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Canon IRC2100 Manual

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Color Network Printer Board-A1
Color Guide
Printer (PS) Manual
Please read this manual before operating this equipment.
After you finish reading this manual, store it in a safe place for future reference.
ENGLISH

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Table of Contents

   Also See for Canon IRC2100

   Summary of Contents for Canon IRC2100

  • Page 1 Color Network Printer Board-A1 Color Guide Printer (PS) Manual Please read this manual before operating this equipment. After you finish reading this manual, store it in a safe place for future reference. ENGLISH...
  • Page 3 Multiplier, NetWise, VisualCal, and Velocity are trademarks of Electronics For Imaging, Inc. Canon is a registered trademark of Canon Inc. iR C2100/2100S is a trademark of Canon Inc. Adobe, the Adobe logo, Adobe Illustrator, PostScript, Adobe Photoshop, Adobe Separator, and Adobe PageMaker are trademarks of Adobe Systems Incorporated, registered in certain jurisdictions.
  • Page 4 FCC Information WARNING: FCC Regulations state that any unauthorized changes or modifications to this equipment not expressly approved by the manufacturer could void the user’s authority to operate this equipment. Class A Compliance This equipment has been tested and found to comply with the limits for a Class A digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference when the equipment is operated in a commercial environment.
  • Page 5 Limited Warranty And Disclaimer Electronics For Imaging warrants that, for a period of ninety (90) days from the date of delivery to you, the Software under normal use will perform without significant errors that make it unusable. Electronics For Imaging’s entire liability and your exclusive remedy under this warranty (which is subject to you returning iR C2100/2100S to Electronics For Imaging or an authorized dealer) will be, at Electronics For Imaging’s option, to use reasonable commercial efforts to attempt to correct or work around errors, to replace the Software with functionally equivalent software, or to refund the purchase price and terminate this Agreement.
  • Page 7: Table Of Contents

    Contents Introduction About the documentation xiii Key features of ColorWise Chapter 1: iR C2100/2100S Color Management Managing color on the iR C2100/2100S Rendering styles RGB Source Profile RGB Separation CMYK Simulation Profile CMYK Simulation Method Output Profile Pure Black Text/Graphics Black Overprint 1-10 Spot Color Matching...
  • Page 8 viii Contents Chapter 3: Color Calibration Introduction Understanding calibration How calibration works 3-2 Scheduling calibration Checking calibration status Using a densitometer Setting up the densitometer Calibrating the densitometer 3-7 Calibrating with ColorWise Pro Tools 3-8 Expert Mode 3-13 Calibrating from the Control Panel using ReaderCal 3-15 Removing calibration 3-16...
  • Page 9 ix Contents Chapter 6: Office Applications Working with office applications Defining colors Working with imported files Selecting options when printing Output profiles Chapter 7: Adobe Photoshop Photoshop 5.x Photoshop 5.x color settings ColorSync defaults Defining colors Saving files for importing into other documents Selecting options when printing Printing tips for advanced users 7-10...
  • Page 10 x Contents Chapter 9: Illustration Applications Working with illustration applications Defining colors Importing images CMYK simulation Adobe Illustrator 8.x for Windows and Mac OS Defining colors Importing images Optional Color Management in Illustrator Selecting options when printing Saving files for importing into other documents Macromedia FreeHand 8.x for Windows and Mac OS Defining colors Importing images...
  • Page 11 xi Contents Using color effectively A few rules of thumb Color wheel Color and text Raster images and vector images Optimizing files for processing and printing Resolution of raster images Scaling A-11 Appendix B: Color Management Controlling printed color Maintaining copier/printer consistency Print device gamut Basics of color management Color conversion...
  • Page 13: About The Documentation

    The term “iR C2100/2100S” is used in this manual to refer to the Canon iR C2100/C2100S series in which the Color Network Printer Board-A1 is embedded. The term “copier/printer” is used to refer to the Canon iR C2100/C2100S series. The term “ColorWise” is used to refer to ColorWise 2 ®...
  • Page 14: Key Features Of Colorwise

    xiv Introduction Color terms and concepts such as “RGB data,” “color space,” “spot color,” “gamut,” and “source profile” are used throughout this manual. If you are new to desktop color or if any terms are unfamiliar, be sure to read Appendixes A and B or check the glossary.
  • Page 15 xv Key features of ColorWise There are a number of features that can be used to modify printing results. Depending on your particular needs, you can: • Set the behavior of CMYK printing to emulate DIC, Euroscale, and SWOP offset press standards •...
  • Page 17: Chapter 1: Ir C2100/2100s Color Management

    1-1 Managing color on the iR C2100/2100S The first part of this chapter describes the options available from the Chapter 1: ColorWise color management system and explains how you can customize iR C2100/ the color settings for your particular needs. It provides descriptions of the 2100S Color preset default settings of ColorWise and covers additional options for users Management...
  • Page 18 1-2 iR C2100/2100S Color Management iR C2100/2100S color management generates CMYK data to be sent to the copier/printer; additional processing may then be performed before printing begins. The diagram below illustrates the print options in the iR C2100/2100S color management process that affect color data conversions. You access these print options when you send a print job to the iR C2100/2100S.
  • Page 19 1-3 Managing color on the iR C2100/2100S Settings for the following options can be specified via print options when you send a job to the iR C2100/2100S. Some can also be set as defaults by the administrator during iR C2100/2100S Setup. Settings specified via print options override the defaults.
  • Page 20: Rendering Styles

    1-4 iR C2100/2100S Color Management iR C2100/2100S color print option: What it does: CMYK Simulation Method Quick simulation applies one-dimensional transfer curves that adjust Quick/Full output density only. Full simulation applies colorimetric (Default set at Setup or in transformations that adjust hue as well as output density (see page 1-8). ColorWise Pro Tools) Output Profile The Output Profile is applied to all data in the print job (see page 1-9).
  • Page 21: Rgb Source Profile

    1-5 Managing color on the iR C2100/2100S Equivalent iR C2100/2100S rendering style: Best used for: ICC rendering style: —Creates saturated colors Artwork and graphs in presentations. Presentation Saturation but does not match printed colors In many cases it can be used for mixed Graphics precisely to displayed colors.
  • Page 22: Rgb Separation

    1-6 iR C2100/2100S Color Management • specifies an EFI-defined color space recommended for users who EFIRGB have no detailed information about their RGB data. • specifies the industry standard definition for a generic Windows sRGB (PC) PC monitor. • specifies the definition of all standard Mac OS computer Apple Standard monitors.
  • Page 23: Cmyk Simulation Profile

    1-7 Managing color on the iR C2100/2100S The two choices available for this option determine whether RGB data is converted into the full gamut of the copier/printer (Output) or whether it is first converted into the gamut of another digital printer or a press standard (Simulation).
  • Page 24: Cmyk Simulation Method

    1-8 iR C2100/2100S Color Management If you are printing with the PostScript printer driver on a Windows 95/98 computer, the name of each profile is visible in the pop-up menu for the CMYK Simulation Profile setting. If you are printing with the PostScript printer driver on Windows NT, Windows 2000, or a Mac OS computer, custom simulations appear as Simulation 1 through Simulation 10.
  • Page 25: Output Profile

    1-9 Managing color on the iR C2100/2100S Output Profile The output profile is applied to all data in the print job, so make sure the selected profile is right for your job. The default output profile consists of both a profile for your copier/printer, describing its color characteristics, and a calibration target that describes the expected behavior of the copier/printer.
  • Page 26: Black Overprint

    1-10 iR C2100/2100S Color Management The Pure Black Text/Graphics option can be used only when printing composites, not when printing separations. Pure Black Text/Graphics: Input black color: Prints 100% black With the default profile, prints a rich black using all toners. CMYK Prints only with black toner, because CMYK simulations preserve the black channel.
  • Page 27: Spot Color Matching

    1-11 Managing color on the iR C2100/2100S PostScript applications may perform their own black overprint conversions before sending the print job to the iR C2100/2100S. One example of how you might use this setting is with a page that contains some black text on a light blue background.
  • Page 28: Printer Drivers And Print Options

    1-12 iR C2100/2100S Color Management Spot Color Matching and the PANTONE Coated Color Reference The PANTONE Coated Color Reference (described on page 5-6) prints differently depending on the Spot Color Matching setting. • —The iR C2100/2100S uses its built-in table to generate the best matches of the PANTONE colors that your copier/printer can produce.
  • Page 29: Postscript Printer Driver For Windows 95/98, Windows Nt 4.0, And Windows 2000

    1-13 Printer Drivers and Print Options Your iR C2100/2100S user software includes Adobe PostScript printer drivers for Windows 95/98, Windows NT 4.0, and Mac OS computers or Microsoft PostScript printer driver for Windows 2000. These are the recommended printer drivers for printing to the iR C2100/2100S. (See Getting Started for information on installing printer drivers.) For information on setting the color print options in the Windows 2000 printer driver, see the Printing Guide.
  • Page 30 1-14 iR C2100/2100S Color Management Setting color management print options for Windows 95/98 This section explains how to set iR C2100/2100S color print options with the Adobe PostScript printer driver version 4.3.x for Windows 95/98, a PostScript 3 printer driver that can take full advantage of the color features of the iR C2100/2100S.
  • Page 31 1-15 Printer Drivers and Print Options Click the Expert Settings button to access additional ColorWise options Click the Expert Settings button on the ColorWise window (above), and click Update to display the current iR C2100/2100S settings. This brings up the Expert Color Settings flowchart window (below), which displays additional color settings for the iR C2100/2100S.
  • Page 32 1-16 iR C2100/2100S Color Management Selecting Other for RGB Source Profile brings up the following window for specifying custom RGB source settings (see page 1-5). Clicking on the Update button on the lower right-hand side of the Expert Color Settings window (on the previous page) queries the iR C2100/2100S for the current default settings.
  • Page 33 1-17 Printer Drivers and Print Options To set print options, open the PPD as described on page 1-13. From the Advanced tab of the Default Document Properties dialog box, choose settings for the print options described on page 1-3. Setting color management print options for Windows 2000 This section explains how to set iR C2100/2100S color print options with the Microsoft PostScript Printer Driver for Windows 2000.
  • Page 34: Adobe Postscript Printer Driver For Mac Os

    1-18 iR C2100/2100S Color Management To set print options, open the PPD as described on page 1-13. From the Advanced tab of the Printing Preferences dialog box, choose settings for the print options described on page 1-3. Adobe PostScript printer driver for Mac OS This section explains how to set color management print options with the AdobePS 8.7 printer driver for Mac OS, a PostScript 3 driver that takes full advantage of the color features of the iR C2100/2100S and lets you save a set...
  • Page 35 1-19 Printer Drivers and Print Options Setting color management print options You choose print options from the various panes of the AdobePS driver dialog box. To access the initial AdobePS dialog box, choose Print from your application’s File menu. The word “pane” is used to describe the different pages that appear in the driver’s dialog box when you make selections from the pull-down menu at the top left.
  • Page 36 1-20 iR C2100/2100S Color Management Setting iR C2100/2100S color management options In the AdobePS Print dialog box, choose Color Matching from the pull- down menu. Choose Color Matching from the pull-down menu In the Color Matching pane, choose Color/Grayscale from the Print Color pop-up menu.
  • Page 37 1-21 Printer Drivers and Print Options In the Printer Specific Options pane, choose settings for the print options described on page 1-3. If these settings are ones you use regularly, click Save Settings to save them for subsequent jobs.
  • Page 39: Chapter 2: Simple And Advanced Workflows

    2-1 Workflow concepts This chapter discusses color management workflows used in short-run color Chapter 2: printing as well as color proofing on the iR C2100/2100S. It also gives Simple and examples of color management in specific desktop applications and the Advanced interaction between those applications and ColorWise color management.
  • Page 40: Rgb, Cmyk, And Pantone Colors

    2-2 Simple and Advanced Workflows RGB, CMYK, and PANTONE colors Colors can be defined in several different color models, the most common being RGB, CMYK, and the PANTONE color matching system. Each model requires a different color conversion at the iR C2100/2100S. These different color conversion workflows are explained below.
  • Page 41: Simple Workflows

    2-3 Simple workflows One advantage of using ColorWise color management over desktop color management is that your computer is spared the added processing chores; delaying color conversions until the color data reaches the iR C2100/2100S frees up your computer so you can continue working, and color conversions on the iR C2100/2100S are in most cases much faster than similar conver- sions on a host computer.
  • Page 42: Select Your Colors Wisely

    2-4 Simple and Advanced Workflows Select your colors wisely For the colors you see on your monitor to match those on your printed output, they must go through color management, including precise calibration of your monitor and copier/printer. If you are not equipped or inclined to maintain accurate monitor color management, you may opt for an easier approach.
  • Page 43 2-5 Simple workflows CMYK Simulation set to None is also useful when you want to prepare an output profile of your calibrated copier/printer or when you use less efficient color management from the desktop (such as ColorSync or ICM). In this workflow, colors are modified only at the calibration stage. This is indicated by the black box in the diagram below.
  • Page 44 2-6 Simple and Advanced Workflows The iR C2100/2100S comes into play near the end of the color workflow. To ensure that the colors you have selected reach the iR C2100/2100S and ColorWise in a usable form, you should bypass any color management from applications and printer drivers.
  • Page 45: Advanced Workflows

    2-7 Advanced workflows Turn off color management in your application Generally, when printing to the iR C2100/2100S, it is best to disable color management in the application to ensure that the iR C2100/2100S receives color data properly and prints it accurately. Save your files using color-safe settings There are several additional steps you can take to ensure color accuracy.
  • Page 46: Short-run Printing Examples

    2-8 Simple and Advanced Workflows Short-run printing examples The following examples illustrate short-run printing on the iR C2100/ 2100S. Photoshop RGB workflow This short-run workflow of printing an RGB image from Photoshop is one of the simplest iR C2100/2100S color workflows. In it, RGB data is sent from the application, through the printer driver, to the iR C2100/2100S, and the RGB-to-CMYK conversion takes place on the iR C2100/2100S using a CRD rather than in the application.
  • Page 47 2-9 Advanced workflows The diagram below indicates the steps for this particular workflow in black. Photoshop RGB workflow ColorWise Photoshop Printer driver print options Read Embedded Profiles (Mac OS-Only) Define RGB Source Define RGB Source Black and White Select RGB Source: None Embed Source Profiles Color/Grayscale Select Rendering Style (CRD)
  • Page 48 2-10 Simple and Advanced Workflows • Print the QuarkXPress document to the iR C2100/2100S. • Use ColorWise to convert the RGB image to copier/printer CMYK, to adjust the process colors for short-run printing, and to match the PANTONE spot colors using the full copier/printer gamut. The ColorWise settings used in this example are: •...
  • Page 49 2-11 Advanced workflows Photoshop RGB with Illustrator CMYK and PANTONE and PowerPoint This workflow involves short-run printing of a complex presentation document with images saved in Photoshop, illustrations created in Illustrator, and PANTONE spot colors. All elements are imported into PowerPoint for output.
  • Page 50: Color Proofing Examples

    2-12 Simple and Advanced Workflows The diagram below indicates the steps for this particular workflow in black. Photoshop RGB and Illustrator CMYK and PANTONE in PowerPoint RGB workflow ColorWise Photoshop Illustrator PowerPoint Printer driver print options Read Embedded Read Embedded Define RGB Colors (Mac OS-Only) Define RGB Source...
  • Page 51 2-13 Advanced workflows This document could be created as follows: • In Photoshop 5.x, set CMYK Model in CMYK Setup to ICC. • In the Profile menu, select an ICC profile for the desired offset press. Click • Open an RGB image. From the Image pull-down menu select Mode>CMYK Color.
  • Page 52 2-14 Simple and Advanced Workflows Photoshop 5.x Built-in RGB-to-CMYK workflow This workflow is useful for prepress environments that have not integrated ICC color management and do not have profiles for the presses they use. In this example, an image is converted from RGB to CMYK using Photoshop 5.x’s Built-in color conversion features in the CMYK Setup option.
  • Page 53 2-15 Advanced workflows The diagram below indicates the steps for this particular workflow in black. Photoshop5.x RGB-to-CMYK workflow ColorWise Photoshop 5.x Printer driver print options Read Embedded Profiles (Mac OS-Only) Define RGB Source Define RGB Source Black and White Select RGB Source: None Embed Source Profiles Color/Grayscale Select Rendering Style (CRD)
  • Page 54 2-16 Simple and Advanced Workflows • CMYK Simulation Profile set to SWOP • CMYK Simulation Method set to Full The diagram below indicates the steps for this particular workflow in black. Photoshop RGB and QuarkXPress CMYK workflow ColorWise Photoshop QuarkXPress Printer driver print options Read Embedded Profiles...
  • Page 55: Chapter 3: Color Calibration

    3-1 Introduction Calibrating the iR C2100/2100S ensures consistent, reliable color output. Chapter 3: You can calibrate the iR C2100/2100S with ColorWise Pro Tools using an Color Calibration X-Rite DTP32 automatic scanning densitometer (available as an option). By connecting the densitometer to the serial port on your computer, you can quickly measure color patches and download measurements to the iR C2100/2100S.
  • Page 56: Understanding Calibration

    3-2 Color Calibration • A calibration target that describes the expected behavior of the copier/printer is contained in each output profile. Once you have calibrated the iR C2100/2100S, a calibration set is stored on the iR C2100/2100S. This calibration set will be used when it is associated with an output profile.
  • Page 57 3-3 Understanding calibration Even with a calibrated system, toner density is affected by service settings, humidity, and temperature; it also tends to drift over time. Regular measurement detects day-to-day variations in densities, and calibration corrects for them. Calibration works by creating calibration curves on the iR C2100/2100S that compensate for the difference between actual (measured) and desired (target) density values.
  • Page 58: Scheduling Calibration

    3-4 Color Calibration Scheduling calibration In general, you should calibrate the iR C2100/2100S at least once a day, depending on the volume of print jobs. If it is very important to maintain consistent color, or if the copier/printer is subject to wide fluctuations in temperature or humidity, calibrate every few hours.
  • Page 59: Using A Densitometer

    3-5 Using a densitometer Using a densitometer ColorWise Pro Tools are designed to work with the X-Rite DTP32 reflection densitometer where color measurements are entered automatically. When you cannot obtain an expected result with ReaderCal, use this procedure. Measurements from other densitometers can be input using a simple ASCII file format (see page C-1).
  • Page 60 3-6 Color Calibration 3. Attach the connector to the computer. For a Windows computer, insert the 8-pin mini-DIN end of the interface cable into the 9-pin DB9 Connector cable adapter. Insert the 9-pin end into the COM1 or COM2 port on the computer and tighten the screws. If the available port on your computer is 25-pin, you must use the 8-pin-to-25-pin adapter.
  • Page 61: Calibrating The Densitometer

    3-7 Calibrating the densitometer 4. Use the AC adapter to provide power. Plug the small connector on the adapter cable into the side of the X-Rite DTP32 and plug the adapter into a wall outlet. Small connector AC adapter 5. Turn on the computer. 6.
  • Page 62: Calibrating With Colorwise Pro Tools

    3-8 Color Calibration 4. Insert the arrow end of the X-Rite Auto-Cal Strip into the 35mm slot on the front of the X-Rite DTP32 until it stops or the roller starts pulling the strip. Reading appears momentarily, followed by the density values and .
  • Page 63 3-9 Calibrating with ColorWise Pro Tools O CALIBRATE THE COPIER PRINTER USING ALIBRATOR 1. Launch ColorWise Pro Tools and connect to the iR C2100/2100S. For instructions on configuring the connection to the iR C2100/2100S, see Getting Started. If the connection to the iR C2100/2100S from Command WorkStation that also allows for access to ColorWise Pro Tools is not established, you can directly launch ColorWise Pro Tools independently of Command WorkStation.
  • Page 64 3-10 Color Calibration 3. Select a measurement method. ReaderCal (copier only) and X-Rite DTP32 should appear as the measurement methods. This information is provided to Calibrator by the iR C2100/2100S. If neither option appears, make sure you are connected to the iR C2100/2100S.
  • Page 65 3-11 Calibrating with ColorWise Pro Tools In the Paper Size pop-up menu, specify the paper size for the measurement page: For ReaderCal, LTR/A4 appears in this menu. For densitometer, the menu will automatically select LTR/A4 for 21 Sorted Patches or 11x17/A3 for 34 Sorted Patches.
  • Page 66 3-12 Color Calibration 9. If you chose the densitometer method, select the Page Type and Paper Size options you selected for the measurements page, and click Measure. Then follow the directions in the dialog box that appears for feeding the measurement page through the X-Rite DTP32.
  • Page 67: Expert Mode

    3-13 Calibrating with ColorWise Pro Tools O RESTORE DEFAULT CALIBRATION MEASUREMENTS 1. Launch ColorWise Pro Tools and click Calibrator. 2. Click Restore Device. 3. Click OK to restore the preset default calibration set. Restore device applies only to the currently selected calibration set. Expert Mode Expert Mode offers two additional options: Print Pages and View Measurements.
  • Page 68 3-14 Color Calibration With the Print Pages option, you can print a calibration Comparison Page showing the results of the new measurements with any profile associated with the currently selected calibration set. You can also create a custom comparison page and save it as a PostScript or an Encapsulated PostScript (EPS) file called CALIB.PS.
  • Page 69: Calibrating From The Control Panel Using Readercal

    3-15 Calibrating from the Control Panel using ReaderCal Calibrating from the Control Panel using ReaderCal You can calibrate the iR C2100/2100S from the Control Panel using ReaderCal, which calibrates the iR C2100/2100S using the copier’s built-in scanner as a densitometer. If an Administrator password has been set, you will need it for calibration.
  • Page 70: Removing Calibration

    3-16 Color Calibration 12. Click OK. Status messages display the progress of scanning and calculating measurements. 13. When prompted to Print Comparison Page (Expert Mode only), select Yes to print a preview of the selected calibration. Select from a list of output profiles that use the same calibration set and press OK.
  • Page 71: Limits And 30% Match

    3-17 Calibrating from the Control Panel using VisualCal Limits and 30% Match The first VisualCal page, “Limits and 30% Match,” provides the basis for calculating the most acceptable luminosity (brightness) of the toners. This page consists of rows of CMYK dots in a graduated range of toner densities. The variables needed to recalculate the density of the colored toners are determined by identifying the leftmost dots that can be fully distinguished against their fields in each row, and sequentially entering their corresponding...
  • Page 72 field on which the CMY patches appear on the Limits page will use the new density and luminosity calibration settings. 9. Select Yes to print the Canon Comparison Page. 10. If you are satisfied with the printer’s calibration based on the new values, select YES from the APPLY CHANGES screen that appears, and press OK to calibrate the printer based on the previously entered values.
  • Page 73: Chapter 4: Colorwise Pro Tools

    4-1 Profile Manager ColorWise Pro Tools are color management applications that give you Chapter 4: flexible control of color printing. There are two tools: ColorWise Pro Tools • Calibrator (see Chapter 3) • Profile Manager ColorWise Pro Tools for Windows and Mac OS computers are fundamentally the same;...
  • Page 74: Setting The Default Profiles

    European press standard Euroscale— • —the Japanese press standard Output: • Canon CP21x0-iR20x0 1200dpi Fine v1f • Canon CP21x0-iR20x0 600dpi v1f • Canon CP21x0-iR20x0 1200dpi v1f For more information on output profiles, see page 1-9. Setting the default profiles The default profiles are applied to all print jobs sent to the iR C2100/2100S,...
  • Page 75 4-3 Profile Manager O SPECIFY A DEFAULT PROFILE 1. Launch ColorWise Pro Tools and click Profile Manager. The left side of the screen lists the ICC profiles in the default directory of your computer. The right side lists each of the three types of profiles on the iR C2100/2100S.
  • Page 76 4-4 ColorWise Pro Tools 3. In the Profile Settings dialog box, click Default and click Apply. Profile Settings windows for Simulation (left) and Output (right) 4. Click OK. 5. In the main Profile Manager window, the target icon appears next to the new default profile you specified.
  • Page 77: Downloading Profiles

    4-5 Profile Manager Downloading profiles The iR C2100/2100S comes with default profiles. It is possible to download additional profiles from any computer connected to the iR C2100/2100S. O DOWNLOAD A PROFILE 1. Launch ColorWise Pro Tools and click the Profile Manager. The left side of the main Profile Manager windows lists the ICC profiles in the default directory of your workstation.
  • Page 78: Managing Profiles

    4-6 ColorWise Pro Tools On Windows computers, the profiles must have an extension of .icc or .icm to be listed. On Mac OS computers, the profiles must have a file type of profile. All ICC profiles in the selected directory on your computer are displayed in the list in the main Profile Manager window.
  • Page 79 4-7 Profile Manager O BACK UP PROFILES 1. Launch ColorWise Pro Tools and click Profile Manager. 2. Select the profile on the iR C2100/2100S to upload. The arrow in the middle of the Profile Manager window turns green and points to the left, indicating the profile is available for upload. 3.
  • Page 80: Defining Profiles

    4-8 ColorWise Pro Tools Defining profiles For Windows NT 4.0, Windows 2000, and Mac OS computers, before you can apply any downloaded or edited profile to a print job, that profile must be linked to one of the predefined custom names, or you can set the profile as the default for all print jobs (See Setting the default profiles on page 4-2).
  • Page 81 4-9 Profile Manager 3. Select the “Appear in Driver as” checkbox, choose one of the predefined custom simulation names (Simulation-1 through Simulation-10) from the pop-up menu, and then click Apply. Make sure to choose a name that is not already linked with another simulation.
  • Page 82: Changing Global Settings

    4-10 ColorWise Pro Tools 4. Click OK. DIC-new will appear in driver as Simulation-1 Simulation-1 now appears under the “Appear in Driver as” column for DIC-new. Choosing Simulation-1 from the CMYK Simulation option of the printer driver applies the DIC-new simulation to the print job. If you do not define a custom simulation profile, your job will print with CMYK Simulation Profile set to None.
  • Page 83 4-11 Profile Manager O CHANGE THE LOBAL ETTINGS 1. Launch ColorWise Pro Tools and click Profile Manager. 2. Click Global Settings at the top right corner. Click Global Settings 3. Choose Full or Quick for the Default CMYK Simulation Method. See Chapter 1 for details on print options.
  • Page 84 4-12 ColorWise Pro Tools 4. Choose Simulation or Output for RGB Separation. See Chapter 1 for details on print options. Although the RGB Separation feature is primarily intended for RGB, it can also apply to data in the Lab color space or data that uses PostScript Color Management. 5.
  • Page 85: Chapter 5: Working With Color In Applications

    5-1 Working with color This chapter provides guidelines for defining colors in your documents to Chapter 5: produce the results you want. The following topics are covered: Working with Color in • Factors affecting how you work with color Applications •...
  • Page 86: Color Reference Pages

    5-2 Working with Color in Applications • For color proofing, use an application that writes its own PostScript and define colors in RGB, CMYK, or choose colors from the application’s PANTONE color library. Placed images can also be defined in RGB or CMYK.
  • Page 87: Office Applications

    5-3 Office applications Office applications The iR C2100/2100S must receive PostScript instructions to print an image or a document. Many applications do not create these PostScript instructions by themselves, and instead rely on the printer driver to create them. Included in this category are most word processors, spreadsheets, and presentation packages.
  • Page 88: Choosing Colors In Office Applications

    5-4 Working with Color in Applications Choosing colors in office applications Two RGB color reference pages, a Microsoft Word file and a Microsoft PowerPoint file, are provided with your iR C2100/2100S user software. Print these files using different CRDs to see how the colors appear when printed to the iR C2100/2100S.
  • Page 89: Choosing Colors In Postscript Applications

    5-5 PostScript applications Generally, PostScript applications send color information to the iR C2100/ 2100S as CMYK data. An exception to this is an RGB image placed in the document, which is sent directly to the iR C2100/2100S (unless you specify special color management settings in the application).
  • Page 90 5-6 Working with Color in Applications Using the CMYK Color Reference The CMYK Color Reference included with your iR C2100/2100S user software lets you see how various cyan, magenta, yellow, and black combinations look when printed on your copier/printer. Yellow: 0 Black 25 50 75 Magenta...
  • Page 91: Default Output Profile

    5-7 PostScript applications The information printed by the PANTONE Coated Color Reference depends on the setting of the Spot Color Matching setting. • —Prints swatches of the closest equivalents of PANTONE colors your copier/printer can produce. The equivalent PANTONE color name/ number is printed below each swatch.
  • Page 93: Chapter 6: Office Applications

    6-1 Working with office applications This chapter provides instructions for printing color documents from GDI Chapter 6: and QuickDraw applications such as presentation, spreadsheet, and word Office processing software. You can use these instructions with the Microsoft Office Applications 2000, Microsoft Office 97, and Microsoft Office 95 suite of applications. Working with office applications Before printing from these applications, make sure the appropriate printer driver and the iR C2100/2100S PPD are installed on your computer as...
  • Page 94: Selecting Options When Printing

    6-2 Office Applications Although there are no color management options within Office applications, color conversions do occur when you import images or page elements that were not defined in RGB. To avoid such conversions with imported files, use the EPS file format for artwork that is to be imported into Office applications.
  • Page 95: Chapter 7: Adobe Photoshop

    7-1 Photoshop 5.x This chapter covers features of Adobe Photoshop versions 4.x and 5.x for Chapter 7: Windows and Mac OS. The illustrations show only Mac OS dialog boxes, Adobe but the information and instructions apply equally to the Windows version Photoshop of Photoshop.
  • Page 96 7-2 Adobe Photoshop Adobe Gamma control panel You can use the Adobe Gamma control panel to create and customize ICC profiles for your monitor. Photoshop properly displays images on your monitor by compensating between your chosen working space (see the following section on RGB Setup) and the description of your monitor defined by its profile.
  • Page 97 7-3 Photoshop 5.x Profile Setup From the Photoshop 5.x File menu, choose Color Settings>Profile Setup. In the Embed Profiles area, check all boxes to embed the appropriate ICC profile when saving a file. By embedding a profile during the saving process, Photoshop can link a color space (working space) definition with that file for future use.
  • Page 98 7-4 Adobe Photoshop RGB Setup Photoshop 5.x allows you to simultaneously use two RGB spaces, one for the monitor and one for the Photoshop RGB working space. The monitor RGB space setting does not affect the image data in the file; it affects only the way the image is displayed on the monitor.
  • Page 99 7-5 Photoshop 5.x CMYK Setup From the Photoshop 5.x File menu, choose Color Settings>CMYK Setup. Check this option Turn on the Preview option. For CMYK Model, select ICC. Previous versions of Photoshop used Photoshop Separation Tables, and you can load them for Photoshop 5.x.
  • Page 100: Colorsync Defaults

    7-6 Adobe Photoshop ColorSync defaults You should have ColorSync 2.5.x or later installed on your Mac OS computer. The ICC profiles used by ColorSync are saved in System Folder:ColorSync Profiles. From the Apple menu, choose Control Panel>ColorSync. Use the following settings: •...
  • Page 101: Saving files For Importing Into Other Documents

    7-7 Photoshop 5.x Saving files for importing into other documents Before saving a file, perform any rotating, cropping, and resizing needed. This speeds processing when printing from the application in which the image is placed. It is recommended that you use EPS or TIFF file formats to save RGB images that will be imported into other documents and printed to the iR C2100/ 2100S.
  • Page 102 7-8 Adobe Photoshop If you experience problems printing the document in which you place the image, substitute an ASCII version of the same image, and print the document again. Binary encoding is much more compact than ASCII encoding but occasionally causes printing problems with some system configurations.
  • Page 103: Selecting Options When Printing

    7-9 Photoshop 5.x Selecting options when printing You can print RGB or CMYK images from Photoshop. • When you print an RGB image, you can choose whether the conversion to CMYK is performed by the iR C2100/2100S (using a CRD), by PostScript (using PostScript Color Management), or by Photoshop's built- in color management engine (by choosing an Output profile from the Space menu).
  • Page 104: Printing Tips For Advanced Users

    7-10 Adobe Photoshop Printing CMYK images Use the following instructions to print CMYK images. Choose an encoding Choose CMYK method Color as the color space Choose CMYK Color from the Space pop-up menu. Any other setting causes Photoshop to convert image data to that color space before sending it to the iR C2100/2100S.
  • Page 105 7-11 Photoshop 5.x For fastest print times, choose JPEG encoding, but check printed output carefully for unwanted artifacts that can appear as a result of JPEG compression. If you see unexpected results in the printed output, print the job again using Binary or ASCII encoding. Choose other print options you want to use (see Chapter 1).
  • Page 106: Photoshop 4.x

    7-12 Adobe Photoshop Photoshop 4.x A special feature of Photoshop allows you to save RGB EPS (PostScript) images that include independent source color space information. This feature is sometimes referred to as “PostScript Level 2 tagging” or “RGB tagging.” You define the source color space to apply to RGB EPS images by specifying a Monitor Setup in Photoshop.
  • Page 107 7-13 Photoshop 4.x It is recommended that you use the EPS or TIFF file formats to save RGB images that will be imported into other documents and printed to the iR C2100/2100S. EPS and TIFF files can be imported into virtually all page layout applications.
  • Page 108: Selecting Options When Printing

    7-14 Adobe Photoshop Selecting options when printing You can print RGB or CMYK images from Photoshop. • When you print RGB images, you can choose whether the conversion to CMYK data is performed by the iR C2100/2100S (using a CRD), by PostScript (using PS Color Management), or by Photoshop (using Photoshop’s separation settings).
  • Page 109 7-15 Photoshop 4.x For printing in CMYK, consider these Photoshop separation settings: • If Photoshop is configured for separating to an offset press standard, apply the corresponding CMYK Simulation setting. For example, if Photoshop is configured for separating to SWOP, choose SWOP as the CMYK setting. •...
  • Page 110 7-16 Adobe Photoshop Choose other print options (see Chapter 1). RGB Source and Rendering Style settings have no effect on CMYK images. The Spot Color Matching setting is also irrelevant because Photoshop converts PANTONE colors to CMYK values when you work in CMYK mode. •...
  • Page 111: Chapter 8: Page Layout Applications

    8-1 Working with page layout applications This chapter provides instructions for printing color documents from Adobe Chapter 8: PageMaker 6.5, QuarkXPress 4.02, and QuarkXPress 3.32. Page Layout Applications Before printing from these applications, make sure the appropriate printer driver and the iR C2100/2100S PPD are installed on your computer as described in Getting Started.
  • Page 112: Cmyk Simulation

    8-2 Page Layout Applications All RGB images placed in a document are affected by the RGB Source and Rendering Style settings. The iR C2100/2100S color management system applies the specified RGB Source setting to all RGB data and then uses the specified Rendering Style (CRD) to perform a color conversion.
  • Page 113: Adobe Pagemaker 6.5 For Mac Os And Windows

    8-3 Adobe PageMaker 6.5 for Mac OS and Windows • If the document contains CMYK images that were separated according to the color characteristics of a custom ICC profile (not a press standard profile), choose the corresponding profile as the CMYK Simulation Profile print option on the iR C2100/2100S.
  • Page 114: Selecting Options When Printing

    8-4 Page Layout Applications Selecting options when printing All print settings are specified from the various Print dialog boxes in PageMaker 6.5. The printer driver interface described in Chapter 1 is not used. Choose the iR C2100/2100S PPD Click Options In the Print Document dialog box, choose the iR C2100/2100S PPD from the PPD menu.
  • Page 115: Optional Color Management From Pagemaker

    8-5 QuarkXPress 4.02 for Mac OS and Windows If a document contains RGB placed images or colors defined in RGB that will not be separated to process colors, choose RGB Source and Rendering Style settings in the Print Features dialog box. If the document contains PANTONE colors, choose the appropriate Spot Color Matching setting.
  • Page 116: Importing Images

    8-6 Page Layout Applications Importing images With the exception of RGB images that are saved in EPS format or that use Quark’s PrintRGB XTension, QuarkXPress 4.02 converts all RGB data into CMYK, even when the Quark CMS XTension is disabled. Only RGB images saved in EPS format are affected by RGB Source and Rendering Style settings.
  • Page 117: Optional Color Management From Quarkxpress

    8-7 QuarkXPress 3.32 for Mac OS and Windows If the document contains PANTONE colors, choose the appropriate Spot Color Matching setting. For instructions on specifying print options, see Chapter 1. Optional Color Management from QuarkXPress If you have additional color management requirements not offered by ColorWise, such as managing color on non-iR C2100/2100S devices, you may want to consider using the color management features offered by QuarkXPress.
  • Page 118: Selecting Options When Printing

    8-8 Page Layout Applications Selecting options when printing You must select the iR C2100/2100S PPD from the Printer Type menu in the Page Setup (Mac OS) or Printer Setup (Windows) dialog box. Mac OS Choose the iR C2100/2100S PPD Choose an output paper size Choose Binary Windows Choose an...
  • Page 119: Chapter 9: Illustration Applications

    9-1 Working with illustration applications This chapter provides instructions for using Adobe Illustrator for Windows Chapter 9: and Mac OS, Macromedia FreeHand for Windows and Mac OS, and Illustration CorelDRAW for Windows and Mac OS. Applications Before printing from these applications, make sure the appropriate PostScript printer driver and the iR C2100/2100S PPD are installed on your computer as described in Getting Started.
  • Page 120: Importing Images

    9-2 Illustration Applications You can also choose named colors from the PANTONE color library. See “PANTONE Coated Color Reference” on page 5-6. Importing images In general, all images placed into illustration application documents should be in EPS format. All RGB images placed in a document are affected by the RGB Source and Rendering Style settings in the PPD.
  • Page 121: Adobe Illustrator 8.x For Windows And Mac Os

    9-3 Adobe Illustrator 8.x for Windows and Mac OS The workflow described above requires that the profile used for the separation of CMYK images in the document also resides on the iR C2100/ 2100S. For more information on downloading CMYK Simulation profiles to the iR C2100/2100S with ColorWise Pro Tools, see Chapter 4.
  • Page 122: Selecting Options When Printing

    9-4 Illustration Applications Selecting options when printing For the Windows version of Illustrator, select the appropriate copier/printer from the Name pop-up menu and select PostScript Level 2 or 3. Windows Select the copier/printer Click Properties to set name print options Choose Composite Choose PostScript Level 2 or 3...
  • Page 123: Saving files For Importing Into Other Documents

    9-5 Macromedia FreeHand 8.x for Windows and Mac OS If a document contains placed RGB images, click on the Properties button (Windows) or select Printer Specific Options from the pop-up menu (Mac OS) and choose RGB Source and Rendering Style settings for the iR C2100/2100S.
  • Page 124: Importing Images

    9-6 Illustration Applications You can control the conversion of RGB colors defined in FreeHand by speci- fying settings in the Preferences dialog box under the Colors category, or by clicking the Color Management button in the FreeHand pop-up menu on the Print dialog box.
  • Page 125: Selecting Options When Printing From Freehand

    9-7 Macromedia FreeHand 8.x for Windows and Mac OS Selecting options when printing from FreeHand When printing, refer to the following illustrations to select options. Click to access Choose Normal FreeHand Print Setup Click to select a PPD PPD name shown here In the Print dialog box, make sure the Use PPD option is turned on.
  • Page 126: Saving files For Importing Into Other Documents

    9-8 Illustration Applications If a document contains placed RGB images, choose RGB Source and Rendering Style settings in the PPD. With the exception of placed RGB images, these settings have no effect on colors printed with FreeHand. If the document contains PANTONE named colors, choose the appropriate Spot Color Matching setting in the PPD.
  • Page 127: Importing Images

    9-9 CorelDRAW for Windows and Mac OS If you do not wish to use color management in CorelDraw, do not check options under Color Management and Color Management/General, and select None from the Composite Printer pop-up menu under Color Management/Profiles. Importing images All RGB images placed in a document are affected by your RGB Source and Rendering Style settings in the PPD.
  • Page 128: Saving files For Importing Into Other Documents

    9-10 Illustration Applications To use iR C2100/2100S color management, do not check this box If a document contains placed RGB images, choose RGB Source and Rendering Style settings for your copier/printer. With the exception of placed RGB images, these settings have no effect on colors printed with CorelDRAW.
  • Page 129: Appendix A: Desktop Color Primer

    A-1 Desktop Color Primer This appendix covers concepts that are basic to printing in color, including: Appendix A: Desktop Color • The properties of color Primer • Printing techniques • Using color effectively • Raster images and vector images • Optimizing files for processing and printing If you are already familiar with color theory and digital color printing, you can skip to the last section (“Optimizing files for processing and printing”...
  • Page 130: Cie Color Model

    A-2 Desktop Color Primer The mixture of light wavelengths emitted by a light source is reflected selectively by different objects. Different mixtures of reflected light appear as different colors. Some of these mixtures appear as relatively saturated colors, but most appear to us as grays or impure hues of a color. CIE color model In the 1930s, the Commission Internationale de l’Eclairage (CIE) defined a standard color space, a way of defining colors in mathematical terms, to help...
  • Page 131: Additive And Subtractive Color Systems

    A-3 Desktop Color Primer Many computer applications include dialog boxes in which you choose colors by manipulating hue, saturation, and brightness. For example, Photoshop uses a square Color Picker (plate 4) which can be reconfigured according to your preference. Additive and subtractive color systems Color devices used in desktop publishing and printing simulate the range of visible colors using a set of primary colors that are combined to create other colors.
  • Page 132: Printing Techniques

    A-4 Desktop Color Primer The subtractive primaries are cyan, magenta, and yellow; they absorb red, green, and blue light, respectively (plate 7). Combining any two subtractive primaries creates a new color that is relatively pure or saturated. For example, you can make red by combining magenta and yellow, which absorb green and blue light, respectively.
  • Page 133: Halftone And Continuous Tone Devices

    A-5 Desktop Color Primer In contemporary offset lithographic printing, digital files from desktop computers are output to an imagesetter, which creates film separations. The film is used to make a prepress proof, which is an accurate predictor of the final print job and allows you to make corrections before going to press. Once the proof is approved, the printer makes plates from the film and runs the print job on the press.
  • Page 134: Using Color Effectively

    A-6 Desktop Color Primer Even if your color printing is done exclusively on the iR C2100/2100S, you will encounter concepts from offset printing if you use high-end graphics applications. For example, color controls in illustration applications such as Illustrator are geared toward specifying color for offset printing using process and spot colors.
  • Page 135: Color Wheel

    A-7 Desktop Color Primer Color wheel A color wheel (plate 8) is a helpful tool for understanding the interrelation of colors. The colors on one side of the color wheel, from magenta to yellow, appear to most people to be warm colors, while those on the other side, from green to blue, appear to be cool.
  • Page 136: Raster Images And Vector Images

    A-8 Desktop Color Primer Color text can add flair to documents printed on paper when used skillfully. This technique is widely used in presentations. When using color text, avoid dazzling text and background combinations created from primary complements, especially red and cyan or red and blue; they are visually fatiguing and hard to read.
  • Page 137: Optimizing files For Processing And Printing

    A-9 Desktop Color Primer When printing raster artwork, the quality of the output depends on the resolution of the source raster. If the raster resolution is too low, individual pixels become visible in the printed output as small squares. This effect is sometimes called “pixelation.”...
  • Page 138 A-10 Desktop Color Primer The resolution of a raster image, along with its bit depth and physical dimensions, determine its file size. The following table shows the file sizes of color raster images at different dimensions and resolutions. File size at: Image size: 100 ppi 150 ppi...
  • Page 139: Scaling

    A-11 Desktop Color Primer Print the files and examine the output. You will likely begin to see a marked deterioration in output quality at resolutions below 200 ppi, while above 200 ppi the improvement may be very subtle. Image quality 100 ppi 200 ppi 300 ppi...
  • Page 141: Appendix B: Color Management

    B-1 Color Management This appendix provides information on controlling and managing color Appendix B: output in order to achieve predictable color results. It also discusses the basics Color of color management. Management Controlling printed color When working with color materials, whether they be presentations, illustrations, or complicated page designs, you make aesthetic decisions about the colors you use.
  • Page 142: Print Device Gamut

    B-2 Color Management Paper stock and toner The paper and toner used by your copier/printer can greatly affect printed color. For best results, use the supplies recommended by the manufacturer of the copier/printer. Maintenance Problems such as streaking and insufficient or excessive amounts of one or more toners arise when a copier/printer does not receive periodic maintenance or needs major repairs.
  • Page 143: Basics Of Color Management

    B-3 Color Management You need to account for the gamut of your print device when designing on a color monitor. When printed, colors that fall outside the print device gamut are “mapped” to printable colors. This process, referred to as gamut mapping, takes place when color data is converted or adjusted to meet the gamut requirements of a print device.
  • Page 144: Color Conversion

    B-4 Color Management Color conversion Before a color document can be printed, the color data in it must be converted to the gamut of the print device. Whether performed by the iR C2100/2100S or by a host-based CMS, the process of converting color data for a print device is the same: the CMS interprets RGB image data according to a specified source profile and adjusts both RGB and CMYK data according to a specified output profile, also called a destination profile by...
  • Page 145: Appendix C: Importing Densitometer Measurements

    C-1 Importing densitometer measurements This appendix describes Simple ASCII File Format, which can be used to Appendix C: import density measurements from measurement devices. To use your own Importing measurement data from an alternate densitometer, record your individual densitometer readings in a text file and structure it as described below. measurements Simple ASCII Import File Format (SAIFF) This format describes Status T measurement data and is for import into the...
  • Page 146: Example Of 1d Status T Density For Efi 34 Patch Page

    C-2 Importing densitometer measurements Example of 1D Status T density for EFI 34 patch page This file format is used to specify the Status T density measurements of the EFI 34 patch page. The value in the first column is the patch number. The first patch must be 1 and the last must be 34.
  • Page 147: Example Of 1d Status T Density For An Arbitrary Page

    C-3 Importing densitometer measurements Example of 1D Status T density for an arbitrary page This file format is used to specify the Status T density measurements of a user-defined patch page. The value in the first column is the ink/toner percentage of the patch.
  • Page 149: Glossary

    Glossary additive color model blasting A system in which colors are produced An undesirable effect that occurs by combining red, green, and blue when excess amounts of toner, light (the additive primaries). An RGB possibly combined with certain types video monitor is based on an additive of paper stock, cause objects in an color model.
  • Page 150 Glossary color rendering dictionary continuous tone (contone) See CRD (color rendering dictionary). Describes a photographic image that contains gradient tones from black to color separation white (such as a 35mm transparency The process of separating a color or a photograph). Continuous tones image into the color components for cannot be reproduced in that form for printing—cyan, magenta, yellow, and...
  • Page 151 Glossary editing application to perform color gamma A numeric value representing the separation and pass it through to final relationship (gamma curve) between output with its integrity intact. the input and output values of a color density device. If gamma equals 1, input A measurement of the light-absorbing values are mapped exactly to output quality of a photographic or printed...
  • Page 152 Glossary Graphics Interchange Format imagesetter See GIF. Raster-based film output device; a high-resolution laser output device gravure that writes bitmapped data onto A printing technology that uses an photosensitive paper or film. etched cylinder that has been immersed in ink. The ink that remains JPEG in the etched areas is applied to the A graphics file format defined by the...
  • Page 153 Glossary offset lithography performance with Advanced Page Pro- Printing in which ink is transferred cessing, and ease of use and setup with from printing plates to a rubber NetWorks System. blanket and then from the blanket to PPD (PostScript Printer Description paper.
  • Page 154 Glossary raster image source color space Electronic representation of a page or The color environment of the image using a grid of points called originating source of an image, pixels. including scanners and color monitors. rendering intent The style of color rendering, or gamut source profile mapping, designed for a particular A profile used by the color...
  • Page 155 Glossary subtractive primaries white point Cyan, magenta, and yellow colorants The color temperature of any white used in subtractive color systems for light source, typically expressed in color printing. Combining the degrees Kelvin (for example, 6500 K, subtractive primaries produces darker typical for the white of a monitor).
  • Page 157: Bibliography

    Bibliography Books Adobe Print Publishing Guide. Adobe Systems Incorporated, 1995. (Comes as part of the documentation for Adobe products such as Adobe Photoshop and Adobe Illustrator, P/N 0397 0719.) Blatner, David and Fraser, Bruce. Real World Photoshop 3: Industrial Strength Production Techniques.
  • Page 159: Index

    Index Numerics calibration patch page 3-3 charts, using color in A-6 8-pin DIN plug 3-6 chromaticity diagram A-2 Absolute Colorimetric 1-5 color model A-2 accent color A-6 CIELAB color space B-3 additive color model A-3 CMY color model 5-3 additive primaries A-3 CMYK Color Reference 5-2, 5-6 Adobe Illustrator, see Illustrator CMYK Simulation Method...
  • Page 160 Index wheel A-7 custom color systems 5-4, A-7 working with 5-1 custom simulations 1-7 Color Charts 3-4 color management default color controls set in Setup 1-3 basics B-3 to B-4 densitometer ColorWise 1-1 to 1-12, 2-2 calibrating 3-7, 3-8 color management print options for DTP32 3-1, 3-5 to 3-7, 3-8 Windows 95/98 1-14 density patches 3-4...
  • Page 161 Index Microsoft Printer Driver Windows 2000 1-17 halftoning A-4, A-5 Microsoft Word, see Microsoft Office HSB color model 5-4, A-2 misregistration of colors A-8 HSL color model 5-3, 5-4 moiré A-5 HSV color model 5-3 monitors hue, saturation, and brightness A-1, A-2 calibration B-3 color model A-3 ICC profiles...
  • Page 162 Index physics of color A-1 pixel-editing applications A-8, A-10 QuarkXPress 5-4, 8-5 pixels in raster images A-8 Quick simulation 1-7 PostScript and non-PostScript RGB QuickDraw applications, using color data 1-6, 7-12 in 5-3 to 5-4 PostScript applications color handling 5-5 raster images using color in 5-4 to 5-7 bit depth A-8, A-10...
  • Page 163 Index simulations, custom 1-7 Source 1–10 option 1-6 vector images A-8, A-9 source color space B-4 visible spectrum of light A-1 source color space profile VisualCal calibration method 3-16 color conversion B-4 spectral colors A-2 white point B-4 spectral components of light A-1, A-2 White Point option 1-3 split complements A-7 Windows 95/98...

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