Positioning Your Monitors - KRK V8 User Manual

Installing Your Monitors
The close-field monitor, by definition, reduces room interaction. This can be compared to the conventional
stereo configuration or the large monitor arrangement in a recording studio where sounds emanating from the
monitor or reflecting off ceilings, walls, and floors greatly affect the sound quality. By shortening the path to
the ear, the close-field monitor offers a tremendous amount of flexibility, allowing the sound to become less
susceptible to differing room conditions. The ability to adjust the high and low frequency characteristics is
equally important to help compensate for room irregularities and achieve the highest sound accuracy. (See HF
Adjustments and LF Adjustments sections on page 2.)
A room that is heavily dampened would typically require a high frequency boost. Likewise, reducing the high
frequencies can alter a reverberant room. The low frequency can be adjusted to compensate for the first
reflection (bounce) off the woofer, whether it comes from the floor, as in the typical stereo setup, or from the
surface of the mixing board (when the monitor is placed atop the meter bridge).
Placing the monitor close to a rear wall, sidewall, or a corner will reinforce the low frequencies. Generally
speaking, if you move them two to three feet away from walls and corners, you'll hear less low frequency
interaction (excluding any interaction with the mixing console). But when ideal positioning isn't practical, low
frequency control is the solution. Lets say you have two different studios in your facility; in one room the V8's
are close to the wall, in the other they're further away from the wall. Simply adjust the low frequency on each
monitor and you'll have the same sound in each room. This comes in handy if you're tracking in room A and
mixing down in room B.

Positioning Your Monitors

Positioning your monitors correctly in the studio is critical to their performance. Typically, they should be
placed so that that the listening position is fully "covered" with all monitors resting on the same horizontal
plane. A great way to test a monitor for its imaging capability is to play back a CD or DVD recorded acoustically
in stereo (or one recorded in surround sound if you have a surround sound set-up). We recommend acoustic
music because it represents the spectrum of sound.) You can adjust the angle of each monitor by listening for
dead spots. Keep in mind, changing the angle or position of a monitor will change the sound.
2-CHANNEL SET-UP
Close-Field Configuration - In a control room situation, the monitors are often times placed on the meter
bridge or in a close-field listening position. Initial placement starts by measuring out a simple equilateral
triangle (all three sides equal in length) with the apex at the center of the listening position (as shown in Figure
1) as an "overlay" for the stereo installation. In this configuration, the Left and Right monitors are each placed
at a 60º angle equidistant from the listening position.
Figure 1
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