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video output during the performance at the
venue, connect a video cable to the video mixer
output as well.
Setting up individual cameras
Before the rehearsal starts, adjust the settings
of each camera to create a uniform image
between cameras. Start with the white balance,
which will vary depending on the stage lighting
at the venue. Setting each camera to 3200K
for interior lighting is the easiest way to achieve
uniformity. If you cannot manually set the color
temperature, it is best to use the automatic
white balance setting. If possible, use cameras
from the same manufacturer for similar image
settings and picture quality. Set the white
balance to indoor illumination and compare the
image quality when using cameras made by
different manufacturers. If there are obvious
differences, adjust the white balance using the
same lighting source. Adjust the white balance
for all the cameras when the lighting is flat
during the rehearsal. It is best to match the
picture quality of the cameras at the venue
because it is difficult to correct color after-the-
fact.
Pay special attention to the surface of the lens.
Stages can have many light sources which can
include back lighting, so be sure the lenses are
clean. Live music venues produce dust and
particles that can easily show up on the lens.
Light can enter the lens directly, so use cameras
that are less susceptible to smearing. Tripod
mounting is recommended (handheld shooting
is mentioned later). Choose the camera angles
before the rehearsal begins.
If images will be shown on a projector during
the performance, choose cameras that perform
well under low lighting conditions.
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