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1/2" Condenser Microphone
User Guide
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2007, SUPERLUX I
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LB100S12501EN (Rev. 1)
Specifications
Type
Signal-to-noise ratio
76 dB
1/2" true condenser
Element
Power supply
±
48V
4V Phantom
Pressure gradient
Current consumption
Polar pattern
3.5mA
Unidirectional (Cardioid),
rotationally symmetrical about
microphone axis, uniform with
Polarity
frequency. (Figure 1)
Pin 2 output positive voltage
(related to pin 3) when diaphragm
Frequency response
receives positive pressure.
(Diaphragm moving inward)
20 to 20,000 Hz (Figure 2)
Sensitivity
Connector
(at 1,000 Hz Open Circuit Voltage)
Integral 3 pin male XLR type
± 3dB
-45dBV/Pa (5.6mV/Pa)
1Pa=94dB SPL
Finish
Charcoal gray paint
Rated impedance
50Ω
Environmental conditions
The S125 operates between
Minimum load impedance
℃
℃
℉
-10
to +50 (14
with relative humidity between 0
1,000Ω
to 95%.
Equivalent noise level
Dimensions
(A-weighted)
Φ48.0mm(1.90in.) X 177.0mm
18dB (IEC/DIN 651)
(6.70in.) (Figure 3)
Ω
Max. SPL
(1 k
load)
≦
Net weight
148dB SPL (THD 1% 1kHz)
350g (12.35oz.)
Ω
Dynamic range
(1 k
Load)
130dB
250 Hz
500 Hz
1000 Hz
TYPICAL POLAR PATTERN (Figure 1)
Frequency Response
dB
10
0
-10
-20
20
50
100
200
500
1000
FREQUENCY IN Hz
TYPICAL FREQUENCY RESPONSE (Figure2)
O48.0mm
(1.90in.)
O45.0mm
(1.77in.)
℉
to 122 )
44.0mm
(1.73in.)
177.0mm
(6.70in.)
12.0mm
(0.45in.)
37.0mm
(1.45in.)
O23.0mm
(0.90in.)
Dimensions (Figure 3)
Description
The S125 true condenser vocal microphone brings studio grade,
precision 1/2" condenser capsule to the live stage for the
demanding professionals. Successful artist, celebrities sing with
true condenser in the recording studios, and sing with dynamic
mics on the live stages. One of the consideration is durability. The
2000 Hz
4000 Hz
8000 Hz
studio condenser cannot withstand the mechanical challenges as
those dynamics which can easily handle.
Now this is no more a consideration for those who want a studio
grade true condenser microphone when Superlux S125 is ready for
all challenges.
Superlux S125's wide and flat frequency response is the same as
studio condenser, because it is a studio grade microphone as well.
It provides very fine detail resolution, that brings out every details
the artist performed. With switchable -10dB pad, the S125 can also
2000
5000
10000
20000 Hz
handle high SPL sound sources. Switchable 3rd order low cut filter
cut out those un-wanted stage noises for clean sound even in noisy
environment.
The triple layers wind screen drop down blowing noises to the
minimum when S125 facing up-close settings.
Not only a professional choice for vocal miking, S125 is also a
professional choice for instrument miking from strings, winds, to
percussions.
Gold plated contacts between capsule and electronics provides
stable performance, yet the convenience the disassemble the
capsule without a tool. Die-cast casing and steel strengthen
processed grill wind screen results sturdy structure, and extreme
low handling noise. All these efforts built up this perfect (almost)
microphone for all performing art professionals.
Features
?
Wide and flat frequency response.
?
-10dB pad switch.
?
rd
3 150Hz low cut filter, switchable.
Need help?
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