Roland V-Synth Owner's Manual page 122

Effects List
11: Stereo Delay
This is a stereo delay. Depending on the length of the delay you set,
you can get long echoes, thick sounds, or spatial sounds.
fig.MFX-11.e
L
Delay
R
When Mode parameter is STEREO:
L
Delay
R
When Mode parameter is MONO or ALTERNATE:
Parameter Value
Mode MONO, STE-
REO, ALTER-
NATE
Delay Time 0–1300 ms
(MONO), 0–650
ms (STEREO,
ALTERNATE),
note
L-R Shift 0–650 ms, note
L-R Order L R, R L
122
2-Band
EQ
2-Band
EQ
Description
Switches stereo, monaural, or al-
ternate.
MONO: This is a single-input,
dual-output delay. Stereo sound
(left and right) are mixed before
being input.
STEREO: This is a dual-input,
dual-output delay. The delay
sound output features the same
stereo placement as that of the
input.
ALTERNATE: The left and right
delay sound output alternately.
(Alternate delay)
Adjusts the delay time from the
direct sound until the delay
sound is heard.
Of the left and right delay
sounds, the delay time will be
increased for only one side.
If the L-R order is L R, the R
sound will be later. In the case of
R L, the L sound will be later.
* When the mode is set to
MONO or ALTERNATE, this
setting will be ignored.
In STEREO or ALTERNATE
mode, this setting determines
which of the left or right sides
has the delay sound before the
other
L R: The left side is expressed
first
R L: The right side is expressed
first
* In MONO mode, this setting
will be ignored.
Parameter Value
Feedback -98– +98 %
Low Damp Freq 50–4000 Hz
Low Damp -36–0 dB
Gain
Hi Damp Freq 2000–20000 Hz
Hi Damp Gain -36–0 dB
Balance DRY100:0WET–
DRY0:100WET
Ps Low Freq 50–4000 Hz
Ps Low Gain -15– +15 dB
Ps Hi Freq 2000–20000 Hz
Ps Hi Gain -15– +15 dB
Description
Adjusts the proportion of the de-
lay sound that is fed back into
the effect. Negative (-) settings
will invert the phase.
Adjusts the frequency below
which sound fed back to the ef-
fect will be cut.
The Low Damp function damps
the low frequency band of the
delay sound quicker than other
bands, which makes for a clearer
delay effect.
Degree of Low Damp
Adjusts the frequency above
which sound fed back to the ef-
fect will be cut.
High Damp, by attenuating the
higher frequencies first, makes
the delay sound more natural.
Degree of High Damp
Volume balance between the di-
rect sound (DRY) and the delay
sound (WET)
Frequency of the low range
Gain of the low range
Frequency of the high range
Gain of the high range