Roland FP-7 Owner's Manual

Roland FP-7 Owner's Manual

Roland owner's manual fp-7
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  • Page 2 Cover1,4...
  • Page 3: Introduction

    Introduction Thank you, and congratulations on your choice of the FP-7. To ensure that you obtain the maximum enjoyment and take full advantage of the FP-7’s functionality, please read this owner’s manual carefully. About the Manual You should first read the “Before You Play” (p. 18) section of the owner’s manual (this document).
  • Page 4: Main Features

    Main Features Serious piano performance The FP-7 provides the sounds of a high-quality concert grand piano coupled with the PHA II keyboard, which delivers a more piano-like touch, where the low range is heavier and the high range is lighter.
  • Page 5: Table Of Contents

    Performing with Audio Files from USB Memory ... 59 Performing with Audio Files that are Built Into the FP-7... 62 Adjusting the Volume of the Audio Key ... 62 Creating a Piano Sound to Your Taste (Piano Designer) .. 63 Saving the Piano Designer Settings ...
  • Page 6 Connecting Other Equipment... 137 Connecting Audio Equipment... 138 Sending the Sound to External Speakers ... 138 Listening to a CD from the FP-7’s Speakers ... 139 Recording an FP-7 Performance to an External Device. 140 Recording an FP-7 Performance to a CD or Cassette Tape, etc.
  • Page 7 Connecting to MIDI Devices ...147 What’s MIDI?...147 Making the Connections...147 Using the FP-7 to Play Another MIDI Sound Module 148 MIDI Settings...148 Appendices Troubleshooting...153 Error Messages ...157 Tone List ...158 Rhythm List ...163 Chord Progression Pattern List ...164 Chord Fingering List ...167 Internal Song List ...169...
  • Page 8: Using The Unit Safely

    Do not place in an unstable location When using the unit with a stand recommended by Roland, the stand must be carefully placed so it is level and sure to remain stable. If not using a stand, you still need to make sure that any location...
  • Page 9 Avoid extended use at high volume This device, either by itself or used in conjunction with headphones, amps, and/or speakers, is capable of producing volume levels that can cause permanent hearing damage. If you experience impaired hearing or ringing in your ears, immedi- ately stop using the device and consult a medical specialist.
  • Page 10 USING THE UNIT SAFELY Place in a well ventilated location 101b When using this device and AC adaptor, ensure that it is placed in a well ventilated location. Grasp the plug when connecting or disconnecting the power cord 102c Always grasp only the plug on the AC adaptor cord when plugging into, or unplugging from, an outlet or this unit.
  • Page 11: Important Notes

    Important Notes In addition to the “USING THE UNIT SAFELY” listed on page 8, please observe the following cautions. Power Supply • Do not connect this device to the same electrical outlet as an inverter-controlled device such as a refrigerator, microwave oven, or air conditioner, or a device that contains an electric motor.
  • Page 12 Important Notes 558a • Please enjoy your music in ways that do not inconvenience other people nearby, and pay particular attention to the volume at nighttime. Using headphones will allow you to enjoy music without having to be concerned about others. 559a •...
  • Page 13 Doing so may render the data unreadable. If a CD becomes soiled, clean it using a commercially available CD cleaner. * GS ( ) is a registered trademark of Roland Corporation. * XG lite ( ) is a registered trademark of Yamaha Corporation.
  • Page 14: Names Of Things And What They Do

    Starts and stops playback of internal songs and recorded performances (p. 26). Used for starting recording of performances (p. 92). [Rec] Button You can record your own playing into the FP-7 (p. 92). [Metronome] Button Turns the internal metronome on and off (p. 54). Display...
  • Page 15 [Contrast] Knob This knob adjusts the contrast of the screen (p. 22). [Display] Button Press this button when you want to change the tone, the song to play back, the rhythm, or the tempo. Each time you press this button, the display will alternately show tone information (tone number and name), song information (song number, name, and number of measures), Session Partner information (rhythm number,...
  • Page 16: Rear Panel

    Input Jacks Here you can connect an audio device or another electronic musical instrument, and listen to the connected device through the FP-7’s speakers (p. 139). Output Jacks You can connect external speakers here to reproduce the FP-7’s sound (p. 138, p. 140).
  • Page 17 You can connect USB memory to this connector, and play back songs saved on USB memory (p. 33) or save songs you’ve recorded on the FP-7 to USB memory (p. 105). You can also save a registration set to USB memory, or load a saved registration set into the FP-7.
  • Page 18: Before You Play

    The indicator will light when you plug the AC adaptor into an AC outlet. Connect the AC adaptor to the FP-7’s DC In jack, and plug the power cord into an electrical outlet. Loop the AC adaptor cord around the cord hook to fasten it in place.
  • Page 19: Turning The Power On/Off

    Turning the Power On/Off Once you’ve got everything connected properly, you NOTE can turn on the power using the following procedure. If you fail to perform these steps in the correct order, you risk causing a malfunction or damaging the speakers.
  • Page 20: Adjusting The Volume

    Before You Play Adjusting the Volume Here’s how to adjust the volume when you’re playing the keyboard, or when you’re playing back internal preset songs or USB memory songs. If headphones are connected, use the [Volume] knob to adjust the headphone volume. Turn the [Volume] knob to adjust the overall volume.
  • Page 21: Connecting The Pedals

    The pedal included with the FP-7 functions as a half-damper pedal, which allows you to adjust the amount of resonance. On an acoustic piano, holding down the damper pedal will cause the strings for notes other than the ones you actually play to vibrate in sympathy with what you’ve played,...
  • Page 22: Listening Through Headphones

    Before You Play Listening through Headphones You can use headphones to enjoy the FP-7 without disturbing those around you, such as at night. Since the FP-7 has two headphone jacks, two people can also use headphones simultaneously. If you’re using only one set of headphones, you may connect them to either of the two headphone jacks.
  • Page 23: Using Usb Memory

    Using USB Memory Songs you’ve recorded on the FP-7 or performance settings you’ve created (registration sets) can be copied for safekeeping to separately available USB memory (p. 89, p. 111). You can also play back SMF music files saved on USB memory (p.
  • Page 24: Listening To Songs

    No MIDI data for the music that is played will be output. NOTE fig.Panel-Demo.eps Indication Piano Masasi & Kazuko Hirashita / © 2006 Roland Corporation E.Piano Masasi & Kazuko Hirashita / © 2006 Roland Corporation Organ Masasi & Kazuko Hirashita / © 2006 Roland Corporation Strings/Pad Masasi &...
  • Page 25 Hold down the [Function] button and press the [Transpose] button. The indicators for the seven Tone, [Function], [Transpose], [Audio Key], [Session Partner] and [Play] buttons flash. The following appears in the display. fig.d-Demo.eps You can’t play back the demo songs if your recorded performance has not been saved. NOTE Either erase your performance (p.
  • Page 26: Listening To Internal Songs

    Listening to Songs Listening to Internal Songs The FP-7 contains 65 built-in songs. Here’s how to select and play back one of these songs. About the name of the internal song, refer to “Internal Song List” (p. 169). fig.Panel-Internal.eps Selecting a Song Press the [Display] button several times so it’s lit in green.
  • Page 27 If a song is playing while the song select screen is displayed, you can rewind the song by holding down the [-] button, or fast-forward the song by holding down the [+] button. To stop playback, press the [Play] button once more. The next time you press the [Play] button, playback will resume from the point at which you stopped.
  • Page 28: Changing The Volume Of The Song

    Listening to Songs Changing the Volume of the Song Here’s how to adjust the volume when song is playing back. When you’re playing along with a song, this lets you adjust the volume balance between the song and the sounds you’re playing on the keyboard. fig.Panel-Internal.eps While holding down the [Play] button, press the [-] or [+] button.
  • Page 29: Playing Back All Songs Continuously (All Song Play)

    Playing Back All Songs Continuously (All Song Play) The internal songs and the songs in internal memory or USB memory can be played repeatedly in succession. This function is called “All Song Play.” fig.Panel-AllSong.eps Specifying the First Song Press the [Display] button several times so it’s lit in green. Press the [-] or [+] button to select the song.
  • Page 30: Listening To Each Part Separately (Track Mute)

    Listening to Songs Listening to Each Part Separately (Track Mute) With the internal songs, you can select the performance part that is to be played back. You can also practice each hand separately while playing along with the song. fig.Panel-TrackMute.eps The performance data is assigned to the Track buttons as shown below.
  • Page 31: Determining The Volume Of A Muted Track

    Here’s how to adjust the volume that a part will have after you’ve pressed a track button to mute the playback while playing back a song. The FP-7 lets you play back a specific part at a reduced volume so you can use that part as a “guide” for your own playing.
  • Page 32: Listening To Songs Saved In Internal Memory

    Listening to Songs Listening to Songs Saved in Internal Memory Here’s how to play back songs that you’ve saved in internal memory. You can save the songs you’ve recorded and the songs that are saved on USB memory to internal memory. For details, refer to “Saving the Songs You Record” (p. 105) and “Copying a Song from USB Memory to Internal Memory”...
  • Page 33: Listening To Songs Saved In Usb Memory

    Listening to Songs Saved in USB Memory Here’s how you can listen to songs that are saved on USB memory (sold separately). You can also use the keyboard to play along with the song. fig.Panel-Internal.eps Selecting a Song Connect the USB memory (sold separately) containing the song you want to listen to the external memory connector (p.
  • Page 34 Listening to Songs To stop playback, press the [Play] button once more. The next time you press the [Play] button, playback will resume from the point at which you stopped. If playback has stopped at the end of the song, playback will start from the beginning of the song. If the song select screen is displayed, pressing the [-] button will return you to the beginning of the song.
  • Page 35: Performing

    Performing Performing with a Variety of Sounds The FP-7 features over 300 different internal sounds, allowing you to enjoy performing with sounds suitable for many different types of music. These onboard sounds are called “Tones.” The Tones are divided into seven different groups, each of which is assigned to a different Tone button.
  • Page 36: Simulating The Way That Sounds Are Created On An Organ (Tone Wheel)

    You can simulate the creation of tones using the harmonic bars by assigning footages to the Tone buttons. The FP-7 provides two screens for this purpose: the “Tonewheel Organ screen” and the “TW Edit (Tone Wheel Edit) screen.” Graphics indicating the state of the harmonic bars are shown in these screens.
  • Page 37 “folded-back” in units of one octave. Folding back the high-frequency portion prevents the high-frequency sounds from being unpleasantly shrill, and folding back the low-frequency portion prevents the sound from becoming “muddy.” On the FP-7 faithfully simulates this characteristic.
  • Page 38 Performing When the [Registration] button is lit, Tone buttons ([1]–[7]) can be pressed to select registrations. If you want to select a tone, press the [Registration] button to turn off its light. Selecting the Type of Tonewheel Organ Press the [TW Organ] button so it’s lit. The tonewheel organ screen will appear.
  • Page 39 Selecting the Footage to Adjust the Volume Hold down the [Display] button and press the [+] button to get the following screen. Hold down the [Display] button and press the [-] [+] buttons several times to select the footage for which you want to change the volume. Footage If the TW Edit (tone wheel edit) screen is displayed, you can use the Tone buttons, [Registration] button, and [Split] button to select the desired footage.
  • Page 40 This method is referred to as single trigger algorithm, and is a very important element in organ performance. On the FP-7 faithfully simulates this characteristic. Hold down the [Display] button and press the [-] [+] buttons to select the type of the percussion.
  • Page 41: Performing With Two Layered Tones (Dual Play)

    Performing with Two Layered Tones (Dual Play) You can play two different tones from a single key at the same time. This method of performance is called “Dual Play.” As an example, let’s try layering piano and strings sounds. fig.Panel-ToneSelect.eps When the [Registration] button is lit, Tone buttons ([1]–[7]) can be pressed to select registrations.
  • Page 42: Changing The Tone Variations

    Performing You can select the part that will take priority for effects if the Upper tone and Lower tone have different effect settings when you’re using Dual play. Refer to “Setting the Part to Which Effects Are Added” (p. 120). You can change the part to which the function assigned to the pedal will apply.
  • Page 43: Performing With Different Tones In The Left And Right Sides Of The Keyboard (Split Play)

    Performing with Different Tones in the Left and Right Sides of the Keyboard (Split Play) Performing with the keyboard divided at a certain key into a left side and a right side is called “Split Play,” and the point at which the keyboard is divided is called the “Split Point.” In Split Play, you can have a different tone sound in the left and right sides.
  • Page 44 Performing When the [Registration] button is lit, Tone buttons ([1]–[7]) can be pressed to select registrations. If you want to select a tone, press the [Registration] button to turn off its light. Press the [Piano] button. Now, the piano tone is selected. fig.d-1.eps Press the [Split] button, getting its indicator to light.
  • Page 45: Switching Tone Groups And Tone Variations

    Switching Tone Groups and Tone Variations Changing the Upper Tone Press the Tone button to choose a tone group. Press the [-] or [+] button to select a variation tone. Changing the Lower Tone Hold down the [Split] button and press the Tone button to choose a tone group.
  • Page 46: Changing The Keyboard's Split Point

    Performing Changing the Keyboard’s Split Point You can change the split point (the key at which the keyboard is divided). The split point can be set to any value from B1 through B6. This is set to “F 3” when the instrument is turned on. This setting remains in effect until you turn off the power.
  • Page 47: Changing The Volume Balance For Dual Play And Split Play

    Performing Changing the Volume Balance for Dual Play and Split Play You can change the volume balance of the Upper and Lower Tones in Dual Play (p. 41) and Split Play (p. 43). fig.Panel-Balance.eps Use the [Balance] knob to adjust the volume balance. Turning the knob toward the left (toward “Lower”) increases the volume of the Lower tone.
  • Page 48: Adjusting The Keyboard Sensitivity (Key Touch)

    Performing Adjusting the Keyboard Sensitivity (Key Touch) You can change the touch sensitivity, or response of the keys. You can adjust the keyboard touch as appropriate for the playing strength of the person who is performing. fig.Panel-KeyTouch.eps Hold down the [Reverb] button and press the [Sound Control] button. The Key Touch screen appears.
  • Page 49: Adding Reverberation To Sounds (Reverb Effect)

    Adding Reverberation to Sounds (Reverb Effect) You can apply a reverb effect to the notes you play on the keyboard. With the reverb effect, you obtain a pleasant reverberation, making it sound as if you were performing in a concert hall or similar space. fig.Panel-Reverb.eps Press the [Reverb] button so it’s lit.
  • Page 50: Adding A Variety Effects To The Sound (Effects)

    Adding a Variety Effects to the Sound (Effects) In addition to reverb, you can apply a variety of effects to the FP-7’s sounds. These are referred to as “effects.” With the FP-7, you can select from 62 different effect types.
  • Page 51: Adding A Spinning Sound To Organ Tones (Rotary Effect)

    In most rotary speakers, the high-frequency speaker and low-frequency speaker rotate at different speeds. The FP-7 can simulate this complex type of modulation. fig.Panel-Rotaty.eps Press the [Organ] button and then press the [-] or [+] button to select the organ tone.
  • Page 52: Transposing The Key Of The Keyboard Or Song Playback (Transpose)

    The FP-7 lets you transpose the key (pitch) of the keyboard, of the song, or of the song and the keyboard together. If you want to transpose only the key of the keyboard or only the key of the song, you’ll need to specify this ahead of time (p.
  • Page 53 Performing The transpose setting will return to “0” when you select another song. NOTE Example: Playing a Song in the Key of E Major After Transposition to C Major Hold down the [Transpose] button and press the E key (since E is the keynote). Counting from C as a reference point, one moves up four keys, including the black keys, to reach E, thus “+4”...
  • Page 54: Performing With The Metronome

    Performing with the Metronome You can perform while the metronome sounds. The FP-7 provides a versatile Metronome function. You can adjust the volume or time signature of the metronome, and change the way that beats are marked. If a song is playing, the metronome will sound at the tempo and time signature of that song.
  • Page 55: Changing The Tempo

    Changing the Tempo Press the [Display] button several times so it’s lit in orange. The tempo is displayed. fig.d-Tempo.eps Press the [-] or [+] button to adjust the tempo. The tempo is set in terms of the value of a quarter note, with possible values ranging from 10 up to 500.
  • Page 56: Adding Liveliness To The Sound (Sound Control)

    Performing Adding Liveliness to the Sound (Sound Control) You can add liveliness to the sound to give it superb clarity and distinctness. fig.Panel-SoundControl.eps Press the [Sound Control] button so it’s lit. The Sound Control function is switched on, enlivening the sound. While holding down the [Sound Control] button, press the [-] or [+] button to change the type.
  • Page 57: Changing The Tonal Quality (Equalizer)

    Changing the Tonal Quality (Equalizer) You can use the equalizer to adjust the tonal quality. This allows you to adjust the tonal character by boosting or decreasing the low-frequency or high-frequency portions. fig.Panel-Equalizer.eps Press the [Equalizer] button so it’s lit. The equalizer will be turned on, and the tonal character will change.
  • Page 58: Changing The Equalizer Type

    Changing the Equalizer Type You can switch the equalizer settings to apply different changes to the tonal character. The FP-7 provides four equalizer settings. While holding down the [Equalizer] button, press the [-] or [+] button to select the equalizer type.
  • Page 59: Performing With Audio Files (Audio Key)

    Performing with Audio Files (Audio Key) The FP-7 lets you play audio files saved on USB memory (sold separately) while you perform. This is called the “Audio Key” function. The Audio Key function lets you assign an audio file to each key B 0–B1, and play those audio files by pressing the corresponding key.
  • Page 60 Performing While holding down the [Audio Key] button, and use the [-] [+] buttons to select an audio file set. When you take your finger off the button, a screen like the following will appear. The Audio Key function will be activated, allowing you to play audio files by pressing a key. Indication STOP If no audio files have been assigned to keys, nothing will be shown in the keyboard...
  • Page 61 “Audio Key Utility quick guide” (separate document). If no USB memory (sold separately) containing audio files is connected to the FP-7, you’ll be able to play audio files that are built into the FP-7 (see the section that follows). If the connected USB memory does not contain an audio file set created by the “Audio Key Utility,”...
  • Page 62: Performing With Audio Files That Are Built Into The Fp-7

    The audio file set that’s built into the FP-7 is shown as “Internal Demo.” Even if you’re using the audio file set that’s built into the FP-7, you can change the settings of the audio files assigned to the keys, and change the settings that specify how the audio files will be repeated (p.
  • Page 63: Creating A Piano Sound To Your Taste (Piano Designer)

    Creating a Piano Sound to Your Taste (Piano Designer) The FP-7 lets you create your own piano sound by adjusting settings such as the sympathetic resonance of the piano strings. This function is called “Piano Designer.” When you’ve created a sound you like, you can also save it.
  • Page 64 If you select Prset (Preset), the standard preset tuning curve of the FP-7 will be used. You can adjust the stretch tuning setting as desired.
  • Page 65: Saving The Piano Designer Settings

    Saving the Piano Designer Settings When you’ve used Piano Designer to create a piano sound that you particularly like, you can save it in internal memory. Settings you save in this way will be preserved even if you turn off the power. Access the Piano Designer screen (p.
  • Page 66: Playing Along With Rhythms

    What are the FP-7’s “Rhythms?” The FP-7 features internal “Rhythms” complementing Pops, Jazz, and other various musical genres. “Rhythms,” or combinations of elements from a musical genre that recreate the mood or signature sound of a particular style, form the foundation of the accompaniment used in “Session Partner.”...
  • Page 67: Performing Along With Session Partner

    Performing Along with Session Partner Now, let’s try performing along with Session Partner. Since a wide variety of musical genres is provided, be sure to use a Rhythm that best suits the song you are performing. Please refer to “Selecting a Rhythm” (p. 70). fig.Panel-Session-1.eps Press the [Session Partner] button.
  • Page 68 Playing Along with Rhythms Stopping the Session Partner Performance Press the [Session Partner] button. When you press the [Session Partner] button, an ending will be played and then Session Partner will stop. The Track [R] button will blink while the ending is playing. When Session Partner stops, the [Session Partner] button will go out.
  • Page 69: Changing The Volume Of The Session Partner Performance

    Changing the Volume of the Session Partner Performance Here’s how to adjust the volume when Session Partner is playing. While holding down the [Session Partner] button, press the [-] or [+] button. fig.d-SPvolume.eps While you hold down the [Session Partner] button, the display will show the volume of Session Partner.
  • Page 70: Selecting A Rhythm

    Playing Along with Rhythms Selecting a Rhythm Now, try changing the Rhythm being performed. Let’s try changing the rhythm to suit the song you want to play. fig.Panel-Session-2.eps Press the [Display] button, getting its indicator to light in red. The Settion Partner screen appears. The display will show the rhythm number and rhythm name.
  • Page 71: Changing A Rhythm's Tempo

    Changing a Rhythm’s Tempo The FP-7 has an optimal tempo for each Rhythm. You can change the tempo of the selected Rhythm. Furthermore, you can change the tempo as the Rhythm is being played. fig.Panel-Session-2.eps Press the [Display] button, getting its indicator to light in orange.
  • Page 72: Selecting A Rhythm's Chord Progression

    Playing Along with Rhythms Selecting a Rhythm’s Chord Progression The FP-7 has an optimal chord progression pattern for each Rhythm. You can change the chord progression pattern if you want. For more information on chord progression patterns, refer to the “Chord Progression Pattern List”...
  • Page 73: Performing With The Chord Progression Specified In The Left Hand (Chord Progression Off)

    Performing with the Chord Progression Specified in the Left Hand (Chord Progression Off) Performing with the keyboard divided at a certain key into a left side and a right side is called “Split Play.” While in Split Play, you can use the left side to specify chords instead of using it to play the Lower Tone.
  • Page 74 Playing Along with Rhythms The point at which the keyboard is divided is called the “split point”; you can also change this split point. For more information, take a look at “Changing the Keyboard’s Split Point” (p. 46). In the left side of the keyboard, you can specify chords while playing the Lower tone. Press the [Split] button to turn off its light, then press the [Split] button once again so it’s lit.
  • Page 75: Changing The Rhythm Pattern (Original/Variation)

    Changing the Rhythm Pattern (Original/Variation) Each rhythm has two varieties of accompaniment patterns; the original accompaniment pattern, and a more colorful variation of that pattern. A fill-in (short phrase) will be inserted between changes of the accompaniment pattern, adding contrast to the song. For example, it is effective to use the quiet Original pattern for the first half of the song, and then switch to the Variation pattern for the second half when you want to build excitement.
  • Page 76: Recording The Chord Progression

    Hold down the [Session Partner] button and press the [Rec] button. The [Session Partner] and the [Rec] buttons flash, and the FP-7 is put into recording standby. The following screen appears. fig.d-UserChordProg.eps Press the [Session Partner] button or the [Rec] button to exit from recording standby.
  • Page 77: Changing The Number Of Measures Of The Chord Progression You Record

    The song may not play back correctly if the performance is played with a different beat than the one used in recording the original chord progression. The recorded chord progression will be discarded as soon as the power is turned off. If you want to keep it, you’ll need to save registration (p.
  • Page 78: Saving Your Favorite Performance Settings

    These twenty-eight registrations are collectively called a “registration set.” The registrations are assigned to the seven buttons from [1] to [ 7], with four registrations assigned to each button. Variation The registration set can be saved in the FP-7’s internal memory and USB memory (sold separately).
  • Page 79: Usb Memory

    1-2 2-2 3-2 4-2 5-2 6-2 7-2 1-3 2-3 3-3 4-3 5-3 6-3 7-3 1-4 2-4 3-4 4-4 5-4 6-4 7-4 Load FP-7 Internal Memory 1-1 2-1 3-1 4-1 5-1 6-1 7-1 1-1 2-1 3-1 4-1 5-1 6-1 7-1 1-1 2-1 3-1 4-1 5-1 6-1 7-1...
  • Page 80: Storing Your Performance Settings (Registration)

    The FP-7 lets you store twenty-eight different sets of performance settings. The recommended settings were stored in the FP-7 when it shipped from the factory. Registration from 7-1 to 7-4 include the “Basic Registration.” Use this when creating registration from scratch.
  • Page 81 Your performance settings will be saved. The [Registration] button will change from blinking to lit. Never turn off the power while settings are being saved. If you do so, the FP-7’s NOTE internal memory will be destroyed, rendering it unusable.
  • Page 82: Recalling A Registration

    Saving Your Favorite Performance Settings Recalling a Registration Settings you’ve stored with the [Registration] button can be recalled instantly. The recommended settings were stored in the instrument when it shipped from the factory. Registration from 7-1 to 7-4 include the “Basic Registration.” Use this when creating registration from scratch.
  • Page 83: Saving A Registration Set

    Saving a Registration Set Here’s how the twenty-eight registrations stored with the [Registration] button can be saved in internal memory or USB memory as a single set. If you want to save the registration set to USB memory, connect your USB memory to the external memory connector.
  • Page 84 Saving the Registration Set Press the [Rec] button. The registration set will be saved. Never turn off the power while settings are being saved. If you do so, the FP-7’s NOTE internal memory will be destroyed, rendering it unusable. You can return the content saved at a [Registration] button to the factory-set condition.
  • Page 85: Loading A Registration Set You Saved

    Loading a Registration Set You Saved Here’s how an entire set of registrations you saved in internal memory or USB memory can be loaded back to the [Registration] button. Note that when you load a registration set, all of the settings that were stored at the NOTE [Registration] button will be overwritten and lost.
  • Page 86 Loading the Registration Set Press the [Rec] button. The registration set will be loaded to the [Registration] button. Never turn off the power while settings are being loaded. If you do so, the FP-7’s NOTE internal memory will be destroyed, rendering it unusable.
  • Page 87: Deleting A Registration Set You Saved

    Deleting a Registration Set You Saved Here’s how to delete an entire registration set that’s been saved in internal memory or USB memory. For details on handling USB memory, refer to “Using USB Memory” (p. 23). fig.Panel-RegistLoad.eps If you want to delete a registration set from USB memory, connect your USB memory to the external memory connector (p.
  • Page 88 Deleting the Registration Set Press the [Rec] button. The registration set you selected will be deleted. Never turn off the power while settings are being deleted. If you do so, the FP-7’s NOTE internal memory will be destroyed, rendering it unusable.
  • Page 89: Copying A Registration Set

    Copying a Registration Set Registration sets you saved in internal memory can be copied to USB memory. Conversely, registration sets you saved on USB memory can also be copied to internal memory. For details on handling USB memory, refer to “Using USB Memory” (p. 23). fig.Panel-RegistLoad.eps Connect your USB memory to the external memory connector (p.
  • Page 90 Copying the Registration Set(s) Press the [Rec] button. The registration set(s) will be copied. Never turn off the power while settings are being copied. If you do so, the FP-7’s NOTE internal memory will be destroyed, rendering it unusable. Description Copies registration sets from internal memory to USB memory.
  • Page 91: Using A Pedal To Switch Registrations

    Using a Pedal to Switch Registrations You can assign a pedal to successively switch registrations. Each time you press the pedal, you will switch to the next registration. Before a concert or other performance, you can save the appropriate registrations in the order in which you’ll use them, and then step smoothly through the registrations while you play.
  • Page 92: Recording

    Rhythm. Memo • The song you record will disappear when you turn off the power of the FP-7. You should save your important performances in internal memory or on external memory, such as separately available USB memory.
  • Page 93: Recording A New Song

    Press the [-] button several times to select “New Song.” fig.d-USr.eps Press the [Rec] button. The [Rec] button lights, the [Play] button begins flashing, and the FP-7 is put into recording standby. If you decide not to record, press the [Rec] button once again.
  • Page 94: Listening To The Recorded Performance

    You can change the tempo and set the beat for the song. ➝ “Changing the Tempo” (p. 55) ➝ “Changing the Beat of Metronome” (p. 134) You can use the FP-7’s metronome function. In this case, the metronome sound is not recorded. ➝ “Performing with the Metronome” (p. 54)
  • Page 95: Recording Your Playing Along With A Song

    The song being played back will be recorded together with the performance you play on the keyboard. The FP-7 is able to record your playing along with an internal piano song. For example, you could listen to the left-hand part while you record the right-hand part.
  • Page 96: Starting Recording

    Recording Press the [Rec] button once again. The following screen appears. Press the button of the track you want to record, so the button is blinking. This setting lets you record while listening to the selected song. The [Rec] button will light, the [Play] button will blink, and the instrument will enter recording standby mode.
  • Page 97 Stopping Recording Press the [Play] button. Recording will stop. Listening to the Recorded Performance Press the [-] button to return to the beginning of the song you recorded. Press the [Play] button. The recorded performance will play back. Press the [Play] button once again to stop playback. The recorded performance will disappear when you turn off the power.
  • Page 98: Recording Your Performance With Session Partner

    Recording Recording Your Performance with Session Partner You can easily record session performances to the session partner. fig.Panel-RecSession.eps The Session Partner performance can be recorded only to the Track [R] button. Performance Settings Select the Tone to be played (p. 35). Make the desired settings for Session Partner (p.
  • Page 99 Starting Recording Start the Session Partner performance (p. 67, p. 73). The Rhythm starts to play, while simultaneously recording begins. When recording begins, the [Rec] button and [Play] button will light. For more information on the different Rhythm and Chord progression pattern, refer to the “Rhythm List”...
  • Page 100: Recording Selected Track Buttons

    Recording Recording Selected Track Buttons FP-7’s Recorder has three Track buttons. You can play each hand of your performance separately, for example recording the left- hand part on the Track [1] button and the right-hand part on the Track [2] button. You can also re-record just a specific part of a previously recorded performance.
  • Page 101 Press the button of the track you want to record, so the button is blinking. This setting lets you record while listening to the selected song. Track buttons Blinking Unlit The [Rec] button will light, the [Play] button will blink, and the instrument will enter recording standby mode.
  • Page 102 Recording Correspondence Between Recorded Performance and Track Buttons A recorded performance will be assigned to the Track buttons as follows. ●Session Partner performances, and Upper and Lower tones during Split performance Track button Track [R] button Track [1] button Track [2] button ●Normal performance (playing a single tone from the entire keyboard) and Dual performance •...
  • Page 103: Erasing Recorded Performances

    Erasing Recorded Performances You can erase recorded performances. fig.Panel-DeleteSong.eps Hold down the [Display] button and press the [Rec] button. A following screen appears. fig.d-dEL.eps If you decide not to erase your song, select “Cancel” then press the [Rec] button. Hold down the [Display] button and press the [+] button to select “OK.” Press the [Rec] button.
  • Page 104: Saving A Performance

    Saving a recorded song in internal memory • You can save a recorded song so it will be preserved even while the FP-7’s power is turned off. The songs you record will be lost if you simply turn off the power. However, once they’re saved in internal memory, your songs won’t be discarded;...
  • Page 105: Saving The Songs You Record

    A song you’ve recorded can be saved in internal memory or to USB memory. If you record a song and then turn off the power of the FP-7 without saving the song, your recorded song will disappear. Songs that you’ve saved in internal memory or to USB memory will not disappear even if you turn off the power;...
  • Page 106: Changing The Name Of A Song

    Saving a Performance Changing the Name of a Song Hold down the [Display] button and use the [-] [+] buttons to select the character that you want to change. Use the [-] [+] buttons to select the desired character. Selecting the Save Destination for Song While holding down the [Display] button, use the [-] [+] buttons to select “Media.”...
  • Page 107: Using Usb Memory

    If the USB memory is not formatted correctly for the FP-7, it cannot be used. If you’re using the USB memory for the first time, you must initialize (format) it on the FP-7. Formatting the USB memory will erase all the content stored on that USB memory. If...
  • Page 108 Saving a Performance While holding down the [Display] button, use the [-] [+] buttons to select “External Memory.” Press the [Display] button. A confirmation message will appear. If you want to return to the previous screen without formatting, hold down the [Display] button, use the [-] [+] buttons to select “Cancel,”...
  • Page 109: Deleting A Saved Song

    Deleting a Saved Song Here’s how to delete a song you’ve saved in internal memory or USB memory. For details on handling USB memory, refer to “Using USB Memory” (p. 23). fig.Panel-RegistLoad.eps If you want to delete a song from USB memory, connect your USB memory to the external memory connector (p.
  • Page 110: Deleting The Song

    Deleting the Song Press the [Rec] button. The selected song will be deleted. Never turn off the power while a song is being deleted. If you do so, the FP-7’s internal NOTE memory will be destroyed, rendering it unusable. Description...
  • Page 111: Copying A Song

    Copying a Song from Internal Memory to USB Memory Here’s how you can copy a song saved in internal memory to USB memory. In this way, songs you’ve recorded on the FP-7 and saved in internal memory can be copied to USB memory.
  • Page 112 Saving a Performance While holding down the [Display] button, use the [-] [+] buttons to select “Type.” Use the [-] [+] buttons to select the direction of the copy operation. Choose “Int -> Ext.” While holding down the [Display] button, use the [-] [+] buttons to select “Int”...
  • Page 113: Copying A Song From Usb Memory To Internal Memory

    Copying a Song from USB Memory to Internal Memory Here’s how you can copy a song saved on USB memory to internal memory. Preparations for Copying Prepare the songs that you want to copy to internal memory. Connect the USB memory (p. 23). Press the [Function] button.
  • Page 114 Saving a Performance While holding down the [Display] button, use the [-] [+] buttons to select “Type.” Use the [-] [+] buttons to select the direction of the copy operation. Choose “Ext -> Int.” While holding down the [Display] button, use the [-] [+] buttons to select “Ext”...
  • Page 115: Various Settings

    Various Settings You can make a variety of performance- and recording-related settings in “Function Mode.” Tuning Settings Matching the Pitch with Other Instruments (Master Tune) When playing ensemble with other instruments and in other such instances, you can match the standard pitch to another instrument.
  • Page 116: Adjusting The Tuning (Temperament)

    C, C , D, E , E, F, F , G, A , A, B , B When performing in ensemble with other NOTE instruments, be aware that depending on the key, there may be some shifting of the pitch. Tune the FP-7 to the fundamental pitch of the other instruments.
  • Page 117: Pedal Settings

    Pedal Settings Changing How the Pedal Effects Are Applied When the pedal is pressed in Dual Play (p. 41) or Split Play (p. 43), the pedal’s effect is applied to both the Upper Tone and the Lower Tone, but you can change the settings for the tone to which the effect is applied.
  • Page 118: Changing How The Pedals Work

    (FC1) jack normally functions as a sostenuto pedal (p. 21). It can also be set to function as an another works. If a pedal connected to the FP-7 is assigned to switch NOTE registrations, that pedal will operate only to switch registrations.
  • Page 119: Effect Settings

    Changing the Works of the Soft Pedal (FC2) When the instrument is turned on, this is set to function as a soft pedal. Press the [Function] button. Press the [E.Piano] button. The Pedal screen appears. While holding down the [Display] button, use the [-] [+] buttons to select “FC2 Func.”...
  • Page 120: Setting The Part To Which Effects Are Added

    You can set the FP-7 so that the recommended tones are automatically assigned or not assigned. Press the [Function] button.
  • Page 121: Switching Lyric Display On/Off

    You can make this data appear automatically in the lyric screen when such a song is played back. If you want the lyric screen to appear automatically, turn this setting “On.” When the FP-7 is shipped from the factory, lyric display is “On.” Press the [Function] button.
  • Page 122: Specifying The Sound Control Setting At Power-On

    You can specify that the equalizer be on when you turn on the power. You can also specify the equalizer type that will be selected if the equalizer is on when you turn on the power of the FP-7. Press the [Function] button. Press the [Reverb] button.
  • Page 123: Adjusting The Volume (Master Gain)

    While holding down the [Display] button, use the [-] [+] buttons to select the item you want to edit. Use the [-] [+] buttons to change the setting. The FP-7 remembers the settings even while its power is turned off. Various Settings...
  • Page 124: Keyboard Settings

    Various Settings Setting Setting Adjusts the level of the low- Low Gain -12 dB–+12 dB frequency range. Frequency point in the low- frequency range. Low Freq 100 Hz–1.0 kHz Generally, this changes the level at and below this frequency. Adjusts the level of the low- Low Mid -12 dB–+12 dB frequency range to...
  • Page 125: Changing The Keyboard Touch (Key Touch)

    Changing the Keyboard Touch (Key Touch) You can adjust the sensitivity with which the keyboard responds to your playing. Press the [Function] button. Press the [Transpose] button. The Keyboard screen appears. While holding down the [Display] button, use the [-] [+] buttons to select “Key Touch.” Use the [-] [+] buttons to change the setting.
  • Page 126: Changing The Velocity When The Key Touch Is Set To "Off

    Various Settings Changing the Velocity When the Key Touch is Set to “Off” This sets the velocity the sound will have when the keyboard touch is set to “Off.” If you turn the keyboard’s touch sensitivity “Off,” all notes will sound at a fixed loudness regardless of how strongly you play the keyboard.
  • Page 127: Audio Key Settings

    If no audio file sets are saved in USB memory, the names of the audio file sets saved in the FP-7 will be displayed. Changing the Audio File Settings Here’s how you can edit the audio file settings, such as changing the audio file played by each key, or specifying whether the file will be played repeatedly.
  • Page 128 Various Settings Use the [-] [+] buttons to select the audio file that will be played by the specified key. If you press the [-] [+] buttons simultaneously, the audio file assigned to that key will be cleared. No playback mode indication is shown on the graphic for keys to which no audio file is assigned, and the audio file name field will indicate “No Assign.”...
  • Page 129: Session Partner Settings

    Session Partner Settings Setting the Intro and Ending On or Off This sets session partner Intro and Ending on or off. When set to “Off,” pressing the [Session Partner] button causes the Intro and Ending not to be played. Press the [Function] button. Press the [Session Partner] button.
  • Page 130: Selecting The Root Note Of The Chord Progression

    Various Settings Selecting the Root Note of the Chord Progression Here’s how to specify the root note of the first chord of currently Session Partner’s chord progression. Press the [Function] button. Press the [Session Partner] button. The Session Partner screen appears. While holding down the [Display] button, use the [-] [+] buttons to select “Root.”...
  • Page 131: Settings For Song Playback

    Settings for Song Playback Muting a Specific Part (Part Mute) Here’s how you can mute a specific part so that it will not be heard when the song plays. You can also make settings so that only a specific part will be heard.
  • Page 132: Changing The Parts Assigned To The Track Buttons During Smf Music Files Playback (Track Assign)

    Initializing (Formatting) Memory Initializing Internal Memory The FP-7 contains a storage area in which you can save your recorded performances or your registration sets. This area is called “internal memory.” If you want to erase the entire contents of internal memory and restore it to the factory-set condition, execute the following procedure.
  • Page 133: Initializing Usb Memory

    Initializing USB Memory You can initialize (format) USB memory that’s connected to the FP-7. If you want to erase the entire contents of USB memory and return it to the condition in which you purchased it, execute the following procedure.
  • Page 134: Metronome Settings

    Various Settings Metronome Settings Changing the Beat of Metronome You can specify the time signature at which the metronome will sound. When you record your own performance, it will be recorded with the time signature you specify here. Press the [Function] button. Press the [Metronome] button.
  • Page 135: Other Settings

    Other Settings Restoring the Factory-set Condition (Factory Reset) You can restore the settings you’ve changed on the FP-7 to their factory-set condition. This operation is called “Factory Reset.” When you perform a Factory Reset, all the settings NOTE you have stored will be erased, and the FP-7 will return to the factory-set condition.
  • Page 136: Using The V-Link Function

    Various Settings Using the V-LINK Function Connecting the FP-7 to a V-LINK compatible image device allows you to control the images with the FP-7. To prevent malfunction and/or damage to speakers NOTE or other devices, always turn down the volume, and turn off the power on all devices before making any connections.
  • Page 137: Connecting Other Equipment

    Listening to a CD from the FP-7’s Speakers... 139 Recording an FP-7 Performance to an External Device ... 140 Recording an FP-7 Performance to a CD or Cassette Tape, etc..140 Using Your Computer to Create a CD ... 141 Connecting the USB Memory (Sold Separately)...
  • Page 138: Connecting Audio Equipment

    Sending the Sound to External Speakers If you’ll be playing the FP-7 in a larger space, such as in a concert, you can connect amplified speakers to make the sound louder. Make connections as shown below.
  • Page 139: Listening To A Cd From The Fp-7'S Speakers

    Listening to a CD from the FP-7’s Speakers If you connect your CD player or cassette tape player to the FP-7 so that the sound is heard from the FP-7’s speakers, you can perform on the FP-7 while you listen to the accompaniment provided by the song of the cassette tape or CD.
  • Page 140: Recording An Fp-7 Performance To An External Device

    Recording an FP-7 Performance to a CD or Cassette Tape, etc. Using the Roland CD-2 or Other Dedicated Unit to Create a CD By using a Roland CD-2, you can record your FP-7 performance directly to a CD without using a computer.
  • Page 141: Using Your Computer To Create A Cd

    Using Your Computer to Create a CD In order to use your computer to record a performance from the FP-7, you’ll need a drive that can write CDs, and software such as “Windows Media Player” (in Windows) or “iTunes” (in Mac OS).
  • Page 142: Connecting The Usb Memory (Sold Separately)

    The twenty-eight registrations saved in [Registration] button can be saved together to USB memory as a registration set. A registration set saved to USB memory can be loaded into the FP-7’s [Registration] button and used. Play back songs from USB memory You can listen to songs, such as SMF music files, saved on USB memory.
  • Page 143: Connecting To A Computer

    USB (MIDI) connector located on the FP-7’s rear panel to the USB connector of your computer, you’ll be able to do the following things. • Use the FP-7 to play SMF music files played back by MIDI- compatible software. • By transferring MIDI data between the FP-7 and your sequencer software, you’ll be able to enjoy a wide range...
  • Page 144: Connecting A Cd Drive (Sold Separately)

    Connecting a CD Drive By connecting a commercially available CD drive that is USB- compatible, you can use the FP-7 to play back ordinary music CDs or songs from a CD-ROM that contains SMF music files. The FP-7 provides a range of performance possibilities, such as a “Center Cancel”...
  • Page 145: Playing Back Songs From A Cd

    Playing Back Songs from a CD Here’s how to play back commercially available music CDs, CD-ROMs containing SMF music files, or the CD-ROMs made for the VIMA (VIMA TUNES). Selecting a Song from CD Into the CD drive, insert a music CD or a CD- ROM that contains SMF music files.
  • Page 146: Performing Along With A Music Cd (Center Cancel)

    Connecting a CD Drive (Sold Separately) Performing along with a Music CD (Center Cancel) You can reduce the volume of the vocal portion of a commercially available music CD or an audio file, and perform that part yourself. This is a convenient way to perform using a favorite music CD.
  • Page 147: Connecting To Midi Devices

    The FP-7 provides MIDI connectors so that performance data can be transferred between it and other devices. By using these connectors to connect other devices with the FP-7, you can take advantage of a wide range of possibilities. What’s MIDI? “MIDI”...
  • Page 148: Using The Fp-7 To Play Another Midi Sound Module

    In order to use this type of connection, you must set the FP-7’s transmit channel to match the receive channel of your external MIDI equipment (p.
  • Page 149: Preventing Doubled Notes When Connected To A Sequencer (Local Control)

    MT transmits a Local Off message when the power is turned on. If you turn on the power in the order of the FP-7 → MT series, Local Off will be set automatically. Press the [Function] button. Press the [Sound Control] button.
  • Page 150 Transmitting Tone Change Data (Program Change Transmit Switch) You can specify whether a tone selection message will be transmitted to the MIDI device connected to the FP-7 when you switch tones on the FP-7. Press the [Function] button. Press the [Sound Control] button.
  • Page 151 When you choose a Program Change message (Program Number), the Program Number will be transmitted to the MIDI device connected to the FP-7. The MIDI device that receives the Program Number changes the tone to the corresponding Program Number.
  • Page 152: Setting The Transmit Channel

    Here’s how to specify the channel on which a PC (program change) message will be transmitted to an external MIDI device when you switch registrations on the FP-7. While holding down the [Display] button, use the [-] [+] buttons to select “Tx Channel.”...
  • Page 153: Troubleshooting

    Hold down the [Function] button and press the [Equalizer] button to turn off the Panel Lock function. Since the FP-7 uses a liquid crystal screen, it may happen that no text or graphics Nothing appears in the screen appear in the screen if the temperature is below zero degrees Celsius (32 degrees Fahrenheit).
  • Page 154 The maximum simultaneous polyphony is 128 notes. If you are playing along with a song and making heavy use of the damper pedal, the number of notes the FP-7 is attempting to produce may exceed the maximum polyphony, meaning that some of the notes will drop out.
  • Page 155 Please contact your dealer or a nearby Roland service center. If you don’t hear this in headphones: Performing at high volumes may cause the speakers or objects near the FP-7 to resonate. Fluorescent lights or glass doors may also resonate sympathetically. In particular, this is more likely to occur for lower notes and higher volumes.
  • Page 156 You can’t use the Audio Key function while using the Session Partner function. You can’t use the Audio Key function while playing or recording a song. If you’re using the Audio Key function with the FP-7’s built-in audio files, the audio key settings you modify cannot be saved to USB memory.
  • Page 157: Error Messages

    Please use 44.1 kHz 16-bit linear WAV format audio files. Error: 30 The internal memory capacity of the FP-7 is full. The FP-7 cannot deal with the excessive MIDI data sent from the external MIDI device. Error: 40 Reduce the amount of MIDI data sent to the FP-7.
  • Page 158: Tone List

    Tone List Piano Strings/Pad Grand Piano1 Piano + Str. Grand Piano2 Piano + Pad Grand Piano3 MagicalPiano Rock Piano Piano+Choir Honky-tonk Harpsichord Coupled Hps. E.Piano Guitar/Bass Vintage EP Pop E.Piano '60s E.Piano FM E.Piano '70s E.Piano Stage Phaser E.Grand Clav. Vibraphone Marimba Celesta...
  • Page 159 Gt Feedback1 Dist.Rtm Gt Gt Harmonics Gt Feedback2 AcousticBass FingeredBass Finger Slap Picked Bass FretlessBass Slap Bass 1 Slap Bass 2 Synth Bass 1 WarmSyn.Bass Synth Bass 3 Clav.Bass Hammer Synth Bass 2 Synth Bass 4 RubberSyn.Bs Attack Pulse Violin Slow Violin Viola Cello...
  • Page 160 Tone List STANDARD Set High-Q Slap Scratch Push [EXC7] Scratch Pull [EXC7] Sticks Square Click Metronome Click Metronome Bell Kick Drum 2 Kick Drum 1 Side Stick Snare Drum Hand Clap Electric Snare 3 Low Tom 2 Closed Hi-Hat 1 [EXC1] Low Tom 1 Pedal Hi-Hat 1...
  • Page 161 ANALOG Set High-Q Slap Scratch Push [EXC7] Scratch Pull [EXC7] Sticks Square Click Metronome Click Metronome Bell TR-808 Kick 2 TR-808 Kick 1 TR-808 Rim shot TR-808 Snare Hand Clap Electric Snare 6 TR-808 Low Tom 2 TR-808 Closed Hi-Hat 1 [EXC1] TR-808 Low Tom 1 TR-808 Closed Hi-Hat 2 [EXC1] TR-808 Mid Tom 2...
  • Page 162 Tone List SFX Set ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- High Q Slap Scratch Push [EXC7] Scratch Pull [EXC7] Sticks Square Click Metronome Click Metronome Bell Guitar Fret Noise Guitar Cutting Noise Up Guitar Cutting Noise Down String Slap of Double Bass Fl.Key Click Laughing...
  • Page 163: Rhythm List

    Rhythm List Chord Style Name Progression 8-Beat Funk Guitar Funk 8-Beat Pop 1 Street Pop 8-Beat Rock1 Loose Rock Ballad R&B Ballad Fast Jazz 1 Jazz 8-Bt Fusion1 Fusion Latin Fusion Latin Pop 16-BeatFunk1 16-BeatFunk2 Slow Funk Y2K Funk Cutting Gt '70s Soul 16-Beat Pop 8-Bt Shuffle...
  • Page 164: Chord Progression Pattern List

    Chord Progression Pattern List It is the Chord Progression Pattern List by each measure. These are basic chord progression pattern from No. 1 to No. 10, and these are suitable chord progression for the internal rhythm from No. 11 to No. 56. Rhythm Pattern Orig/...
  • Page 165 Rhythm Pattern → → Orig Vari → → Orig → → Vari Orig Vari D7sus4 Am7 → → Orig → → Vari Orig Vari → → → Orig → Vari → → Orig Vari → → Orig Vari F dim →...
  • Page 166 Chord Progression Pattern List Rhythm Pattern → Orig Am7 5 D7 Vari Orig Dm7/G C Vari Orig → → Vari → Orig Vari Orig Vari → → Orig Vari C m7 5 Bm7 → → Orig → Vari → → →...
  • Page 167: Chord Fingering List

    Chord Fingering List ● symbol: indicates the constituent notes of chords. ★ symbol: Chords shown with an “★” can be played by pressing just the key marked with the “★”. → “Performing with the Chord Progression Specified in the Left Hand (Chord Progression Off)” (p. 73) C# / D Cmaj7 C#maj7 / D maj7...
  • Page 168 Chord Fingering List ● symbol: indicates the constituent notes of chords. ★ symbol: Chords shown with an “★” can be played by pressing just the key marked with the “★”. → “Performing with the Chord Progression Specified in the Left Hand (Chord Progression Off)” (p. 73) F# / G F#maj7 / G maj7 Gmaj7...
  • Page 169: Internal Song List

    Internal Song List Trio Grande Wedding Song Late Night Chopin Preludelight Blue Sky Rag Sonate No.15 Liebesträume 3 Étude, op.10-3 Je te veux Valse, op.64-1 Golliwog’s Cakewalk Fantaisie-Impromptu Arabesque 1 An der schönen, blauen Donau Auf Flügeln des Gesanges Mazurka No.5 Gymnopédie 1 Étude, op.25-1 Clair de Lune...
  • Page 170: Music Files That The Fp-7 Can Use

    * This instrument (FP-7) is not able to play back VIMA TUNES images. SMF Music Files...
  • Page 171: Registration List

    Registration List The recommended settings were stored in the instrument when it shipped from the factory. Registration Name Piano + Str. Piano+EPiano Gt + Harpvox Winds + Str. Registration Name E.Piano / Bs Vib. / BsCym Piano / Pad ChorusGt/Bs Registration Name JazzComboSes R&B Session...
  • Page 172: Effects List

    Effects List Effect Name Parameter Low Gain -15– +15 dB Equalizer High Gain -15– +15 dB 500Hz Spectrum -15– +15 dB 1250Hz Sens 0–127 Enhancer 0–127 Boost/Cut Mid Isolator -60– +4 dB Boost/Cut High Boost Frequency 50–125 Hz Low Boost Boost Gain 0–...
  • Page 173 Effect Name Parameter Rate 0.05–10.00 Hz Stereo Flanger Depth 0–127 Rate 0.05–10.00 Hz 3D Flanger Depth 0–127 Low Rate 0.05–10.00 Hz 2Band Flanger High Rate 0.05–10.00 Hz Rate 0.05–10.00 Hz Auto Wah Manual 0–127 Rate note Humanizer Drive 0–127 Frequency 0–127 Ring Modulator Balance...
  • Page 174 Effects List Effect Name Parameter Feedback Stereo Delay1 Balance Feedback Stereo Delay2 Balance Feedback Stereo Delay3 Balance Feedback Stereo Delay4 Balance Feedback Stereo Delay5 Balance Delay Time Monaural Delay Balance Depth Modulation Delay Balance Center Feedback Triple Tap Delay Balance Center Feedback 3D Delay Balance...
  • Page 175 Effect Name Parameter Dist.–>Flanger Flanger Rate 0.05-10.00 Hz (Distortion–> Fl. Balance D100:0W-D0:100W Flanger) Dist.–>Delay Drive 0–127 (Distortion–> DelayBalance D100:0W-D0:100W Delay) Enhancer–> Chorus Rate 0.05–10.00 Hz (Enhancer–> Cho. Balance D100:0W–D0:100W Chorus) Flanger Rate 0.05–10.00 Hz Enhancer–>Fl. (Enhancer–> Fl. Balance D100:0W–D0:100W Flanger) Enhancer Sens 0–127 Enhancer–>...
  • Page 176: Stored Settings

    Stored Settings Settings Stored in a Registration Tone and variation selected for the Upper part and Lower part Settings for dual and split play The volume balance for dual and split play Keyboard Touch, The velocity when the keyboard touch is set to “Off” Reverb button’s on or off, and the depth of reverb The effect type and the settings of effects (*1) Speed of the rotary effect for organ sounds...
  • Page 177: Midi Implementation Chart

    MIDI Implementation Chart DIGITAL PIANO Model FP-7 Function... Basic Default Channel Changed Default Mode Messages Altered Note True Voice Number : Note ON Velocity Note OFF After Key’s Touch Ch’s Pitch Bend 0, 32 6, 38 Control Change 98, 99...
  • Page 178: Main Specifications

    Main Specifications FP-7: Digital Piano Keyboard 88 keys PHA II keyboard Touch Sensitivity 100 levels, Off (velocity adjustable) GM2 system/GS/XG lite compatible Sound Generator 128 voices Max. Polyphony 339 tones (include 6 Tone Wheel Organ) + 9 Drums Sets Tones...
  • Page 179 53 (W) x 14-13/16 (D) x 5-7/16 (H) inches Dimensions (Including stand) 1346 (W) x 396 (D) x 949 (H) mm 53 (W) x 15-5/8 (D) x 37-3/8 (H) inches (FP-7 with dedicated stand and music rest) 23.9 kg / 52 lbs 12 oz Weight Owner’s Manual...
  • Page 180: Index

    ... 147 MIDI Devices ... 148 MIDI Sound Module ... 21 Pedal ... 18 Power Cord ... 140 Roland CD-2 ... 23, 142 USB Memory ... 15, 22 [Contrast] Knob ... 22 Contrast of the Screen ... 104 Copying ... 89 Registration Set ...
  • Page 181 ... 64 Key Off Resonance ... 48, 125 Key Touch ... 126 Velocity ... 52 Key Transpose ... 48, 125 Keyboard Sensitivity ... 116 Keynote ... 121 Language for Lyric Display ... 118 Leading Bass ... 64 Listening ... 29 All Song Play ...
  • Page 182 Index ... 104 Saving ... 65 Piano Designer Settings ... 83 Registration Set ... 105 Songs You Record ... 66–77, 98 Session Partner ... 14, 67–69, 72–77 [Session Partner] Button ... 121, 131–132, 170 SMF Music Files ... 170 SMF with Lyrics ...
  • Page 183 MEMO...
  • Page 184 MEMO...
  • Page 185 Information When you need repair service, call your nearest Roland Service Center or authorized Roland distributor in your country as shown below. AFRICA PHILIPPINES G.A. Yupangco & Co. Inc. EGYPT 339 Gil J. Puyat Avenue Makati, Metro Manila 1200, Al Fanny Trading Office...
  • Page 186: Federal Communications Commission Radio Frequency Interference Statement

    DECLARATION OF CONFORMITY Compliance Information Statement Model Name : FP-7 Type of Equipment : Digital Piano Responsible Party : Roland Corporation U.S. Address : 5100 S. Eastern Avenue, Los Angeles, CA 90040-2938 (323) 890-3700 Telephone : NOTICE AVIS For the U.K.
  • Page 187 Cover1,4...
  • Page 188 04454689 07-01-2N...

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