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Tokina AT-X 116 PRO DX II User Manual

Tokina AT-X 116 PRO DX II User Manual

Af11-16mm f/2.8 to fit canon nikon-d aps-c sized sensor model only at-x 116 pro dx ii
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Summary of Contents for Tokina AT-X 116 PRO DX II

  • Page 1 L E N S C A T A L O G www.tokinalens.com...
  • Page 2 More Quality Than Meets The Eye. The Tokina difference comes from special material selection and assembly technology that employs micron-unit quality control. This ensures optimum consistency while maintaining the highest quality for every lens.
  • Page 3: Exterior Finish

    2. Our special lubricant is used on moving parts, formulated to perform even under extremes of temperature. Lens Coatings Resistance to flare and ghosting, plus faithful color reproduction are all achieved by a unique coating technique – yet another reason for Tokina’s reputation for incredibly sharp and clean images.
  • Page 4 Photograph by: Brett Kennedy Lens: AT-X 116 PRO DX II...
  • Page 5 AT-X 116 PRO DX II TO FIT CANON • NIKON-D APS-C Sized Sensor Model Only The New Tokina AT-X 116 PRO DX II is an update to the widely popular and award winning AT-X 116 PRO DX, 11-16 F/2.8 lens.
  • Page 6 Photograph by: Ryosuke Takahashi Lens: REFLEX 300MM F6.3 MF MACRO...
  • Page 7 The lens has a fixed f/6.3 aperture. The Tokina Reflex 300mm has all metal lens barrels and very high quality glass optics to yield the best optical performance from a new of this design.
  • Page 9 AT-X 16-28 PRO FX TO FIT CANON • NIKON-D This new Tokina lens is the first in a new generation of full frame (FX) lenses designed for professional digital SLR cameras like the Canon EOS 5D Mark II and the Nikon D700 and D3x. The 16-28 zoom...
  • Page 10 Photograph by: Ryosuke Takahashi Lens: AT-X 17-35 PRO FX...
  • Page 11 AT-X 17-35 PRO FX TO FIT CANON • NIKON-D Designed for Full-Frame cameras, the Tokina AT-X 17-35 PRO FX gives photographers a new wide-angle option. With a focal length of 17MM at the wide-side the lens yields a spectacular 103.9 degree field of view which is great for shooting in tight situations or for taking in wide expanses of space.
  • Page 13 • Lens Hood: Built-in ( APS-C Sized Sensor Model Only * Be sure to note that the Tokina AT-X 107 DX lens itself is not waterproof or water resistant. N Will not AF when used on Nikon D5100, D3200 and other silent wave bodies.
  • Page 14 Photograph by: Michael Burnham Lens: AT-X 107 DX NH Fisheye...
  • Page 15 14.5-17MM depending on the camera model, at 10-14MM there is a semi-circular view. ** Be sure to note that the Tokina AT-X 107 DX lens itself is not waterproof or water resistant. N Will not AF when used on Nikon D5100, D3200 and other silent wave bodies.
  • Page 17 AT-X 116 PRO DX TO FIT CANON • NIKON-D • SONY APS-C Sized Sensor Model Only The Tokina AT-X 116 PRO DX is an ultra-wide angle lens with a fast f/2.8 aperture for better photography in low-light situations. Many photojournalists consider having an f/2.8 aperture a must for any lens in their camera bag.
  • Page 19 for APS-C Format Digital SLR Super Wide-Angle Zoom AF12-24mm f/4 AT-X 124 PRO DX II TO FIT CANON • NIKON-D APS-C Sized Sensor Model Only The AT-X 124 PRO DX II 12-24mm f/4 AF lens gives the Digital photographer an ultra wide-angle zoom lens that has the equivalent angle of view to an 18-36mm in full frame (FX) format.
  • Page 21 TO FIT CANON • NIKON-D A new Macro lens to bridge the gap between film and digital, the Tokina AT-X M100 PRO D has full coverage on 35mm while also possessing the latest optical multi-coating technology engineered to match the silicon based CCD or CMOS sensors.
  • Page 22 (used mainly with zoom lenses). The internal focusing system used by Tokina moves each lens group, but does not change the overall length of the lens - this is especially useful with telephoto designs.
  • Page 23 That presents limits to performance in wide aperture and super wide-angle lenses. Tokina uses aspherical glass elements in many of its lenses. In addition to correcting spherical aberration, these lenses fully correct light quantity and distortion at the edge of the image and provide excellent results when used in combination with floating elements.
  • Page 24: Angle Of View

    T O K I N A ' S L E N S T E C H N O L OG Y Angle of View The range across the film surface onto which the subject is exposed is expressed as an angle, called the angle of view. Wide-angle lenses with their short focal lengths have a wide angle of view, which means the exposure range is wide.
  • Page 25: Depth Of Field

    Depth of Field When you focus on a subject, there is part of the subject that is in focus and parts in front and behind which are not in focus. This range in which the object is seen to be sharply in focus is called the depth of field.
  • Page 26 T E C H N I C A L S P E C I F I C AT I O N S AT-X 116 PRO DX II 11~16mm f/2.8 C, N/D 13/11 104° ~ 82° REFLEX 300mm F6.3 MF MACRO Micro 4/3rds 4.8°...
  • Page 27 0.3m(11.8 in.) 1:11.6 f/2.8~f/22 89.2 BH-77B 0.8m(31.5 in.) f/6.3 BH-552 0.14m(5.5 in.) 1:2.56 f/3.5~f/22 71.1 Built-in 0.14m(5.5 in.) 1:2.56 f/3.5~f/22 69.9 70.9 0.28m(11 in.) 1:5.26 f/2.8~f/22 133.3 Built-in 0.28m(11 in.) 1:4.82 f/4~f/22 94.5 BH-821 0.3m(11.8 in.) 1:11.6 f/2.8~f/22 89.2 BH-77B 0.3m(11.8 in.) f/4~f/22 89.5...
  • Page 28 3-9-19 NISHI-OCHIAI, SHINJUKU-KU, TOKYO 161-8570 JAPAN TEL. 81-3-5988-7353 FAX. 81-3-5982-3229 www.tokinalens.com Sample Photographs by: Brett Kennedy Michael Burnham Ryosuke Takahashi Yasumi Suga...