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Due to its analog structure, the audio signals are compatible with any common surround format—DVD-A, DVD-V, SACD, AC3, DTS, MLP... you name it, Atmos can thanks for using the Atmos system. We wish you have as much fun working with it as deliver it.
Atmos – the complete surround miking preamp The Atmos is a fully-featured stand-alone surround miking preamp for surround productions in any known format. The Atmos system operates fully analog to ensure independence from any storage or transmission format. Atmos controller The Atmos is equipped with five matched high precision microphone preamps featuring SPL‘s triple gain stages to capture the superb sound of Brauner‘s mic array...
BEFORE switching on the preamp, you have to connect the mic array via the multicore lead to the Atmos unit. Pay attention to fit the bayonet joints properly. Check that the voltage details quoted on the back panel correspond to your local mains electricity supply.
-48 dBu und +9 dBu and are displayed in steps of 3 dB. A short example: How to use the Atmos One can describe the work with the Atmos very good with the example of an orchestral recording. The main mic array is placed in a central position in front of the orchestra.
Specifi cations Frequency range S/N ratio (A-weighted) Mic Out @ 18 dB Gain: 10 Hz-180 kHz (+/-3 dB, Phase –2°) 150 Ohm generator, 22 Hz-22 kHz fi lter, 60 dB Gain@150 Ohm Mic Out: -66,8 dB CMRR 100 Hz 1 kHz 10 kHz 50 dB Gain@all: -77,2 dB...
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