Casio Exilim EX-FC500S User Manual page 5

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Shooting a Burst of Images . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (CS) . . 58
Shooting with High Speed CS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
Shooting with Prerecord CS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59
Using Continuous Shutter with Auto Focus . . . . . . . . . . . . . . . . . . (AF CS) . . . 61
Triggering a Self-timer Operation with Motion . . . . . . . . . . . . (Handsfree) . . 63
Configuring Handsfree Mode Settings . . . . . . . . . . . . . . . . . . . (Handsfree) . . . 65
Repositioning the Motion Detection Area . . . . . . . . . . . . . (Motion Position) . . . 66
Shooting with Artistic Effects . . . . . . . . . . . . . . . . . . . . . . . . (ART SHOT) . . 67
To record a movie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71
Audio. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
Recording a High-definition Movie. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
Recording a High Speed Movie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
Using Prerecord Movie . . . . . . . . . . . . . . . . . . . . . . . . (Prerecord (Movie)) . . 77
Recording a Time Lapse Movie . . . . . . . . . . . . . . . . . . . . . . (Time Lapse) . . 78
Shooting a Snapshot while Shooting a Movie . . . . . (Snapshot In Movie) . . 81
To shoot with BEST SHOT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82
Recording Beautiful Portraits . . . . . . . . . . . . . . . . . . . . . . . . . . (Make-up) . . 84
Shooting with Triple Shot . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
Shooting with High Speed Anti Shake . . . . . . . . . . . . . . .(HS Anti Shake) . . 86
Shooting Bright Images in the Dark without Flash . . . . . . (HS Night Shot) . . 87
Shooting with a Blurred Background . . . . . . . . . . . (Blurred Background) . . 89
Shooting with Full Focus Macro . . . . . . . . . . . . . . . . (All-In-Focus Macro) . . 90
Shooting with Priority on Subject Faces . . . . . . . . . . . (HS Best Selection) . . 91
Shooting a Panorama Image . . . . . . . . . . . . . . . . . . . . .(Slide Panorama) . . 92
Shooting with a Super Wide Angle of View . . . . . . . . . . . . . . (Wide Shot) . . 94
Using a TV Screen to Shoot Snapshots . . . . . . . . . . . . (HDMI TV Output) . . 97
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