Preventing The Part To Be Practiced From Sounding - Roland KF-90 Owner's Manual

Digital intelligent piano
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Preventing the Part to Be Practiced
from Sounding
With commercially available music files for piano lessons, you can play back
the part for each hand individually. Playing the internal song's right-hand
part with your right hand, and the song's left-hand part with your left hand
allow you to practice each hand's part separately.
For instance, a music file for piano lessons may be assigned to the five Track
buttons as shown below.
fig.03-06.e
Rhythm/
SFX
By using these Track Buttons, you can play back with the sound of a specific
part removed.
The removal of this specific part's sound is referred to as "muting."
By recording your own performances to the Track Buttons in this fashion,
you can mute the parts the same way.
1.
Press the [Song/Disk] button to choose the song.
2.
Touch <Track> to display the five Track buttons.
The 5 Track buttons screen appears.
fig.03-07.e_70
3.
Touch the Track button for the part you will play yourself.
The display for the Track button you chose changes to
The sound of the Track button you chose is muted out.
Touch the same Track button again to cancel muting. You can set and cancel
mutes even while songs are being played.
4.
Press the Play [
No sound is played from the selected tracks. Practice along with the
playback of other Parts.
5.
To stop playback, press the Stop [
Accompani-
Left-hand
Right-hand
ment Part
Part
] button to start playback.
] button.
Chapter 3 Some Handy Features
Part
.
To learn more about music
files, refer to "Music Files
That the KF-90 Can Use"
(p. 183).
A Track button has
performance data when
<
> appears under
it.
Track buttons for which
<
> is displayed have
no performance data.
If a single Track button
includes more than one
instrument, and you want
to mute out just one of
those instruments, take a
look at "Changing the
Settings of Each Part" (p.
120)
You can change the volume
balance for the keyboard
and the song. Check out
"Changing the Volume
Balance for the
Accompaniment and
Keyboard" (p. 81).
89

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