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Connecting Auxiliary Outputs
6
5
4
3
2
1
AUX
AUX
AUX
AUX
AUX
AUX
SENDS
AUX 1-6 OUTPUTS
Each of the six auxiliary sends is available on a 3 pole TRS jack
socket. These are impedance balanced to reduce noise pickup on long cable runs.
Connect to balanced or unbalanced equipment as shown above. Nominal operating level
is – 2 dBu but gain is available using the send master control to drive +4dBu if required. Use
pre-fade auxes to feed stage monitor, foldback and cue systems. Use post-fade auxes to
feed effects processors such as reverb, and to provide independent zone, cleanfeed and
recording feeds.
Connecting the Headphones and Local Monitor
L
2
R
TIP = L
RING = R
LOCAL MONITOR OUTPUTS
A pair of 3 pole TRS jack sockets provide left and right
outputs from the console local monitor system. These are impedance balanced and can
be connected to balanced or unbalanced equipment as shown above. Nominal operating
level is – 2 dBu but gain is available to drive +4dBu if required. Independent control is
provided for the local and the headphones monitor systems.
HEADPHONES 2 OUTPUT
Two outputs are available for stereo headphones, one on
the front panel, the other on the rear panel. This is convenient for permanent installation
or when two headphones are required at the same time, for example presenter and guest
in a broadcast application. The same signal is available from both. Headphones are
available in many different styles, impedances and volume ratings. To get the best from
your system we recommend that you use high quality closed ear headphones in the range
30 to 600 ohms. 8 Ohm headphones are not recommended.
WARNING
Some headphones are more sensitive than others and can
produce higher output levels. To avoid damage to your hearing start with the
PHONES level control at minimum and turn up only as much as is needed to
maintain comfortable listening level. Do not drive headphones at high listening
levels for long periods of time.
16
WZ20S User Guide
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