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REAR PANEL DESCRIPTION
PHONO
UNBALANCED 1/4"
GROUND
TIP (SIG)
SLEEVE (GND)
REMOTE
MIC LOOP
MIC/LINE
SEND
RETURN
LINE
PHONO
INPUT
(OUT)
(IN)
(RIAA)
1 REMOTE MIC/LINE INPUT: This ¼" tip-sleeve Input is for wireless mics or other high-impedence sources.
2 MICROPHONE LOOP jacks: These ¼" tip-sleeve connectors are for inserting external signal processing in the microphone
circuit only. These jacks do not effect the other Inputs.
3 PHONO GROUND screw: This can facilitate your hum chasing, buzz eliminating experiments, providing a place to connect
those extra wires coming out of the turntables. See Chassis Grounding, next page.
4 PHONO/LINE 1 & 2 INPUTS: These stereo Inputs are switchable from a PHONO (RIAA) stage for magnetic cartridges to a
LINE level Input suitable for any line level device such as a CD player. Each Input may be adjusted with its TRIM control for
level matching purposes if desired.
5 LINE 3, 4, 5 & 6 INPUTS: These stereo pairs of RCAs connect LINE level Inputs only. Each Input may be adjusted with its
TRIM control for level matching purposes if desired.
6 MASTER LOOP SEND & RETURN: These stereo pairs of RCA connectors allow inserting external signal processing in the
Master, Zone and Headphone circuits. This feature does not affect the operation of the MIC or AUX INPUTS. These are switch-
ing jacks—always finish the loop when connecting send or return. Only connect to a device that is capable of returning signal
back to the MP 22z.
7 AUX LINE INPUT: This stereo pair of RCA connectors is an extra set of LINE level Inputs with an independent front panel
LEVEL control (see Front Panel, 7).
8 TAPE OUTPUT: These line level RCA Outputs are intended for use with a tape recorder, but not necessarily restricted to that
purpose. You may be creative. These Outputs are not affected by the MASTER LEVEL fader.
9 MIC & AUX TO TAPE OUT switch: In the YES position the Mic and Aux signals along with all Inputs are routed to the TAPE
OUTPUT. In the NO position only program material from Inputs 1 through 6 appear at the TAPE OUTPUT.
0 MIC & AUX TO ZONE 1 switch: In the YES position the Mic and Aux signals along with all Inputs are routed to the ZONE 1
OUTPUT. In the NO position only program material from Inputs 1 through 6 appear at the ZONE 1 OUTPUT. Note: Mic and
Aux signals are never routed to the ZONE 2 OUTPUT.
q ZONE OUTPUTS: These are stereo pairs of line level RCA Outputs with independent front panel OUTPUT LEVEL controls
(see Front Panel, 8) and are not affected by the MASTER LEVEL control.
w MASTER OUTPUTS: These balanced ¼" TRS (tip-ring-sleeve) Outputs connect to a balanced equalizer or amplifier. Though
not recommended, unbalanced ¼" TS (tip-sleeve) cables may be used for short runs (under 3 meters [10 feet]) to an amplifier
with unbalanced inputs. See RaneNote 110 "Sound System Interconnection" for wiring recommendations.
e Chassis ground point: This screw is provided for connection to chassis ground if required. See Chassis Grounding on the next
page.
r POWER input connector: This is not a telephone jack! Connect an 18 volt AC center-tapped transformer only. Use only a Rane
model RS 1, shipped with the unit, or other RS 1 compatible power supply approved by Rane.
Manual-4
ACTIVE CROSSFADER TECHNOLOGY PATENT PENDING
INPUTS
L
L
R
R
LINE
PHONO
PH/LN 1
PH/LN 2
LINE 3
LINE 4
(RIAA)
MASTER LOOP
AUX
SEND (OUT)
LINE IN
L
R
L
L
R
R
L
R
RETURN (IN)
LINE 5
LINE 6
TAPE
ACN001.187.837
OUTPUTS
BALANCED 1/4"
MIC/AUX
MIC/AUX
TIP (+) RING (–)
TO
TO
L
SLEEVE (GND)
TAPE OUT
ZONE 1
MASTER
R
YES NO
YES NO
ZONE 1
ZONE 2
L
R
MP 22z
MADE IN U.S.A.
RANE CORP.
POWER
750mA
CLASS 2 EQUIPMENT
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