Roland V-Synth Owner's Manual page 115

Polyphonic Limiter
Compresses signals that exceed a specified volume
level, preventing distortion from occurring.
Parameter Value
COSM Type
Thres 0–127
Ratio 2:1, 4:1, 16:1, 100:1 Compression ratio
Attack #1 0–127
Release #2 0–127
Output 0–127
Frequency Shifter
By shifting the frequency relationship of the
fundamental and overtones, a human voice can be
given a "groaning" character.
Parameter Value
Effect
Effect #1 0–127
Effect KF -200– +200
Effect LFO Depth -63– +63
#3
* For details on envelope settings, refer to "Making Envelope
Settings" (p. 48).
Balance
Balance #2 0–127
Balance LFO -63– +63
Depth
* For details on envelope settings, refer to "Making Envelope
Settings" (p. 48).
LFO
* For details on LFO settings, refer to "Making LFO Settings" (p.
49).
Description
Sets the volume level at
which the compression be-
gins.
Attack time
Release time
Output Level
Description
Effect depth
Key follow setting for the
effect volume
Amount of LFO applied to
the effect volume
Volume balance between
the direct sound and the ef-
fect sound
Amount of LFO applied to
the volume balance
Lo-Fi Processor
By changing the bit count and sample rate, this effect
recreates the Lo-Fi (Low-Fidelity) sounds of the early
digital samplers and similar machines. After the Lo-Fi
processor, a filter to change the tone is arranged in
series.
Parameter Value
COSM Type
Bit Down 0–15
Sample Rate Normal, 1/2, 1/4,
Down 1/8, 1/16, 1/32
Filter
Filter #1 0–127
Filter KF -200– +200
Filter LFO Depth -63– +63
#3
* For details on envelope settings, refer to "Making Envelope
Settings" (p. 48).
Balance
Balance #2 0–127
Balance LFO -63– +63
Depth
LFO
* For details on LFO settings, refer to "Making LFO Settings" (p.
49).
COSM List
Description
This setting is for reducing
the bit count.
Sets the fraction of current
sampling rates to be used
for processing.
Cutoff frequency of the fil-
ter
Key follow setting for filter
cutoff frequency
Amount of LFO applied to
filter cutoff frequency
Volume balance between
the direct sound and the ef-
fect sound
Amount of LFO applied to
the volume balance
115