Yamaha DX1 Owner's Manual page 37

Digital programmable algorithm synthesizer
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(3)
FINGERED PORTAHCKTO
Portamento only occurs
if a
key is
held
while
a
subsequent
key is
played (legato
term).
This
is
useful
for recreatincj the
effect
of
yuitar hammer-on and pull-off
techniques,
or
wood bass gliesando effects,
(4)
FULL TIME PORTAilEHTO
A
"conventional"
raonophonic
portamento
effect.
*
The
LCD display
will read
"FUKCTIOll
4
»GLIS«BPORII»PASN»PTII-i Portamento
mooe XXXXXX" "XXXXXX"
is the
selected
effect.
Job
3
-
PEDAL ASSIGK
;
OW/CFF
Turns portamento control via the
PORTAMEIJTO
SLIDER at the left side
of
the DXl panel,
and
the
rear-panel FOOT SM
OlJ
or OFF*
*
v;hen
Oil
the PORTAiiCHTO
SLIDER can
be
used
to set
portamento
time,
and
the
portaiitento
effect
can be
turned on
or
off
usinq the foot switch connectd to
ti.e
FOOT
Sl-7
jack
(FC-4
or
FC-5 foot
^
switch)
^
*
When
OFF, neither the
POKTAIiEIl^O SLIDGIi
or
rear-panel FOOT SW will function.
*
The portamento effect is programmeu
when
the
PORTAMENTO TIME function,
uelcw, is
set,
regardless
of
the
PEDAL
ASSIGIi
state.
*
The LCD display will
reati "FUiJCTIOIi
4A
»GLIS»PORI-iBaPASU»PTIM
Portamento
peoal
&
knob assign XXX"
"XXX"
indicates the OU/OFF
state.
Job
4
-
PORTAMEHTO TIME
:
0—
9S
Sets
the
portamento
or
glissando speed.
This permits the portamento effect
to be set
regardless
of
the
PORTAMENTO SLIDER and FOOT
SU.
*
Data range is
99.
0«OFF.
At
S9 the
slowest (longest) portamento
is
produced (approximately
19
seconds from
CI
to C6).
*
When PEDAL
ASSIGIJ
is
Oil,
data can be
k
entered using the
PORTAIIENTO
SLIDER as
f
well as the DATA
EI^TRY
section.
*
The
LCD
display will read "FUHCTION 4A
»GLIS»PORtl»PASNB»PTIH
Portamento
time
(0-S9)
XX" "XX" is the data.
(5)
BAI4K
5
(F5)
This includes the
3
connector related
functions
OUTPUT LEVEL ATTENUATE,
PROG.
OUT
ASSIGII,
and SUSTAIN PEDAL
/^SSIGN.
Job
1
-
OUTPUT LEVEL ATTENUATE
:
This
is
the output level attenuator which
permits adjusting the level
of
the DXl
output signal.
This is particularly useful
for
compensating
for
individual voice level
variations caused
by the
KEY VELOCITY
SENSITIVITY, AFTER TOUCH, and KEY
INDIV.
AFTER TOUCH settings.
*
The data range
is
7.
7
is the
normal setting
(100%)
.
At
C
output
is
OFF
(0%)
and
no
sound will
be
output.
The
amount
of
attenuation
for each
setting
is
given in
the following
chart:
DATA
1
2
3
4
5
6
7
LEVEL
0%
2%
4%
8%
15%
30%
54%
100%
Tiie
LCD display
will read "FUNCTION 5A
ATU»PRGO»SUSP
Audio output level
attenuator
(0-7) X".
"X" is
the data.
Job
2 -
PROG.
OUT ASSIGN
ON/OFF
Turns the PROGRAM OUTPUT (mono mix
of
channels A and
B)
ON or OFF.
*
The output signal consists
of
channels
A
-f
B
only when both channels are
ON.
*
The unbalanced phone jack and balanced
XLR connector are turned ON/OFF
simultaneously.
*
The A and
B
output connectors are
ON at
all times, regarcless of the state
of
the PROG.
OUT ASSIGN
data.
*
The LCD display will read "FUNCTION
5
>>ATNaaPRGO»SUSP
Program output assign
XXX".
-XXX" is the
ON/OFF
status.
Job
3
-
SUSTAIN PEDAL ASSIGN
ON/OFF
This turns
the
sustain footswitch connected
to
the SUSTAIN tenrinal ON
or
OFF.
*
When
ON, the
sustain effect
can be
controlleo via
a
footswitch
(FC-4 or
FC-5)
connected
to the rear-panel
SUSTAIN connector.
When OFF
the
SUSTAIN foot switch will not function.
*
The
LCD
difilplay
will read "FUNCTION 5A
»ATtO>PRG0aasuSP
Sustain pedal assign
XXX".
"XXX" is the
ON/OFF status.
*
The sustain effect is equivalent to the
key-on state, producing
a
sustain level
according
to the
setting
of
the
EG.
v/hen
L3 is set at
1
or
higher, for
example, the
L3
level is held after it
is
reached via
n3.
If
L3 is set to
0,
the
sustain sound consists
of a
decay
at r3.
No sustain will be
produced
if
L3«0 and R3»d9.
-^^Jg
(6)
BANK
6
(F6)
This determines
the
operation
of the
MODULATION WHEEL and FOOT CONTROLLER, and
incorporates
the
4
jobs
MOD.
i/HEEL
SENSITIVITY,
MOD.
VJHEEL
ASSIGN, FOOT
CONT.
SEI'ISITIVITY,
and FOOT CONT, ASSIGN.
*
In the DXl,
the
MODULATION
V7HEEL
and
FOOT CONTROLLER can
be
used
to
apply
vibrato (pitch modulation)
,
tremolo
(carrier amplitude modulation), wow
(modulator amplitude modulation)
effects using LFO modulation, and
brilliance (modulator
EG BIAS)
or
volume
(carrier
EG BIAS)
control
(fig. 66).
*
The MODULATION WHEEL is located to the
left
of
the
k*ey
board.
The least
modulation
is
applied
(0)
with the
wheel fully toward the operator, and
the
greatest modulation depth
is
achieved with the wheel rolled fully
away from the operator.
*
The foot controller (FC-3A) is
37

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