Korg KARMA Frequently Asked Questions Manual page 43

channels and have the same or different Program loaded in each timbre).
Note that you can do this after the track is already recorded, by copying
the track to another track (5.2-1b) [Menu]-[T.Edit]- [Utility]-> Copy/
Bounce Track.
note numbers except the one that you want to "keep", using [Utility] ->
Shift/Erase Note. In other words, to keep the kick drum (assuming it is
note number 36), erase all other note numbers.
Page 101-102.
3) Drum Kits are specialized Programs, in that they have a built-in "pan
position" for each drum sound in the kit. You can edit those in the
Global mode, and move the hi-hat to a different position, the kick to a
different position, etc. Note that this affects the Drum Kit wherever it is
used, not just for a particular song. You can edit the Drum Kit pan
settings at:
(5.1-3) (Global) [Menu]-[DKit]-[Voice]-> Pan
Parameter Guide, Page 145.
14. How do I copy the IFX and MFX settings for additional tracks
for additional programs, or is this possible? For example, I added
a Program to Track 1 on the Sequencer and copied the settings
for IFX, MFX, and set the BUS. Then I add another Program to
Track 2, but cannot get its effects working on Track 2.
First, we need a little bit of understanding of the Karma (and Triton)
Effects architecture. There are a total of 5 Insert Effects (IFX) and 2
Master Effects (MFX) in any given Mode (Program, Combi, Seq, etc.) You
can utilize these however you want to. That means that in Program
Mode, you could use all 7 Effects on a single Program. In Combi and
Sequence Mode, you can split the 5 IFX up anyway you want - use all 5
on one timbre, use 2 on timbre 1, 1 on timbre 2, 2 on timbre 3, use the
same one on 5 different timbres, etc. The MFX are applied (at the end of
the chain) to the whole Song or Combi, and you can control how much of
each timbre is routed to the MFX. It's all in how you assign them and
assign the Bus Selects.
Once you start using multiple programs in the Sequencer on different
tracks (that were NOT all copied from a Combi), you must start figuring
out how to share the Insert FX and Master FX in an appropriate manner,
which often involves many trade-offs. To me, this is truly one of the
areas of arcane art that separates the men from the boys (so to speak)
when it comes to making a sequence on one unit, and one unit only.
Parameter Guide, Page 97. After copying, erase all
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Parameter Guide,