Korg TRITON Musical Instrument User Manual page 5

Music workstation/sampler

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F e a t u r e

1 6 - - t r a c k s e q u e n c e r

1 6

t r a c k s e q u e n c e r

2 0 0 , 0 0 0 e v e n t s

2 0 0 S o n g s

2 0 C u e L i s t s (100 Songs per Cue)

2 0 C u e L i s t s

3 2 S o n g T e m p l a t e s (16 Preset/16 User)

3 2 S o n g T e m p l a t e s

1 5 0 p r e s e t d r u m p a t t e r n s

L o o p a b l e t r a c k s

1 9 2 P P Q r e s o l u t i o n

E x t e n s i v e e d i t i n g (bar/beat/tick resolution)

E x t e n s i v e e d i t i n g

S M F c o m p a t i b l e (w/direct play from disk)

S M F c o m p a t i b l e

2 a r p e g g i o p a t t e r n s p e r S o n g

A u t o m a t e d m i x d o w n

T e m p o t r a c k

2 p o l y p h o n i c a r p e g g i a t o r s

E x p a n d e d f r o m Z 1 d e s i g n

2 3 7 m e m o r y l o c a t i o n s (5 preset, 232

2 3 7 m e m o r y l o c a t i o n s

programmable)

Up to 12 tones and 48 steps per pattern

N o r m a l a n d F i x e d N o t e / D r u m m o d e s

Syncs to MIDI clock or to internal sequencer

Programs can u se 1 arp pattern, Combis and

Programs can u

se 1 arp pattern, Combis and

s e q u e n c e r c a n u s e 2

Arp patterns can be recorded to sequencer or

to patterns to be used with RPPR function

S a m p l i n g

1 6 - - b i t / 4 8 k H z s a m p l i n g r a t e

1 6

b i t / 4 8 k H z s a m p l i n g r a t e

16 MB of RAM standard, expandable to 64 MB

(two 72-pin SIMM slots)

S t e r e o / m o n o s a m p l i n g

S a m p l e t h r o u g h I n s e r t e f f e c t s

V i s u a l w a v e f o r m e d i t i n g (w/beat grid)

V i s u a l w a v e f o r m e d i t i n g

E x t e n s i v e e d i t i n g ( t r u n c a t e , n ormalize,

E x t e n s i v e e d i t i n g ( t r u n c a t e , n

c u t / c o p y / p a s t e / i n s e r t , a n d m o r e )

U p t o 1 0 0 0 m u l t i s a m p l e s / 4 0 0 0 s a m p l e s

p o s s i b l e i n m e m o r y

Loads Korg*, Akai S3000/1000, AIFF and

. W A V f o r m a t s

*except TFD-1 through 4

This is a full-function sequencer with

extensive recording, editing and mixing

capabilities. Combined with the TRITON's

awesome multi-effects power this is all the

system a user might need to record "ready-to-

master" music!

Between the loopable tracks and the

innovative Cue List the user can work the way

they like, creating their music in short

segments to be chained together, as long linear

performances, or any method in-between.

Song Templates, preset patterns and the

unique RPPR function make it easy to get

started writing a song.

Arpeggiators are "all the rage" these days, and

there is none better than the TRITON's

polyphonic monster.

Use the Arpeggiator to play polyphonic

patterns, dance bass and lead lines, imitative

guitar strumming, or even as a step-grid drum

programming tool.

Combine 2 arpeggio patterns in Combi or

Sequence modes for rich sound possibilities.

Sync to other systems or record patterns

directly into your songs.

Many musicians use sampling as an integral

part of their music, lifting phrases and grooves

from records, CD's and sampling libraries.

TRITON offers powerful sampling capabilities

and plenty of memory.

The TouchView interface makes editing a

breeze, with graphic waveform viewing and a

ormalize,

host of other benefits.

It's fast to go from sampling to a Program to

the sequencer so you can grab a sound and

start making music with it right away!

Compatibility with many formats opens up a

world of libraries to the user.

TRITON Training Guide

B e n e f i t

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