Roland RG-7 Midi Implementation Manual page 24

MIDI Implementation
● 0123: STEREO FLANGER
This is a stereo flanger. (The LFO has the same phase for left and right.) It produces a
metallic resonance that rises and falls like a jet airplane taking off or landing. A filter is
provided so that you can adjust the timbre of the flanged sound.
No Parameter Value Default
OFF, LPF,
1 Filter Type 0 - 2
HPF
2 Cutoff Freq 0 - 16 200-8000 Hz
3 Pre Delay 0 - 125 0.0-100.0 ms
4 Rate sync 0 - 1 Hz, note
5 Rate # 1 - 127 0.05-10.00 Hz
6 Rate 0 - 21 note (*1)
7 Depth # 0 - 127 0-127
8 Phase 0 - 90 0-180 deg
9 Feedback 0 - 98 -98- +98 %
10 Low Gain 0 - 30 -15- +15 dB
11 High Gain 0 - 30 -15- +15 dB
D100:0W-
12 Balance 0 - 100
D0:100W
13 Level 0 - 127 0-127
● 0127: 3D FLANGER
This applies a 3D effect to the flanger sound. The flanger sound will be positioned 90
degrees left and 90 degrees right.
No Parameter Value Default
OFF, LPF,
1 Filter Type 0 - 2
HPF
2 Cutoff Freq 0 - 16 200-8000 Hz
3 Pre Delay 0 - 125 0.0-100.0 ms
4 Rate sync 0 - 1 Hz, note
5 Rate # 1 - 127 0.05-10.00 Hz
6 Rate 0 - 21 note (*1)
7 Depth # 0 - 127 0-127
8 Phase 0 - 90 0-180 deg
9 Feedback 0 - 98 -98- +98 %
SPEAKER,
10 Output Mode 0 - 1
PHONES
11 Low Gain 0 - 30 -15- +15 dB
12 High Gain 0 - 30 -15- +15 dB
D100:0W-
13 Balance 0 - 100
D0:100W
14 Level 0 - 127 0-127
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Description
Type of filter
OFF: No filter is used
LPF: Cuts the frequency range above
the Cutoff Freq
HPF: Cuts the frequency range below
the Cutoff Freq
Basic frequency of the filter
Adjusts the delay time from when
the direct sound begins until the
flanger sound is heard.
When this is set to "note," the effect is
synchronized with the tempo.
Frequency of modulation (Hz)
Frequency of modulation (note)
Depth of modulation
Spatial spread of the sound
Adjusts the proportion of the flanger
sound that is fed back into the effect.
Negative (-) settings will invert the
phase.
Gain of the low range
Gain of the high range
Volume balance between the direct
sound (D) and the flanger sound (W)
Output Level
Description
Type of filter
OFF: No filter is used
LPF: Cuts the frequency range above
the Cutoff Freq
HPF: Cuts the frequency range below
the Cutoff Freq
Basic frequency of the filter
Adjusts the delay time from when
the direct sound begins until the
flanger sound is heard.
When this is set to "note," the effect is
synchronized with the tempo.
Frequency of modulation (Hz)
Frequency of modulation (note)
Depth of modulation
Spatial spread of the sound
Adjusts the proportion of the flanger
sound that is fed back into the effect.
Negative (-) settings will invert the
phase.
Adjusts the method that will be used
to hear the sound that is output to the
OUTPUT jacks. The optimal 3D effect
will be achieved if you select SPEAK-
ER when using speakers, or
PHONES when using headphones.
Gain of the low range
Gain of the high range
Volume balance between the direct
sound (D) and the flanger sound (W)
Output Level
● 0128: 2BAND FLANGER
A flanger that lets you apply an effect independently to the low-frequency and high-
frequency ranges.
No Parameter Value Default
1 Split Freq 0 - 16 200-8000 Hz
2 Low Pre Delay 0 - 125 0.0-100.0 ms
3 Low Rate sync 0 - 1 Hz, note
4 Low Rate # 1 - 127 0.05-10.00 Hz
5 Low Rate 0 - 21 note (*1)
6 Low Depth 0 - 127 0-127
7 Low Phase 0 - 90 0-180 deg
8 Low Feedback 0 - 98 -98- +98 %
9 High Pre Delay 0 - 125 0.0-100.0 ms
10 High Rate sync 0 - 1 Hz, note
11 High Rate # 1 - 127 0.05-10.00 Hz
12 High Rate 0 - 21 note (*1)
13 High Depth 0 - 127 0-127
14 High Phase 0 - 90 0-180 deg
15 High Feedback 0 - 98 -98- +98 %
D100:0W-
16 Balance 0 - 100
D0:100W
17 Level 0 - 127 0-127
● 0121: AUTO WAH
Cyclically controls a filter to create cyclic change in timbre.
No Parameter Value Default
1 Filter Type 0 - 1 LPF, BPF
2 Manual # 0 - 127 0-127
3 Peak 0 - 127 0-127
4 Sens 0 - 127 0-127
5 Polarity 0 - 1 UP, DOWN
6 Rate sync 0 - 1 Hz, note
7 Rate # 1 - 127 0.05-10.00 Hz
8 Rate 0 - 21 note (*1)
9 Depth 0 - 127 0-127
10 Phase 0 - 90 0-180 deg
11 Low Gain 0 - 30 -15- +15 dB
12 High Gain 0 - 30 -15- +15 dB
13 Level 0 - 127 0-127
Description
Frequency at which the low and high
ranges will be divided
Delay time from when the original
sound is heard to when the low-
range flanger sound is heard
When this is set to "note," the effect is
synchronized with the tempo.
Rate at which the low-range flanger
sound is modulated (Hz)
Rate at which the low-range flanger
sound is modulated (note)
Modulation depth for the low-range
flanger sound
Spaciousness of the low-range
flanger sound
Proportion of the low-range flanger
sound that is to be returned to the in-
put (negative values invert the
phase)
Delay time from when the original
sound is heard to when the high-
range flanger sound is heard
When this is set to "note," the effect is
synchronized with the tempo.
Rate at which the high-range flanger
sound is modulated (Hz)
Rate at which the high-range flanger
sound is modulated (note)
Modulation depth for the high-range
flanger sound
Spaciousness of the high-range
flanger sound
Proportion of the high-range flanger
sound that is to be returned to the in-
put (negative values invert the
phase)
Volume balance of the original sound
(D) and flanger sound (W)
Output volume
Description
Type of filter
LPF: The wah effect will be applied
over a wide frequency range.
BPF: The wah effect will be applied
over a narrow frequency range.
Adjusts the center frequency at
which the effect is applied.
Adjusts the amount of the wah effect
that will occur in the range of the cen-
ter frequency.
Set a higher value for Q to narrow the
range to be affected.
Adjusts the sensitivity with which
the filter is controlled.
Sets the direction in which the fre-
quency will change when the auto-
wah filter is modulated.
UP: The filter will change toward a
higher frequency.
DOWN: The filter will change toward
a lower frequency.
When this is set to "note," the effect is
synchronized with the tempo.
Frequency of modulation (Hz)
Frequency of modulation (note)
Depth of modulation
Adjusts the degree of phase shift of
the left and right sounds when the
wah effect is applied.
Gain of the low range
Gain of the high range
Output Level