Roland V-Combo VR-760 Owner's Manual page 95

21: TIME CTRL DLY (Time Control Delay)
This effect allows you to use the MFX [CONTROL] knob on the
Synth section to control the delay time and pitch in realtime.
Lengthening the delay will lower the pitch, and shortening it will
raise the pitch.
Parameter Value
Delay # 200–1000 ms
Accel 0–15
Feedback # -98–+98%
HF Damp 200–8000 Hz,
BYPASS
Pan L64–63R
Low Gain -15–+15 dB
High Gain -15–+15 dB
Balance D100:0W–D0:100W
Level 0–127
22: 2V PCH SHIFT
(2-voice Pitch Shifter)
Shifts the pitch of the original sound. This 2-voice pitch shifter has
two pitch shifters, and can add two pitch shifted sounds to the
original sound.
Parameter Value
Coarse A #1 -24–+12 semi
Fine A #1 -100–+100 cent
Pan A L64–63R
PreDelayA 0.0–500 ms
Coarse B #2 -24–+12 semi
Fine B #2 -100–+100 cent
Pan B L64–63R
PreDelayB 0.0–500.0 ms
Mode 1, 2, 3, 4, 5
Level Bal A100:0B–A0:100B
Balance D100:0W–D0:100W
Level 0–127
Explanation
Adjusts the delay time from the di-
rect sound until the delay sound is
heard.
Adjusts the time over which the
Delay Time will change from the
current setting to a newly specified
setting.
The rate of change for the Delay
Time directly affects the rate of
pitch change.
Adjusts the proportion of the delay
sound that is fed back into the ef-
fect. Negative (-) settings will in-
vert the phase.
Adjusts the frequency above
which sound fed back to the effect
will be cut. If you do not want to
cut the high frequencies, set this
parameter to BYPASS.
Stereo location of the delay sound
Gain of the low range
Gain of the high range
Volume balance between the direct
sound (D) and the delay sound (W)
Output Level
Explanation
Adjusts the pitch of Pitch Shift A in
semitone steps.
Adjusts the pitch of Pitch Shift A in
2-cent steps.
Stereo location of the Pitch Shift A
sound
Adjusts the delay time from the di-
rect sound until the Pitch Shift A
sound is heard.
Settings of the Pitch Shift B sound
The parameters are the same as
for the Pitch Shift A sound.
Setting a higher value for this pa-
rameter will result in slower re-
sponse, but steadier pitch.
Volume balance between the Pitch
Shift A and Pitch Shift B sounds
Volume balance between the direct
sound (D) and the pitch shifted
sound (W)
Output Level
Effects/Parameter List
23: FBK PCH SHIFT
(Feedback Pitch Shifter)
This allows the pitch shifted sound to be fed back into the effect.
Parameter Value
Coarse #1 -24–+12 semi
Fine #1 -100–+100 cent
Feedback # -98–+98%
Pre Delay 0.0–500.0 ms
Mode 1, 2, 3, 4, 5
Pan L64–63R
Low Gain -15–+15 dB
High Gain -15–+15 dB
Balance D100:0W–D0:100W
Level 0–127
24: REVERB
Adds reverberation to the sound, simulating an acoustic space.
Parameter Value
Type ROOM1, ROOM2,
STAGE1, STAGE2,
HALL1, HALL2
Pre Delay 0.0–100.0 ms
Time # 0–127
HF Damp 200–8000 Hz,
BYPASS
Low Gain -15–+15 dB
High Gain -15–+15 dB
Balance # D100:0W–D0:100W
Level 0–127
Explanation
Adjusts the pitch of the pitch shift-
ed sound in semitone steps.
Adjusts the pitch of the pitch shift-
ed sound in 2-cent steps.
Adjusts the proportion of the pitch
shifted sound that is fed back into
the effect. Negative (-) settings will
invert the phase.
Adjusts the delay time from the di-
rect sound until the pitch shifted
sound is heard.
Setting a higher value for this pa-
rameter will result in slower re-
sponse, but steadier pitch.
Stereo location of the pitch shifted
sound
Gain of the low range
Gain of the high range
Volume balance between the direct
sound (D) and the pitch shifted
sound (W)
Output Level
Explanation
Type of reverb
ROOM1: dense reverb with
short decay
ROOM2: sparse reverb with
short decay
STAGE1: reverb with greater
late reverberation
STAGE2: reverb with strong
early reflections
HALL1: reverb with clear rever-
berance
HALL2: reverb with rich rever-
berance
Adjusts the delay time from the di-
rect sound until the reverb sound
is heard.
Time length of reverberation
Adjusts the frequency above
which the reverberant sound will
be cut.
As the frequency is set lower,
more of the high frequencies
will be cut, resulting in a softer
and more muted reverberance.
If you do not want to cut the
high frequencies, set this pa-
rameter to BYPASS.
Gain of the low range
Gain of the high range
Volume balance between the direct
sound (D) and the reverb sound
(W)
Output Level
95