Download Print this page
Rane DC 22S Operator's Manual

Rane DC 22S Operator's Manual

Stereo compressor
Hide thumbs Also See for DC 22S:

Advertisement

INPUT
GATE
-50
-10
1
-60
-40
-20
-70
-30
-30
+4
OL
-80
-20
-40
dBu
dBu
LEVEL
THRESHOLD
THRESHOLD

QUICK START

Shredded, this document makes excellent packing material. In
its present form, it makes interesting and useful reading. If you
run out of patience quickly, at least read this part to make sure
you don't exterminate everything within a two mile radius by
doing something wrong.
First, be sure the POWER switch is off. Attach one or two
channels of Inputs and Outputs to the respective connectors on
the rear. This device uses low impedance balanced line drivers. Do
not connect the XLR "+" or "–" output pins to ground, as this may
cause the power supply to shut down. For unbalanced use, leave the
unused output pin ("+" or "–") unterminated. OK, now you can
power up your sound system, volumes down, amp turned on last.
With the GATE THRESHOLD turned all the way down to
-80 dBu, COMPRESSOR THRESHOLD turned all the way
up to 20 dBu, COMPRESSOR RATIO turned all the way
down to 1, and the OUTPUT LEVEL control in the center at 0
dB, you have an expensive patch cord.
While sending a signal to the DC 22S, adjust the output
level of the previous device so the +4 dBu LED lights occasion-
ally, but the OL LED does not light. If you are driving the ¼"
WEAR PARTS: This product contains no wear parts.
OPERATORS MANUAL
COMPRESSOR
OUTPUT
3
0
2
6
0
1.7
3
-6
6
12
10
1.2
10
-12
12
24
20
-15
15
1
:1
GAIN
dB
RATIO
REDUCTION
BYPASS
LEVEL
INPUT
GATE
-50
2
-60
-40
LINK
-70
-30
-30
+4
OL
-80
-20
dBu
� MASTER
SLAVE �
LEVEL
THRESHOLD
INPUTS with a balanced signal (tip-ring-sleeve), set the Input
Gain switch to +4 dBu (in). When driving this input with an
unbalanced signal (tip-sleeve), set this switch to –10 dBv (out).
Regardless of the type of Input, you might need to set this switch
so the INPUT LEVEL LEDs light correctly.
Now increase the COMPRESSOR RATIO to something
useful, like 2:1 (with the control set at 2, the Ratio is 2:1; at 5, it
is 5:1.) Adjust the COMPRESSOR THRESHOLD to the point
you want the Compressor to kick in. The GAIN REDUCTION
meter reads the amount of signal compression.
If you want the quiet parts to be even quieter, increase the
GATE THRESHOLD so only higher levels make it through the
Gate.
Both Gates and Compressors will activate by the source
material applied to either channel if the LINK switch is on. This
is the preferred setting for stereo program material. The chan-
nel 1 controls set both channels to the same adjustments, as the
channel 2 controls go dormant and the LEDs extinguish. If
the LINK switch is off, then both channels are independently
controllable.
STEREO COMPRESSOR
COMPRESSOR
OUTPUT
3
-10
0
2
6
-20
0
1.7
3
-6
6
12
10
1.2
10
-12
12
24
-40
20
-15
15
1
dBu
:1
GAIN
dB
THRESHOLD
RATIO
REDUCTION
BYPASS
LEVEL
DC 22S
DC 22S
DYNAMIC
CONTROLLER
POWER
Manual-1

Advertisement

loading

Summary of Contents for Rane DC 22S

  • Page 1: Quick Start

    2 controls go dormant and the LEDs extinguish. If While sending a signal to the DC 22S, adjust the output the LINK switch is off, then both channels are independently level of the previous device so the +4 dBu LED lights occasion- controllable.
  • Page 2: Gate Compressor

    OUTPUT DC 22S LINK DYNAMIC CONTROLLER GAIN � MASTER SLAVE � LEVEL THRESHOLD THRESHOLD RATIO REDUCTION BYPASS LEVEL POWER When the POWER LED is lit, the DC 22S is connected to a 100-240 VAC source and ready to rock. Manual-2...
  • Page 3 50/60 Hz 7 WATTS SYSTEM INTERCONNECTION BALANCED BAL/UNBAL BALANCED BAL/UNBAL BALANCED BAL/UNBAL BALANCED BAL/UNBAL DC 22S STEREO COMPRESSOR MONO SUBWOOFER TTM 56S COMMERCIAL AUDIO EQUIPMENT 24TJ MADE IN U.S.A. RANE CORP. U.S. PATENT 6,813,361 ACN 001 345 482 PHONO MASTER...
  • Page 4 3. COMPRESSOR RATIO ....fully counterclockwise INPUT (dBu) 4. BYPASS switches .....ACTIVE (out) Figure 2. With the Ratio set to ∞, the DC 22S acts as a Limiter. This 5. OUTPUT LEVEL ......0 dB This renders the DC 22S with no compression, allowing sig- graph shows Limiter gain reduction above various Compressor nal through at unity gain.
  • Page 5 Channel 1 and right signal in Channel 2, it is recom- mended to turn the LINK switch on to prevent large balance The DC 22S is excellent as a line level amp for driving long lines and image shifts. While LINKed, both Channels attenuate by (from the mixer to the stage for instance).
  • Page 6 NOTES Any change in amplifier sensitivity setting will effect the power limit to the driver. If the DC 22S is placed just before the amplifier, no other system levels will effect the power limit setting. EXAMPLE 1. Driver power rating: w = 100 watts.