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operator.
When applied
to
a
carrier
the
result
is
a
level variation, and
when applied
to
a
modulator
the
result
.
is a
timbre response variation.
*
The data range
is
—
7,
At
the
function
is OFF,
and at
7
sensitivity
is
inaximuni,
*
Throughout
the range
—
6
sensitivity
can not be set so that the
maximum
level produced when
a
key
is
played
exceeds
the
OPERATOR OUTPUT LEVEL
parameter setting.
V/hen
sensitivity
is
set to
1,
however, actual maximum
output level can exceed the OPERATOR
OUTPUT LEVEL setting
by
a
maximum
of
4
dB.
Fig.
43.
Sensitivity Section
VFLOCITV
Q]
AMPLnijDE
n(f
uiLOCiIv
®—
WODOiflliON
{19}
AHPL.
MODULATION
*
:
0—3
This master parameter sets
the
sensitivity
of
LFO modulation
for
tremolo and
wov/
type
effects, and
EG
BIAS for expression and
brilliance effects
(fig. 44)
.
This feature
works
by
varying operator output level.
*
AMPLITUDE MODULATIOn sensitivity
can be
set individually for each operator.
When applied
to
a
carrier the result
ia.
a
level variation, and when set
for
a
Fig. 44.
LFO
Modulation Functions
modulator
the
result
is
a
timbre
variation.
*
In
the case
of
LFO modulation, when
applied to
a
carrier
the
result
is
tremelo, and when
applied
to
a
modulator
the result is
a
wow
effect.
The EDIT mode AMD parameter and
FUNCTION mode controller paramaters
(MODULATION
V/HEEL,
FOOT CONTROLLER,
AFTER TOUCH, BREATH CONTROLLER)
can be
used
for the
control and application
of
LFO modulation,
-^p.aa
*
In the
case
of
EG BIAS,
if
applied
to
a
carrier the result
is
volume control,
and when applied
to
a
modulator
the
result
is
brilliance control.
The four
controllers programmable
in the
FUNCTION mode
can
be
used
to
control
and apply
EG
BIAS modulation,
-*P.3a
*
The data range is
—
3,
0=OFF,
3=maximum (maximum variation
is 48
dB)
*
If
AMPLITUDE MODULATION
is
set to
for
all operators, tremolo, wow and
brilliance effects can
not be achieved.
(20)
OPERATOR/ OUTPUT LEVEL
i
—
99
(fig.
45)
This
independently sets
the
output level
of
each operator
in the FM
tone generators.
*
v;hen
adjusted
for
operators which
are
functioning
as
carriers
the overall
level
is
determined
as
well
as the
mixing balance between operators,
V/hen
adjusted
for
a
modulator
the result
is
a
difference
in the
harmonic spectrum
generated, and therefore
a
difference
in
the timbre
of
the
sound produced,
*
Data range
is
—
99,
The level set is
displayed on
a
bar
graph type readout
on the
LED display.
Initial voice data
for OPl, for
example,
is 99,
which
corresponds
to
a
level
of
-10 dBm.
Fig. 45.
Operator/Output Level
MOD
SENSITIVITY
PITCH
Pitch
(Ml
opccatori
ibtrwd.)
LFO
AMPLITUDE
(gjcn optr«toi)
Cactiti
Hodulatoc
MODULATION
WHEEL
FOOT CONTROL
BREATH CONTROL
AFTER TOUCH
PMD
WAVE
SPEED
SYNC
DELAY
AMD
Vibrato
(P.clodlc chanq.
In
pitch.)
Tremolo
(F.t
Iodic ch.nq.
In
I
Wow- wow
fPtilodlc change
In
tlnbi..)
OPERATOfl'
OUTPUT
L(V£L
4-3
PERFORMANCE
MEMORY/FUNCTION
SECTION VOICE
PARAMENTERS
h number
of
voice parameters are also
available
in the
PERFORMANCE MEMORY/
FUNCTIOII
switch group.
These are LFO
MODULATIOII
parameters, OSCILLATOR KEY SYNC, KEY
TRAI.^SPOSE
and VOICE NAME parameters.
*
The voice parameters are available
in
the
upper-
row
buttons
1
—
S,
and the
lower-row buttons
1
and
2.
The
lower-row buttons
3
—
8
are inactive.
*
V7hen
these parameters are called the LCD
display will read "EDIT MODE
<<VVW>>
27
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