Table of Contents
Advertisement
3 Parameters
Called
Up
Using
EFFECT
Chorus Send Depth
Acceptable
Values:
—
1
1'
Set
1
.
I
lie
manner
in
\\
hi(
h
Ch
oru>
\\
ill
be applied
to
eaeli
Pa
Reverb Send Depth
Aeeeptable
Values:
—
1
27
Sets
the
manner
in
which
Reverb
will
he applied
to
each
Pa
O
Parameters
Called
Up
Using
MIDI
Receive
Channel
Acceptable
Values:
1
-
Id,
(
)FF
Sound
will
lie
produced
when
MIDI
data
arrives
(on the
MIDI
channel
set
here)
at
the
MIDI
IN
(
onnector.
When
set
to
OFF, sound
will
not
be produced
when
MIDI
data
arrives
at
the
MIDI
IN
c
onnector.
(It
can be
played
on
the
Keyboard.)
Bulk
Dump
(Part)
Transmits
all
data
for
the currently selected
Part
from
MIDI
OUT.
For
details,
please
refer to
"Saving
the
W-50's
Data"
(*"
p
.
5
6
O
Parameters
Called
Up
Using
CONTROL
Bend Range
Acceptable
Values:
—
+24
Determines
the
amount
ot
pitch
change
obtained
when
the
Pitch
Bend
Lever
is
moved
to
either
the
left
or
right
extreme.
The
setting
is
in
semitones,
to
a
maximum
of 2 octaves.
Modulation Depth
Acceptable
Values:
—
1
27
Sets the
depth
of the vibrato
obtained
when
the
Bender
Lever
is
pushed
all
the
way
to
the
rear.
The
higher
the value, the
deeper
the
vibrato.
Key
Shift
Acceptable
Values:
-24
— —
+24
Allows
the
pitch of the data
generated
by
playing
the key-
board
to
be
shifted
in
semitone
steps.
When
set to
"0,"
no
pitch
shift
occurs.
This
feature
conveniently allows
you
to
play
music
written
in
a
difficult
key
using
a
simpler,
more
familiar fingering.
You
can
simply
'shift'
the
performance
data
by
as
many
semitones
as
needed.
For
example, you could
set
it
so
you
are
playing
the
keyboard
as
if
a
song
was
in
C
major,
even though
the
song
is
actually
in
D
major
(two
sharps).
42
Advertisement
Table of Contents
