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Summary of Contents for ALLEN & HEATH MixWizard WZ314:4:2
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Page 1: User Guide
MixWizard WZ 14:4:2 USER GUIDE Publication AP5332... -
Page 2: Warranty
Limited One Year Warranty This product has been manufactured in the UK by ALLEN&HEATH and is warranted to be free from defects in materials or workmanship for period of one year from the date of purchase by the original owner. To ensure a high level of performance and reliability for which this equipment has been designed and manufactured, read this User Guide before operating. -
Page 3: Important Safety Instructions
Important Safety Instructions WARNINGS Read the following before proceeding : CAUTION ATTENTION: RISQUE DE CHOC ELECTRIQUE – NE PAS OUVRIR Read instructions: Retain these safety and operating instructions for future reference. Adhere to all warnings printed here and on the console. Follow the operating instructions printed in this User Guide. -
Page 4: General Precautions
Important Mains plug wiring instructions. The console is supplied with a moulded mains plug fitted to the AC mains power lead. Follow the instructions below if the mains plug has to be replaced. The wires in the mains lead are coloured in accordance with the following code: TERMINAL WIRE COLOUR... -
Page 5: Table Of Contents
Introduction Welcome to the Allen & Heath WZ 14:4:2, one of the latest generation of the popular MixWizard series of compact audio mixing consoles. We have tried to keep this user guide brief and to the point. Please read it fully before starting. Included is information on installing, connecting and operating the console, panel drawings, system block diagram and technical specification. -
Page 6: Front Panel Layout
LAMP GAIN GAIN +48V (LINE) TALKBACK PHONES TRIM GAIN MATRIX - 10 11-12 13-14 (ST1+ST2) (ST3+ST4) OSC/NOISE 2TRK GAIN GAIN TRIM PINK NOISE 2TRK 1kHz OSC TO LR POWER 500Hz TB SELECT 35Hz GRP 1-4 AUX 1-2 LEVEL LEVEL PFL/AFL AUX 3-4 MONITOR AUX 5-6... -
Page 7: Introducing The Mixwizard
Introducing the MixWizard WZ 14:4:2 The Allen & Heath MixWizard series of consoles includes several models. This user guide describes the WZ 14:4:2 4 group model. The 2 bus WZ 12:2 and WZ 16:2, and the stereo input WZ20S consoles are described in separate publications. For further information on the MixWizard series please refer to the Allen &... -
Page 8: Installing The Console
Installing the Console Free Standing The console is supplied ready for free standing operation with its side trims fitted and connector pod positioned for rear access. If you are converting from rack to free standing then make sure the pod is correctly rotated and secured, and the side trims fitted as shown below: FIT SIDE TRIMS - 4x M4 POZI SCREWS PER SIDE CONSOLE WIDTH = 507mm... -
Page 9: Connecting Power
Connecting Power FUSE CAUTION T630mA L 250V 20mm AC MAINS IN ~ EXTERNAL DC IN RISK OF ELECTRIC SHOCK 100 - 240V~ 47-63Hz 45W MAX DO NOT OPEN BACKUP SUPPLY AVIS: RISQUE DE CHOC ELECTRIQUE - NE PAS OUVRIR. CAUTION: FOR CONTINUED PROTECTION AGAINST RISK OF FIRE REPLACE FUSE WITH SAME TYPE AND RATING. ATTENTION: REMPLACER LE FUSIBLE AVEC UN DES MEMES CARACTERISTIQUES. -
Page 10: Connection Pinouts And Cables
14:4:2 User Guide... -
Page 11: Audio Connections
Audio Connections The MixWizard uses professional grade 3 pin XLR, 1/4" TRS (3 pole) jack and RCA phono sockets. To ensure best performance, we recommend that you use high quality audio cables and connectors, and take time to check for reliable and accurate cable assembly. It is well known that most audio system problems are due to faulty or sub standard interconnecting leads. -
Page 12: Connector Panel Layouts
ALLEN&HEATH MixWizard WZ 14:4:2 2-TRACK 13-14 11-12 RETURN SEND INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT LINE IN LINE IN LINE IN LINE IN LINE IN LINE IN LINE IN LINE IN LINE IN LINE IN INSERT INSERT... -
Page 13: Console Connectors
The Console Connectors MIC / LINE IN The channel PAD (LINE) switch selects either the MIC INPUT XLR or the LINE TRS jack as the input source. The XLR is normalled through the TRS jack. This means that the XLR can be used for - IN microphone or line level signals when nothing is plugged into the jack TIP +IN... - Page 14 GROUP (Aux), L, R, M OUT The main console mix outputs are on balanced XLR. These produce +4dBu when the meters read ‘0’. The M output can be switched to provide a mono sum of the post-fade L and R signals, or the PFL/AFL engineer’s wedge output.
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Page 15: Mono Input Channel
The MONO Input Channel +48V Switches +48VDC to the channel input XLR for powering +48V microphones or DI boxes that need phantom power. The power is current limited through 6k8 ohm resistors to pins 2 and 3. (LINE) GAIN WARNING: Do not connect unbalanced sources or cables - 10 to inputs with phantom power selected. - Page 16 AUX SENDS These rotary controls adjust how much channel signal is mixed to the aux outputs. Each of the 6 auxes has its own control. They adjusts from fully off to +6dB boost. Unity gain 0dB is +48V marked at 3 o’clock position. Auxes 1-4, 5-6 are switched pre/post. (LINE) These settings may be changed if preferred by repositioning internal jumper link options.
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Page 17: Stereo Input Channel
The STEREO Input Channel Dual stereo inputs Each of the two stereo channels has two GAIN stereo inputs which can be used separately, mixed together or split so that one feeds the channel, the other routes direct to LR. For example, you could mix two sound effects playback devices or two reverb returns together into one channel. -
Page 18: Group/Aux Masters
The GROUP / AUX Masters AUX MASTERS Each aux mix has a master level control that adjusts the output level to match external equipment, or trims the monitor, effect or other send without affecting the mix balance. Up to +10dB boost is available above the normal 0dB position. AUX AFL Press AFL to listen to the post-level aux mix in the headphones and local monitor without affecting the main outputs. -
Page 19: Master Section
The Master Section AUX 5 and 6 Masters These function in the same way as described for auxes 1 to 4. The REV switch reverses the AUX5 mix with L, and AUX6 mix with R for operation in monitor mode. When TALKBACK PHONES selected, the aux signals are presented to the L and R XLR outputs... -
Page 20: Talkback, Generator And Matrix
TALKBACK, SIGNAL GENERATOR and MATRIX TALKBACK Individually assignable talkback is available to all the main outputs. Plug in a suitable cable or gooseneck microphone. A good quality dynamic condenser vocal microphone recommended. Note that +48V phantom power is available at the XLR TALKBACK PHONES TRIM... -
Page 21: Specifications
Specifications Performance Maximum output level +26dBu into 600 ohms max load Jack +21dBu into 2k ohm max load Internal headroom Channels +21dB +23dB Meters 3 colour LED, quasi peak response Sensitivity 0VU = +4dBu at XLR output Master meters 12 segment -30 to +16dB Channel meters 2 segment... - Page 22 Connections Mono channel XLR balanced pin 2 hot Sensitivity -60 to +10dBu TRS balanced, tip hot Sensitivity -40 to +10dBu Pad out (MIC) 2k ohm Pad in (MIC or LINE) >10k ohm, -20dB Max input level +30dBu XLR phantom power +48V, on/off Stereo channel ST1,3 TRS unbalanced...
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Page 23: System Block Diagram
WZ3 14:4:2 SYS-LINK CONNECTION PHANTOM POWER 4 BAND EQUALISER GRP/AUX REV GAIN AUX OUT LINE (PAD) MUTE -20dB 2= + AUX MIX +10dB boost TIP= + BALANCED TIP= + GROUPS / AUX 1-4 IMPEDANCE BALANCED +4dBu BAL OPTION -2dBu FADER LINE METER TIP= SEND... -
Page 24: User Options
User Options The MixWizard has a versatile architecture which REMOVE 4x M4 POZI SCREWS PER SIDE should satisfy most applications you may encounter REMOVE SIDE TRIMS without modification. However, the following internal options provide alternative settings those applications that may demand them. Access is REMOVE M4 POZI SCREW PER SIDE required to the internal assemblies. - Page 25 Aux pre/post insert / EQ Factory default for the mono channel pre-fade auxes is pre-insert, pre- MONO CH - AUX PRE/POST EQ EQ. This is popular with many users mixing monitors from FOH. It prevents the channel EQ and inserted compressors affecting the monitor mix.
- Page 26 Output balance options The aux and matrix outputs are impedance balanced as standard MASTER L operating at nominal -2dBu and with +21dBu MASTER R maximum drive. They provide similar interference GROUP rejection to electronically balanced outputs when connected to balanced equipment inputs. electronically balanced option is available if you require nominal +4dBu and higher output drive up to +26dBu over very long cable runs.
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Page 27: Cue Sheet
Cue Sheet 14:4:2 Copy and use this page to record your console settings. ALLEN&HEATH MixWizard WZ 14:4:2 LAMP GAIN GAIN +48V +48V +48V +48V +48V +48V +48V +48V +48V +48V (LINE) (LINE) (LINE) (LINE) (LINE) (LINE) (LINE) (LINE) (LINE) (LINE) TALKBACK PHONES TRIM...
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