30% Yellow 5% Black 10% Black 100% Cyan 3 - 9...
  • Page 130 40% Yellow 100% Cyan DocuColor 2000 series design guide 3 - 10...
  • Page 131 CMYK colour charts 20% Black 30% Black 40% Yellow 5% Black 10% Black 100% Cyan 3 - 11...
  • Page 132 50% Yellow 100% Cyan DocuColor 2000 series design guide 3 - 12...
  • Page 133 CMYK colour charts 20% Black 30% Black 50% Yellow 5% Black 10% Black 100% Cyan 3 - 13...
  • Page 134 60% Yellow 100% Cyan DocuColor 2000 series design guide 3 - 14...
  • Page 135 CMYK colour charts 20% Black 30% Black 60% Yellow 5% Black 10% Black 100% Cyan 3 - 15...
  • Page 136 70% Yellow 100% Cyan DocuColor 2000 series design guide 3 - 16...
  • Page 137 CMYK colour charts 20% Black 30% Black 70% Yellow 5% Black 10% Black 100% Cyan 3 - 17...
  • Page 138 80% Yellow 100% Cyan DocuColor 2000 series design guide 3 - 18...
  • Page 139 CMYK colour charts 20% Black 30% Black 80% Yellow 5% Black 10% Black 100% Cyan 3 - 19...
  • Page 140 90% Yellow 100% Cyan DocuColor 2000 series design guide 3 - 20...
  • Page 141 CMYK colour charts 20% Black 30% Black 90% Yellow 5% Black 10% Black 100% Cyan 3 - 21...
  • Page 142 100% Yellow 100% Cyan DocuColor 2000 series design guide 3 - 22...
  • Page 143 CMYK colour charts 20% Black 30% Black 100% Yellow 5% Black 10% Black 100% Cyan 3 - 23...
  • Page 144 DocuColor 2000 series design guide 3 - 24...
  • Page 145 APPENDIX 4: Pantone colour charts The DocuColor 2060 is not capable of printing spot colours. However, it can convert Pantone colours into CMYK process colours on the fly during the RIP stage. Both the Fiery and CreoScitex RIPs will convert Pantone colours into process colours, but their conversion algorithms are slightly different.
  • Page 146 PANTONE 109 PANTONE 103 PANTONE 110 PANTONE 104 PANTONE 111 PANTONE 105 PANTONE 112 PANTONE colour converted by RIP DocuColor 2000 series design guide 4 - 2 PANTONE 113 PANTONE 120 PANTONE 114 PANTONE 121 PANTONE 115 PANTONE 122 PANTONE 116...
  • Page 147 Pantone colour charts PANTONE 127 PANTONE 134 PANTONE 128 PANTONE 135 PANTONE 129 PANTONE 136 PANTONE 130 PANTONE 137 PANTONE 131 PANTONE 138 PANTONE 132 PANTONE 139 PANTONE 133 PANTONE 140 PANTONE colour converted by RIP PANTONE 1345 PANTONE 141 PANTONE 1355 PANTONE 142 PANTONE 1365...
  • Page 148 PANTONE 158 PANTONE 1525 PANTONE 159 PANTONE 1535 PANTONE 160 PANTONE 1545 PANTONE 161 PANTONE colour converted by RIP DocuColor 2000 series design guide 4 - 4 PANTONE 1555 PANTONE 162 PANTONE 1565 PANTONE 163 PANTONE 1575 PANTONE 164 PANTONE 1585...
  • Page 149 Pantone colour charts PANTONE 169 PANTONE 176 PANTONE 170 PANTONE 177 PANTONE 171 PANTONE 178 PANTONE 172 Warm Red PANTONE 173 PANTONE 179 PANTONE 174 PANTONE 180 PANTONE 175 PANTONE 181 PANTONE colour converted by RIP PANTONE 1765 PANTONE 1767 PANTONE 1775 PANTONE 1777 PANTONE 1785...
  • Page 150 PANTONE 1925 PANTONE 193 PANTONE 1935 PANTONE 194 PANTONE 1945 PANTONE 195 PANTONE 1955 PANTONE colour converted by RIP DocuColor 2000 series design guide 4 - 6 PANTONE 196 PANTONE 203 PANTONE 197 PANTONE 204 PANTONE 198 PANTONE 205 PANTONE 199...
  • Page 151 Pantone colour charts PANTONE 217 PANTONE 223 PANTONE 218 PANTONE 224 PANTONE 219 PANTONE 225 Rubine Red PANTONE 226 PANTONE 220 PANTONE 227 PANTONE 221 PANTONE 228 PANTONE 222 PANTONE 229 PANTONE colour converted by RIP PANTONE 230 PANTONE 236 PANTONE 231 PANTONE 237 PANTONE 232...
  • Page 152 Purple PANTONE 247 PANTONE 253 PANTONE 248 PANTONE 254 PANTONE 249 PANTONE 255 PANTONE colour converted by RIP DocuColor 2000 series design guide 4 - 8 PANTONE 256 PANTONE 2562 PANTONE 257 PANTONE 2572 PANTONE 258 PANTONE 2582 PANTONE 259...
  • Page 153 Pantone colour charts PANTONE 2567 PANTONE 263 PANTONE 2577 PANTONE 264 PANTONE 2587 PANTONE 265 PANTONE 2597 PANTONE 266 PANTONE 2607 PANTONE 267 PANTONE 2617 PANTONE 268 PANTONE 2627 PANTONE 269 PANTONE colour converted by RIP PANTONE 2635 PANTONE 270 PANTONE 2645 PANTONE 271 PANTONE 2655...
  • Page 154 Blue 072 PANTONE 2746 PANTONE 2747 PANTONE 2756 PANTONE 2757 PANTONE 2766 PANTONE 2767 PANTONE colour converted by RIP DocuColor 2000 series design guide 4 - 10 PANTONE 2708 PANTONE 277 PANTONE 2718 PANTONE 278 PANTONE 2728 PANTONE 279 PANTONE 2738...
  • Page 155 Pantone colour charts PANTONE 290 PANTONE 2905 PANTONE 291 PANTONE 2915 PANTONE 292 PANTONE 2925 PANTONE 293 PANTONE 2935 PANTONE 294 PANTONE 2945 PANTONE 295 PANTONE 2955 PANTONE 296 PANTONE 2965 PANTONE colour converted by RIP PANTONE 297 PANTONE 2975 PANTONE 298 PANTONE 2985 PANTONE 299...
  • Page 156 PANTONE 3135 PANTONE 314 PANTONE 3145 PANTONE 315 PANTONE 3155 PANTONE 316 PANTONE 3165 PANTONE colour converted by RIP DocuColor 2000 series design guide 4 - 12 PANTONE 317 PANTONE 324 PANTONE 318 PANTONE 325 PANTONE 319 PANTONE 326 PANTONE 320...
  • Page 157 Pantone colour charts PANTONE 3245 PANTONE 3248 PANTONE 3255 PANTONE 3258 PANTONE 3265 PANTONE 3268 PANTONE 3275 PANTONE 3278 PANTONE 3285 PANTONE 3288 PANTONE 3295 PANTONE 3298 PANTONE 3305 PANTONE 3308 PANTONE colour converted by RIP PANTONE 331 PANTONE 337 PANTONE 332 PANTONE 338 PANTONE 333...
  • Page 158 PANTONE 354 PANTONE 348 PANTONE 355 PANTONE 349 PANTONE 356 PANTONE 350 PANTONE 357 PANTONE colour converted by RIP DocuColor 2000 series design guide 4 - 14 PANTONE 358 PANTONE 365 PANTONE 359 PANTONE 366 PANTONE 360 PANTONE 367 PANTONE 361...
  • Page 159 Pantone colour charts PANTONE 379 PANTONE 386 PANTONE 380 PANTONE 387 PANTONE 381 PANTONE 388 PANTONE 382 PANTONE 389 PANTONE 383 PANTONE 390 PANTONE 384 PANTONE 391 PANTONE 385 PANTONE 392 PANTONE colour converted by RIP PANTONE 393 PANTONE 3935 PANTONE 394 PANTONE 3945 PANTONE 395...
  • Page 160 PANTONE 416 PANTONE 410 PANTONE 417 PANTONE 411 PANTONE 418 PANTONE 412 PANTONE 419 PANTONE colour converted by RIP DocuColor 2000 series design guide 4 - 16 PANTONE 420 PANTONE 427 PANTONE 421 PANTONE 428 PANTONE 422 PANTONE 429 PANTONE 423...
  • Page 161 Pantone colour charts PANTONE 441 Warm Grey 1 PANTONE 442 Warm Grey 2 PANTONE 443 Warm Grey 3 PANTONE 444 Warm Grey 4 PANTONE 445 Warm Grey 5 PANTONE 446 PANTONE 447 PANTONE colour converted by RIP Warm Grey 6 Cool Grey 1 Warm Grey 7 Cool Grey 2...
  • Page 162 Black 5 PANTONE 451 Black 6 PANTONE 452 Black 7 PANTONE 453 PANTONE 454 PANTONE colour converted by RIP DocuColor 2000 series design guide 4 - 18 PANTONE 4485 PANTONE 455 PANTONE 4495 PANTONE 456 PANTONE 4505 PANTONE 457 PANTONE 4515...
  • Page 163 Pantone colour charts PANTONE 4625 PANTONE 469 PANTONE 4635 PANTONE 470 PANTONE 4645 PANTONE 471 PANTONE 4655 PANTONE 472 PANTONE 4665 PANTONE 473 PANTONE 4675 PANTONE 474 PANTONE 4685 PANTONE 475 PANTONE colour converted by RIP PANTONE 4695 PANTONE 476 PANTONE 4705 PANTONE 477 PANTONE 4715...
  • Page 164 PANTONE 500 PANTONE 494 PANTONE 501 PANTONE 495 PANTONE 502 PANTONE 496 PANTONE 503 PANTONE colour converted by RIP DocuColor 2000 series design guide 4 - 20 PANTONE 4975 PANTONE 504 PANTONE 4985 PANTONE 505 PANTONE 4995 PANTONE 506 PANTONE 5005...
  • Page 165 Pantone colour charts PANTONE 5115 PANTONE 518 PANTONE 5125 PANTONE 519 PANTONE 5135 PANTONE 520 PANTONE 5145 PANTONE 521 PANTONE 5155 PANTONE 522 PANTONE 5165 PANTONE 523 PANTONE 5175 PANTONE 524 PANTONE colour converted by RIP PANTONE 5185 PANTONE 525 PANTONE 5195 PANTONE 526 PANTONE 5205...
  • Page 166 PANTONE 542 PANTONE 536 PANTONE 543 PANTONE 537 PANTONE 544 PANTONE 538 PANTONE 545 PANTONE colour converted by RIP DocuColor 2000 series design guide 4 - 22 PANTONE 5395 PANTONE 546 PANTONE 5405 PANTONE 547 PANTONE 5415 PANTONE 548 PANTONE 5425...
  • Page 167 Pantone colour charts PANTONE 5467 PANTONE 553 PANTONE 5477 PANTONE 554 PANTONE 5487 PANTONE 555 PANTONE 5497 PANTONE 556 PANTONE 5507 PANTONE 557 PANTONE 5517 PANTONE 558 PANTONE 5527 PANTONE 559 PANTONE colour converted by RIP PANTONE 5535 PANTONE 560 PANTONE 5545 PANTONE 561 PANTONE 5555...
  • Page 168 PANTONE 577 PANTONE 571 PANTONE 578 PANTONE 572 PANTONE 579 PANTONE 573 PANTONE 580 PANTONE colour converted by RIP DocuColor 2000 series design guide 4 - 24 PANTONE 5743 PANTONE 5747 PANTONE 5753 PANTONE 5757 PANTONE 5763 PANTONE 5767 PANTONE 5773...
  • Page 169 Pantone colour charts PANTONE 5815 PANTONE 600 PANTONE 5825 PANTONE 601 PANTONE 5835 PANTONE 602 PANTONE 5845 PANTONE 603 PANTONE 5855 PANTONE 604 PANTONE 5865 PANTONE 605 PANTONE 5875 PANTONE 606 PANTONE colour converted by RIP PANTONE 607 PANTONE 614 PANTONE 608 PANTONE 615 PANTONE 609...
  • Page 170 PANTONE 638 PANTONE 632 PANTONE 639 PANTONE 633 PANTONE 640 PANTONE 634 PANTONE 641 PANTONE colour converted by RIP DocuColor 2000 series design guide 4 - 26 PANTONE 642 PANTONE 649 PANTONE 643 PANTONE 650 PANTONE 644 PANTONE 651 PANTONE 645...
  • Page 171 Pantone colour charts PANTONE 663 PANTONE 670 PANTONE 664 PANTONE 671 PANTONE 665 PANTONE 672 PANTONE 666 PANTONE 673 PANTONE 667 PANTONE 674 PANTONE 668 PANTONE 675 PANTONE 669 PANTONE 676 PANTONE colour converted by RIP PANTONE 677 PANTONE 684 PANTONE 678 PANTONE 685 PANTONE 679...
  • Page 172 PANTONE 708 PANTONE 702 PANTONE 709 PANTONE 703 PANTONE 710 PANTONE 704 PANTONE 711 PANTONE colour converted by RIP DocuColor 2000 series design guide 4 - 28 PANTONE 712 PANTONE 719 PANTONE 713 PANTONE 720 PANTONE 714 PANTONE 721 PANTONE 715...
  • Page 173 Pantone colour charts PANTONE 7401 PANTONE 7408 PANTONE 7402 PANTONE 7409 PANTONE 7403 PANTONE 7410 PANTONE 7404 PANTONE 7411 PANTONE 7405 PANTONE 7412 PANTONE 7406 PANTONE 7413 PANTONE 7407 PANTONE 7414 PANTONE colour converted by RIP PANTONE 7415 PANTONE 7422 PANTONE 7416 PANTONE 7423 PANTONE 7417...
  • Page 174 PANTONE 7446 PANTONE 7440 PANTONE 7447 PANTONE 7441 PANTONE 7448 PANTONE 7442 PANTONE 7449 PANTONE colour converted by RIP DocuColor 2000 series design guide 4 - 30 PANTONE 7450 PANTONE 7457 PANTONE 7451 PANTONE 7458 PANTONE 7452 PANTONE 7459 PANTONE 7453...
  • Page 175 Pantone colour charts PANTONE 7471 PANTONE 7478 PANTONE 7472 PANTONE 7479 PANTONE 7473 PANTONE 7480 PANTONE 7474 PANTONE 7481 PANTONE 7475 PANTONE 7482 PANTONE 7476 PANTONE 7483 PANTONE 7477 PANTONE 7484 PANTONE colour converted by RIP PANTONE 7485 PANTONE 7492 PANTONE 7486 PANTONE 7493 PANTONE 7487...
  • Page 176 PANTONE 7516 PANTONE 7510 PANTONE 7517 PANTONE 7511 PANTONE 7518 PANTONE 7512 PANTONE 7519 PANTONE colour converted by RIP DocuColor 2000 series design guide 4 - 32 PANTONE 7520 PANTONE 7527 PANTONE 7521 PANTONE 7528 PANTONE 7522 PANTONE 7529 PANTONE 7523...
  • Page 177 Pantone colour charts PANTONE 7541 PANTONE 801 PANTONE 7542 PANTONE 802 PANTONE 7543 PANTONE 803 PANTONE 7544 PANTONE 804 PANTONE 7545 PANTONE 805 PANTONE 7546 PANTONE 806 PANTONE 7547 PANTONE 807 PANTONE colour converted by RIP PANTONE 808 PANTONE 871 PANTONE 809 PANTONE 872 PANTONE 810...
  • Page 178 DocuColor 2000 series design guide 4 - 34...
  • Page 179 Glossary “One over zero” refers to printing with one colour on one side of a sheet, leaving the other side blank. 2-up/4-up/8-up The number of images printed on one side of a sheet. “Four over zero” refers to printing with four colours on one side of a sheet of paper, leaving the other side blank.
  • Page 180 Profiles are generated for input devices (like scanners and digital cameras), displays, and output devices (like printers and presses). These profiles tell the conversion routines of the colour management system how to convert the colour values of one device to another. DocuColor 2000 series design guide G – 2...
  • Page 181 glossary Colour rendering dictionary A lookup table in PostScript that describes how to map colour from one device to another. Also called CRD. Colour separations A full colour image broken down into a series of single colour images of the primary printing colours. This is most often the four process colour images (CMYK), but may also include spot or specialty colours.
  • Page 182 A two-colour halftone, usually printed with black and another colour. Duplex A form of double-sided printing. The printing press prints the first side, flips the sheet, then prints the second side during a second pass. DocuColor 2000 series design guide G – 4...
  • Page 183 glossary Electrophotography The image transfer system used in printers and copiers where images are produced using electrostatic forces. Electrical charges are used to create an image on a photoconductive surface to which toner is attracted. The toner is then transferred and fused to paper. Embossing A process in which paper is pressed between two dies to raise a portion of the printed image, creating a three dimensional image on the page.
  • Page 184 .icm extension. Imposition The positioning of individual pages on a signature (or press sheet) so that after printing, folding and cutting, all pages will appear in the proper sequence. DocuColor 2000 series design guide G – 6...
  • Page 185 glossary Impressions per hour The term most commonly used with offset printing for measuring print speed. One impression can consist of multiple images on a large sheet that will be cut into smaller sized sheets after being printed. Impressions per minute The term most commonly used with offset printing for measuring print speed.
  • Page 186 Opacity The degree to which paper will allow images and text printed on side to show-through to the other. Short for Open Prepress Interface. An extension to PostScript which DocuColor 2000 series design guide G - 8...
  • Page 187 glossary provides for automatic replacement of low-resolution placeholder images with high-resolution images. Overprint When printing a shape or type in colour, the shape prints over whatever colours have already been printed. This can result in a shift of colour due to overlapping ink or toner. Page One side of a sheet of paper.
  • Page 188 Register mark Registration Resolution RIP time DocuColor 2000 series design guide G - 10 A step in the prepress process used to test every component of a job to ensure it will print correctly. This can include fonts, image files and links, colour gamut, etc.
  • Page 189 glossary Rosette The (acceptable) dot cluster formation that is created in four-colour images. Short for ready to print. A file that has been ripped Runnability Describes the ease with which paper moves through the printing press or printer. A paper that performs well on the press (dust free, ideal moisture content, no curves or waves, trimmed correctly, and trouble- free feeding).
  • Page 190 SRA0 SRA1 SRA2 SRA3 Stochastic screening DocuColor 2000 series design guide G - 12 A printing press, either digital or offset, that prints on cut sheets of paper. A term commonly used to describe the speed of binding and folding operations.
  • Page 191 glossary Stock A term used to refer to all types of paper, transparencies, and other printable materials. Also called media or substrate. Streaking Undesirable artifacts caused by linear irregularities in ink or toner transfer. Substrate A term used to refer to all types of paper, transparencies, and other printable materials.
  • Page 192 An image in which colours blend smoothly and gradually from one to another (usually from a lighter tone to a darker tone). Short for Variable-data Intelligent PostScript Printware. Xerox software for printing variable data. Short for Variable Print Specification. A variable print file format.

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