Table of Contents
Advertisement
Using
two
tones together
O
When
you want
to
layer
two
tones...
*•
Dual
(P.
27)
O
When
you want
to
divide
the
keyboard
and
play...
--
Split
(P.28)
O
When
you want
to
change where
the dividing point
is...
*-
Setting the
Split
Point
(P.28)
Adding
to
an
original
sound
O
When
you want
to
add
a
quaver
to
the sound...
*- Vibrato
(P.31)
O
When
you want
to
make
the
sound
harder
or
softer...
«
Filter
(P.31)
O
When
you want
to
make
the
sound
brighter or
mellower.
.
-*-
Attack
Time
(P.31)
O
When
you want
a
fast
response, or
a
slow
build-up
after
striking a key...
«- Attack
Time
(P.
SI)
O
When
you want
the sustain the
note
for
as
long
as
you
hold
down
the key...
«
Decay Time
(P.31)
O
When
you want
the
note
to
die
out
as
soon
as
you
hit
the key.
.
«-
Decay Time
(P.31)
O
Whether
the note
should
linger
or stop
immediately
alter letting
up on
the key.
*-
Release
Time
(P.31)
Adding
to
an
original
drum
sound
O
When
you want
to
make
the
sound
higher or
lower..
*-
Pitch (P.34)
)
When
you want
to
ad|ust the
volume...
*•
Level
(P.34)
3
When
you want
to
change
the
left/right
balance...
*-
Pan
(P.34)
)
When
you want
to
add
some
spaciousness
to
the
sound
«-
Reverb Depth
(P.34)
Storing
)
When
you want
to
store
an
edited
sound
(Tone
or
Drum
sel
*-
Storing Edited
Tones
(P.
S2)
«•
Storing tdiled
Drum
Sets
(P.
!4)
)
When
vou want
lo
store
all
the settings
on
the
WOO
«-
Instantly
Changing
the
WOO's
Settings
(P.
46)
About
MIDI
)
When
vou want
lo
change
the
Volume/Pan
in
the
Song
daia
•"
Obtaining Real-Time
Control
Over
an
External
Devic
e
'I'
4'n
)
When
vou want
lo
know
something about
how
MIDI
iihssIlvs
.m handled.
*"
Obtaining
Real-
1
ime
Control
Over
an
External Devii
i'
4'
I')
Others
)
When
vou want
lo
know
the
Factory Default
Sellings
*"
Resliiiing
the
(
Jnginal Sellings
(POO
)
When
vou want
lo
make
OS
settings...
*"
Restoring
the
(
lnginal Sellings tl'03l
)
When
vim want
lo
know
the
Priority
ol a Pari..
*"
Coin
fining
Pan
Pnorilv
Ordering
iP.
34)
)
When
vou want
lo
know
I
he
maximum
number
ot
simulianec m-ec
):<-
slow
d
•"
(
onierning
Maximum
Polyphony
lPO-ii
121
Advertisement
Table of Contents
