Roland RG-7 Midi Implementation Manual page 23

● 0114: GUITAR AMP SIMULATOR
This is an effect that simulates the sound of a guitar amplifier.
No Parameter Value Default
1 Pre Amp Sw 0 - 1 OFF, ON
JC-120,
CLEAN
TWIN,
MATCH
DRIVE,
BG LEAD,
MS1959I,
MS1959II,
Pre Amp Type MS1959I+II,
2 0 - 13
# SLDN LEAD,
METAL5150,
METAL
LEAD,
OD-1,
OD-2 TURBO,
DISTOR-
TION,
FUZZ
Pre Amp Vol-
3 0 - 127 0-127
ume
Pre Amp Mas-
4 0 - 127 0-127
ter
LOW, MID-
5 Pre Amp Gain 0 - 2
DLE, HIGH
6 Pre Amp Bass 0 - 127
Pre Amp Mid-
7 0 - 127
dle 0-127
Pre Amp Tre-
8 0 - 127
ble
0-127
Pre Amp Pres- (MATCH
9 0 - 127
ence DRIVE: -127 -
0)
Pre Amp
10 0 - 1 OFF, ON
Bright
11 Speaker Sw 0 - 1 OFF, ON
12 Speaker Type # 0 - 15 (See the table.)
13 Mic Setting 0 - 2 1, 2, 3
14 Mic Level 0 - 127 0-127
15 Direct Level 0 - 127 0-127
16 Pan 0 - 127 L64-63R
17 Level 0 - 127 0-127
Specifications of each Speaker Type
The speaker column indicates the diameter of each speaker unit (in inches) and the number
of units.
Type Cabinet
small open-back enclo-
SMALL 1
sure
small open-back enclo-
SMALL 2
sure
MIDDLE open back enclosure
JC-120 open back enclosure
BUILT-IN 1 open back enclosure
BUILT-IN 2 open back enclosure
BUILT-IN 3 open back enclosure
BUILT-IN 4 open back enclosure
BUILT-IN 5 open back enclosure
BG STACK 1 sealed enclosure
BG STACK 2 large sealed enclosure
MS STACK 1 large sealed enclosure
MS STACK 2 large sealed enclosure
METAL STACK large double stack
2-STACK large double stack
3-STACK large triple stack
Description
Turns the amp switch on/off.
Type of guitar amp
Volume and amount of distortion of
the amp
Volume of the entire pre-amp
Amount of pre-amp distortion
Tone of the bass/mid/treble fre-
quency range
Middle cannot be set if "Match
Drive" is selected as the Pre Amp
Type.
Tone for the ultra-high frequency
range
Turning this "On" produces a sharp-
er and brighter sound.
This parameter applies to the "JC-
120," "Clean Twin," and "BG Lead"
Pre Amp Types.
Determines whether the signal pass-
es through the speaker (ON), or not
(OFF).
Type of speaker
Adjusts the location of the mic that's
capturing the sound of the speaker.
This can be adjusted in three steps,
from 1 to 3, with the mic becoming
more distant as the value increases.
Volume of the microphone
Volume of the direct sound
Stereo location of the output
Output level
Speaker Microphone
10 dynamic
10 dynamic
12 x 1 dynamic
12 x 2 dynamic
12 x 2 dynamic
12 x 2 condenser
12 x 2 condenser
12 x 2 condenser
12 x 2 condenser
12 x 2 condenser
12 x 2 condenser
12 x 4 condenser
12 x 4 condenser
12 x 4 condenser
12 x 4 condenser
12 x 4 condenser
● 0120: PHASER
This is a stereo phaser. A phase-shifted sound is added to the original sound and
modulated.
No Parameter Value Default
4-STAGE, 8-
1 Mode 0 - 2 STAGE, 12-
STAGE
2 Manual # 0 - 127 0-127
3 Rate sync 0 - 1 Hz, note
4 Rate # 1 - 127 0.05-10.00 Hz
5 Rate 0 - 21 note (*1)
6 Depth 0 - 127 0-127
INVERSE,
7 Polarity 0 - 1
SYNCHRO
8 Resonance 0 - 127 0-127
9 Cross Feedback 0 - 98 -98- +98 %
10 Mix 0 - 127 0-127
11 Low Gain 0 - 30 -15- +15 dB
12 High Gain 0 - 30 -15- +15 dB
13 Level 0 - 127 0-127
● 0129: MULTI STAGE PHASER
Extremely high settings of the phase difference produce a deep phaser effect.
No Parameter Value Default
4-STAGE,
8-STAGE,
12-STAGE,
1 Mode 0 - 5
16-STAGE,
20-STAGE,
24-STAGE
2 Manual # 0 - 127 0-127
3 Rate sync 0 - 1 Hz, note
4 Rate # 1 - 127 0.05-10.00 Hz
5 Rate 0 - 21 note (*1)
6 Depth 0 - 127 0-127
7 Resonance 0 - 127 0-127
8 Mix 0 - 127 0-127
9 Pan 0 - 127 L64-63R
10 Low Gain 0 - 30 -15- +15 dB
11 High Gain 0 - 30 -15- +15 dB
12 Level 0 - 127 0-127
● 012a: INFINITE PHASER
A phaser that continues raising/lowering the frequency at which the sound is modulated.
No Parameter Value Default
1 Mode 0 - 3 1, 2, 3, 4
2 Speed # 0 - 127 -100- +100
3 Resonance # 0 - 127 0-127
4 Mix 0 - 127 0-127
5 Pan 0 - 127 L64-63R
6 Low Gain 0 - 30 -15- +15 dB
7 High Gain 0 - 30 -15- +15 dB
8 Level 0 - 127 0-127
MIDI Implementation
Description
Number of stages in the phaser
Adjusts the basic frequency from
which the sound will be modulated.
When this is set to "note," the effect is
synchronized with the tempo.
Frequency of modulation (Hz)
Frequency of modulation (note)
Depth of modulation
Selects whether the left and right
phase of the modulation will be the
same or the opposite.
INVERSE: The left and right phase
will be opposite. When using a mono
source, this spreads the sound.
SYNCHRO: The left and right phase
will be the same. Select this when in-
putting a stereo source.
Amount of feedback
Adjusts the proportion of the phaser
sound that is fed back into the effect.
Negative (-) settings will invert the
phase.
Level of the phase-shifted sound
Gain of the low range
Gain of the high range
Output Level
Description
Number of phaser stages
Adjusts the basic frequency from
which the sound will be modulated.
When this is set to "note," the effect is
synchronized with the tempo.
Frequency of modulation (Hz)
Frequency of modulation (note)
Depth of modulation
Amount of feedback
Level of the phase-shifted sound
Stereo location of the output sound
Gain of the low range
Gain of the high range
Output Level
Description
Higher values will produce a deeper
phaser effect.
Speed at which to raise or lower the
frequency at which the sound is
modulated
(+: upward / -: downward)
Amount of feedback
Volume of the phase-shifted sound
Panning of the output sound
Amount of boost/cut for the low-fre-
quency range
Amount of boost/cut for the high-
frequency range
Output volume
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