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Rane DC 22 Operator's Manual

Rane DC 22 Operator's Manual

Rane stereo compressor operators manual

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INPUT
GATE
-50
1
-60
-40
-70
-30
+4 dBu
OL
-80
-20
dBu
LEVEL
THRESHOLD

QUICK START

Shredded, this document makes excellent packing material.
In its present form, it makes interesting and useful reading. If
you run out of patience quickly, at least read this part to make
sure you don't exterminate everything within a two mile radius
by doing something wrong.
First, be sure the POWER switch is off. Attach one or two
channels of Inputs and Outputs to the respective connectors on
the rear. This device uses low impedance balanced line drivers. Do
not connect the XLR "+" or "–" output pins to ground, as this may
cause the power supply to shut down. For unbalanced use, leave the
unused output pin ("+" or "–") unterminated. OK, now you can
power up your sound system, volumes down, amp turned on last.
With the GATE THRESHOLD turned all the way down to
-80 dBu, COMPRESSOR THRESHOLD turned all the way
up to 20 dBu, COMPRESSOR RATIO turned all the way
down to 1, and the OUTPUT LEVEL control in the center at 0
dB, you have an expensive patch cord.
While sending a signal to the DC 22, adjust the output
level of the previous device so the +4 dBu LED lights occasion-
ally, but the OL LED does not light. If you are driving the ¼"
WEAR PARTS: This product contains no wear parts.
OPERATORS MANUAL
COMPRESSOR
OUTPUT
-10
3
0
2
-20
0
1.7
3
-6
6
-30
10
1.2
10
12
-12
24
-40
20
1
-15
dBu
:1
GAIN
dB
THRESHOLD
RATIO
REDUCTION
BYPASS
LEVEL
INPUT
GATE
-50
2
6
-60
LINK
12
-70
+4 dBu
OL
15
-80
dBu
MASTER
SLAVE
LEVEL
THRESHOLD
INPUTS with a balanced signal (tip-ring-sleeve), set the Input
Gain switch to +4 dBu (in). When driving this input with an
unbalanced signal (tip-sleeve), set this switch to –10 dBv (out).
Regardless of the type of Input, you might need to set this switch
so the INPUT LEVEL LEDs light correctly.
Now increase the COMPRESSOR RATIO to something
useful, like 2:1 (with the control set at 2, the Ratio is 2:1; at 5, it
is 5:1.) Adjust the COMPRESSOR THRESHOLD to the point
you want the Compressor to kick in. The GAIN REDUCTION
meter reads the amount of signal compression.
If you want the quiet parts to be even quieter, increase the
GATE THRESHOLD so only higher levels make it through the
Gate.
Both Gates and Compressors will activate by the source
material applied to either channel if the LINK switch is on. This
is the preferred setting for stereo program material. The chan-
nel 1 controls set both channels to the same adjustments, as the
channel 2 controls go dormant and the LEDs extinguish. If
the LINK switch is off, then both channels are independently
controllable.
STEREO COMPRESSOR
COMPRESSOR
-10
3
2
-40
-20
0
1.7
3
6
-30
-30
10
1.2
10
12
-12
24
-20
-40
20
1
dBu
:1
GAIN
THRESHOLD
RATIO
REDUCTION
BYPASS
DC 22
OUTPUT
0
-6
6
DC 22
12
DYNAMIC
CONTROLLER
-15
15
dB
LEVEL
POWER
Manual-

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Summary of Contents for Rane DC 22

  • Page 1: Quick Start

    2 controls go dormant and the LEDs extinguish. If While sending a signal to the DC 22, adjust the output the LINK switch is off, then both channels are independently level of the previous device so the +4 dBu LED lights occasion- controllable.
  • Page 2: Front Panel Description

    CONTROLLER ∞ GAIN MASTER SLAVE LEVEL THRESHOLD THRESHOLD RATIO REDUCTION BYPASS LEVEL POWER Power switch is your basic, straightforward power switch. When the switch is depressed and the yellow LED is lit, the DC 22 is ready to go. Manual-...
  • Page 3 BALANCED BAL/UNBAL +4 dBu TIP = SIGNAL, RING = GROUND, SLEEVE = CHASSIS, SHIELD BALANCED UNBAL BALANCED BAL/UNBAL +4 dBu MONO SUBWOOFER DC 22 STEREO COMPRESSOR OUTPUTS INPUTS LEFT RIGHT LEFT RIGHT MP 22z ACTIVE CROSSFADER TECHNOLOGY PATENT PENDING PHONO MASTER LOOP UNBALANCED 1/4"...
  • Page 4 The threshold is the point at which gain adjustment begins. are in the 2:1 to 3:1 range. Limiting, with no increase in signal When the input signal is below the threshold, the DC 22 at- above the Threshold, occurs at ∞:1. Figure 3 illustrates various tenuates the signal at a 2:1 ratio, making the quiet parts twice as Ratios.
  • Page 5 String pops on a bass are one ing or broadcast limitations. Once the threshold of a limiter is reached, no more signal increase is allowed. The DC 22 acts as a example, shrill peaks on a flute are yet another. The higher tones limiter when set at a very high ratio of 10:1.
  • Page 6 1V in, how many volts come out? Then convert to dB (20 log gain). 5. Subtract the gain of the amplifier in dB from the answer in step (3) to obtain the correct DC 22 COMPRESSOR THRESHOLD. 6. Set the DC 22 RATIO to 10:1.