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Basic parameters
0.1A—99.0sec
1—850msec (CH1, 2)
4—850msec (CH1, 2, 3, 4)
0.000—=+0.992 (CH1, 2, 3, 4)
+designates the phase (set with PHASE)
1—12 (CH1, 2)...Controis spaciousness
1—16 (CH, 4)...Controls density
Level
One-point advice
When using gate reverb for percussive instruments, it is vital to
carefully control PRE. DT and GATE T in accordance with the
tempo of the instrument.
The impression of sudden cut-off can be softened by adding
sub reverb before the main reverb is terminated by the gate.
When the REV. T is set to more than 50 sec, a special gate
reveb effect is obtained.
DRY
MAIN REV.
This special effect, which is possible only with digital signal
processing, calls up the gate reverb in reverse. It is suited
mainly for percussive instruments such as cymbals, etc. The
functions are the same as in mode 3.
Basic parameters
PRE. DT
1—850msec (CH1, 2)
E.RFL.T | 1—850msec (CHI, 2, 3, 4)
E. RELL.
0.000—+0.992 (CH1, 2, 3, 4)
:
ats
+designates the phase (set with PHASE)
1—12 (CH1, 2)...Controls spaciousness
1—16 (CHG, 4)...Controls density
1—300msec
SPREAD
Level
One-point advice
The reverse gate effect may be emphasized by setting PRE. DT
to a fairly high value.
When sub reverb is inserted before main reverb, the impression
of momentary signal loss can be reduced.
As with mode 3, setting REV. T to more than 50 sec. produces
a special reverse reverb effect.
MAIN REV.
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