Sennheiser e912 Instuctions For Use page 6

Theater stages:
lying at the edge of
the stage and
directed towards the
stage; as spot
microphone of the PA
system or for
monitoring purposes
in the theater
cloakrooms
Grand piano / piano:
mounted to the
inside cover (=
sound-reflecting
surface) of the piano
or lying in the
instrument or on the
floor underneath the
piano
*) The cardioid pick-up pattern has an opening angle of
approx. 130°. Try to position the microphone so that the
sound source (conference participant, speaker or
instrument) is located in this angle area (see polar
diagram).
14
Less room resonance
in contrast to free-
standing
microphones;
improved speech
intelligibility
Very transparent and
powerful sound;
stereo sound image
can be shaped
individually,
depending on
microphone position
chosen
Excellent rejection
of rumble noise; if
necessary, place
the microphone on
a soft pad (e.g.
mousepad).
If necessary,
combine with
overhead micro-
phones (e.g.
Sennheiser ME 36
with MZH 30 B &
MZC 30)
Instrument is easy
to mike, even
when the cover is
closed;
excellent
protection against
crosstalk into
other microphone
channels and
reduced volume on
stage