Roland RG-7 Midi Implementation Manual page 29

● 0151: MODULATION DELAY
Adds modulation to the delayed sound.
No Parameter Value Default
1 Delay Left sync 0 - 1 ms, note
2 Delay Left 0 - 127 1-1300 ms
3 Delay Left 0 - 21 note (*1)
Delay Right
4 0 - 1 ms, note
sync
5 Delay Right 0 - 127 1-1300 ms
6 Delay Right 0 - 21 note (*1)
Feedback NORMAL,
7 0 - 1
Mode CROSS
8 Feedback 49 - 89 0- +80 %
200-8000 Hz,
9 HF Damp 0 - 17
BYPASS
10 Rate sync 0 - 1 Hz, note
11 Rate 1 - 127 0.05-10.00 Hz
12 Rate 0 - 21 note (*1)
13 Depth # 0 - 127 0-127
14 Phase 0 - 90 0-180 deg
15 Low Gain 0 - 30 -15- +15 dB
16 High Gain 0 - 30 -15- +15 dB
D100:0W-
17 Balance # 0 - 100
D0:100W
18 Level 0 - 127 0-127
● 0152: TRIPLE TAP DELAY
Produces three delay sounds; center, left and right.
No Parameter Value Default
1 Delay Left sync 0 - 1 ms, note
2 Delay Left 0 - 127 1-2600 ms
3 Delay Left 0 - 21 note (*1)
Delay Right
4 0 - 1 ms, note
sync
5 Delay Right 0 - 127 1-2600 ms
6 Delay Right 0 - 21 note (*1)
Delay Center
7 0 - 1 ms, note
sync
8 Delay Center 0 - 127 1-2600 ms
9 Delay Center 0 - 21 note
Center Feed-
10 49 - 89 0- +80 %
back #
200-8000 Hz,
11 HF Damp 0 - 17
BYPASS
12 Left Level 0 - 127 0-127
13 Right Level 0 - 127 0-127
14 Center Level 0 - 127 0-127
15 Low Gain 0 - 30 -15- +15 dB
16 High Gain 0 - 30 -15- +15 dB
D100:0W-
17 Balance # 0 - 100
D0:100W
18 Level 0 - 127 0-127
Description
When this is set to "note," the effect is
synchronized with the tempo.
Adjusts the time until the delay
sound is heard. (Hz)
Adjusts the time until the delay
sound is heard. (note)
Settings of the Delay R
The parameters are the same as for
the Delay L.
Selects the way in which delay sound
is fed back into the effect (See the fig-
ures above.)
Adjusts the amount of the delay
sound that's fed back into the effect.
Negative (-) settings invert the phase.
Adjusts the frequency above which
sound fed back to the effect is filtered
out. If you don't want to filter out any
high frequencies, set this parameter
to BYPASS.
When this is set to "note," the effect is
synchronized with the tempo.
Frequency of modulation (Hz)
Frequency of modulation (note)
Depth of modulation
Spatial spread of the sound
Gain of the low frequency range
Gain of the high frequency range
Volume balance between the direct
sound (D) and the delay sound (W)
Output level
Description
When this is set to "note," the effect is
synchronized with the tempo.
Adjusts the time until the delay
sound is heard. (Hz)
Adjusts the time until the delay
sound is heard. (note)
Settings of the Delay R
The parameters are the same as for
the Delay L.
Settings of the Delay C
The parameters are the same as for
the Delay L.
Adjusts the amount of the delay
sound that's fed back into the effect.
Negative (-) settings invert the phase.
Adjusts the frequency above which
sound fed back to the effect is filtered
out. If you do not want to filter out
any high frequencies, set this param-
eter to BYPASS.
Volume of each delay
Volume of each delay
Volume of each delay
Gain of the low frequency range
Gain of the high frequency range
Volume balance between the direct
sound (D) and the delay sound (W)
Output level
● 0157: 3D DELAY
This applies a 3D effect to the delay sound. The delay sound will be positioned 90 degrees
left and 90 degrees right.
No Parameter Value Default
1 Delay Left sync 0 - 1 ms, note
2 Delay Left 0 - 127 1-2600 ms
3 Delay Left 0 - 21 note (*1)
Delay Right
4 0 - 1 ms, note
sync
5 Delay Right 0 - 127 1-2600 ms
6 Delay Right 0 - 21 note (*1)
Delay Center
7 0 - 1 ms, note
sync
8 Delay Center 0 - 127 1-2600 ms
9 Delay Center 0 - 21 note (*1)
Center Feed-
10 49 - 89 0- +80 %
back #
200-8000 Hz,
11 HF Damp 0 - 17
BYPASS
12 Left Level 0 - 127 0-127
13 Right Level 0 - 127
14 Center Level 0 - 127
SPEAKER,
15 Output Mode 0 - 1
PHONES
16 Low Gain 0 - 30 -15- +15 dB
17 High Gain 0 - 30 -15- +15 dB
D100:0W-
18 Balance # 0 - 100
D0:100W
19 Level 0 - 127 0-127
● 0159: TAPE ECHO
A virtual tape echo that produces a realistic tape delay sound. This simulates the tape echo
section of a Roland RE-201 Space Echo.
No Parameter Value Default
S, M, L, S+M,
1 Mode 0 - 6 S+L, M+L,
S+M+L
2 Repeat Rate # 0 - 127 0-127
3 Intensity 0 - 127 0-127
4 Bass 0 - 30 -15- +15 dB
5 Treble 0 - 30 -15- +15 dB
6 Head S Pan 0 - 127
7 Head M Pan 0 - 127 L64-63R
8 Head L Pan 0 - 127
Tape Distor-
9 0 - 5 0-5
tion
Wow/Flutter
10 0 - 127 0-127
Rate
Wow/Flutter
11 0 - 127 0-127
Depth
12 Echo Level # 0 - 127 0-127
13 Direct Level 0 - 127 0-127
14 Level 0 - 127 0-127
MIDI Implementation
Description
When this is set to "note," the effect is
synchronized with the tempo.
Adjusts the delay time from the di-
rect sound until the delay sound is
heard. (Hz)
Adjusts the delay time from the di-
rect sound until the delay sound is
heard. (note)
Settings of the Delay R
The parameters are the same as for
the Delay 1.
Settings of the Delay C
The parameters are the same as for
the Delay 1.
Adjusts the proportion of the delay
sound that is fed back into the effect.
Negative (-) settings will invert the
phase.
Adjusts the frequency above which
sound fed back to the effect will be
cut. If you do not want to cut the high
frequencies, set this parameter to BY-
PASS.
Output level of the delay sound
Adjusts the method that will be used
to hear the sound that is output to the
OUTPUT jacks. The optimal 3D effect
will be achieved if you select SPEAK-
ER when using speakers, or
PHONES when using headphones.
Gain of the low range
Gain of the high range
Volume balance between the direct
sound (D) and the effect sound (W)
Output Level
Description
Combination of playback heads to
use
Select from three different heads
with different delay times.
S: short
M: middle
L: long
Tape speed
Increasing this value will shorten the
spacing of the delayed sounds.
Amount of delay repeats
Boost/cut for the lower range of the
echo sound
Boost/cut for the upper range of the
echo sound
Independent panning for the short,
middle, and long playback heads
Amount of tape-dependent distor-
tion to be added
This simulates the slight tonal chang-
es that can be detected by signal-
analysis equipment. Increasing this
value will increase the distortion.
Speed of wow/flutter (complex vari-
ation in pitch caused by tape wear
and rotational irregularity)
Depth of wow/flutter
Volume of the echo sound
Volume of the original sound
Output level
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