Roland EXR-46OR Owner's Manual

Interactive arranger

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Owner's manual (192 pages)

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Summary of Contents for Roland EXR-46OR

Page 2 r EXR-46 OR 1. Features [√][®] [√][®]...
Page 3 EXR-46 OR symbol alerts the user to important instructions Used for instructions intended to alert or warnings.The specific meaning of the symbol is the user to the risk of death or severe determined by the design contained within the injury should unit used...
Page 4 r EXR-46 OR This product must be disposed of separately at your local waste recycling centre. Do not dispose of in household waste bin.
Page 5 EXR-46 OR Contents...
Page 6 r EXR-46 OR 16. Using the outputs and an optional footswitch..57 17. Miscellaneous ........58 18.
Page 7: Important Notes
EXR-46 OR 2. Important notes...
Page 8 r EXR-46 OR Rear side of the disk WRITE (you can save data to the disk) Protect tab PROTECT (you cannot save data)
Page 9: Panel Descriptions
EXR-46 OR 3. Panel descriptions I [METRONOME] J [MELODY¥INTELLIGENCE] F [VOLUME] K [USB] [ACCOMP] [KEYBOARD] H [KEYBOARD¥TOUCH] [ONE¥TOUCH] C [POWER¥ON]...
Page 10 r EXR-46 OR L [ONE¥TOUCH] [√][®] [®] [√] M [V-LINK] [–][+] [ARRANGER¥BAND] [PIANO÷SOLO] X [FUNCTION] [√][®] S [MUSIC¥ASSISTANT] Y [DISK] [SPLIT] [DUAL] [SPLIT] [DUAL] T [SONG] [INTRO] [ORIGINAL] Z [USER¥PROGRAM÷WRITE] [TRANSPOSE] U [STYLE] [INTRO] [ORIGINAL] [TAP¥TEMPO] V [TONE] [SYNC¥START/STOP] [FAMILY] [√][®] [√][®] [√][®]...
Page 11 EXR-46 OR...
Page 12: First Steps
r EXR-46 OR 4. First steps [START÷STOP] [START÷STOP] [STYLE] [POWER¥ON] [USB] [ONE¥TOUCH] STYLE POWER ON [VOLUME] [START÷STOP] 120 001 [VOLUME] VOLUME [START÷STOP] [START÷STOP] [USB] [ONE¥TOUCH] [TONE] TONE [POWER¥ON]...
Page 13 EXR-46 OR [SPLIT] SPLIT [ONE¥TOUCH] GUITAR/ BASS [TONE] SPLIT [ACCOMP] [KEYBOARD] TONE BALANCE ACCOMP KEYBOARD Split Main [PIANO¥SOLO] [SPLIT] [ACCOMP] PIANO [START÷STOP] [KEYBOARD] SOLO SPLIT ARRANGER BALANCE ACCOMP KEYBOARD [SPLIT]...
Page 14 r EXR-46 OR [METRONOME] METRONOME [DUAL] DUAL [METRONOME] [–][+] DUAL [METRONOME] [DUAL] [ACCOMP] [KEYBOARD] [DUAL]...
Page 15 EXR-46 OR 5. Playing with accompaniment (Arranger) [ARRANGER¥BAND] [START÷STOP] ARRANGER BAND [REC¥∏] ARRANGER [START÷STOP] RE-START [START÷STOP] G REC ARRANGER [V-LINK] ARRANGER...
Page 16 r EXR-46 OR [–] [SYNC¥START÷STOP] [START÷STOP] [ENDING] [–] [SYNC¥START÷STOP] [TAP¥TEMPO] TAP TEMPO [SYNC¥START÷STOP] SYNC START [ARRANGER¥BAND] ARRANGER INTRO ORIGINAL FILL VARIATION ENDING [STYLE] SYNC START/STOP STYLE [SYNC¥START÷STOP] SYNC START...
Page 17 EXR-46 OR [√][®] [+/YES] FAMILY [ARRANGER¥BAND] [+/YES] [START÷STOP] [√][®] SELECT [®] [√] [®] [√] [®]...
Page 18 r EXR-46 OR [√][®] [ACCOMP] BALANCE [VARIATION] [ORIGINAL] ACCOMP KEYBOARD [ORIGINAL] [VARIATION] [DRUM&BASS] [COMBO] [FULL¥BAND] [KEYBOARD] [SPLIT] [DUAL]...
Page 19: Playing Back Songs
EXR-46 OR 6. Playing back songs SYNC TAP TEMPO START/STOP INTRO ORIGINAL FILL VARIATION ENDING [√][®] [√][®] [SONG] SELECT FAMILY SONG [START÷STOP] [®] [√] [SONG] ARRANGER INTRO ORIGINAL FILL VARIATION ENDING [®] [√] [®]...
Page 20 r EXR-46 OR [START÷STOP] [INTRO] [ORIGINAL] [START÷STOP] [√] [®] [√] [®] [–][+] [√] [TAP¥TEMPO] [®] [®] [√] ARRANGER [√][®] [SONG] [|√] [º] [‰] [SONG] SONG [YES/+] [START÷STOP] [®÷ª] [‰] [º] [V-LINK] [|√] [|√]...
Page 21 EXR-46 OR [‰] [º] [DRUMS] [10] [|√] [º] [‰] [START÷STOP] [®÷ª] [MARKER¥A–B] SYNC MINUS ONE START/STOP MARKER A–B [SONG] [MINUS¥ONE] ENDING [MARKER¥A–B] MINUS [REPEAT¥A–B] INTRO [RIGHT] REPEAT A–B...
Page 22 r EXR-46 OR [LEFT] [RIGHT] [LEFT] [BASS] [DRUMS] [OTHERS] [MINUS¥ONE] [BASS] [RIGHT] [LEFT] [BASS] [DRUM] [–][+] [DRUMS] [RIGHT] [|√] [®÷ª] [®÷ª] [MINUS¥ONE] [MINUS¥ONE]...
Page 23 EXR-46 OR 7. Recording your music [START÷STOP] [√][®] [RECORD≈∏] [1] [16] [ARRANGER¥BAND] 120 001 ARRANGER ORCHESTRATOR BEAT FULL BAND [ENDING] BAND INTRO ARRANGER [STYLE] ENDING [REC¥∏] [INTRO] MINUS [ORIGINAL] [VARIATION] [START÷STOP] [TAP¥TEMPO] [–][+] [START÷STOP] [START÷STOP] [SONG] [V-LINK] [START÷STOP] [TONE] [√][®] [START÷STOP] [|√] [METRONOME]...
Page 24 r EXR-46 OR [REC¥∏] [√][®] [REC¥∏] [RECORD∏] 120 001 ORCHESTRATOR BEAT FULL BAND 120 001 INTRO ORCHESTRATOR BEAT FULL BAND INTRO RECORD [SPLIT] [TAP¥TEMPO] [–][+] Accomp 1 Accomp 6 Arranger bass Arranger drums Accomp 2 k Split* k Main k Auto Bass* (see p. 41) Accomp 3 k Dual* Accomp 4...
Page 25 EXR-46 OR [10] [REC¥∏] [√][®] 120 001 ORCHESTRATOR BEAT FULL BAND INTRO [FUNCTION] [START÷STOP] FUNCTION [START÷STOP] [√][®] [√][®] SELECT [√][®] Original track SELECT This passage is redone [START÷STOP] RECORD [REC¥∏] RE-START RE-START RECORD [REC¥∏] G REC G REC [–][+] [SONG] [START÷STOP] [START÷STOP] [REC¥∏]...
Page 26 r EXR-46 OR 8. Additional Music Style functions [ARRANGER¥BAND] ARRANGER [√][®] FAMILY • Music Style • Effect settings • Tempo • Band Orchestrator [ONE¥TOUCH] • Sounds for the Main, Split • Keyboard Touch and Dual parts [MUSIC¥ASSISTANT] TOUCH [√][®] MUSIC ASSISTANT [®] [√]...
Page 27 EXR-46 OR [MELODY¥INTELLIGENCE] [–][+] [MELODY¥INTELLIGENCE] 1 Duet 6 Block 11 Gospel 16 WltzOrg [ARRANGER¥BAND] 2 Organ 7 BigBand 12 Romance 17 OctvTpe1 3 Combo 8 Country 13 Latin 18 OctvTpe2 4 Strings 9 Traditnl 14 CntrGuit MELODY 5 Choir 10 Broadway 15 CntrBald INTELLIGENCE [MELODY¥INTELLIGENCE]...
Page 28 r EXR-46 OR [√][®] SELECT ORCHESTRATOR BEAT [FUNCTION] FULL BAND INTRO FUNCTION [√][®] FAMILY...
Page 29 EXR-46 OR 9. Using oriental tunings [Bƒ] [–] [1] [3] [1] [3] [–][+]...
Page 30 r EXR-46 OR 10. Keyboard part functions [TONE] • PIANO (001~011) • WIND (288~301) • E.PIANO (012~026) • AC BRASS (302~329) • KEYBOARD (027~033) • SYNBRASS (330~343) • CHR PERC (034~063) • SYNLEAD (344~380) • ORGAN (064~097) • POLY SYN (381~391) GUITAR/ SAX/ SYNTH/...
Page 31 EXR-46 OR [SPLIT] Split part (sound effect/percussion Main part (melodic sound) sound)
Page 32 r EXR-46 OR [–][+] [0] [9] [SPLIT] [DUAL] [SPLIT] [DUAL] [–] [–] [0] [9] ORCHESTRATOR BEAT FULL BAND INTRO [TRANSPOSE] No transposition (C major) [TRANSPOSE] Transpos= 4 (E major) TRANSPOSE TRANSPOSE ORCHESTRATOR BEAT FULL BAND INTRO...
Page 33 EXR-46 OR [TONE] [SPLIT] [DUAL] [TRANSPOSE] [–] [®] [–][+] [0] [9] [–] [–] [0] [6] TRANSPOSE TRANSPOSE...
Page 34 r EXR-46 OR 11. Performance functions and effects KEY TOUCH KEY TOUCH [KEYBOARD¥TOUCH] KEYBOARD TOUCH MODULATION [KEYBOARD¥TOUCH] Raises the pitch Lowers the pitch BENDER [–][+]...
Page 35 EXR-46 OR ® [FUNCTION] ® FUNCTION ® ® ® [√][®] ® ® [√][®] ® ® ® ® [–][+] ®...
Page 36 r EXR-46 OR [–][+] [FUNCTION] FUNCTION [√][®] [FUNCTION] [√][®] [√][®] Reverb depth of the Main part. Reverb depth of the Dual part. Reverb depth of the Split part. [FUNCTION] [–][+]...
Page 37 EXR-46 OR When the MFX is set to “Off” [FUNCTION] [√][®] Main Reverb Reverb for Main MFX “Off” Chorus depth of the Main part*. When the MFX is set to any other type Main Reverb Chorus depth of the Dual part. Reverb for Main + MFX Chorus depth of the Split part.
Page 38 r EXR-46 OR [V-LINK] BEAT [V-LINK] [0] [9] [USER¥PROGRAM] → → [1] [0] [USER¥PROGRAM] → REMOTE [V-LINK] [1] [0] Edirol UM-1 Edirol DV-7PR → MIDI OUT →...
Page 39 EXR-46 OR 12. Function menu [–] [√][®] [FUNCTION] FUNCTION KEY TOUCH [KEYBOARD¥TOUCH] [√][®] [√][®] FAMILY SELECT [TRANSPOSE] [√][®] [TRANSPOSE] [®] [–][+]...
Page 40 r EXR-46 OR [SPLIT] ARRANGER [ARRANGER¥BAND] [START÷STOP]...
Page 41 EXR-46 OR [√][®] [METRONOME] [ACCOMP] [DUAL] [ACCOMP] [KEYBOARD] [SPLIT] [–][+] [®] [DUAL] [–][+] [√][®]...
Page 42 r EXR-46 OR [MELODY¥INTELLIGENCE] [SYNC¥START/STOP] ARRANGER SPLIT...
Page 43 EXR-46 OR...
Page 44 r EXR-46 OR [KEYBOARD¥TOUCH] [YES/+] [YES÷+] [NO/–] [YES/+] [YES/+]...
Page 45 EXR-46 OR 13. Working with User Programs [YES/+] [USER¥PROGRAM÷WRITE] [NO/–] [USER¥PROGRAM÷WRITE] USER PROGRAM [0] [9] USER PROGRAM [YES÷+] [0] [9]...
Page 46 r EXR-46 OR [0] [9] [√][®] [MONO÷PORT]...
Page 47: Midi Functions
EXR-46 OR 14. MIDI functions Sound source Sound source Accomp 1 Accomp 6 The EXR-46 OR receives data External MIDI instrument/computer Arranger bass Arranger drums EXR-46 OR Accomp 2 k Split k Main k Auto Bass Accomp 3 V-Link k Dual V-Link Accomp 4 Melody Intell.
Page 48 r EXR-46 OR...
Page 49: Data Management
EXR-46 OR 15. Data management [FUNCTION] FUNCTION [FUNCTION] [√][®] [√][®] [YES/+] [√][®] [√][®] [NO/–]...
Page 50 r EXR-46 OR [√][®] [√][®] [YES/+] [YES/+] [NO÷–] [YES/+] [NO/–] [FUNCTION] [YES/+] FUNCTION [NO/–] [√][®] [FUNCTION] [√][®] FAMILY [FUNCTION] [√][®]...
Page 51 EXR-46 OR [√][®] [FUNCTION] SELECT [√][®] [√][®] [FUNCTION] [YES/+] [YES/+] [YES/+] FUNCTION [NO÷–] [YES/+] [NO÷–] [√][®] [√][®] SELECT [YES/+] [YES/+] [NO÷–]...
Page 52 r EXR-46 OR [USB] EXR-46 OR Computer [USB] [USB]...
Page 53 EXR-46 OR [USB] [USB] [DISK] [YES/+] [NO/–] DISK [√][®]...
Page 54 r EXR-46 OR [√][®] SELECT [DISK] [√][®] [√][®] [YES÷+] [YES÷+] [NO÷–] [YES÷+] [YES÷+] [DISK] [NO÷–] [√][®] [√][®] [YES÷+] [YES÷+] [NO÷–] [YES÷+] [DISK] [√][®] [√][®]...
Page 55 EXR-46 OR [YES÷+] [NO/–] [DISK] [√][®] [√][®] [YES÷+] [YES÷+] [YES÷+] [NO÷–] [YES÷+] [YES/+] [YES÷+] [DISK]...
Page 56 r EXR-46 OR [YES÷+] [YES÷+] [DISK] [√][®] [YES÷+] [NO÷–]...
Page 57 EXR-46 OR 16. Using the outputs and an optional footswitch → Cassette deck, power ampliﬁer, HiFi ampliﬁer, MA series active speakers, etc. DP-2, DP-6, or BOSS FS-5U footswitch...
Page 58 r EXR-46 OR 17. Miscellaneous [ACOUSTIC] [START÷STOP] [USB] [ONE¥TOUCH] [USER¥PROGRAM÷WRITE] [USB] [ONE¥TOUCH] [ACOUSTIC] [ACOUSTIC] [ARRANGER¥BAND] [START÷STOP]...
Page 59: Specifications
EXR-46 OR 18. Specifications Outputs: Thanks Keyboard: Others: Sound source: Max polyphony: Power supply: Tones: Dimensions: Weight: Mr. Cherif Cotta, Mr. Emmanuel G. Chnarakis and Drum Kits: Mr. Mehmet Dogdu Supplied accessories: Multitimbral parts: Compatibility: Mr. Abdallah George, Mr. Ahmed Mustafa, and Display type: Note: Mr.
Page 60 r EXR-46 OR...
Page 62 r EXR-46 OR [√][®] [√][®]...
Page 63 EXR-46 OR CONSIGNES DE SECURITÉ INSTRUCTIONS POUR LA PREVENTION D'INCENDIE, CHOC ÉLECTRIQUE OU BLESSURE A propos des symboles A propos des symboles Avertissement et Précaution Le symbole alerte l'utilisateur d'instructions importantes Sert aux instructions destinées à alerter ou de mise en garde. La signification du symbole est l'utilisateur d'un risque mortel ou de déterminée par ce que contient le triangle.
Page 64 r EXR-46 OR AVERTISSEMENT PRUDENCE Ne jetez pas le produit avec vos ordures ménagères. Portez-le dans un centre de recyclage des déchets..
Page 65 EXR-46 OR...
Page 66 r EXR-46 OR...
Page 67 EXR-46 OR...
Page 68 r EXR-46 OR Face arrière de la disquette WRITE (permet la sauvegarde de données) Volet de protection PROTECT (empêche la sauvegarde de données)
Page 69 EXR-46 OR [METRONOME] [MELODY¥INTELLIGENCE] [VOLUME] [USB] [ACCOMP][KEYBOARD] [ONE¥TOUCH] [KEYBOARD¥TOUCH] [POWER¥ON]...
Page 70 r EXR-46 OR [ONE¥TOUCH] [√][®] [√][®] [V-LINK] [®] [√] [ARRANGER¥BAND] [PIANO÷SOLO] [–][+] [FUNCTION] [√][®] [MUSIC¥ASSISTANT] [SPLIT] [DISK] [DUAL] [SONG] [SPLIT] [DUAL] [INTRO] [ORIGINAL] [TRANSPOSE] [STYLE] [USER¥PROGRAM÷WRITE] [INTRO] [ORIGINAL] [TAP¥TEMPO] [TONE] [FAMILY] [SYNC¥START/STOP] [√][®] [√][®] [√][®] [√][®]...
Page 71 EXR-46 OR...
Page 72 r EXR-46 OR [START÷STOP] [START÷STOP] [POWER¥ON] [STYLE] [USB] [ONE¥TOUCH] STYLE POWER ON [VOLUME] 120 001 [START÷STOP] VOLUME [VOLUME] [START÷STOP] [START÷STOP] [TONE] [USB] [ONE¥TOUCH] TONE [POWER¥ON]...
Page 73 EXR-46 OR [SPLIT] SPLIT [ONE¥TOUCH] GUITAR/ BASS [TONE] SPLIT [ACCOMP] [KEYBOARD] TONE BALANCE ACCOMP KEYBOARD Split Main [PIANO¥SOLO] [SPLIT] [ACCOMP] [KEYBOARD] PIANO [START÷STOP] SPLIT SOLO BALANCE ARRANGER ACCOMP KEYBOARD [SPLIT]...
Page 74 r EXR-46 OR [METRONOME] METRONOME [DUAL] [METRONOME] DUAL [–][+] [METRONOME] DUAL [DUAL] [ACCOMP] [KEYBOARD] [DUAL]...
Page 75 EXR-46 OR [ARRANGER¥BAND] [START÷STOP] ARRANGER BAND ARRANGER [REC¥∏] [START÷STOP] [START÷STOP] RE-START G REC ARRANGER [V-LINK] ARRANGER...
Page 76 r EXR-46 OR [–] [SYNC¥START÷STOP] [START÷STOP] [ENDING] [–] [TAP¥TEMPO] [SYNC¥START÷STOP] TAP TEMPO [SYNC¥START÷STOP] SYNC START [ARRANGER¥BAND] ARRANGER INTRO ORIGINAL FILL VARIATION ENDING [STYLE] SYNC START/STOP STYLE [SYNC¥START÷STOP] SYNC START...
Page 77 EXR-46 OR [√][®] [+/YES] FAMILY [ARRANGER¥BAND] [+/YES] [START÷STOP] [√][®] SELECT [®] [√] [®] [√] [®]...
Page 78 r EXR-46 OR [√][®] [ACCOMP] [VARIATION] [ORIGINAL] [ORIGINAL] [VARIATION] [DRUM&BASS] [COMBO] BALANCE ACCOMP KEYBOARD [FULL¥BAND] [KEYBOARD] [SPLIT] [DUAL]...
Page 79 EXR-46 OR SYNC TAP TEMPO START/STOP INTRO ORIGINAL FILL VARIATION ENDING [√][®] [√][®] [SONG] SELECT FAMILY SONG [START÷STOP] [SONG] [®] [√] ARRANGER INTRO ORIGINAL FILL VARIATION ENDING [®] [√] [®]...
Page 80 r EXR-46 OR [START÷STOP] [INTRO] [ORIGINAL] [√] [®] [START÷STOP] [√] [®] [√] [®] [®] [√] ARRANGER [√][®] [SONG] [–][+] [TAP¥TEMPO] [SONG] [|√] [º] [‰] SONG [YES/+] [START÷STOP] [®÷ª] [‰] [º] [V-LINK]...
Page 81 EXR-46 OR [|√] [MINUS¥ONE] [REPEAT¥A–B] [|√] [‰] [º] [|√] [º] [‰] ENDING INTRO MINUS REPEAT A–B [MARKER¥A–B] [START÷STOP] [®÷ª] [DRUMS] [10] SYNC START/STOP MARKER A–B MINUS ONE [MARKER¥A–B] [SONG]...
Page 82 r EXR-46 OR [MINUS¥ONE] [RIGHT] [LEFT] [BASS] [DRUMS] [MINUS¥ONE] [RIGHT] [LEFT] [BASS] [DRUM] [–][+] [RIGHT] [RIGHT] [MINUS¥ONE] [LEFT] [OTHERS] [BASS] [DRUMS] [|√] [®÷ª] [®÷ª]...
Page 83 EXR-46 OR [REC¥∏] [METRONOME] [ARRANGER¥BAND] [SYNC¥START] RE-START ARRANGER G REC BAND [√][®] [START÷STOP] ARRANGER [RECORD≈∏] [1] [16] [STYLE] 120 001 ORCHESTRATOR BEAT [INTRO] [ORIGINAL] [VARIATION] FULL BAND [START÷STOP] INTRO [TAP¥TEMPO] [–][+] [ENDING] [START÷STOP] [TONE] [REC¥∏] ENDING [√][®] MINUS [START÷STOP] [V-LINK] [SONG] [START÷STOP]...
Page 84 r EXR-46 OR [START÷STOP] [|√] [REC¥∏] [√][®] 120 001 ORCHESTRATOR BEAT [REC¥∏] FULL BAND [RECORD∏] INTRO 120 001 RECORD ORCHESTRATOR BEAT FULL [SPLIT] BAND INTRO [TAP¥TEMPO] [–][+] Accomp 1 Accomp 6 Basse de l’arrangeur Batterie de l’arrangeur Accomp 2 k Split* k Main k Auto Bass* (voyez p.
Page 85 EXR-46 OR [10] [REC¥∏] [√][®] 120 001 ORCHESTRATOR BEAT FULL BAND INTRO [FUNCTION] [START÷STOP] FUNCTION [START÷STOP] [√][®] [√][®] SELECT [√][®] Partie originale [START÷STOP] RECORD Passage réenregistré [–][+] [REC¥∏] [SONG] RECORD RE-START RE-START [REC¥∏] [REC¥∏] G REC G REC [START÷STOP] [START÷STOP]...
Page 86 r EXR-46 OR [ARRANGER¥BAND] ARRANGER [√][®] FAMILY • Style musical • Réglages d’effets • Tempo • Band Orchestrator [ONE¥TOUCH] • Sons des parties Main, Split • Dynamique et Dual [MUSIC¥ASSISTANT] TOUCH [√][®] MUSIC [®] [√] ASSISTANT [®] [√] [®] [TONE] [ONE¥TOUCH]...
Page 87 EXR-46 OR [ARRANGER¥BAND] [PIANO¥SOLO] ARRANGER [MELODY¥INTELLIGENCE] [–][+] 1 Duet 6 Block 11 Gospel 16 WltzOrg 2 Organ 7 BigBand 12 Romance 17 OctvTpe1 [MELODY¥INTELLIGENCE] 3 Combo 8 Country 13 Latin 18 OctvTpe2 [STYLE] [√][®] 4 Strings 9 Traditnl 14 CntrGuit 5 Choir 10 Broadway 15 CntrBald...
Page 88 r EXR-46 OR [√][®] SELECT ORCHESTRATOR BEAT FULL BAND INTRO [FUNCTION] FUNCTION [√][®] FAMILY...
Page 89 EXR-46 OR [Bƒ] [–][+] [–] [1] [3] [1] [3]...
Page 90 r EXR-46 OR [TONE] • PIANO (001~011) • WIND (288~301) • E.PIANO (012~026) • AC BRASS (302~329) • KEYBOARD (027~033) • SYNBRASS (330~343) • CHR PERC (034~063) • SYNLEAD (344~380) • ORGAN (064~097) • POLY SYN (381~391) • ACCORDN (098~111) •...
Page 91 EXR-46 OR [SPLIT] Partie Split (effet sonore/son de Partie Main (son mélodique) percussion)
Page 92 r EXR-46 OR [–][+] [0] [9] [SPLIT] [DUAL] [SPLIT] [DUAL] [–] [–] [0] [9] ORCHESTRATOR BEAT FULL BAND INTRO [TRANSPOSE] [TRANSPOSE] Pas de transposition (Do majeur) TRANSPOSE Transpos= 4 (Mi majeur) TRANSPOSE ORCHESTRATOR BEAT FULL BAND INTRO...
Page 93 EXR-46 OR [TONE] [SPLIT] [DUAL] [–] [TRANSPOSE] [®] [–][+] [0] [9] [–] [–] [0] [6] TRANSPOSE TRANSPOSE...
Page 94 r EXR-46 OR KEY TOUCH KEY TOUCH [KEYBOARD¥TOUCH] KEYBOARD TOUCH MODULATION [KEYBOARD¥TOUCH] Augmente la Diminue la hauteur hauteur BENDER [–][+]...
Page 95 EXR-46 OR [FUNCTION] ® FUNCTION ® ® ® ® [√][®] ® ® ® [√][®] ® ® ® ® [–][+]...
Page 96 r EXR-46 OR [FUNCTION] [√][®] [√][®] Intensité de réverbération de la partie Main. Intensité de réverbération de la partie Dual. [–][+] Intensité de réverbération de la partie Split. [FUNCTION] [–][+] Quand le MFX est réglé sur “Off” Main Reverb Réverb pour Main MFX “Off”...
Page 97 EXR-46 OR [–][+] Quand le MFX est réglé sur “Off” Reverb Chorus 1 Chorus 4 S-Delay Main Chorus 2 FB Chorus SDelayFb Chorus Chorus 3 Flanger MFX “Off” Quand vous avez choisi un autre type MFX Main Reverb Chorus [FUNCTION] [√][®] Intensité...
Page 98 r EXR-46 OR → [1] [0] [USER¥PROGRAM] REMOTE → [V-LINK] [1] [0] Edirol UM-1 Edirol DV-7PR → MIDI OUT → [V-LINK] BEAT [V-LINK] →...
Page 99 EXR-46 OR [–] [√][®] [FUNCTION] FUNCTION KEY TOUCH [KEYBOARD¥TOUCH] [√][®] [√][®] FAMILY SELECT [TRANSPOSE] [√][®] [TRANSPOSE] [–][+] [®]...
Page 100 r EXR-46 OR [SPLIT] ARRANGER [ARRANGER¥BAND] [START÷STOP]...
Page 101 EXR-46 OR [√][®] [ACCOMP] [METRONOME] [DUAL] [ACCOMP] [KEYBOARD] [SPLIT] [–][+] [®] [DUAL] [–][+] [√][®]...
Page 102 r EXR-46 OR [MELODY¥INTELLIGENCE] ARRANGER [SYNC¥START/STOP] SPLIT...
Page 103 EXR-46 OR...
Page 104 r EXR-46 OR [KEYBOARD¥TOUCH] [YES/+] [YES÷+] [NO/–] [YES/+] [YES/+]...
Page 105 EXR-46 OR [YES/+] [NO/–] [USER¥PROGRAM÷WRITE] [USER¥PROGRAM÷WRITE] USER PROGRAM [0] [9] USER PROGRAM [YES÷+] [0] [9]...
Page 106 r EXR-46 OR [0] [9] [MONO÷PORT] [√][®]...
Page 107 EXR-46 OR Générateur Générateur de sons Accomp 1 Accomp 6 Basse de l’arrangeur Batterie de l’arrangeur L’EXR-46 OR reçoit des données Instrument MIDI externe/ordinateur Accomp 2 k Split EXR-46 OR k Main k Auto Bass Accomp 3 V-Link k Dual V-Link Accomp 4 Melody Intell.
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Page 109 EXR-46 OR [NO/–] [FUNCTION] FUNCTION [√][®] [FUNCTION] [√][®] [YES/+] [√][®]...
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Page 111 EXR-46 OR [√][®] [FUNCTION] [√][®] FAMILY [FUNCTION] [√][®] [YES/+] [√][®] FUNCTION [YES/+] [NO÷–] SELECT [√][®] [YES/+] [√][®] [YES/+] SELECT [NO÷–] [YES/+] [YES/+] [NO÷–]...
Page 112 r EXR-46 OR [USB] EXR-46 OR Ordinateur [USB]...
Page 113 EXR-46 OR [USB] [USB] [USB] [YES/+] [NO/–]...
Page 114 r EXR-46 OR [DISK] [DISK] DISK [√][®] [√][®] [YES÷+] [YES÷+] [√][®] [NO÷–] [YES÷+] [√][®] SELECT [DISK] [√][®] [YES÷+] [√][®] [YES÷+] [NO÷–] [YES÷+] [NO÷–] [YES÷+] [DISK] [√][®] [√][®]...
Page 115 EXR-46 OR [YES÷+] [NO/–] [DISK] [√][®] [√][®] [YES÷+] [YES÷+] [YES÷+] [NO÷–] [YES÷+] [YES÷+] [YES/+] [DISK]...
Page 116 r EXR-46 OR [YES÷+] [YES÷+] [DISK] [√][®] [YES÷+] [NO÷–]...
Page 117 EXR-46 OR → Platine à cassette, ampli de puissance, ampli HiFi, enceintes actives de la série MA etc. Commutateur au pied DP-2, DP-6 ou BOSS FS-5U.
Page 118 r EXR-46 OR [ACOUSTIC] [START÷STOP] [USB] [ONE¥TOUCH] [USER¥PROGRAM÷WRITE] [USB] [ONE¥TOUCH] [ACOUSTIC] [ACOUSTIC] [ARRANGER¥BAND] [START÷STOP]...
Page 119: Fiche Technique
EXR-46 OR 18. Fiche technique Connectique: Remerciements Clavier: Sorties: Générateur de sons: Polyphonie maximale: Divers: Sons: Alimentation: M. Cherif Cotta, M. Emmanuel G. Chnarakis et Kits de batterie: Dimensions: M. Mehmet Dogdu Poids: Parties multitimbrales: Accessoires fournis: Compatibilité: M. Abdallah George, M. Ahmed Mustafa et M. Alp Selim Ecran: Commandes en façade: M.
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Page 135 »eƒª©dG πjƒëàdG EXR-46 OR »còdG »≤«°SƒŸG ´RƒŸG øµ‡ :ΩÉ¶ædG åjó– ±õ©dG Ió°ûd ¢SÉ°ùM ,ìÉàØe OQƒÑ«µdG Roland Corporation É¡fÉæàeGh Égôµ°T øY È©J ¿C G óf’hQ ácô°T OƒJ êhôNh ∫ƒNO …ó«eh ,äÉØ∏ŸG π≤fh …ó«e ä’É°üJG :äÓ°UƒŸG á∏é°ùe äGƒ°UC G »Jƒ°üdG Qó°üŸG ,á«bô°ûdG ∫ƒÑ£dG äÉYƒª› OGóYE G ‘ GƒcQÉ°T øjòdG áaÉc ¤G Right ,L/Mono ¢SC G ôdG äÉYÉª°S ,(¢SC G ôdG...
Page 136 EXR–46 OR äÉYƒæàe .17 Initializing »≤«°SƒŸG ´RƒŸGh ¢Vô©dG »àØ«Xh π«¨°ûJ/AÉ¨dE G á«ª«∏©àdG ¢VGôZC Ó d ∞FÉXh ™æ°üŸG ™°Vh ¤G RÉ¡÷G IOÉYE G ¢Vô©dG »àØ«Xh AÉ¨dE G ∂æµÁ å«M ,∑ó«ØJ ób áãdÉK ''á«ª«∏©J'' áØ«Xh √òg EXR-46 OR hC G ≈≤«°SƒŸG »°SQóe ¿Gó«ØJ ób ÚàØ«Xh RÉ¡L …ƒëj EXR-46 OR äGõ«¡Œ...
Page 137 OQƒÑ«µdÉH ¢UÉN äƒ°U Èµe hC G ,‹õæŸG …Éa …É¡dG RÉ¡éH π«°UƒJ n É °†jC G ∂æµÁ Éªc .¢Vô¨dG Gò¡d áahô©ŸG á°UƒH 4/1äÉcÉL Ωóîà°SG 1/4 RCA Roland KC-550/350/150 ∂æµÁ Éªc , á°UƒH ) …Éa …É¡dG RÉ¡L äƒ°U ÈµÃ RÉ¡÷G π«°UƒJ øe øµªààd π«°UƒJ ∫ƒﬁ ¤G êÉàëà°S πãe...
Page 138 EXR–46 OR FORMAT á∏ªàÙG C É £ÿG πFÉ°SQ áÄ«¡àdG áÄ«¡J hC G õ«¡éàH Ωƒ≤J ¿G Öéj ,∂°ùjódG ≈∏Y äÉØ∏e ájC G ßØM ∂æµÁ ¿G πÑb No Disk .π¨°ûŸG ¤G ∂°ùjódG ∫ÉNOE G â«°ùf ó≤a ∂°ùjO óLƒj ’ ôJƒ«Ñªc á£°SGƒH ∫Éª©à°SE Ó d k Ó °UC G C É «¡e ójó÷G ∂°ùjódG ¿Éc ¿E G .∂°ùjódG Gòg Protect QR §¨°VG ,∂°ùjódG ájÉªM áëàa ≥∏¨J ¿G â«°ùf ó≤d...
Page 139 r EXR–46 OR "Protect " ∂°ùjódG øe äÉØ∏ŸG ƒﬁ »æ©j Gò¡a á°TÉ°ûdG ≈∏Y IQÉ°TE G äô¡X GPE G :á¶MÓe ô°TD ƒ ŸG π≤àæj RƒeôdG ∫ÉNOE ’ á«ªbôdG QGQRC ’ G óMC G É¡«a §¨°†J Iôe πc :á¶MÓe Delete QR §¨°VE G ádÉ◊G √òg ‘ ,∂°ùjódG ájÉªM áëàa ≥∏¨J ¿G â«°ùf ∂fC G .á«dÉàdG áfÉÿG ¤G k É...
Page 140 EXR–46 OR SELECT á∏ªàÙG C É £ÿG πFÉ°SQ ] [√ [®] ∂°ùjódG øe á«≤«°SƒŸG äÉYÉ≤jE ’ G π«ª– OƒJ …òdG ±RÉ©dG èeÉfôH QÉ«àN’ QGQRC G Ωóîà°SG No Disk .¬∏«ª– IôcGP ¤G ∂°ùjódG øe »≤«°Sƒe ´É≤jE G π«ª– áØ«XƒdG √òg ∂d í«àJ .π¨°ûŸG ¤G ∂°ùjódG ∫ÉNOE G â«°ùf ó≤a ∂°ùjO óLƒj ’...
Page 141 r EXR–46 OR • ó∏› ¤G ôJƒ«ÑªµdG ‘ ∂°ùjO OQÉ¡dG øe áHƒZôŸG ÊÉZC ’ G ï°ùfE G "No Cable " á∏«°UƒJ ¿G ≈∏Y ∫óàd ádÉ°SQ á°TÉ°ûdG ≈∏Y ô¡¶J ∂°ùjódG ∞FÉXh Song .áæµ‡ ÒZ USER SNG IôcGP ‘ πé°ùŸG á«æZC G ßØ– ¿G ∂°ùjódG ™°Vh ∂d í«àj •...
Page 142 EXR–46 OR [USB] :á«dÉàdG ádÉ°SôdG á°TÉ°ûdG ≈∏Y ¿B ’ G ô¡¶J EXR-46 OR RÉ¡L ‘ QR §¨°VG ôJƒ«ÑªµdG ΩGóîà°SÉH äÉeƒ∏©ŸG ßØM EXR-46 OR :Ú°Vô¨d RÉ¡L ‘ á∏°Uh ΩGóîà°SG øµÁ Removing .ôJƒ«ÑªµdG ™e äÉØ∏ŸG ∫OÉÑàd hC G ,…ó«ŸG äÉeƒ∏©e ∫ÉÑ≤à°SGh π≤æd πNóe Ωƒ≤j ,á°TÉ°ûdG ≈∏Y ôgÉX ÒZ ô°TD ƒ...
Page 143 r EXR–46 OR ] [√ [®] á«°†eƒdG IôcGòdG øe ±RÉ©dG èeGôH øe áYƒª› ádGRE G á«°†eƒdG IôcGòdG øe äÉYÉ≤jE ’ G ádGRE G SELECT .É¡Ñ£°ûH ÖZôJ »àdG á«æZC ’ G QÉ«àN’ QGQRC G Ωóîà°SG "RemovUPG" "Remov" øe ±RÉ©dG èeGôH äÉYƒª› ƒﬁ áØ«Xh ∂d í«àJ õ«M Òaƒàd É¡«dG áLÉëH ó©J ⁄...
Page 144 EXR–46 OR [√][®] [√][®] :á«dÉàdG »g IôaƒàŸG RƒeôdG SELECT SELECT .É¡∏«ªëàH ÖZôJ »àdG áYƒªÛG QÉ«àN’ QGQRC G Ωóîà°SG ¤G ô°TD ƒ ŸG ∂jôëàd QGQRC G Ωóîà°SG ,áLÉ◊G â°†àbE G GPE G [YES/+] QõdG §¨°VG .(õeôdG ¢†eƒj ôNB G õeQ áfÉN _ ! # $ % &...
Page 145 r EXR–46 OR äÉeƒ∏©ŸG º«¶æJ .15 á«°†eƒdG IôcGòdG ΩGóîà°SG EXR-46 OR k É °†jC G äÉØ∏ŸG √òg ádGRE G h RÉ¡÷ á«°†eƒdG IôcGòdG ¤G ∂°ùjódG øe á∏ªﬁ äÉYÉ≤jE G h k É ãjóM á∏é°ùŸG ÊÉZC ’ G ßØëH ∂d íª°ùJ »¡a ,á«Ø«XƒdG äGÒ¨àŸG á«≤H ≈∏Y ±ô©àf ÉæYO á«°†eƒdG á≤£æŸG ‘...
Page 146 ∂d í«àj πH ,ÉgQÉ¡XE G ¬æµÁ ’ øµdh ,É¡àYGPE É H Ωƒ≤J ÚM .»g Éªc πFÉ°SôdG Roland LVC1 πãe) ÊÉZC ’ G ¢Uƒ°üf QÉ¡XE G ≈∏Y QOÉb RÉ¡L ¤G É¡∏≤f .ÊÉZC ’ G ¢Uƒ°üf ∫É°SQE G ΩÉeC G ÜÉÑdG ¥ÓZE G hC G íàa Î∏ØdG Gòg ∂d í«àjh ■...
Page 147 r EXR–46 OR …ó«ŸG ∞FÉXh .14 "Musical Instrument Digital Interface " MIDI .≈≤«°SƒŸG ™æ°U á«∏ªY π«°UÉØàH á°UÉÿG πFÉ°SôdG ∫OÉÑàd ,äGôKD ƒ ŸG Iõ¡LC G h á«≤«°SƒŸG Iõ¡LC ’ G ¬eóîà°ùJ π°Uƒe É¡fC G Égô¡°TC G áØ∏àﬂ ÊÉ©e πª–h , á«≤«°SƒŸG Iõ¡LC Ó d á«ªbQ ∫É°üJG á¡LGh »g ™æÁ...
Page 148 EXR–46 OR EXR-46 OR çóMC G Ωóîà°ùj ∫GR Ée RÉ¡L ¿G ≈∏Y Å°†ŸG ºbôdG ∫ój èeGôH ‘ áæ«©e äGõ«¡Œ OÉ©Ñà°SE G : â«ÑãàdG TONE (x2) áfÉ£ÑdG äƒ°U h »°SÉ°SC ’ G äƒ°ü∏G äGójó– ≈≤ÑJ »æ©j Gòg,±RÉ©dG èeGôH áØ«Xƒd ∑QÉ«àNG πÑb É¡àjôLC G ájhój äÓjó©J ±RÉ©dG Ò«¨J ¿hóH »g Éªc ±RÉ©dG äGƒ°UC G h .É¡JÎNG IôcGP ôNB G »g √òg ¿C G §≤a...
Page 149 r EXR–46 OR ±RÉ©dG èeGôH ΩGóîà°SG.13 EXR-46 OR (39 ¢U) ∞FÉXƒdG áªFÉb á£°SGƒHh RÉ¡é∏d á«eÉeC ’ G áMƒ∏dG ≈∏Y Égó©J »àdG k É Ñjô≤J äGõ«¡éàdG πc É¡«a ¿õîJ ¿G ∂æµÁ ,èeÉfôH ÉgOóY ±RÉY èeGÈd ™°ùàJ IôcGP RÉ¡L …ƒëj ™°VƒdG QÉ«àNG :á«dÉàdG »g IôaƒàŸG RƒeôdG RÉ¡L ¿C ’...
Page 150 EXR–46 OR ■ ■ ■ Init FLASH Pan SPLIT Pan MAIN á«°†eƒdG IôcGòdG π«µ°ûJ IOÉYE G ô°ùjC ’ G º°ù≤dG äƒ°U √ÉŒG »°SÉ°SC ’ G äƒ°üdG º°ùb äƒ°U √ÉŒG EXR-46 OR Rnd,R63~0~L63 R63~0~L63,Rnd RÉ¡÷ á«°†eƒdG IôcGòdG π«µ°ûJ IOÉYE É H Ωƒ≤J áØ«XƒdG √òg º°ù≤∏d ƒjÎ°ùdG ™°Vh QÉ«àN’...
Page 151 r EXR–46 OR ■ á¶ë∏dG ∂∏J ‘ áahõ©ŸG äÉª¨ædG áaÉc äƒ°U ôªà°ùjh á«dÉàdG á°†ÑædG 16~1 á©bGƒdG í«JÉØŸG hC G ìÉàØª∏d ∑ôjô– Qƒa ±õ©dG øY ∞bƒàJ ÖMÉ°üŸG äƒ°üdG Ió°T á«æZC ’ G ''ArrHold'' á£°ûf áØ«Xh âfÉc GPE G §≤a .∫ƒÑ£dG áÑMÉ°üe ™e §≤a ∂cÎj É‡ ,OQƒÑ«µdG øe ô°ùjC ’ G ∞°üædG ‘ ~64- á°UÉÿG äÉcGÎdG ‘...
Page 152 EXR–46 OR äƒ°üdG Ió°T äGÒ¨àe ∫ƒÑ£dG áMƒd äGÒ¨àe ΩƒfhÎŸG äGÒ¨àe ■ Volume ájhó«dG ΩÉ°ùb’G äƒ°U Ió°T ■ Metro TS ΩƒfhÎª∏d »æeõdG ¿Gõ«ŸG í«JÉØŸ ô≤ædG ∫ƒÑ£dG äGƒ°UC G QÉ«àNE G áYƒªÛG √òg ‘ äGÒ¨àŸG ∂d í«àJ (4/4 8/9~8/1 ,4/9~4/1) ¿Gõ«ŸG Ò«¨àd áØ«XƒdG √òg ™æ°üŸG ™°Vh ™°Vh π«¨°ûJ óæY äGQÉ«àN’G √òg ΩGóîà°SE G ºàjh ,á«fÉªãdG ∫ƒÑ£dG áMƒd ¿Gõ«ŸG Gòg ¿G ¢ùæJ ’h ,(IQhRÉŸG ‘...
Page 153 r EXR–46 OR ■ ■ Punch I/O hC G π«¨°ûàd Ωó≤dG á°SGhO ΩGóîà°SG øµÁ π«é°ùàdG í«ë°üJ TransMod SpltInt »ª¨ædG πjƒëàdG ™°Vh ´RƒŸG ∞dÉJ AÉcP ¢U ô¶fC G ) πé°ùŸG πNGO π«é°ùàdG í«ë°üJ áØ«Xh ¥ÓZE G áØ«XƒdG √òg ∂d í«àJ (á«æZ’G+»∏NGódG äGƒ°U’G ≥∏ﬂ : ™æ°üŸG ™°Vh) ∂æµª«°S áØ«XƒdG √òg §«°ûæJ óæY (C É...
Page 154 EXR–46 OR ∞FÉXƒdG áªFÉb .12 EXR-46 0R ∂LhôN óæY á«°†eƒdG IôcGòdG ‘ É¡¶ØM ºàj iôNG äGõ«¡Œ ∑Éægh .(45¢U) ±RÉ©dG èeGôH øª°V É¡æjõîJ øµÁ Éæg äGÒ¨àŸG º¶©eh .É¡H º∏J ¿G π°†Øj Gòd , ∂d ƒ∏ëj Éªc RÉ¡÷G ™jƒ£J ∂d í«àJ áeó≤àe äGõ«¡Œ ∞FÉXh áªFÉb …ƒ–...
Page 155 r EXR–46 OR OP=V–XF 1 ACOUSTIC= None) None VFX1~4 LOCK • QGQRC G [V-LINK] ¥QRC G ¿ƒ∏H Å°†«a QR §¨°VG áØ«Xh V-LINK ETHNIC=V–XF 4 DANCE=V–XF 3 ROCK=V–XF 2 V-LINK .á«FôŸGh á«≤«°SƒŸG IOÉŸG ÚH πeÉµàdG ≥«≤ëàd áØ«Xh Ωóîà°ùJ áMÉàe ÒZ áØ«XƒdG √ògh ,ƒjó«ØdG äGôKD ƒ e Ò«¨àd QGQRC ’ G √òg Ωóîà°SG V-LINK áØ«Xh ™e á≤aGƒàŸG Iõ¡LC ’...
Page 156 EXR–46 OR ● [+][ ] – OQƒÑ«µdG ΩÉ°ùbC G ¤G ±É°†ŸG ¢SQƒµdG QGó≤e Ò«¨J ¢SQƒµdG ÜÒØjQ ôKD ƒ e áaÉ°VE G ójôJ ’ âæc GPE G '' '' QÉ«àN’ QGQRC ’ G Ωóîà°SG óMC G ¤G ¬àaÉ°VE G ºàà°S …òdG ¢SQƒµdG QGó≤e) ¢SQƒµdG ≥ªY Ò«¨àd .ÜÒØjô∏d áHƒ∏£ŸG áª«≤dG QÉ«àNÉH º≤a ’E G h ,QÉàıG OQƒÑ«µdG º°ùb ¤G ´ÉÑ£fG ≥∏îjh ,äƒ°ü∏d á«fÉµŸG IQƒ°üdG ™«°SƒàH ¢SQƒµdG ôKD ƒ...
Page 157 r EXR–46 OR Cho/Dly -] - [ Reverb ÓµH á«∏NGódG IQÉ°TE ’ G ôKC É àJ …RGƒàdG ≈∏Y ÒNC É Jh ¢SQƒc èdÉ©e ¤G áLÉëH øµJ ⁄ GPE G QÉ«àN’ QGQRC G Ωóîà°SG ÜÒØjôdG .(Éª¡æ«H ábÓY É‰hO øjôKD ƒ ŸG :á«dÉàdG áMÉàŸG ´GƒfC ’...
Page 158 EXR–46 OR Mod Dly êƒ“ ™e ÒNC É J Overdrv 1~4 »Jƒ°üdG ™Ñ°ûàdG äGôKD ƒ ŸG ΩGóîà°SG .ô‚ÓØdG ¬Ñ°ûj k G ÒKC É J k É éàæe ,ôNC É àŸG äƒ°ü∏d k É Lƒ“ ∞«°†j ôKD ƒ ŸG Gòg ôaƒàJh ,äÉeÉª°üdG äGP äGÈµŸG »cÉëj ,äƒ°ü∏d k É ªYÉf k É ¡jƒ°ûJ èàæj EXR-46 OR ∂æµÁ...
Page 159 r EXR–46 OR äGôKD ƒ ŸGh AGOC ’ G ∞FÉXh .11 ''127'' áª«≤dG Éªæ«H , áYƒª°ùe ÒZh ájÉ¨∏d á«fóàe ''1'' áª«≤dG Èà©J .ôKD ƒ ŸG øe ∂FÉ¡àfG óæY ´GQòdG ∑ôJ ∂æµÁ ä’É◊G πc ‘ AGOC ’ G ∞FÉXh áª«≤dG Ωóîà°ùJh .(IOÉMh ájƒb äÉª¨f ±õ©∏d Iƒb ≈∏YC G ™e ≥aGƒàJ ô¶fC G...
Page 160 EXR–46 OR á∏eÉ°ûdG πjƒëàdG áØ«Xh OQƒÑ«µdG ΩÉ°ùbC ’ iôNC G ∞FÉXh ±ÉàchC ’ G äGõ«¡Œ áLQódG Ò«¨àH Ωƒ≤J »àdGh ''πjƒëà∏d »°ù«FôdG §Ñ°†dG'' áØ«Xh k É °†jC G ∑Éæg EXR-46 OR ÉgOGóYE G ∂æµÁ ,OQƒÑ«µdG ΩÉ°ùbC É H ≥∏©àJ iôNC G ∞FÉXh Éæg Éæjód âdGR Ée ,»°SÉ°SC ’...
Page 161 r EXR–46 OR ] – [ (9~0) ‘ ∫ƒÑW áYƒª› Ú«©J ó©H ∫ƒÑ£dG áMƒd ™°Vh QÉ«àNÉH âªb GPE G :áßMÓe ∫ƒÑ£dG áMƒd ™°Vh ΩGóîà°SE G áaÉ°ùe ójóëàd á«ªbôdG QGQRC ’ G hC G QGQRC G Ωóîà°SG √QÉ«àNÉH âªb »æ◊ äƒ°U ôNB G ™LÎ°ùj »°ù«FôdG º°ù≤dG ¿Éa ,»°ù«FôdG º°ù≤dG ΩÉ≤ŸG πjƒ–...
Page 162 EXR–46 OR óMC G ÎNE G ,»Jƒ°üdG ôKD ƒ ŸG ±õ©d iô°ù«dG ∑ój ΩGóîà°SÉH âÑZQ GPE G (SFX øµÁ ’h ,»°SÉ°SC ’ G äƒ°üdG ‘ §≤a ∫ƒÑ£dG äÉYƒª› ∫ÉNOE G øµÁ áßMÓe á«Jƒ°üdG äGôKD ƒ ŸGh ∫ƒÑ£dG äGƒ°UC G ôKD ƒ ŸG ±õ©dh ô°ùjC ’...
Page 163 r EXR–46 OR OQƒÑ«µdG ΩÉ°ùbC G ∞FÉXh .10 áYƒª› ∑QÉ«àNG iódh ,IôaƒàŸG á«Jƒ°üdG äÉYƒªÛG áªFÉb »∏j Éª«a USER TONES ±RÉ©dG äGƒ°UC G QGQRC G ΩGóîà°SG º°ù≤dG äƒ°Uh ,»°SÉ°SC ’ G äƒ°üdG QÉ«àNG áYƒªÛG ∂∏J øe ∫hC ’ G äƒ°üdG ¤G k G Qƒa õØ≤J ∂fC É a iôNC G äÉYƒª›...
Page 164 EXR–46 OR á«bô°ûdG áfRhódG ΩGóîà°SG .9 [Bƒ] EXR-46 OR äÉª¨f πc ≈∏Y ¢VÉØîf’G Gòg ≥Ñ£æ«°Sh (âæ°S ¿ƒJ QGó≤Ã áª¨ædG √òg OOôJ ¢†Øîæ«°S , ô°TD ƒ ŸG Å°†j »°S »bô°ûdG ΩÉ≤ŸG QR k Ó ãe â£¨°V ƒ∏a ,äÉaÉàchC ’ G πc ≈∏Y ôKD ƒ J »àdGh ¬ë«JÉØe áfRhO Ò«¨J RÉ¡L ∂d í«àj OQƒÑ«µdG ‘...
Page 165 r EXR–46 OR Bass Inv [√] [®] Bass Inv SELECT Ò¨àŸG QÉ«àN’ QGQRC G Ωóîà°SE G äÉYÉ≤jE ’ G ∞FÉXh øe ójõŸG ¢UÉÑdG ÜÓ≤fE G »àdG äÉØdB É à∏d ´RƒŸG IAGôb Üƒ∏°SC G Ò«¨àd áØ«XƒdG √òg Ωóîà°SE G ÉgOGóYE G ∂æµÁ ,äÉYÉ≤jE ’ ÉH ≥∏©àJ iôNC G ∞FÉXh Éæg Éæjód âdGR Ée .É¡aõ©J :iôNC G ™°VGƒe ‘...
Page 166 EXR–46 OR »æë∏dG AÉcòdG ´ƒf Ò«¨J ƒfÉ«ÑdG ™°Vh »æë∏dG AÉcòdG EXR-46 OR AÉcòdG áØ«Xƒd ÊƒeQÉ¡dG øe k É Yƒf RÉ¡L …ƒëj ¿G øe ºZôdÉHh ,¬∏ªcC É H OQƒÑ«µdG »°SÉ°SC ’ G äƒ°üdG »£¨j ƒfÉ«ÑdG ™°Vh ‘ …òdG øë∏dG ™e k É ªZÉæàe k É «fÉK k É Jƒ°U ∞«°†J √òg ''»æë∏dG AÉcòdG'' áØ«Xh É¡àaÉ°VE G Üƒ∏°SC G h á«fƒeQÉ¡dG äÉª¨ædG OóY Oó–...
Page 167 r EXR–46 OR á«aÉ°VE G ´É≤jE G ∞FÉXh .8 [ARRANGER¥BAND] EXR-46 OR ô°TD ƒ e Å°†j) QR §¨°V ó©H §≤a áMÉàe á«dÉàdG ∞FÉXƒdG º¶©e .á«dÉàdG ∞FÉXƒdG RÉ¡L ‘ ôaƒàJ ,É¡©Ñàj Éeh (15 ¢U) á«°ù«FôdG »≤«°SƒŸG ´É≤jE ’ G ∞FÉXh ¤G áaÉ°VE G [√] [®] FAMILY...
Page 168 EXR–46 OR [REC¥∏] [START/STOP] π«é°ùàdG í«ë°üàd Ωó≤dG á°SGhO ΩGóîà°SC G π«é°ùàdG QR §¨°VE G .π«é°ùàdG AóÑd QR §¨°VE G ,π«é°ùàdG ±É≤jE G h AóÑd á«aÉ°VE G Ωób á°SGhO ΩGóîà°SE G k É °†jC G ∂æµÁ [√] [®] FAMILY ≈≤«°SƒŸG ™ª°ùà°S ,(41¢U ô¶fC G ) ÚàfhRÉe IóŸ …ó«¡ªàdG ó©dG ó©H :‹ÉàdG ƒëædG ≈∏Y á°TÉ°ûdG hóÑàd QGQRC G §¨°VE G iô°ù«dG ∑ój Ωóîà°ùJ hC G ,±õ©∏d ∑Gój Éà∏c Ωóîà°ùJ ∂fC G É¡Jõ«eh...
Page 169 r EXR–46 OR [REC¥∏] ‘ IOƒLƒŸG á«æZC ’ G k É °†jC G ƒëª«°S …ó«ŸG äÉØ∏e áYGPE G ¿C G k G ÒNC G ßM’ π«é°ùàdG QR §¨°VE G iôNC G π«é°ùJ ∞FÉXh ∂æµÁ »àdGh ,…ó«ŸG ∞∏e äÉcGôJ É¡æe k ’ óH óéà°Sh ,RÉ¡÷G IôcGP [√] [®] FAMILY...
Page 170 EXR–46 OR ∑É≤«°Sƒe π«é°ùJ .7 EXR-46 OR .á°UÉÿG ∑É≤«°Sƒe π«é°ùàd ∑GôJ 16 ¬JQób ô°ùfƒµ«°S …ƒëj [START/STOP] QGQRC G Ωóîà°SÉa ’Gh ,√ÉfOC G ÚÑe ƒg Éªc á°TÉ°ûdG ô¡¶J ¿G Öéj • QR §¨°VG á«°ù«FôdG á«æZC ’ G π«é°ùJ [√] [®] ''REC MODE'' FAMILY ™°Vh QÉ«àN’...
Page 171 r EXR–46 OR [LEFT] ∑GÎdG äGójó– Ò«¨ .QÉàıG …ó«e ∞∏Ÿ ''3'' ∑GÎdÉH ≥∏©àjh ‹ÉàdÉHh) ΩÉ¶f ™e ºFÓàJ ’ É¡eóîà°ùJ »àdG á«æZC ’ G äÉØ∏e âfÉc GPE G á°UÉNh) á«ª«∏©àdG ¢VGôZC ’ ÉH á°UÉÿG á«≤«°SƒŸG äÉeƒ∏©ŸG Ωóîà°ùJ RIGHT ,LEFT ,BASS ,DRUM áØ«Xh ‘...
Page 172 EXR–46 OR [DRUM] [START/STOP [‰] [º] .(10 ô°TD ƒ ŸG Å°†j ±ƒ°ùa , QR â≤∏ZC G GPE G :∫Éãe) ¿’G ≈ª°ùj …òdGh) QR §¨°VG ,QGôµàdG áYGP’ ‘ Gòg çóëj ób …QR ΩGóîà°SG øe ÉfÉ«MG øµªàJ ’ ób :¬¶MÓe [®÷ª] ‘h .áYGP’ÉH C G óÑjh '' '' IQhRÉŸG ¤G ∫É≤àf’ÉH πé°ùŸG Ωƒ≤j .áªî°†dG ÊÉZ’G...
Page 173 r EXR–46 OR SELECT FAMILY ∂°ùjódG øe IQÉàﬂ á«æZC G áYGPE G AóH ¿G QÉÑàYC ’ ÉH òNC ’ G ≈Lôj :á¶MÓe á«ªbôdG QGQRC ’ Gh QGQRC G ΩGóîà°SE G á«aÉ°VG á«YGPG ∞FÉXh USERSONG øe ócC É J Gòd IôcGP ‘ IOƒLƒŸG á«æZC ’ G í°ùe ¤G …OD ƒ «°S [√] [®] FAMILY...
Page 174 EXR–46 OR ÊÉZC ’ Gh ¿É◊C ’ G áYGPE G .6 (Standard MIDI FILES EXR-46 OR äÉØ∏ªc ∂fÉ◊C G ßØM ºàjh RÉ¡é∏d á«°†eƒdG IôcGòdG ‘ hC G ∂°ùjO ≈∏Y áXƒØÙG á°UÉÿG ∂«fÉZC G hC G , á«°SÉ«≤dG …ó«e äÉØ∏e ≈ª°ùJ »àdGh) k É jQÉŒ IôaƒàŸG á«≤«°SƒŸG äÉeƒ∏©ŸG äÉØ∏e áYGPE G RÉ¡L ∂d í«àj O format files (ôJƒ«Ñªc èeÉfôH ∫ÓN øe hC G ) ôNB G...
Page 175 r EXR–46 OR BALANCE ¢Vô©dG á°TÉ°T ≈∏Y √QÉ«àNG ” …òdG º°ù≤dG ô°TD ƒ e ô¡¶«°S äƒ°üdG ¿RGƒJ .(á¶ë∏dG ¢ùØf ‘ óMGh ô°TD ƒ e iƒ°S ô¡¶j’) [√] [®] ´RƒŸG ΩÉ°ùbG ÚH äƒ°üdG ¿RGƒJ ≥«≤– øe QGQRG ∂æµ“ .∂jó«H É¡aõ©J »àdG OQƒÑ«µdG ΩÉ°ùbG ÚHh ,(á«æZ’G hC G ) [ACCOMP] ´RƒŸG ≈≤«°Sƒe äƒ°U ¿Éc ƒd ¿RGƒàdG QR §¨°VG...
Page 176 EXR–46 OR BAND [√] [®] FAMILY §¨°†dG ∫ÓN øe ∑QÉ«àNE G ócD ƒ J ¿G ∂æµÁ ,áLÉ◊G â°†àbE G GPE G É¡«a óLƒj »àdG á≤£æŸG QÉ«àNE ’ QGQRC G Ωóîà°SE G ábôØdG ≥°ùæe áØ«Xh ΩGóîà°SE G [+/YES] QR ≈∏Y .(á≤HÉ°ùdG äGô≤ØdG ô¶fC G ) Üƒ∏£ŸG »≤«°SƒŸG ´É≤jE ’ G ORCHESTRATOR LOADING øe ´É≤jE G QÉ«àNG ó©H §≤a)
Page 177 r EXR–46 OR á°†Ñf ∫ÉãŸG π«Ñ°S ≈∏Y) äÉØbh ¤G É¡«a êÉà– »àdG ¿É◊Ód áÑ°ùædÉH ´É≤j’G áYô°S Ò«¨J á«≤«°SƒŸG äÉYÉ≤jC ’ G QÉ«àNE G .(âª°üdG øe äÉ°†Ñf IóY hG EXR-46 OR :»≤«°SƒŸG ´É≤jE Ó d äGôcGP çÓK ≈∏Y RÉ¡L …ƒàëj SYNC STOP ,(42¢U ô¶fC G ) áØ«Xh ∑ƒ∏°S §‰...
Page 178 EXR–46 OR (´RƒŸG) áÑMÉ°üŸG ™e ±õ©dG .5 ARRANGER EXR-46 OR »≤«°SƒŸG ´RƒŸG ≈YóJ »àdGh ‘ áÑMÉ°üŸG áØ«Xh øe ¿’G ó«Øà°ùæ°S áØ«XƒdG QõdG ARRANGER .OQƒÑ«µdG øe iô°ù«dG á¡÷G ≈∏Y (IóMGh áª¨f ≈àM) hG ÉØdB É J ±õYG ´RƒŸG ±É≤jGh π«¨°ûJ INTRO πÑb ¬£¨°VG ,´É≤jÓd á«MÉààaG QÉ«àNG [ARRANGER¥BAND] [START/STOP]...
Page 179 r EXR–46 OR USER TONES ΩƒfhÎŸG ΩGóîà°SE G á«fÉªãdG QGQRC G óMC G ≈∏Y §¨°†dG k É °†jC G ∂æµÁ øe ôNB G QR ≈∏Y §¨°†J Éªæ«H k É Wƒ¨°†e √AÉ≤HE G h (»°SÉ°SC ’ G º°ù≤dG) .ójóL øë∏d ∂aõY ∫ÓN ΩƒfhÎŸG π«¨°ûJ ∂æµÁ USER TONES .(ô°ùjC ’...
Page 180 EXR–46 OR [TONE] OQƒÑ«µdG º«°ù≤J QR ≈∏Y §¨°VE G ,»°SÉ°SC ’ G äƒ°üdG Ió°T Ò«¨àd âéàME G GPE G áÑMÉ°üe ¿hóH ±õ©dG BALANCE [ACCOMP] hC G (äƒ°üdG ¢†Øÿ) Ωóîà°SGh IÎØd EXR-46 OR ,≈æª«dGh iô°ù«dG ∂jó«H áØ∏àﬂ äGƒ°UC G ±õ©H âÑZQ GPE G ™°Vh QÉ«àNÉH RÉ¡÷G Ωƒ≤j , RÉ¡L π«¨°ûàH Ωƒ≤J ÉeóæY [KEYBOARD]...
Page 181 r EXR–46 OR ¤h’G äGƒ£ÿG .4 [START/STOP øë∏dG áYGPG ±É≤j’ QR ≈∏Y §¨°†dG ¿’G ∂fÉµeÉH ¢Vô©dG ¿É◊C G RÉ¡÷G OGóYG .‹ÉàdG øë∏dG áYGP’ á«fÉK Iôe QõdG Gòg §¨°VG , ‹É◊G PSB-4U AÉHô¡c Qó°üÃ »FÉHô¡µdG ∫ƒÙG π«°UƒJ »g ¤h’G Iƒ£ÿG EXR-46 OR ¢VGô©à°S’...
Page 182 EXR–46 OR á«Ø∏ÿG áMƒ∏dG OUTPUT R, L/MONO áëàa ƒfƒe/ƒjÎ°S äƒ°üdG êôﬂ EXR-46 OR ¢VGôZC ’ hC G …ó«ŸG πFÉ°SQ ∫ÉÑ≤à°SE G h π≤æd áëàa ΩGóîà°SE G øµÁ Èµe πNóÃ RÉ¡L π«°UƒJ êôıG Gòg ∫ÓN øe ∂æµÁ Mixer HiFi .ôJƒ«ÑªµdG ™e ∞«°TQC ’ G hC G ,»LQÉN RÉ¡L ¤G hC G , ‹õæe ´Éªà°SE G RÉ¡÷...
Page 183 r EXR–46 OR LOCK ¿C É a Ée á¶◊ ‘ IQÉàıG áYƒªÛG øe IÒNC ’ G IOÉŸG AÉ≤àfE G ó©Hh â«ÑãàdG º°ùb [ONE¥TOUCH] IóMGƒdG á°ùª∏dG QR SELECT øe ¤hC ’ G IOÉŸG ¤G ∂∏≤æj iôNC G Iôe QR ≈∏Y §¨°†dG ºàj áæ«©e äGõ«¡Œ...
Page 184 »æë∏dG AÉcòdG QR ∂d ≈æ°ùàj ≈àM ∂dPh , User Program ±RÉ©dG èeÉfôH ‘ RH-120 Roland RH-25 äƒ°üdG Èµe ÅØ£J Gòµgh ,( hC G …òdGh ,''»æë∏dG AÉcòdG'' ±É≤jE G hC G π«¨°ûJ ≈∏Y QõdG Gòg πª©j .áeÉ©dG äGõ«¡éàdG øe ójõŸ √òg çÓãdG äGôcGòdG ΩGóîà°SE G EXR-46 äÉYÉª°Sh »∏NGódG...
Page 185 ∂°ùjO ≈∏Y áfõıG äÉeƒ∏©ŸGh äÉfÉ«ÑdG ¿Gó≤a ádÉM ‘ • Floppy ácô°Th ,É¡JOÉ©à°SE G π«ëà°ùŸG øe ∞°SC Ó dh ¬fC É a , Roland Europe S √òg πãe ¿Gó≤a á«dhD ƒ °ùe πªëàJ ’ .äÉfÉ«ÑdGh äÉeƒ∏©ŸG Protect tab ™«Hh ™jRƒJh π«é°ùàH íjô°üJ ¿hóHh ΩÉ«≤dG ¿ƒfÉ≤dG ô¶ëj •...
Page 186 EXR–46 OR áeÉg äÉ¶MÓe.2 ÖÑ°ùj ób iôNC G äÉ°SGhO ájC ’ ∂eGóîà°SÉa ,(á∏°üØæe ´ÉÑJ áfÉ«°üdG ''¿ÉeC É H RÉ¡÷G ΩGóîà°SE G '' óæH ‘ IOQGƒdG äÉª«∏©àdG ¤G áaÉ°VE G .RÉ¡÷G ‘ π£Y hC G AGOC ’ G ‘ Qƒ°üb :»∏j Ée á¶MÓe ≈Lôj ,(3¢U) hC G áaÉLh áªYÉf ¢TÉªb á©£≤H RÉ¡÷G í°ùeE G »eƒ«dG ∞«¶æà∏d •...
Page 187 r EXR–46 OR ....................9 1 ..........ºFGƒb ±RÉ©dG èeGôH ‘ ∂JGõ«¡Œ øjõîJ ............á«eÉeC ’ G áMƒ∏dG ∫ÓN øe ÉgQÉ«àNE G øµÁ »àdG äGƒ°UC ’ G ±RÉ©dG èeGôH øjõîJ ∫ƒM äÉ¶MÓe ............................±RÉ©dG èeGôH óMC G QÉ«àNE G ∫ƒÑ£dG äÉYƒª›...
Page 188 EXR–46 OR äÉjƒàÙG .............................. ∫ƒÑ£dG äÉYƒª› (IOÉYE ’ G) IQôµàŸG áYGPE ’ G ....................ÉjGõŸG ....................(''SFX'') Minus One á«Jƒ°üdG äGôKD ƒ ŸG á∏é°ùe á«Ø∏N áÑMÉ°üÃ »◊G AGOC ’ G ................... áeÉg äÉ¶MÓe ..........................∑GÎdG äGójó– Ò«¨J (ΩÉ≤ŸG Ò«¨J) »ª¨ædG πjƒëàdG ................
Page 189 r EXR–46 OR EXR-46 OR • êôﬂ ¢ùØf ∑QÉ°ûj RÉ¡÷ »FÉHô¡µdG ∫ƒÙG ´óJ ’ ,iôNC ’ G Iõ¡LC ’ G äÓ«°UƒJ øe »≤£æe ÒZh ÒÑc OóY ™e AÉHô¡µdG øe ∫ƒÙG ´õfE G ,∂à≤£æe ‘ ¥ôH çhóM á«fÉµeE É H ¬Ñà°ûJ Éªæ«M •...
Page 190 EXR–46 OR ¿ÉeC É H RÉ¡÷G ΩGóîà°SE G iPC É H ¢UÉî°TC G áHÉ°UE G hC G ,á«FÉHô¡µdG áeó°üdGh ,≥jô◊G Öæéàd äÉª«∏©J ¬«ÑæàdGh ôjòëàdG äÉàa’ ∫ƒM ¬«ÑæàdGh ôjòëàdG äÉàa’ ∫ƒM RƒeôdG ∫ƒM symbol alerts the user to important instructions Used for instructions intended to alert ,áeÉg äGôjò–...
Page 191 r EXR–46 OR ÉjGõŸG IójóL á≤jôW EXR-46 OR RÉ¡L ∂d ôaƒj ,∂dP ¤G áaÉ°VE G ¥ƒØàe »Jƒ°U RÉ¡L å«M :±RÉ©dG èeÉfôHh á«æZC ’ Gh äƒ°üdGh ´É≤jC ’ G QÉ«àNE ’ EXR-46 OR á∏eÉc á«Jƒ°U äÉLƒe ≈∏Y RÉ¡L äGƒ°UC G õµJôJ FAMILY äÉYƒª›...
Page 192 RÉ¡÷ í«ë°üdG π«¨°ûàdG ∫ƒM áeÉg äÉeƒ∏©Ã ∑ó“ äÉ¶MÓŸG √ò¡a ,(7¢U) ''áeÉg äÉ¶MÓe'' óæH ájÉæ©H C G ô≤J ¿G ƒLôf RÉ¡÷G Gòg ΩGóîà°SE G πÑb .áLÉ◊G óæY ¬«dE G ´ƒLô∏d øeB G ¿Éµe ‘ π«dódG Gòg ßØM øe ócC É J Roland Europe S.p.a. ROLAND EUROPE 2006 ácô°T øe »£N íjô°üJ ¿hóH Qƒ°ûæŸG Gòg øe AõL …C G QGó°UE G IOÉYE G πµ°T …C É...

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Summary of Contents for Roland EXR-46OR