Roland VS-2480 Supplementary Manual page 107
Digital studio workstation
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Also See for VS-2480:
- Owner's manual (452 pages) ,
- User manual (92 pages) ,
- Owner's manual addendum (92 pages)
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| 04 50 01 0A | 00 — 09 | R—BUS1 5/6 SOURCE
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MASTER,MONITOR,AUX1/2,,,AUX7/8,DIR1/2,,,DIR7/8 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 0B | 00 — 09 | R—BUS1 7/8 SOURCE
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MASTER,MONITOR,AUX1/2,,,AUX7/8,DIR1/2,,,DIR7/8 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 0C | 00 — 09 | R—BUS2 1/2 SOURCE
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MASTER,MONITOR,AUX1/2,,,AUX7/8,DIR1/2,,,DIR7/8 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 0D | 00 — 09 | R—BUS2 3/4 SOURCE
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MASTER,MONITOR,AUX1/2,,,AUX7/8,DIR1/2,,,DIR7/8 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 0E | 00 — 09 | R—BUS2 5/6 SOURCE
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MASTER,MONITOR,AUX1/2,,,AUX7/8,DIR1/2,,,DIR7/8 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 0F | 00 — 09 | R—BUS2 7/8 SOURCE
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MASTER,MONITOR,AUX1/2,,,AUX7/8,DIR1/2,,,DIR7/8 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 10 | 00 — 09 | COAXIAL L/R SOURCE
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MASTER,MONITOR,AUX1/2,,,AUX7/8,DIR1/2,,,DIR7/8 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 11 | 00 — 09 | OPTICAL L/R SOURCE
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MASTER,MONITOR,AUX1/2,,,AUX7/8,DIR1/2,,,DIR7/8 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 12 | 00 — 01 | TRACK DIRECT OUT
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 13 | 00 — 01 | TRACK DIRECT SOURCE
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 14 | 00 — 0C | TRACK DIRECT OUT PHONES1 SOURCE
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|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 15 | 00 — 0C | TRACK DIRECT OUT PHONES2 SOURCE
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|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 16 | 00 — 0C | TRACK DIRECT OUT A.MULTI 1/2 SOURCE
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|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 17 | 00 — 0C | TRACK DIRECT OUT A.MULTI 3/4 SOURCE
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|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 18 | 00 — 0C | TRACK DIRECT OUT A.MULTI 5/6 SOURCE
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|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 19 | 00 — 0C | TRACK DIRECT OUT A.MULTI 7/8 SOURCE
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|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 1A | 00 — 0C | TRACK DIRECT OUT R—BUS1 1/2 SOURCE
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|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 1B | 00 — 0C | TRACK DIRECT OUT R—BUS1 3/4 SOURCE
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|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 1C | 00 — 0C | TRACK DIRECT OUT R—BUS1 5/6 SOURCE
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|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 1D | 00 — 0C | TRACK DIRECT OUT R—BUS1 7/8 SOURCE
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|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 1E | 00 — 0C | TRACK DIRECT OUT R—BUS2 1/2 SOURCE
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|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 1F | 00 — 0C | TRACK DIRECT OUT R—BUS2 3/4 SOURCE
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|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 20 | 00 — 0C | TRACK DIRECT OUT R—BUS2 5/6 SOURCE
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|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 21 | 00 — 0C | TRACK DIRECT OUT R—BUS2 7/8 SOURCE
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|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 22 | 00 — 0C | TRACK DIRECT OUT COAXIAL L/R SOURCE
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|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 23 | 00 — 0C | TRACK DIRECT OUT OPTICAL L/R SOURCE
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|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 24 | 0aaaaaaa| REC BUS MIX ATT
| 04 50 01 25#| 0bbbbbbb|
|—————————————+—————————+———————————————————————————————————————————————————|
(*) Addresses with a "#" are ignored, even when sent as the Start Address. Transmit the
Data Set (DT1) or Data Request (RQ1) message with the specified size to the address
without "#" mark.
(*1) Dynamics Ratio Table
+——————+————————+
| Data |
RATIO |
+——————+————————+
|
0 | 1.00:1 |
|
1 | 1.12:1 |
|
2 | 1.25:1 |
|
3 | 1.40:1 |
|
4 | 1.60:1 |
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5 | 1.80:1 |
|
6 | 2.00:1 |
|
7 | 2.50:1 |
|
8 | 3.20:1 |
|
9 | 4.00:1 |
|
10 | 5.60:1 |
|
11 | 8.00:1 |
|
12 | 16.0:1 |
|
13 |
Inf:1 |
+——————+————————+
(*2) Dynamics Attack/Release time Table
+——————+———————+———————++——————+———————+———————++——————+———————+———————++——————+———————+———————+
| Data |Atk(ms)|Rel(ms)|| Data |Atk(ms)|Rel(ms)|| Data |Atk(ms)|Rel(ms)|| Data |Atk(ms)|Rel(ms)|
+——————+———————+———————++——————+———————+———————++——————+———————+———————++——————+———————+———————+
|
0 |
0.0 |
0 ||
32 |
4.0 |
40 ||
|
1 |
0.1 |
1 ||
33 |
4.2 |
42 ||
|
2 |
0.2 |
2 ||
34 |
4.5 |
45 ||
|
3 |
0.3 |
3 ||
35 |
4.7 |
47 ||
|
4 |
0.4 |
4 ||
36 |
5.0 |
50 ||
|
5 |
0.5 |
5 ||
37 |
5.3 |
53 ||
|
6 |
0.6 |
6 ||
38 |
5.6 |
56 ||
|
7 |
0.7 |
7 ||
39 |
6.0 |
60 ||
|
8 |
0.8 |
8 ||
40 |
6.3 |
63 ||
|
9 |
0.9 |
9 ||
41 |
6.7 |
67 ||
|
10 |
1.0 |
10 ||
42 |
7.1 |
71 ||
|
11 |
1.1 |
11 ||
43 |
7.5 |
75 ||
|
12 |
1.2 |
12 ||
44 |
8.0 |
80 ||
|
13 |
1.3 |
13 ||
45 |
8.4 |
84 ||
|
14 |
1.4 |
14 ||
46 |
9.0 |
90 ||
|
15 |
1.5 |
15 ||
47 |
9.4 |
94 ||
|
16 |
1.6 |
16 ||
48 |
10.0 |
100 ||
|
17 |
1.7 |
17 ||
49 |
10.6 |
106 ||
|
18 |
1.8 |
18 ||
50 |
11.2 |
112 ||
|
19 |
1.9 |
19 ||
51 |
12.0 |
120 ||
|
20 |
2.0 |
20 ||
52 |
12.5 |
125 ||
|
21 |
2.1 |
21 ||
53 |
13.3 |
133 ||
|
22 |
2.2 |
22 ||
54 |
14.0 |
140 ||
|
23 |
2.4 |
24 ||
55 |
15.0 |
150 ||
|
24 |
2.5 |
25 ||
56 |
16.0 |
160 ||
|
25 |
2.7 |
27 ||
57 |
17.0 |
170 ||
|
26 |
2.8 |
28 ||
58 |
18.0 |
180 ||
|
27 |
3.0 |
30 ||
59 |
19.0 |
190 ||
|
28 |
3.2 |
32 ||
60 |
20.0 |
200 ||
|
29 |
3.3 |
33 ||
61 |
21.0 |
210 ||
|
30 |
3.6 |
36 ||
62 |
22.4 |
224 ||
|
31 |
3.8 |
38 ||
63 |
23.7 |
237 ||
+——————+———————+———————++——————+———————+———————++——————+———————+———————+
(*3)See Mixer Frequency Table of NRPN and Mixer Parameter.
(*4)See Mixer Q Table of NRPN and Mixer Parameter.
(*5)This is read-only. Settings can only be made from the panel.
(*6)This is disabled when SURROUND MIX SWITCH is set to "Off."
(*7)This is enabled when SURROUND MIX SWITCH is set to "On" and SURROUND MIX
MODE is set to "2+2."
(*8)This is enabled when SURROUND MIX SWITCH is set to "On" and SURROUND MIX
MODE is set to "3+1."
(*9)This is enabled when SURROUND MIX SWITCH is set to "On" and SURROUND MIX
MODE is set to "3+2+1."
(*10)This is enabled when SURROUND MIX SWITCH is set to "Off."
(*12)This is enabled when TRACK DIRECT OUT is set to "On."
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Off,On |
PreFader,PostFader |
(*12) |
TR1/2,,,TR23/24,MONITOR |
(*12) |
TR1/2,,,TR23/24,MONITOR |
(*12) |
TR1/2,,,TR23/24,MONITOR |
(*12) |
TR1/2,,,TR23/24,MONITOR |
(*12) |
TR1/2,,,TR23/24,MONITOR |
(*12) |
TR1/2,,,TR23/24,MONITOR |
(*12) |
TR1/2,,,TR23/24,MONITOR |
(*12) |
TR1/2,,,TR23/24,MONITOR |
(*12) |
TR1/2,,,TR23/24,MONITOR |
(*12) |
TR1/2,,,TR23/24,MONITOR |
(*12) |
TR1/2,,,TR23/24,MONITOR |
(*12) |
TR1/2,,,TR23/24,MONITOR |
(*12) |
TR1/2,,,TR23/24,MONITOR |
(*12) |
TR1/2,,,TR23/24,MONITOR |
(*12) |
TR1/2,,,TR23/24,MONITOR |
(*12) |
TR1/2,,,TR23/24,MONITOR |
—42.0,,,+0.0dB(—420,,,0) |
|
64 |
25.0 |
250 ||
96 | 160.0 |
1600 |
65 |
26.6 |
266 ||
97 | 170.0 |
1700 |
66 |
28.0 |
280 ||
98 | 180.0 |
1800 |
67 |
30.0 |
300 ||
99 | 190.0 |
1900 |
68 |
31.5 |
315 ||
100 | 200.0 |
2000 |
69 |
33.5 |
335 ||
101 | 210.0 |
2100 |
70 |
35.5 |
355 ||
102 | 224.0 |
2240 |
71 |
37.6 |
376 ||
103 | 237.0 |
2370 |
72 |
40.0 |
400 ||
104 | 250.0 |
2500 |
73 |
42.2 |
422 ||
105 | 266.0 |
2660 |
74 |
45.0 |
450 ||
106 | 280.0 |
2800 |
75 |
47.3 |
473 ||
107 | 300.0 |
3000 |
76 |
50.0 |
500 ||
108 | 315.0 |
3150 |
77 |
53.0 |
530 ||
109 | 335.0 |
3350 |
78 |
56.0 |
560 ||
110 | 355.0 |
3550 |
79 |
60.0 |
600 ||
111 | 376.0 |
3760 |
80 |
63.0 |
630 ||
112 | 400.0 |
4000 |
81 |
67.0 |
670 ||
113 | 422.0 |
4220 |
82 |
71.0 |
710 ||
114 | 450.0 |
4500 |
83 |
75.0 |
750 ||
115 | 473.0 |
4730 |
84 |
80.0 |
800 ||
116 | 500.0 |
5000 |
85 |
84.0 |
840 ||
117 | 530.0 |
5300 |
86 |
90.0 |
900 ||
118 | 560.0 |
5600 |
87 |
94.4 |
944 ||
119 | 600.0 |
6000 |
88 | 100.0 |
1000 ||
120 | 630.0 |
6300 |
89 | 106.0 |
1060 ||
121 | 670.0 |
6700 |
90 | 112.0 |
1120 ||
122 | 710.0 |
7100 |
91 | 120.0 |
1200 ||
123 | 750.0 |
7500 |
92 | 125.0 |
1250 ||
124 | 800.0 |
8000 |
93 | 133.0 |
1330 |+——————+———————+———————+
94 | 140.0 |
1400 |
95 | 150.0 |
1500 |
MIDI Implementation
●Effect Parameter
❍Basic Address
+———————————————————————————————————————————————————————————————————————————+
| Start
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address
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|=============+=========+===================================================|
| 05 00 00 00 | 0aaaaaaa| EFFECTOR — 1 Algorithm
| 05 00 00 01#| 0bbbbbbb| ( 0:Reverb
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1:Delay
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2:Stereo Delay Chorus
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3:Stereo Pitch Shifter Delay
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4:Vocoder
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5:2ch RSS
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6:Delay RSS
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7:Chorus RSS
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8:Guitar Multi 1
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9:Guitar Multi 2
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10:Guitar Multi 3
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11:Vocal Multi
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12:Rotary
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13:Guitar Amp Modeling
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14:Stereo Phaser
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15:Stereo Flanger
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16:Dual Comp/Limiter
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| (17:Gate Reverb
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18:Multi Tap Delay
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19:Stereo Multi
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20:Reverb 2
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21:Space Chorus
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22:Lo—Fi Processor
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23:4Band Parametric Equalizer
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24:10Band Graphic Equalizer
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25:Hum Canceler
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26:Vocal Canceler
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| (27:Voice Transformer
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| (28:Vocoder 2
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29:Mic Modeling
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30:3Band Isolator
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31:Tape Echo 201
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32:Analog Flanger
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33:Analog Phaser
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34:Speaker Modeling
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| (35:Mastering Tool Kit
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 02 | 20 — 7F | EFFECTOR — 1 Name —1
:
:
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| 05 00 00 0D | 20 — 7F | EFFECTOR — 1 Name —12
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 0E | 00 — 7F | EFFECTOR — 1 Parameter Area (See Below)
:
:
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| 05 00 7F 7F | 00 — 7F |
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 01 00 00 | 00 —
| EFFECTOR — 2
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(similar to 05 00 00 00 — 05 00 7F 7F) |
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:
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| 05 01 7F 7F | 00 —
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|—————————————+—————————+———————————————————————————————————————————————————|
| 05 02 00 00 | 00 —
| EFFECTOR — 3
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(similar to 05 00 00 00 — 05 00 7F 7F) |
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| 05 02 7F 7F | 00 —
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|—————————————+—————————+———————————————————————————————————————————————————|
| 05 03 00 00 | 00 —
| EFFECTOR — 4
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(similar to 05 00 00 00 — 05 00 7F 7F) |
:
:
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| 05 03 7F 7F | 00 —
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|—————————————+—————————+———————————————————————————————————————————————————|
| 05 04 00 00 | 00 —
| EFFECTOR — 5
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(similar to 05 00 00 00 — 05 00 7F 7F) |
:
:
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| 05 04 7F 7F | 00 —
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|—————————————+—————————+———————————————————————————————————————————————————|
| 05 05 00 00 | 00 —
| EFFECTOR — 6
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(similar to 05 00 00 00 — 05 00 7F 7F) |
:
:
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| 05 05 7F 7F | 00 —
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|—————————————+—————————+———————————————————————————————————————————————————|
| 05 06 00 00 | 00 —
| EFFECTOR — 7
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(similar to 05 00 00 00 — 05 00 7F 7F) |
:
:
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| 05 06 7F 7F | 00 —
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|—————————————+—————————+———————————————————————————————————————————————————|
| 05 07 00 00 | 00 —
| EFFECTOR — 8
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(similar to 05 00 00 00 — 05 00 7F 7F) |
:
:
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| 05 07 7F 7F | 00 —
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+———————————————————————————————————————————————————————————————————————————+
(*1) Cannot select "0:Reverb," "17:Gate Reverb," "27:Voice Transformer,"28:Vocoder2," or
"35:Mastering Tool Kit" on Effect 2,4,6, and 8.
(*2) If "27:Voice Transformer," "28:Vocoder2," or "35:Mastering Tool Kit" is selected at
Effect 1,3,5, or 7, Effect 2,4,6, or 8 is invalid.
* A meaning of the parameter area changes correspond with the top of parameter of Effect
Algorithm. See the following tables. The address shows at Effect 1.
* If select the different Algorithm type from current one, all parameters will be copied from
the preset patch data which selected Algorithm
❍Algorithm 0 Reverb (FX1,FX3,FX5,FX7)
+———————————————————————————————————————————————————————————————————————————+
| 05 00 00 0E | 0aaaaaaa| EQ SW
| 05 00 00 0F#| 0bbbbbbb|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 10 | 0aaaaaaa| EQ: Low EQ Type
| 05 00 00 11#| 0bbbbbbb|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 12 | 0aaaaaaa| EQ: Low EQ Gain
| 05 00 00 13#| 0bbbbbbb|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 14 | 0aaaaaaa| EQ: Low EQ Frequency
| 05 00 00 15#| 0bbbbbbb|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 16 | 0aaaaaaa| EQ: Low EQ Q
| 05 00 00 17#| 0bbbbbbb|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 18 | 0aaaaaaa| EQ: Mid EQ Gain
| 05 00 00 19#| 0bbbbbbb|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1A | 0aaaaaaa| EQ: Mid EQ Frequency
| 05 00 00 1B#| 0bbbbbbb|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1C | 0aaaaaaa| EQ: Mid EQ Q
| 05 00 00 1D#| 0bbbbbbb|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1E | 0aaaaaaa| EQ: High EQ Type
| 05 00 00 1F#| 0bbbbbbb|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 20 | 0aaaaaaa| EQ: High EQ Gain
| 05 00 00 21#| 0bbbbbbb|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 22 | 0aaaaaaa| EQ: High EQ Frequency
| 05 00 00 23#| 0bbbbbbb|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 24 | 0aaaaaaa| EQ: High EQ Q
| 05 00 00 25#| 0bbbbbbb|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 26 | 0aaaaaaa| EQ: Out Level
| 05 00 00 27#| 0bbbbbbb|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 28 | 0aaaaaaa| Reverb: Room Size
| 05 00 00 29#| 0bbbbbbb|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2A | 0aaaaaaa| Reverb: Reverb Time
| 05 00 00 2B#| 0bbbbbbb|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2C | 0aaaaaaa| Reverb: Pre Delay
| 05 00 00 2D#| 0bbbbbbb|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2E | 0aaaaaaa| Reverb: Diffusion
| 05 00 00 2F#| 0bbbbbbb|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 30 | 0aaaaaaa| Reverb: Density
| 05 00 00 31#| 0bbbbbbb|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 32 | 0aaaaaaa| Reverb: Early Reflection Level
| 05 00 00 33#| 0bbbbbbb|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 34 | 0aaaaaaa| Reverb: LF Damp Frequency
| 05 00 00 35#| 0bbbbbbb|
|
Contents and remarks
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aaaaaaabbbbbbb =
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*1)
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*1)
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*1,*2)
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*1,*2)
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*1,*2)
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(ASCII) |
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0,1 = Off,On|
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0,1 = Shelving, Peaking|
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—12,,,12dB|
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2,,,200 = 20,,,2000Hz|
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3,,,100 = 0.3,,,10.0|
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—12,,,12dB|
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20,,,800 = 200,,,8000Hz|
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3,,,100 = 0.3,,,10.0|
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0,1 = Shelving, Peaking|
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—12,,,12dB|
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14,,,200 = 1.4,,,20.0kHz|
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3,,,100 = 0.3,,,10.0|
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0,,,100|
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5,,,40m|
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1,,,320 = 0.1,,,32.0s|
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0,,,200 = 0,,,200ms|
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0,,,100|
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0,,,100|
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0,,,100|
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5,,,400 = 50,,,4000Hz|
107
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