Roland RG-7 Midi Implementation Manual page 30

MIDI Implementation
● 015a: REVERSE DELAY
This is a reverse delay that adds a reversed and delayed sound to the input sound. A tap
delay is connected immediately after the reverse delay.
No Parameter Value Default
1 Threshold 0 - 127 0-127
2 Rev Delay sync 0 - 1 ms, note
Rev Delay
3 0 - 127 1-1300 ms
Time #
Rev Delay
4 0 - 21 note (*1)
Time
Rev Delay
5 49 - 89 0- +80 %
Feedback
Rev Delay HF 200-8000 Hz,
6 0 - 17
Damp BYPASS
7 Rev Delay Pan 0 - 127 L64-63R
Rev Delay Lev-
8 0 - 127 0-127
el
9 Low Gain 0 - 30 -15- +15 dB
10 High Gain 0 - 30 -15- +15 dB
D100:0W-
11 Balance # 0 - 100
D0:100W
12 Level 0 - 127 0-127
● 0172: LOFI COMPRESS
This is an effect that intentionally degrades the sound quality for creative purposes.
No Parameter Value Default
1 Pre Filter Type 0 - 5 1-6
2 LoFi Type # 0 - 8 1-9
OFF, LPF,
3 Post Filter Type 0 - 2
HPF
Post Filter Cut-
4 0 - 16 200-8000 Hz
off
5 Low Gain 0 - 30 -15- +15 dB
6 High Gain 0 - 30 -15- +15 dB
D100:0W-
7 Balance # 0 - 100
D0:100W
8 Level 0 - 127 0-127
● 0175: TELEPHONE
No Parameter Value Default
1 Voice Quality # 0 - 15 0-15
2 Treble 0 - 30 -15- +15 dB
D100:0-
3 Balance # 0 - 100
D0:100W
4 Level 0 - 127 0-127
● 0156: GATED REVERB
This is a special type of reverb in which the reverberant sound is cut off before its natural
length.
No Parameter Value Default
NORMAL,
REVERSE,
1 Type # 0 - 3
SWEEP1,
SWEEP2
2 Pre Delay 0 - 125 0.0-100.0 ms
3 Gate Time 0 - 99 5-500 ms
4 Low Gain 0 - 30 -15- +15 dB
5 High Gain 0 - 30 -15- +15 dB
D100:0W-
6 Balance # 0 - 100
D0:100W
7 Level 0 - 127 0-127
30
Description
Volume at which the reverse delay
will begin to be applied
When this is set to "note," the effect is
synchronized with the tempo.
Delay time from when sound is input
into the reverse delay until the delay
sound is heard (Hz)
Delay time from when sound is input
into the reverse delay until the delay
sound is heard (note)
Proportion of the delay sound that is
to be returned to the input of the re-
verse delay (negative values invert
the phase)
Frequency at which the high-fre-
quency content of the reverse-de-
layed sound will be cut (BYPASS: no
cut)
Panning of the reverse delay sound
Volume of the reverse delay sound
Amount of boost/cut for the low-fre-
quency range
Amount of boost/cut for the high-
frequency range
Volume balance of the original sound
(D) and delay sound (W)
Output volume
Description
Selects the type of filter applied to the
sound before it passes through the
Lo-Fi effect.
Degrades the sound quality. The
sound quality grows poorer as this
value is increased.
Type of filter
OFF: no filter is used
LPF: cuts the frequency range above
the Cutoff
HPF: cuts the frequency range below
the Cutoff
Basic frequency of the Post Filter
Gain of the low range
Gain of the high range
Volume balance between the direct
sound (D) and the effect sound (W)
Output level
Description
Audio quality of the telephone voice
Bandwidth of the telephone voice
Volume balance between the direct
sound (D) and the effect sound (W)
Output level
Description
Type of reverb
NORMAL: conventional gated reverb
REVERSE: backwards reverb
SWEEP1: the reverberant sound
moves from right to left
SWEEP2: the reverberant sound
moves from left to right
Adjusts the delay time from the di-
rect sound until the reverb sound is
heard.
Adjusts the time from when the re-
verb is heard until it disappears.
Gain of the low range
Gain of the high range
Volume balance between the direct
sound (D) and the reverb sound (W)
Output Level
● 0200: OVERDRIVE-->CHORUS
This effect connects an overdrive and a chorus in series.
No Parameter Value Default
Overdrive
1 0 - 127 0-127
Drive
2 Overdrive Pan 0 - 127 L64-63R
Chorus Pre De-
3 0 - 125 0.0-100.0 ms
lay
Chorus Rate
4 0 - 1 Hz, note
sync
5 Chorus Rate # 1 - 127 0.05-10.00 Hz
6 Chorus Rate 0 - 21 note (*1)
7 Chorus Depth 0 - 127 0-127
Chorus Balance D100:0W-
8 0 - 100
# D0:100W
9 Level 0 - 127 0-127
● 0201: OVERDRIVE-->FLANGER
This effect connects an overdrive and a flanger in series.
No Parameter Value Default
Overdrive
1 0 - 127 0-127
Drive
2 Overdrive Pan 0 - 127 L64-63R
Flanger Pre De-
3 0 - 125 0.0-100.0 ms
lay
Flanger Rate
4 0 - 1 Hz, note
sync
5 Flanger Rate # 1 - 127 0.05-10.00 Hz
6 Flanger Rate 0 - 21 note (*1)
7 Flanger Depth 0 - 127 0-127
Flanger Feed-
8 0 - 98 -98- +98 %
back
Flanger Bal- D100:0W-
9 0 - 100
ance # D0:100W
10 Level 0 - 127 0-127
● 0202: OVERDRIVE-->DELAY
This effect connects an overdrive and a delay in series.
No Parameter Value Default
Overdrive
1 0 - 127 0-127
Drive #
2 Overdrive Pan 0 - 127 L64-63R
3 Delay sync 0 - 1 ms, note
4 Delay Time 0 - 127 1-2600 ms
5 Delay Time 0 - 21 note (*1)
Delay Feed-
6 49 - 89 0- +80 %
back
Delay HF 200-8000 Hz,
7 0 - 17
Damp BYPASS
Delay Balance D100:0W-
8 0 - 100
# D0:100W
9 Level 0 - 127 0-127
● 0203: DISTORTION-->CHORUS
The parameters are essentially the same as in "OVERDRIVE-->CHORUS," with the
exception of the following two.
Overdrive Drive-->Distortion Drive
Overdrive Pan-->Distortion Pan
Description
Degree of distortion
Also changes the volume.
Stereo location of the overdrive
sound
Adjusts the delay time from the di-
rect sound until the chorus sound is
heard.
When this is set to "note," the effect is
synchronized with the tempo.
Frequency of modulation (Hz)
Frequency of modulation (note)
Depth of modulation
Adjusts the volume balance between
the sound that is sent through the
chorus (W) and the sound that is not
sent through the chorus (D).
Output Level
Description
Degree of distortion
Also changes the volume.
Stereo location of the overdrive
sound
Adjusts the delay time from when
the direct sound begins until the
flanger sound is heard.
When this is set to "note," the effect is
synchronized with the tempo.
Frequency of modulation (Hz)
Frequency of modulation (note)
Depth of modulation
Adjusts the proportion of the flanger
sound that is fed back into the effect.
Negative (-) settings will invert the
phase.
Adjusts the volume balance between
the sound that is sent through the
flanger (W) and the sound that is not
sent through the flanger (D).
Output Level
Description
Degree of distortion
Also changes the volume.
Stereo location of the overdrive
sound
When this is set to "note," the effect is
synchronized with the tempo.
Adjusts the delay time from the di-
rect sound until the delay sound is
heard. (Hz)
Adjusts the delay time from the di-
rect sound until the delay sound is
heard. (note)
Adjusts the proportion of the delay
sound that is fed back into the effect.
Negative (-) settings will invert the
phase.
Adjusts the frequency above which
sound fed back to the effect will be
cut. If you do not want to cut the high
frequencies, set this parameter to BY-
PASS.
Adjusts the volume balance between
the sound that is sent through the de-
lay (W) and the sound that is not sent
through the delay (D).
Output Level