Page 1 S3L System Guide and VENUE Software 4.1 PN 9329-65306-00 REV A 8/13...
Page 2 Command|8, Control|24, Cosmonaut Voice, CountDown, d2, d3, DAE, D-Command, D-Control, Deko, DekoCast, D-Fi, D-fx, Digi 002, Digi 003, DigiBase, Digidesign, Digidesign Audio Engine, Digidesign Development Partners, Digidesign Intelligent Noise Reduction, Digidesign TDM Bus, DigiLink, DigiMeter, DigiPanner, DigiProNet, DigiRack, DigiSerial, DigiSnake, DigiSystem, Digital Choreography, Digital Nonlinear Accelerator, DigiTest,...
Page 3: Important Safety Instructions
Safety Compliance Rack-Mount Safety Instructions 1) Elevated Operating Ambient - If installed in a closed or multi-unit rack Safety Statement assembly, the operating ambient temperature of the rack environment might be greater than room ambient. Therefore, consider installing the equipment in an This equipment has been tested to comply with USA and Canadian safety environment compatible with the maximum ambient temperature (Tma) certification in accordance with the specifications of UL Standards: UL60065 7th...
Page 4: Table Of Contents
Chapter 3. S3L System Control Overview ........
Page 5 ..............103 Group Bus Signal Flow Options S3L System Guide...
Page 6 Chapter 10. Auxes and Variable Groups ............. . 105 .
Page 7 ..............201 Making Changes to Snapshots viii S3L System Guide...
Page 8 ................202 Preview Mode Undoing Snapshot Commands .
Page 9 Chapter 28. S3L System Signal Flow Diagrams ........
Page 10 Part VIII Reference Chapter 30. GPI Port Reference ..............301 .
Page 11: Part I Overview
Part I: Overview...
Page 12: Chapter 1. Introduction To The S3L System
Stage 16 remote I/O boxes, providing a compact, modular, scalable, and high-fidelity live mixing solution using ultra-reliable and low-latency Ethernet AVB audio network connections. The S3L system uses the same intuitive and powerful VENUE software used by all other systems in the Avid live systems family, pro- ®...
Page 13: S3L System Features
S3L System Processing tion The S3L system provides the following processing features and • Two analog line inputs and four analog line outputs for con- capabilities: necting other line-level devices at the mix position •...
Page 14: What's Included
The VENUE System Re- Hz). store USB Drive contains VENUE System Restore software. This software is used for S3L system maintenance only. Keep this drive with the system at all times. Do not use this drive for anything other than VENUE Sys- tem Restore software.
Page 15: Additional Required Components
Pro Tools software is included with the E3 engine, and is acti- • USB 2.0 flash drive(s) for use with the built-in USB 2-track vated and downloaded separately from the S3L system software recording and playback features and plug-ins. The Live Sound Production Toolkit is an iLok li- •...
Page 16: Operational Requirements
Water and Moisture Pro Tools Connections S3L system devices should be operated away from sources of di- rect moisture and should be kept clear of liquids that might spill Shielded Cat 5e (350 MHz) or better Ethernet cable with RJ-45 into the units.
Page 17: About Www.avid.com
(such as , where is the secondary function). SHIFT The following terminology is used to describe functions. Example: SHIFT Back/Top • “Press and hold the switch then press the switch” is written as SHIFT+Back/Top • “Press ” S3L System Guide...
Page 18 • Select Find from the Edit menu to search for a subject. Chapter 1: Introduction to the S3L System 7...
Page 19: Chapter 2. Configuring And Connecting
Chapter 2: Configuring and Connecting The chapter shows how to get your S3L system up and running by Unpacking and Assembling System doing the following: Components • Unpack and assemble the components Unpacking S3L System Components • Connect the following: •...
Page 20 To configure the Stage 16 rack ears as handles: Using a 3/32-inch hex wrench or hex driver, remove the 16 hex screws (eight per side) that secure the rack ears to the Stage 16. Removing the rack ear/handle screws S3L System Guide...
Page 21 Remove the rack ears from the Stage 16. Replace the rack ears on the Stage 16 so they function as handles, lining up the screw holes on the handles with the screw holes on the Stage 16, and replace the 16 screws (eight per side). Replacement screws are provided with the Stage 16 in case any screws are lost.
Page 22: Connecting Power
To connect power to the E3 engine: Connect the included IEC power cable from the AC power in-  put on the back panel of the E3 engine to your power source. E3 engine AC power input S3L System Guide...
Page 23: Connecting Peripherals
Pro Tools, and to a router or A DVI connector is provided on the E3 engine to connect a client computer for remote control of your S3L system using ECx DVI-D compatible video monitor (not included).
Page 24: Powering Up The System
Ethernet connector is not present on the computer). Do not connect network equipment such as routers, hubs and switches to any S3L system Network ports. (Optional) To connect to a router or computer for ECx Ethernet Control, connect a standard Ethernet cable from the port labeled on the E3 engine to the router or client computer.
Page 25 S3 control surface to an available Ethernet port on the computer (or to a Thunderbolt port using a Thunderbolt to Ethernet adapter). Do not connect network equipment such as routers, hubs and switches to any S3L system Network ports. (Optional) To connect to a router or computer for ECx Ethernet Control, connect a standard Ethernet cable from the port labeled on the E3 engine to the router or client computer.
Page 26: Powering Up The System
• Go to the Options tab and click the System • Click Shut Down. • Click Shut Down again to confirm. Power off the S3 control surface. Power off any connected Stage 16 boxes. VENUE splash screen S3L System Guide...
Page 27: Confirming And Configuring System Components
Enabling Config Mode Confirming and Configuring System Components There are two main operating modes for the S3L system, Config mode and Show mode. Use Config mode to accomplish tasks Once you have connected and powered up your system, do the...
Page 28 Depending on hardware combinations being used, you may be required to. See “Managing Stage I/O” on page 20 for more information. Proceed to “Naming System Components” on page 19. Stage 16 Power and Status LEDs S3L System Guide...
Page 29 • To review the available audio and control connections, Names can be changed at any time. switches, and indicators on S3L system components, see “Au- dio and Control Connections, Switches, and Indicators” on To name the S3 control surface and the E3 engine: page 21.
Page 30 Stage I/O. For ex- To remove a Stage 16 box from the current configuration: ample, if you are mixing and matching S3L system components, Put the system into Config mode. you can remove previously connected Stage 16 boxes from your configuration, and add new Stage 16 boxes to your system.
Page 31: Audio And Control Connections, Switches, And Indicators
Audio and Control Connections, Switches, and Indicators Before making any audio connections, make sure your audio monitoring system is turned down or muted. S3 Control Surface Connections and Switches S3 control surface back panel Audio Connections S3 control surface audio I/O is assigned to VENUE system chan- Each Network port has Act and Sig LEDs to indicate net- nels using the Patchbay, under the tab.
Page 32 (Two RJ-45 Ports with etherCON Connectors) Connect the S3 control surface and up to four Stage 16 boxes  See “Synchronizing with Word Clock and Digital Audio to these ports using supported audio network cables. Input” on page 234 for more information. S3L System Guide...
Page 33 9 – GPI Port 10 – ECx Port A 9-pin, female DB9 connector provides a 2-in/2-out GPI Gen- This port provides connection to a computer or router to enable eral Purpose Interface (GPI). For specifications, wiring diagrams ECx Ethernet Control (remote control of the VENUE system). and pinouts, see Chapter 30, “GPI Port Reference.”...
Page 34 The recessed AC power input accepts a standard AC power cable (included). The Stage IO box power supply is auto power select- ing (100V–240V, 50–60 Hz), and automatically works with a standard modular power cable when connected to an AC recepta- cle in any country. S3L System Guide...
Page 35: Installing Additional Software
See Chapter 17, “Plug-Ins” for installa- tion and operational information. ECx Ethernet Control ECx Ethernet Control software must be in- stalled on both your S3L system and your remote device. For in- structions, see Chapter 31, “ECx Ethernet Control.” Chapter 2: Configuring and Connecting 25...
Page 36: Part Ii Description
Part II: Description...
Page 37: Chapter 3. S3L System Control Overview
Chapter 3: S3L System Control Overview This chapter provides an overview of S3L system controls on the console and on-screen. Most VENUE features and controls that are used during a performance are available from both the console and on-screen. Changes made on one are immediately reflected in the other, letting you use almost any combination of console and screen controls to mix.
Page 38: Channel Section
Channel Control, and for inclusion in Multi-Select and Multi-Assign functions. The switch is lit when that channel is se- +20/Clip lected. See “Selecting and Targeting Channels” on page 44. This switch has no function for VENUE software. Channel strip S3L System Guide...
Page 39: Channel Control
When a corre- sponding encoder is touched and/or adjusted, the display shows a numerical parameter value. Ch 1 Ch 1 Gain Channel display level indicator (left) and pan indicator (right) Chapter 3: S3L System Control Overview 31...
Page 40 For example, when Aux 2 is assigned to the channel encoders, pressing this switch assigns Aux 1 to the channel encoders. When on the first page, pressing the switch does nothing. S3L System Guide...
Page 41 “Using the Home and End Shortcuts” on page 44. Cancel This switch cancels the current operation, such as exiting Multi-Select mode. Cancel also unlocks the system if it has been locked (see “System Information Export” on page 58). Chapter 3: S3L System Control Overview 33...
Page 42: Channel Control
Channel Control cated in the corresponding display (such as EQ band gain or Aux encoder controlling EQ Lo band gain toggles that filter in/out. send level). The switch is lit when the parameter is enabled (in). S3L System Guide...
Page 43 This switch either returns to the previous page of param- eters for the currently assigned function (if applicable) or the set of parameters for the previous function. The switch is lit when a previous page is available. Chapter 3: S3L System Control Overview 35...
Page 44: Global Controls
This section provides an overview of Global Control. For instructions on using specific Global Control functions, see the chapters or sections referred to in the list above. Insert Aux/Grp Matrixes VCAs Monitors Mains Conﬁg Back Expnd Page Page Global Control main menu S3L System Guide...
Page 45 Application/Workstation Switch eters (if applicable) or the set of parameters for the previous func- tion. The switch is lit when a previous page is available. This switch has no function for VENUE software. Chapter 3: S3L System Control Overview 37...
Page 46 For more information on assigning events to the Touch Strip, see Chapter 21, “Events.”. Show Me Global Modifier switch To see the event(s) assigned to a Function switch using the Show Me switch: Show Me Press the switch. The Events tab is displayed.  S3L System Guide...
Page 47 SHIFT SHIFT Press both keys to simultaneously lock on  the Snapshots list, and in the Media page Playlist and Library. SHIFT Press either key to unlock.  Chapter 3: S3L System Control Overview 39...
Page 48: Software Screen Overview
Cursor (top) and tool tip in the banner display (bottom) Status Messages Clicking the tab name The banner display alerts you to certain operating conditions such as Multi-Select and Multi-Assign modes. Banner display (left) and Mode display (right) S3L System Guide...
Page 49 Store and recall snapshots, and access the Recall Safe window. Outputs Select, name, configure, and adjust parameters for outputs. Snapshots page See Chapter 20, “Snapshots.” Outputs page See Chapter 8, “Outputs and Output Routing.” Chapter 3: S3L System Control Overview 41...
Page 50 Events window. Configure and arrange plug-in racks; and assign, patch/route, and manage plug-ins. Options page (System tab shown) Plug-In page See Chapter 6, “Options.” See Chapter 17, “Plug-Ins.” S3L System Guide...
Page 51: Chapter 4. Banking And Selecting Channels
User bank switches let you bank outputs to the chan- The S3L system provides channel banking controls to navigate to nel strips. Channel names and numbers are indicated in the chan- channels beyond the number of available physical faders. Inputs nel displays.
Page 52: Selecting And Targeting Channels
If output channels Control display at all times. are banked, VCAs and Mains are banked. Ch 1 User Input Back Expnd Page Page Channel Control display showing the currently selected channel S3L System Guide...
Page 53 Selecting Channels On-Screen To select the Aux and Groups/Variable Groups from the Global Control encoders: To select a channel on-screen Make sure the Global Control main menu is shown in the Global Control displays. Click anywhere in the on-screen fader strip, except on the ...
Page 54: Screen Controls
To remove a channel from a selection: channels Control-click (or Fine-click) a highlighted channel.  Dragging multiple faders on-screen You can assign multiple input channels to an Aux, Group, or VCA using Multi-Assign. See “Assigning Inputs to Matrix Busses” on page 76. S3L System Guide...
Page 55: Screen Shortcuts
Adjusting On-Screen Encoders Reset Fader to 0 You can adjust on-screen rotary encoders by dragging directly Resets the fader position to zero. over the on-screen knob. Reset Selected Input Strips To adjust an on-screen encoder: Resets every parameter on the selected channel(s) to default set- Click on the encoder so that it is highlighted.
Page 56 A blank strip has no LCD channel name display, and all of its VCA, Matrix or PQ. physical controls and indicators are inactive. Blank strip faders are set to the bottom (–inf) position and always revert to this po- sition if moved. S3L System Guide...
Page 57 Blank Strips On-Screen Automatically Inserting Blank Strips using Make Stereo VENUE automatically creates blank strips when you use the Blank strips appear as a simple gray strip with no fader, buttons or Make Stereo command in order to preserve the current channel meter.
Page 58: Type Text Search
Renaming changes the displayed name associated with each channel, but the absolute channel number remains fixed. To search for and select a channel by absolute number: Type a number on the keyboard to select the corresponding  channel. S3L System Guide...
Page 59: Chapter 5. Channel Control
Chapter 5: Channel Control Channel Control provides consistent control and display of processing functions for the currently selected input or output channel. Ch 1 User Input CompLim Aux 9-16 Var Grps ExpGate Aux 1-8 Back Expnd Page Page The Channel Control main menu The following processing functions can be assigned to and controlled from Channel Control, and are shown in the Channel Control main menu: •...
Page 60: Using Channel Control
To reset an individual parameter to its default setting: Default Press and hold and press the Channel Control encoder  for the parameter you want to reset (such as resetting the Comp/Lim threshold to 0 dB). Multi Select Default Fine Command SHIFT CTRL Default switch S3L System Guide...
Page 61 Channel Control LEDs To enable or bypass an entire EQ, Comp/Limp, or Exp/Gate function (toggle in/out), do either of the following: Each processing function has a unique color associated with it When the main Channel Control menu is shown, press the ...
Page 62: Assigning Functions To Channel Control
Custom User assignments are made on-screen, either individually or in User Assignment mode. To create a custom User assignment: Right-click any available encoder. Select a Channel Control encoder ( ) from the 1-16 Channel menu. Control Assigning a parameter to Channel Control on-screen S3L System Guide...
Page 63: Availability Of Channel Control Functions
Availability of Channel Control Functions The functions available on Channel Control depend on the type of channel currently selected, as shown in Table 1. Functions are listed across the top row, and channel types are listed in the left column. Table 1.
Page 64: Chapter 6. Options
Chapter 6: Options The Options page provides several tabs. Of these, the System and System Devices tabs are where most system configuration settings and (System Configuration) options are enabled and customized: • The System tab provides the primary tools by which you From the System tab you can configure input channels, configure configure mixing, routing, and processing options.
Page 65 The options in this section let you globally choose between using Stage inputs or Pro Tools inputs as the source for your S3L sys- tem input channels. See Chapter 25, “Pro Tools Recording and Playback” for more information. S3L System Guide...
Page 66 System Lock Do any of the following: • If you have more than one USB storage device connected, System Lock is activated by clicking the button on the Op- LOCK make sure the correct USB device is selected. If it is not, tions >...
Page 67: Busses
• The system continues to send MIDI program changes when System Test is hardware diagnostics software for the S3L system. a snapshot is recalled if the Snapshots Send option is se- Only use System Test at the request of a qualified VENUE tech- lected on the Options >...
Page 68: Pickoffs
Solo and Monitor Operations Pickoffs These settings customize Solo and Monitor bus mode and opera- The Pickoffs tab lets you control the bus pickoff point on input tion. strips, as well as specify source and insert points for output bus- ses.
Page 69: Snapshots
Snapshots whose scope includes Pre settings. Click to toggle whether recalled Input snapshot data includes the following: • Gain, Pad, and Phase • +48V (phantom power) Delay is stored as a unique (discrete) data type for each chan- nel. S3L System Guide...
Page 70: Misc
Misc The system clock setting can affect data synchronization with portable storage devices. See “Synchronizing Settings, The Miscellaneous (Misc) tab provides utility and other settings. Shows and Presets” on page 185. Show Time in Status Area You can choose to show time of day in the lower right corner of the screen in the Status display area.
Page 71: Interaction
To set the Clip Margin: Go to Options > Interaction Under , enter values for Meter Input Clip Margin Below Max Output Clip Margin Below Max Press Enter to confirm the setting. S3L System Guide...
Page 72 Ethernet Control Clip Hold Time The Clip Hold Time determines how long a clip indication lasts Ethernet Control settings let you configure the following: after the last clipped signal. Clip Hold Time can be set within a ECx Network Settings These settings let you configure ECx range of 0–20 seconds.
Page 73: Devices
The External Devices section provides icons to show the status of non-redundant daisy-chain. S3L system connections to Pro Tools, an external word clock de- vice, and a MIDI device. Each icon is lit whenever a valid con- Troubleshooting and Diagnostics nection is detected by the S3L system.
Page 74: Events
Events The Events tab of the Options page lets you use the Event list to customize the function of switches, footswitches and General Purpose Interface (GPI)-connected devices. For information, see Chapter 21, “Events.” Events tab of the Options page Plug-Ins The Plug-Ins tab of the Options page is used to install plug-ins on the system.
Page 75: Signal Routing
Part III: Signal Routing...
Page 76: Chapter 7. Inputs And Input Routing
Configuring Inputs • Configure system settings for input channels, including set- ting the input channel configuration, naming channels, The S3L system provides the following two types of input chan- combining two channels into a stereo channel, and reorder- nels: ing channels...
Page 77 Input Channels pop-up menu. Two mono inputs about to be combined into one stereo channel Click Apply . The system restarts with the new Input Channel configuration. Audio will be interrupted when this configuration change is applied. S3L System Guide...
Page 78 Combining Input Channels (Make Stereo) Splitting Stereo Channels Pairs of mono input channels can be combined to make stereo To split a stereo channel into two mono channels: channels, whose left and right sides are then controlled by one in- Put the system into Config mode.
Page 79: Assigning Input Sources To Channels
Inputs sources can be assigned to any Input Channel or FX Return using the Patchbay. In the Patchbay, each S3L system component has a corresponding hardware tab that displays the available hard- ware input sources, as follows:...
Page 80 Assignable inputs can be used to monitor your Pro Tools record- See “Using the Oscillator” on page 134.). ing on your S3L system, or to incorporate pre-recorded audio tracks into your live mix. See “Using Pro Tools Assignable I/O” on page 261.
Page 81: Routing Input Channels To Outputs
Channel Control, or on-screen. See “Adjusting Aux and Variable To confirm the assignment and exit Multi-Assign mode, press Group Send Controls” on page 108. switch, Cancel To cancel the assignment, press the switch, or press the Esc key on your keyboard. S3L System Guide...
Page 82: Routing Inputs To Direct Outputs
Configuring Aux Busses (Aux Sends) Adjusting Input Parameters The S3L system can be configured to have 8 Auxes and 8 stereo Input parameters can be adjusted on the S3 control surface or Groups, 16 Auxes and 8 mono Groups, or 16 Aux busses and 8 on-screen.
Page 83 , press the corresponding en- Gain coder switch to toggle the pad in/out. A lit switch indi- cates the Pad is in. The Gain Guess feature turns the Pad on or off as needed to accommodate incoming signal level S3L System Guide...
Page 84 48V (Phantom Power) Stereo Width 48V phantom power can be applied to any analog input assigned Width adjusts the stereo image of stereo Input Channels and to an Input Channel or FX Return. FX Returns by controlling ganged pan positions of the left and right channels, in opposite directions.
Page 85: Channel Mute
+12 dB. Use the faders on the S3 control surface or on-screen to adjust individual channel levels. Input channel levels can also be affected by VCAs (see “VCAs” on page 97). For more information on input and output fader banking, see Chapter 4, “Banking and Selecting Channels.” S3L System Guide...
Page 86: Using Built-In Eq And Dynamics On Inputs
Adjusting Input Controls On-Screen Using Built-In EQ and Dynamics on Inputs The software screen Input section lets you adjust input parame- ters on-screen. Each Input Channel and FX Return has a built-in 4-band EQ and two Dynamics processors: a Compressor Limiter (Comp/Lim) and an Expander/Gate (Exp/Gate).
Page 87 Dynamics processors is engaged. Rotate a channel encoder to adjust the Comp/Lim threshold for that channel. The threshold setting is indicated in the display. S3L System Guide...
Page 88: Using Plug-In Inserts On Inputs
To toggle a plug-in on/off (in/out of circuit): Using Plug-In Inserts on Inputs Select the channel on which the plug-in is inserted. Plug-Ins are arranged in virtual racks, which allow signals to be Go to the Inputs page and click the in/out button next to the de- sent to and from each plug-in as if it were an external processor.
Page 89: Input Channel Presets
Input Channel, the left channel settings in the stereo preset are applied to the mono destination channel. The mono destina- tion channel retains its current pan setting. Input Channel Presets window showing the Folder selector (top) and the New button (bottom) S3L System Guide...
Page 90 Channel Compatibility When storing and loading Input Channel presets, remember the following: Group bus assignments are not applied if the settings in the pre-  set do not match the current system Bus Configuration Aux send level or pan settings for individual aux pairs are not ...
Page 91: Chapter 8. Outputs And Output Routing
Chapter 8: Outputs and Output Routing Auxes This chapter shows how to do the following: • Configure and name outputs Up to 16 Aux busses are available. The number of available • Assign outputs and busses to hardware outputs in the Patch- Auxes is set as part of the overall system Bus Configuration set- ting.
Page 92 Aux and Var Group (if appli- cable) Send displays on the Inputs page, on the Outputs Put the system into Config mode. page, and in the Patchbay. Go to Options > System Click Edit S3L System Guide...
Page 93: Assigning Busses To Hardware Outputs
Assignable outputs can be used to send the Main L/R mix, sub- • tabs Stage 1–4 mixes from any output bus, and the Direct Out of S3L system I/O • Console channel to Pro Tools. • Engine • Pro Tools For more information, see Chapter 25, “Pro Tools Record-...
Page 94: Using Built-In Comp/Lim And Eq On Outputs
Press the channel encoder switch to toggle the processor in/out. Rotate the channel encoder to adjust the threshold. An in- put/output curve appears on-screen when adjusting dynamics parameters. Aux 8 Thrshold Comp/Lim Threshold assigned to a channel encoder S3L System Guide...
Page 95: Using Inserts On Outputs
Using Built-In EQ on Outputs Using Inserts on Outputs One of two EQ types can be selected for the built-in EQ, on a Software plug-ins and graphic EQs can be inserted on Mains, per-channel basis: a full-spectrum parametric digital EQ or an an- Groups, Auxes, and Matrixes.
Page 96: Adjusting On-Screen Output Controls
Put the system into Config mode. Right-click the on-screen fader for the output you want to reset and choose Reset <name of output> Resetting a channel also deassigns any plug-in, hardware input and GEQ assigned to the channel. S3L System Guide...
Page 97: Adjusting The Mains
Using the Global Control Encoders Adjusting the Mains Global Control encoder provides a single level control Mains Mains can be adjusted using the channels strips and the Global for the currently linked Main busses. You can also assign each Control encoders. Mains can also be controlled on-screen (see Main bus to its own Global Control encoder.
Page 98: Direct Outputs
Mains Global Control Encoder In switch indicating that the Mains are muted In the Panning section, click in the Center Divergence field and drag up/down to increase/decrease the value (or type in a new value). Press Enter or Return on your keyboard to confirm the setting. S3L System Guide...
Page 99: Direct Outputs
Mains Automatic Delay Compensation Direct Outputs You can set the S3L system to automatically compensate for de- Each Input Channel, FX Return, output bus, and Matrix mixer lays incurred by the use of Groups and insertion of plug-ins in the features a Direct Output.
Page 100 When a channel is selected, clicking the routing display in the Direct Out section of the Inputs our Outputs page jumps the screen view to the Patchbay. The selected channel is targeted in the Patchbay channel controls. S3L System Guide...
Page 101: Vcas
Inputs and Outputs Pages In the Inputs and Outputs pages, red VCAs “ghost” fader caps appear below the fader displays of channels that are currently assigned to one or more VCAs. VCA controls emulate the operation of traditional Voltage Con- trolled Amplifiers (VCAs).
Page 102: Automation Safing Output Channels
LED is unlit when the VCA is muted. The Mute switches of member channels flash to indicate they are implicitly muted. For more information see See “Explicit and Implicit Channel Mute with Mute Groups and VCAs” on page 139. S3L System Guide...
Page 103 Resetting Bus Assignments Copying Assignments Between Busses You can remove input assignments from a Group on-screen. You can copy the current input assignments from one bus to an- other bus of the same type. If the busses are linked, assignments To remove an input assignment from a bus: can be copied from other linked busses.
Page 104: Chapter 9. Groups
Chapter 9: Groups Routing Groups to Outputs, Plug-Ins, This chapter shows how to do the following: GEQs, and Built-In Comp/Lim and EQ • Configure Group busses • Route Groups to Mains You can route Groups to hardware outputs and Direct Outs. You can also insert plug-ins and built-in Graphic EQs on Groups, and •...
Page 105 Rotate an encoder to adjust the width for the corresponding stereo Group. You can set Output banking to follow AFL selection, and vice versa. For more information on Solo bus operation, see Chapter 13, “Solo and Monitor Busses.” S3L System Guide...
Page 106: Group Bus Signal Flow Options
Group Output Polarity Invert (Phase Group Bus Signal Flow Options Reverse) Routing Signals to a Mono Group Bus The polarity of any Group output bus signal can be inverted Configuration (Phase Reverse). With stereo Group busses, only the left channel is inverted.
Page 107 To use stereo Group busses: Make sure the Group busses are configured as stereo busses. See “Configuring Aux and Group Busses” on page 88. When routing channels to any of the Group busses, the Stereo Pan switch is lit yellow. S3L System Guide...
Page 108: Chapter 10. Auxes And Variable Groups
Chapter 10: Auxes and Variable Groups This chapter shows how to do the following: Click the checkboxes above any of the bus pairs to link or un- link each pair. • Configure Aux and Variable Group busses • Route Auxes and Variable Groups to outputs, Graphic EQs, and plug-ins •...
Page 109: Routing Auxes And Variable Groups To Outputs, Eqs, Dynamics And Plug-Ins
See “Direct Outputs” on page 95. Graphic EQ See “Inserting Built-In Graphic EQs on Outputs” on page 92. Inserts See “Using Inserts on Outputs” on page 91. Built-In Comp/Lim and EQ See “Using Built-In Comp/Lim and EQ on Outputs” on page 90. S3L System Guide...
Page 110 Creating an Effect Send/Return From the list, choose Bus Outs > Aux Group for a Variable Group bus), then choose the desired mono Aux or Variable An effect send/return lets you send signals from multiple Input Group. Channels (using Aux sends) to effects plug-ins such as reverbs and delays.
Page 111: Adjusting Aux And Variable Group Send Controls
The Page > Channel Navigation switch Aux 1 Aux 2 Aux 3 Aux Select menu The number of available busses depends on the overall Aux/Group bus configuration. See “Configuring Aux and Group Busses” on page 88. S3L System Guide...
Page 112 Adjusting Sends Using Channel Control Assigning Variable Group Sends to the Channel Encoders When adjusting sends using Channel Control, adjustments made to sends affect only the selected channel. To assign Variable Group sends to the channel encoders: Bank Input Channels and/or FX Returns to the channel strips. To control Aux or Variable Group sends in Channel Control: Press the Channel Encoder Assign switch.
Page 113 AuxSnd1 To pan a stereo linked send in Channel Control: Rotate the even-numbered encoder for that pair. For example,  if Auxes 1 and 2 are stereo linked, rotate the encoder under the display showing Aux1Pan S3L System Guide...
Page 114: Adjusting Aux/Variable Group Output Parameters
Aux/Variable Group bus outputs. channel strips. This is helpful when mixing monitors using the S3L system. Aux and Variable Group busses can also be soloed To control Aux output levels from the channel strips: from the channel strips.
Page 115 Channel Control Navigation switch to access the second page of Input parameters. Under the display showing Phase Reverse. p ress the encoder switch to toggle polarity in/out. The switch LED lights green when the channel’s polarity is inverted (Phase Reverse is enabled). S3L System Guide...
Page 116: Chapter 11. Matrix Mixers
Chapter 11: Matrix Mixers This chapter shows how to do the following: The S3L system provides eight mono (or up to four pairs of ste- reo-linked) Matrix mixers for setting up alternate mixes, fill and • Configure Matrix mixers delay feeds, and cue, monitor or press mixes.
Page 117: Configuring Matrix Mixers
Pre-existing plug-in and GEQ routing may be affected when the matrix link state is changed. An alert dialog warning of data loss is shown prior to performing the link or unlink operation. Click to complete the link operation, or click to cancel with- Cancel out changes. S3L System Guide...
Page 118 Linking and Unlinking Adjacent Matrix Snapshots Inputs All matrix settings, including Pan but excluding the stereo link status, are stored and recalled with snapshots. The stereo link sta- Adjacent inputs to Matrix mixers can be linked or unlinked on a per input pair basis.
Page 119: Assigning Input Sources To Matrixes
• Insert Return • Pre/Post-Fader The Pre/Post-Fader pickoff point is set globally in the Input Channel Fader Pickoff section of the Options > Pickoffs page. Click the User Assign button again to return to the main Matrix screen. S3L System Guide...
Page 120: Adjusting Matrix Mixer Input Controls
On-Screen Matrix Input Controls Adjusting Matrix Mixer Input Controls To control Matrix input source (“send”) levels on-screen: Input sources for the Matrix Mixers can be controlled from the Go to the Outputs page and select the Matrix mixer. Global Control encoders or on-screen. Click the Matrix Mixer tab to display the Matrix input controls.
Page 121: Adjusting Matrix Mixer Output Controls
• The switch LED is lit when the bus is unmuted. • The switch LED is unlit when the bus is muted. For more information on Mute operation, see Chapter 14, “Muting and Mute Groups.” S3L System Guide...
Page 122: Snapshot Data And Parameters For Matrix Mixers
Matrix Mixer Output Processing Matrix mixer output processing can be controlled using Channel Control. To apply output processing to a Matrix mixer: Assign Matrixes to Global Control. Press the Global Control encoder switch under the display showing the Matrix output you want to adjust. Make sure the main Channel Control menu is shown in the Channel Control displays.
Page 123: Chapter 12. Patchbay
Chapter 12: Patchbay The Patchbay is used to assign Input and Output Channels, Direct Outputs, and Inserts to hardware inputs and outputs. The Patchbay also provides on-screen controls for the currently selected channel, and provides the ability to name input and output channels. Accessing the Patchbay To show the Patchbay screen: Click the...
Page 124: Channel Controls
When a Pro Tools computer is connected to the as available for the currently selected I/O. The following table S3L system, system input channels with Stage inputs assigned to shows the available Channel Types for the current I/O. them are highlighted in purple under the...
Page 125: Navigating The Patchbay
Text Display of Patch Source and Destination Type Text Search Above the grid are “from” and “to” text display fields that display Type Text search lets you use the keyboard for fast navigation to the full text names of hardware I/O and channels. a channel.
Page 126: Assigning Channels In The Patchbay
To suppress the reassignment warning dialog, hold Default (on the S3 control surface) or Alt (on the computer keyboard) while clicking in the patching grid. For more information, see “Warning when Stealing Inputs or Outputs in the Patchbay” on page 126. S3L System Guide...
Page 127 Unassigning and Clearing Assignments Multiple Input and Output Assignments in the Patchbay To unassign a single channel in the Patchbay: A single hardware input source can be assigned to multiple Input Place the cursor over an assigned channel in the Patching Grid ...
Page 128: Warning When Stealing Inputs Or Outputs In The Patchbay
Click on any dimmed (already assigned) column number at the  top of the Patchbay. The Outputs page containing the assign- ment is automatically revealed in the Patching Grid. Clicking a column number to “go to” its current assignment S3L System Guide...
Page 129 Contents of Exported Patchbay Information Exported Patchbay information is saved as an HTML file, and the file name includes the date and time of the export. Contents in- clude the following: VENUE Patch List Show Name, file path, date and time of Show file. Input and Output Patching (Stage, Engine, Console, and Pro Tools) Stage Inputs...
Page 130: Chapter 13. Solo And Monitor Busses
Chapter 13: Solo and Monitor Busses Solo In Place (SIP) This chapter shows how to do the following: • Select a Solo mode (PFL, AFL, or SIP) SIP mode applies to Input Channels and FX Returns only. Solo In • Configure Solo and Monitor bus option Place sends the signal from the soloed channel to the Main and Monitor busses.
Page 131: Configuring Solo And Monitor Options
Monitor bus) whenever channels are not soloed. This option mir- Mix to Monitors rors the functionality of the switch. For more information, see “Sending the Main Mix to the Monitor Bus” on page 134. S3L System Guide...
Page 132: Using Solo
Soloing Multiple Channels Using Solo To solo multiple channels, do one of the following: Solo operation depends on the type of channel being soloed, and Solo With the Auto Cancel option enabled, press the switches on any selected Solo switch options. In all modes, a channel’s ...
Page 133: Solo Safing Channels
Level Trim (PFL) Input Channel Solos (PFL) To Monitor/ Headphones Output Channel Solos (AFL) Level Trim in PFL mode On-screen Safe switches Input Channel Solos (AFL) To Monitor/ Headphones Output Channel Solos (AFL) No Level Trim in AFL mode S3L System Guide...
Page 134: Using The Monitor Bus
Routing the Monitor Bus to Hardware Outputs Using the Monitor Bus To route the Monitor bus to hardware outputs: The Monitor bus routes signals to the Headphone output. The In the Patchbay, click to the Outputs tab, then click the Mains Monitor bus can also be routed to hardware outputs and to tab.
Page 135: Adjusting Monitor/Headphone Level
Adjust the Headphone volume control to adjust level as  needed. The Headphone volume control is post-Monitor bus level. If no signal is present on headphones, make sure the level for the Monitor bus is set properly. S3L System Guide...
Page 136 Using Talkback Configuring the Oscillator and Setting Level The Oscillator is configured on-screen, and can be activating You can route a single Console or Engine analog input directly on-screen or from the Global Control encoders. into any output bus using the Talkback circuit. This allows you to send talkback to outputs (such as Auxes feeding stage monitors) To configure the Oscillator: without having to use a system channel.
Page 137 Outputs strips. The selected fader strips flash. In the confirmation dialog that appears, click to confirm Route your assignment or click Cancel to cancel without changing the current routing. S3L System Guide...
Page 138: Chapter 14. Muting And Mute Groups
Chapter 14: Muting and Mute Groups This chapter shows how to do the following: Using Mute Groups • Mute Channels Channels can be assigned to any of the 8 available Mute Groups. • Using Mute Groups Mute Groups let you mute and unmute multiple channels simul- taneously by pressing a single switch.
Page 139 Type Toggle Click the pop-up menu and choose State Latch. To confirm your changes, click anywhere else in the Events window or click Enter. Naming an event Actions list with a Mute Group toggle and S3L System Guide...
Page 140 Using Mute Groups Explicit and Implicit Channel Mute with Mute Groups and VCAs Mute Groups are activated using the Mute Group controls This section describes the behavior of channel Mute switches on-screen, or the Function switches on the S3 control surface if when used with Mute Groups and VCAs.
Page 141 Mute Group assignments are preserved and made available again when Mute Groups are re-enabled. To disable Mute Groups: Go to the Inputs Outputs pages. Click the Disable button on-screen in the Mute Groups section. Mute Group Disable button on-screen S3L System Guide...
Page 142: Part Iv Processing
Part V: Processing...
Page 143: Chapter 15. Dynamics
Chapter 15: Dynamics This chapter shows how to do the following: Built-In Comp/Lim • Use the built-in Compressor/Limiter The built-in Comp/Lim defaults to compression, or can be • Use the built-in Expander/Gate switched to a limiter by setting the Ratio to its maximum setting. •...
Page 144: Built-In Exp/Gate
For details, see “Using the Sidechain” on page 148. See “Comp/Lim Parameter Mapping” on page 150 for more information on how Comp/Lim parameters are mapped to the Channel Control encoders. Fine To make fine adjustments, hold while rotating an en- coder. S3L System Guide...
Page 145: Adjusting Dynamics Plug-Ins
Adjusting the Built-In Exp/Gate Adjusting Dynamics Plug-Ins The Exp/Gate can be adjusted using Channel Control and Dynamics plug-ins inserted on channels can be adjusted using on-screen. When adjusting Dynamics, a Dynamics response Channel Control. Dynamics plug-ins map their threshold, ratio, curve appears on-screen.
Page 146: Input Direct Mode
Graph, click anywhere in the on-screen Compressor/Limiter or Expander/Gate sections to change the display. Drag handles in the on-screen Dynamics Graph to adjust Threshold and Ratio. The Dynamics Graph does not support Fine adjust mode us- ing the Fine switch. S3L System Guide...
Page 147: Dynamics Settings And Presets
Presets for Built-In Dynamics Dynamics Settings and Presets You can store and load dynamics settings as presets for built-in Built-in dynamics settings can be copied and pasted between and plug-in dynamics processors. Presets can be accessed channels. Settings can also be stored and loaded as dynamics Pre- on-screen.
Page 148: Using The Sidechain
 button. Key In Choosing a Key Source To select a pickoff point for the key source signal: Click the selector and choose a pickoff source Source Pickoff  for the selected key signal: Key In button S3L System Guide...
Page 149 Using Sidechain EQ Filters Key Listen Both the Compressor/Limiter and the Expander/Gate sidechains The Key Listen button toggles the key onto the Solo bus, replac- provide two bands of EQ to band-limit the range of frequencies ing the signal there. This happens regardless of whether the key is that trigger dynamics processing.
Page 150: Channel Control Dynamics Parameter Mapping
Encoder IN Control Rotate Switch Switch Encoder Gate Range –20 dB –80 dB 0 dB Threshold level Comp/Lim in/out Ratio Attack Knee Release Gain level Key HF Key Listen Filter in/out Key LF Key In Filter in/out S3L System Guide...
Page 151: Chapter 16. Eq
Chapter 16: EQ This chapter shows how to do the following: EQ Overview • Use the built-in EQs Built-In EQ • Use the Graphic EQs • Adjust EQ plug-ins A 4-band parametric EQ is available on each Input Channel, FX •...
Page 152: Built-In Eq Parameters
Rotating the encoder clockwise increases the frequency for that band; rotating it counter-clockwise decreases the frequency. The available range of each band depends on the EQ mode (Digital or Analog). See “Control Ranges for Built-In 4-Band EQ (All Modes)” on page 159. S3L System Guide...
Page 153: Adjusting Eq
To adjust the built-in HPF from Channel Control: Adjusting EQ Select one or more input channels. You can adjust EQ from the Channel encoders, Channel Control, Make sure the Channel Control main menu is shown in the and on-screen. When adjusting EQs, an EQ response curve ap- Channel Control displays.
Page 154 The indicator LED at the bottom of that encoder’s ring indicates HiMid Gain EQ band in/out filter type and Freq/Q mapping as shown in the tables. HiMid Toggles Freq/Bandwidth Freq/Bandwidth (B/W) (B/W) High Gain EQ band in/out High Freq/Q S3L System Guide...
Page 155 On-Screen EQ Controls Adjust the on-screen controls by doing one of the following: • Turn an on-screen knob ( , or Gain, Q/Bandwidth Frequency You can adjust the built-in 4-band EQ using dedicated on-screen for each frequency band. buttons for band in/out and bell/shelf toggling. When the Channel •...
Page 156: Adjusting Eq Plug-Ins
Channel Control navigation section. When lit, the plug-in is in (engaged); when unlit, the plug-in is out (by- passed). Back Expnd Page Page Channel Control In navigation switch For more information, see Chapter 17, “Plug-Ins.” 31-band graphic EQ S3L System Guide...
Page 157: Input Direct Mode
Enabling and Adjusting Graphic EQ Input Direct Mode Graphic EQs are enabled and adjusted on-screen. Input Direct mode lets you completely bypass the built-in dynam- ics and EQ processing, and all inserts on Input Channels and FX To enable the graphic EQ: Returns.
Page 158 • To save the current EQ settings as a new preset, click and enter a name for the preset file. All EQ settings, includ- ing HPF settings, are saved to the preset. • To cancel without changing settings, click Cancel S3L System Guide...
Page 159: Control Ranges For Built-In 4-Band Eq (All Modes)
Control Ranges for Built-In 4-Band EQ (All Modes) Table 3. Control ranges for built-in parametric EQ Band Control Range (Digital) Defaults (Digital) Range (Analog) Defaults (Analog) Frequency 20 Hz to 20 kHz 10 kHz 2 kHz to 20 kHz 6 kHz High Gain ±18 dB...
Page 160: Chapter 17. Plug-Ins
• Install plug-ins (see “Installing and Authorizing Plug-Ins” on page 161). Plug-Ins are installed on your S3L system using a USB drive. • Assign plug-ins to racks and rack slots (see “Plug-In Racks” Plug-in installers are transferred to your USB drive, then installed on page 166).
Page 161 Install to install the selected plug-ins. Once installed, the plug-in appears in the Installed Plug-Ins list on the right. Repeat as necessary to re-install all plug-ins needed on the sys- tem. Figure 1. Options > Plug-Ins screen S3L System Guide...
Page 162 Removing Plug-Ins Deleting Uninstalled Plug-Ins Uninstalling a plug-in removes the plug-in from the racks but the Once a plug-in is uninstalled, its installer can be deleted from the installer remains in the Previous Installs cache, making it easier to system. (Plug-ins which are currently installed cannot be de- reinstall the plug-in at a later time without requiring the installer leted).
Page 163 Authorizing Plug-Ins Automatically Removing Plug-ins During Show Load A core set of plug-ins are installed on your S3L system. These Plug-ins are verified during the Show file load procedure to plug-ins do not require any authorization. Other plug-ins, such as...
Page 164: Plug-In Version Checker
Using System Info to View Plug-in Version Plug-in Version Checker Information VENUE software includes a comprehensive database of plug-in Plug-in version information is included in exported System Info information, and this info can be used to greatly simplify the pro- data.
Page 165: Plug-In Racks
This lets you quickly see what plug-ins are available, and Click the toggle switch (upper right corner of the rack). View  adjust their routing. – or – Double-click a plug-in icon in any rack view to open that  plug-in window in Zoom view. S3L System Guide...
Page 166 “Jump To” Plug-Ins Pinning a Plug-In View You can “jump to” a specific plug-in insert from the Input and You can decouple the plug-in view for consistent and constant ac- Output pages to adjust it on-screen in the Zoom view of the cess to a single plug-in on-screen, while still being able to select Plug-In page.
Page 167 To view DSP re- source allocation, see “DSPs Available for Plug-Ins” on page 58. Indication of a scoped plug-in For more information, see “Plug-In Presets and Snapshots” on page 175. S3L System Guide...
Page 168: Rack Slots
Channel Insert or Bus Output The Channel Insert/Bus Output Rack Slots pop-up menu displays different choices depending on whether the plug-in is being used as a channel insert, or as a bus processor, Each rack provides five plug-in slots. You can assign any in- as follows: stalled plug-in to any available rack slot.
Page 169 Groups, or Matrix busses or on the C/M bus. Stereo Can be used as inserts in stereo strips, stereo-linked Auxes, and stereo Groups Other (Mono In/Stereo Out) Can be used on busses for delay, re- verb, and similar processing. S3L System Guide...
Page 170: Routing Plug-Ins
Inserts sub-menus. Inserting Plug-Ins on Channels Each S3L system input channel, output bus, and Matrix mixer provides two slots for plug-in inserts. Signal from the channel is routed to the insert and returned to the same channel. You can as- sign plug-ins to specific channel insert points from the Plug-Ins screen or from the Input screen.
Page 171 Channel, make sure the Input Channel is a stereo channel. See “Make Selected Mono Strips Stereo/Make Selected Ste- reo Strip Mono” on page 48. Assigning plug-in output to an FX Return S3L System Guide...
Page 172: Adjusting Plug-Ins
Side-Chain Routing Adjusting Inserted Dynamics and EQ Plug-Ins S3L supports sidechain (key) processing for plug-ins that support To access plug-in EQ, Comp/Lim, or Exp/Gate parameters in side-chain triggering. Channel Control: Side-chain routing is not stored in snapshots. Select a channel with an EQ or Dynamics plug-in inserted. The Side-Chain selectors appear across the top of the plug-ins Make sure the Channel Control main menu is shown in the screen.
Page 173: Bypassing Plug-Ins
(bypassed). encoder. < Page Page > If applicable, press the Global Encoder Nav- igation switch to bank to other plug-in parameters. An engaged plug-in (top) and a disengaged plug-in (bottom) S3L System Guide...
Page 174: Plug-In Presets And Snapshots
Snapshots Plug-In Presets and Snapshots Snapshots can automate plug-in settings, including routing, and You can save and load plug-in Presets files to import, export, and in/out state. (Side-chain routing is not supported in Snapshots.) transfer plug-in settings files. Snapshots can also store and recall Tempo. Snapshots can also be used to automate changes to plug-in rout- Snapshots do not store or recall Presets.
Page 175: Plug-In Dsp Usage
Plug-Ins utilize DSP resources when they are assigned to a rack plus routing delay, as follows: slot, and that rack slot is powered on. The S3L system provides • Instance delay: 2 samples per plug-in four DSPs for plug-ins (DSPs 9–12).
Page 176: Chapter 18. Hardware Inserts
Chapter 18: Hardware Inserts This chapter explains how you can connect external analog and Assigning Hardware Inserts to digital hardware to the analog and digital I/O on the S3 control Channels surface and the E3 engine for use as hardware inserts. Hardware inserts can be used for external processing on individual Input You can assign hardware inserts directly from the Inputs or Out- Channels, FX returns, Mains, Groups, Auxes, and Matrixes.
Page 177: Activating And Bypassing Hardware Inserts
Before activating a hardware insert, be sure that you have bay from the Inputs or Outputs page, the appropriate Channel connected the external unit to your S3L system. If you acti- Type tabs are automatically enabled. vate the hardware insert and audio on that channel is not...
Page 178 Part VI: Shows...
Page 179: Chapter 19. Shows And File Management
Sets. To duplicate a Show Folders: Console Setting Files These files are used to transfer or back up the current state of the S3L system. In the Show Folders column, click a Show Folder name to se- lect the folder.
Page 180: Loading A Show
In the Shows column, click a Show file name to select it. Click the Load button. The system loads the new Show file, re- placing the current system configuration, routing, and control settings with those contained in the new file. S3L System Guide...
Page 181: Working With Presets
System Configurations and Loading Preset Folders Shows Preset Folders contain Preset files. Each of the built-in processors Show files include system configuration settings such as the type (Compressor/Limiter, Expander/Gate, 4-band EQ, 31-band of control surface; the number of Mix Engines; Number of Input Graphic EQ) and each plug-in has its own Factory Defaults Channels, FX Returns, and EQs;...
Page 182 Click the Delete button. left column. You can also right-click a Preset file name and choose Delete to delete the Preset. Built-In EQ in the Transfer tab of the Filing page S3L System Guide...
Page 183: Transferring Settings, Shows And Presets
Transferring Settings, Shows and Presets You can copy Console Settings, Shows, and Presets to and from a portable storage device (such as a USB flash drive) for backup, transfer from standalone software, and transfer between systems. Console Settings are equivalent to an auto-saved Show file, and store the current state of the system.
Page 184: Undoing Changes Using The History Feature
In the Show Folders column, click the Show Folder name to your data to a USB disk for use on an S3L system or other select the folder and display its contents in the Shows column. VENUE system. See Chapter 23, “Using the Standalone Soft- ware.”...
Page 185: Chapter 20. Snapshots
Chapter 20: Snapshots Snapshots let you flexibly store and recall a wide range of mixing parameters. Snapshots are commonly used to store the mixer setup and levels for individual scenes, songs or sound cues in a performance. Snapshots store information about channels and mix parameters, and you can use a variety of methods to edit, preview, and manage snapshot data.
Page 186 “Locking Snapshots” on page 199. Undo Ctrl+U Add or update MIDI/Plug-in data to Right-click MIDI/Plug-ins To show or hide snapshot attribute icons: snapshot entry Right-Click any snapshot in the Snapshot list and select Show  Hide any of available attributes. S3L System Guide...
Page 187 Selecting Snapshots Centering the Snapshot List You can select single snapshots or multiple snapshots in order to page provides a preference setting to al- Options > Snapshots target, recall, duplicate, edit, lock or delete them in the snapshots ways center the Snapshot list on the last recalled snapshot. This list.
Page 188 Data Type buttons so they are red. None Turns off the scope for all data types at once. This is equiv- alent to clicking all of the Data Type buttons so they are gray. Snapshot channel fader display showing target mute states S3L System Guide...
Page 189 Selected Channel Indication Channel Scope Action Buttons Turns on the scope for all channels displayed on the current The Snapshots page indicates the currently selected channel. tab (such as 1–48). Double-clicking the All button turns on the If the selected channel is not scoped in the currently selected ...
Page 190: Creating Snapshots
MIDI, plug-in, or Media (USB playback/record) data is not cap- tured when a snapshot is created. This data is added to existing snapshots directly from the MIDI/Plug-Ins/Media lists. See “Adding MIDI, Plug-In, and Media Data to Snap- shots” on page 206. S3L System Guide...
Page 191: Recalling Snapshots
Recalling Successive Snapshots Instantly Recalling Snapshots You can instantly recall successive snapshots in the Snapshots Targeting Snapshots list. This command references the currently recalled snapshot, not the targeted snapshot. Targeting a snapshot lets you preview which data types and chan- To instantly recall successive snapshots on-screen: nels will be affected by that snapshot before recalling it.
Page 192: Recall Safe
Recall Safe tab is red when Recall Safe is on and in effect, and not follow the Recall Safe master On (or Off) status. gray when Recall Safe is off or when nothing is safed. Indication of active Recall Safe from the main Snapshots page S3L System Guide...
Page 193 5 – Scope Sets Parameter Matrix Grid Icons The display state of the Parameter and Channel grid icons indi- Scope Sets are presets for the Recall Safe tab that can be stored cate safe status for that column or row as follows: and loaded, just like plug-in, EQ and dynamics presets.
Page 194: Channel Safe
To toggle the status of a parameter column or channel row: Click the appropriate grid icon repeat- Parameter Channel  edly until it displays the desired status. For more information, see “6 – Parameter Matrix” on page 195. S3L System Guide...
Page 195 Using Scope Sets Plug-Ins When engaged, this button prevents plug-in control settings, The configuration of the Recall Safe tab can be stored as a Scope in-circuit state, and routing from being recalled. Set settings file. Scope Sets can be previewed, recalled and trans- ferred just like plug-in, EQ and dynamics settings.
Page 196: Automation Safe
Automation • For each channel you want affected when the snapshot is re- Safed. called, click the channel fader so that it is scoped (displayed in red). On-screen Safe switches S3L System Guide...
Page 197 Locking Snapshots Available Operations with Locked Snapshots Snapshots can be locked to prevent them from being accidentally The following table details which operations can or can not be altered, overwritten or deleted. performed on a locked snapshot. Locked snapshots can be selected, recalled, moved and dupli- Allowed Disallowed Operation...
Page 198 Drag the currently selected snapshots to a new location in the  Snapshots list. – or – Double-click the snapshot number in the Snapshots list or the  banner display, type a new number, and press Enter on the key- board. S3L System Guide...
Page 199: Making Changes To Snapshots
Absolute and Relative Edits Making Changes to Snapshots Changes can be applied to one or more selected snapshots as ab- There may be situations where you need to change specific pa- solute or relative values. Any parameter can be edited in absolute rameters in existing snapshots while leaving other parameters un- fashion;...
Page 200: Preview Mode
MIDI or MTC triggering. (For more informa- tion, see “Changing Settings in Preview Mode” on page 203.) Create a New Snapshot Adjust settings as desired and create a new snapshot by clicking . (See “Creating New Snapshots” on page 192.) S3L System Guide...
Page 201 Undo and Preview Mode Recall and Edit an Existing Snapshot Recall a snapshot to pre- view its settings and make any adjustments necessary, being sure In Preview mode, you can Undo actions applied to the Snapshot to re-store the snapshot before exiting Preview mode. Storing a List (such as Recall, Store, New and Duplicate) without affecting snapshot in Preview mode does not affect previously stored MIDI the online mix.
Page 202 Preview mode. Only those controls that can be stored and recalled via snap- shots are available for offline previewing and editing. Updating plug-in data in an associated snapshot from the plug-in view S3L System Guide...
Page 203: Undoing Snapshot Commands
Plug-Ins in Preview Mode Undoing Snapshot Commands Recalling a snapshot that contains plug-in data affects the offline The Undo function returns the system to the state immediately (Preview) routing and bypass state of the plug-in only; the online before the last snapshot command. Undo is multi-level (up to plug-in parameter settings are not recalled, and the online mix is 100), is available while in Preview mode and after performing an not affected.
Page 204: Adding Midi, Plug-In, And Media Data To Snapshots
No MIDI message data is captured when a snapshot is first cre- ated. MIDI messages are added to existing snapshots directly from the MIDI list. You can store up to 20 MIDI messages in each snapshot. S3L System Guide...
Page 205 Adding Plug-In Data to Snapshots To edit a MIDI message in the MIDI list: Double-click the message text to display the pop-up menu bar When the Plug-In data type is scoped for a snapshot, plug-in rout- for the message. ing, in/out state, and settings are recalled with the snapshot. (Add- ing or changing plug-in side-chain routing is not supported in snapshots.) The Snapshots Plug-Ins list lets you select multiple plug-ins and...
Page 206 Only snapshots within the multi-selection that contain the se- To edit a plug-in associated with a snapshot: lected plug-in are affected. Double-click the item in the Snapshot Plug-Ins list. Or, in the  Snapshots Plug-Ins list right-click a plug-in and choose Edit Plug-In S3L System Guide...
Page 207 Adding Media Data to Snapshots Adding Tempo Data to Snapshots When the Media data type is scoped for a snapshot, one of the fol- The Snapshots list can be toggled to display Tempo, along with a lowing USB 2-track Transport commands is available per snap- Tempo On/Off indicator for each snapshot entry.
Page 208: Snapshot Options
The crossfade can be bypassed for the most recently recalled crossfading channels are not scoped in the incoming snapshot. snapshot only. Preview Mode If you enter Preview mode in between Recall commands, the of- fline (Preview mode) crossfade will be bypassed; the online crossfade will not. S3L System Guide...
Page 209 Pre Settings Classifying Aux Sends Snapshots can be used to recall the preamplifier settings on inputs You can classify Aux Sends as monitor sends (“Mon”) or as ef- for all scoped Input Channels. You can set any of the following fects sends (“FX”), which lets you scope each type separately Pre parameters to be recalled by the Pre data type button: Gain, from the Snapshots tab of the Options page.
Page 210: Snapshot Data Types And Parameters
All MIDI messages that were added to the associated MIDI list for that snapshot. Plug-Ins Rack slot settings, in-circuit state, and I/O routing for each plug-in added to plug-ins list for that snapshot Media Transport controls for playback and recording to and from a connected USB flash drive S3L System Guide...
Page 211: Chapter 21. Events
Chapter 21: Events Terminology This chapter introduces the Events tab, and explains how to use the Event list. Event A user-defined combination of one or more triggers and one or more actions. Each event serves as a type of software “macro”...
Page 212: The Events Tab
Footswitch and GPI status display are also shown on the Events tab. Figure 4. Events window (Options > Events) 1 – Event List 4 – Actions 2 – Event List Commands 5 – Footswitch Status Display 3 – Triggers 6 – GPI Status Displays S3L System Guide...
Page 213 Event List Triggers Each event is shown in its own row within the Event list. The list The Triggers list shows the name and properties of each trigger can be scrolled vertically when necessary. defined for the currently selected event, as well as commands to create and manage triggers.
Page 214 Footswitch connected to the Footswitch connector on the S3 control surface. The Footswitch can be added as a trigger for an action in an event. Example uses of a Footswitch trigger in- cludes Tap Tempo and snapshot recall. The Footswitch can be named. S3L System Guide...
Page 215: Creating Events
Moving Events Creating Events Selected events can be dragged and dropped to new locations in The basic steps to create an event include the following: the list. You can also manually edit the event number to re-se- • Add a new event in the Event list (see “Adding an Event” quence items.
Page 216 Enabled events Disabled events One selected event and two disabled events Disabling an event stops all timers (Wait/delay properties) asso- ciated with that event, preventing any pending (delayed) actions configured for While Active behavior from occurring. S3L System Guide...
Page 217: Creating Triggers
Editing Trigger Type and Properties Creating Triggers To edit the trigger and its properties: Each Event can have up to eight triggers. You create new triggers Double-click the trigger row in the list. Or right-click the ac- by selecting them from the Add pop-up menu. Once added, you tion item and choose Edit can edit triggers and their properties to customize them.
Page 218 Select one or more items in the Triggers list. Right-click on any selected item and choose Duplicate Deleting Triggers To delete a trigger: Select one or more items in the Triggers list. Right-click on any selected item and choose Delete S3L System Guide...
Page 219: Creating Actions
Editing an Action Type and Properties Creating Actions To edit an action: Each event can have up to eight actions. You create new actions Double-click the action row in the list. Or, right-click the ac- by selecting them from the Add pop-up menu. Once added, you tion item and choose Edit can customize actions by editing their properties, as available.
Page 220: Testing Events
Select one or more events in the Event list. Click the Test button. Or, right-click an event and choose Test from the pop-up menu. When you're satisfied the event is behaving correctly, click the button. Or, right-click an event and choose Reset Reset S3L System Guide...
Page 221: Snapshots And Events
Avoid Feedback Loops Snapshots and Events Because events can both affect and be affected by snapshots, it is Events can include snapshot functions among their triggers and possible for events to cause “feedback loops.” actions. Be especially careful when Recall Previous or Next snapshot trig- Snapshots as Triggers gers and actions are combined with events that recall a specific snapshot, as shown in the following diagram.
Page 222: Default Settings, Templates And Examples
Pressed Tap Tempo Change View Mode > Show Media Page Function Switch Pressed Media Page USB Play Cued Track Footswitch Closed Media > Play Cued Track Pro Tools Start Record Function Switch Pressed Pro Tools > Record S3L System Guide...
Page 223: Tap Tempo For Plug-Ins
Using the Templates To quickly test the switch trigger, click the Test button, or press the Footswitch. Adjust the trigger State for your To add any of the events listed in the table, do the following (us- footswitch, as necessary, for its open/closed orientation. (For ing the first template, Talkback (Toggle) as an example): instructions, see “Editing Trigger Type and Properties”...
Page 224 The delay time of all Tempo Sync-enabled plug-ins change to match the system tempo. While tapping, the calculated tempo is also shown in the Status area of the screen. S3L System Guide...
Page 225: Trigger Types
Trigger Types The following table lists the available trigger types and properties, along with a description of each. Table 6. Trigger list, with default settings Trigger Type Property 1 Property 2 Description Fader level –inf to +12 dB Fader Above Channel name/number Fader moved above threshold level (Default: –60 dB)
Page 226: Action Types
Playlist from the Playlist Play Cued Track Initiate playback of the currently tar- geted track in the Playlist (Media > Playback) Record Initiate recording to USB Record Divide Divides an in-progress recording into a new file S3L System Guide...
Page 227 Table 7. Action types Action Type Property State Behavior Description Transport controls for Pro Tools play- Pro Tools back and recording Stop Play Record Record Enable All VENUE Tracks in Pro Tools with a VENUE I/O Tracks path are record armed (enabled). Record Disable All VENUE Tracks in Pro Tools with a VENUE I/O Tracks...
Page 228 (only if system config is 24-bus mode) Toggle (default) Cycles through Input Safe Switch Input Safe Switch Mode modes Sets the system tempo to synchronize Tap Tempo delay plug-ins that support Tempo Sync Mirrors Cancel switch (and Esc key on Cancel Operation keyboard) S3L System Guide...
Page 229: Chapter 22. Synchronization
Chapter 22: Synchronization S3L provides a set of MIDI-based synchronization features that Control MTC playback from the MTC generator controls by allow automation and remote control of snapshots, and triggering doing any of the following: of external devices when snapshots are recalled. •...
Page 230 Up and Down Arrow keys to increase and decrease the selected value. Press Enter or click another snapshot MTC value to accept the entry. Right-click menu for items in the Snapshots list S3L System Guide...
Page 231: Remote Control Of Snapshot Recall
Enabling Snapshots for Automated Recall Remote Control of Snapshot Recall With time code values assigned to snapshots, you can then enable The VENUE system can be set to recall snapshots in response to snapshots for recall with time code playback. MIDI control messages sent from an external device such as an AV controller system.
Page 232: Triggering Of External Devices On Snapshot Recall
While it is possible to add Bank Select and Program Change mes- sages to individual snapshots, this option lets you toggle mes- The S3L system operates at a native sample rate of 48 kHz. You sages on and off for all snapshots in one step. Using this option...
Page 233 About Digital Input and Sample Rate Conversion The AES digital inputs on the E3 engine provide sample rate con- version on input, letting you connect a wide variety of digital sources without having to be concerned with synchronization and clock connections. Sample rate conversion does, however, induce processing delay to the incoming digital signal.
Page 234: Chapter 23. Using The Standalone Software
Chapter 23: Using the Standalone Software VENUE Standalone software lets you do all of the following to System Requirements pre-configure performances, wherever you can use your laptop: • Learn the basics of the VENUE software interface in prepa- The following are the minimum system requirements for using ration for working at a full VENUE system.
Page 235: Simulating A Venue Configuration
In the left column, select the items you want to transfer from VENUE to the portable storage device. For complete instructions on transferring data, see Chapter 19, “Shows and File Management.” Transferring Show files from VENUE Click the Transfer button. S3L System Guide...
Page 236: Exporting System Information And Patchbay Information
Transfer and Load Data to the Creating and Editing Shows and Presets Standalone Software Use the techniques explained throughout this guide to assign To transfer and load VENUE data from your system to the stand- routing, rename channels, and to configure other parameters. alone software: Then do the following to save and transfer your work to a com- Connect the USB storage device to your laptop.
Page 237: Part Vi Recording And Playback
Part VII: Recording and Playback...
Page 238: Chapter 24. 2-Track Usb Recording And Playback
Tracks from multiple connected USB drives can be added to a input signal routing controls and indicators), stereo Record Input Playlist for playback. However, S3L system audio can only be re- Level meters, a stereo-linked recording input Level encoder, and corded to one drive at a time.
Page 239 (such as a USB drive, an audio file, or a folder). Other data for files such as the artist name (if available), track length, and file format are also provided. S3L System Guide...
Page 240: Selecting Tracks
Selecting Tracks Keyboard Shortcuts in the Playlist, Library, and Target Record Folder List Items in the Playlist, Library and Target Record Folder list are se- When you click in the Playlist, Library, and Target Record Folder lected on-screen. Selected items are color-coded to indicate their list, you can select items using the following keyboard shortcuts: status.
Page 241: Transport
Record Divide button ends the current recording, writes the audio Play Selected Track button (left) and Repeat Playback button (right) file to disk, and begins the recording of a new audio file. Transport controls are only available when media for that particular function is available. S3L System Guide...
Page 242: Recording Audio To Usb
Targeting the Destination for the Recording Audio to USB Recording To record audio to USB, you need to assign system channels to After assigning channels to the USB recording inputs, target the the USB recording inputs, target the destination drive (or folder) destination for the recording.
Page 243 Record-arming the Transport When you are ready to start recording, press the Play button in the Transport. The Transport display indicates the progress of the recording. To stop recording: Press the Stop button in the Transport.  S3L System Guide...
Page 244: Playing Back Audio From Usb
Playing Back Audio from USB You can use the on-screen Record Listen button to monitor the re- The S3L system plays back WAV and MP3 files directly from cording input. Record Listen toggles the recording input onto the connected USB drives. To play back tracks, you must first add Solo bus.
Page 245 The selected track(s) appear in the Play- list. To stop playback, press the button in the Transport. Stop Clicking the Add to Playlist button Tracks in the Playlist To remove a track from the Playlist, select it in the Playlist and click Remove. S3L System Guide...
Page 246: Managing Usb Audio
To adjust the playback level: Managing USB Audio On-screen, drag the encoder in the Playback Output sec- Level tion. You can manage tracks by reordering tracks in and removing tracks from the Playlist, auditioning tracks, and deleting and re- From the Global Control encoders, do the following: naming files on connected USB drives.
Page 247: Using Snapshots To Trigger Transport Commands
Any snapshot already containing a USB 2-track Transport command appears in italics in the pop-up sub-menu. If you want to change the Transport command on an existing snapshot, click Assign in the ensuing dialog to confirm the change. S3L System Guide...
Page 248: Using Events To Trigger Usb Transport Commands
Creating a New Snapshot for Track Using Events to Trigger USB Playback Transport Commands To create a new snapshot containing a track playback: The following USB 2-track Transport actions can be triggered us- Go to Media > Playback ing events In the Playlist, click the Snapshots icon next corresponding to •...
Page 249 Function switch added to the event Triggers list To remove a track playback from an event. In the Playlist, click the event icon next for the track you want edit. Choose Remove Track Playback from Event <Event number> “<Event name>”. S3L System Guide...
Page 250: Chapter 25. Pro Tools Recording And Playback
A single Ethernet connection lets you record multi-track • A direct digital connection (24-bit, 48 kHz Ethernet AVB Pro Tools sessions of performances using a variety of S3L system audio) over a Cat 5e (350 MHz or higher required) Ethernet...
Page 251: S3L And Pro Tools Overview
The Ethernet AVB audio connection carries the following types The Ethernet AVB connection between your S3L system and of input signals from Pro Tools to the S3L system for playback: Pro Tools provides up to 64 channels of simultaneous Pro Tools...
Page 252: Installing Pro Tools
Pro Tools software is provided with your S3L system. Before After installing Pro Tools, install the Avid AVB64 driver onto connecting your S3L system and Pro Tools, you must do the fol- your Mac Pro Tools computer. The AVB64 driver is available in...
Page 253: Connecting To Pro Tools
Enabling Direct Digital Splits Before connecting systems, make sure you have verified your To send digital splits of S3L system Stage inputs to Pro Tools, the Pro Tools installation (including the Avid AVB64 driver and any Stage inputs on your S3L system must simply be active. If neces- other required drivers), and that your iLok with all necessary li- sary, enable them in VENUE.
Page 254: Using Virtual Soundcheck
Output Levels for Digital Splits Enabling Virtual Soundcheck Mode 0 dB on S3L system input meters equals –20 dBFS. This 20 dB of When you enable Virtual Soundcheck mode, all existing input mixer headroom helps prevent digital clipping and distortion in channel settings (such as channel assignments, input and output live program material.
Page 255 Adjusting Gain When Switching Between Sources The S3L system uses a hybrid analog/digital gain approach for analog Stage inputs. Input gain is adjusted in 1 dB analog steps, and 0.1 dB digital steps. When switching to a Virtual Soundcheck Virtual Soundcheck input button input, the digital component of the gain stage (up to +0.9 dB) is...
Page 256: Using Pro Tools Assignable I/O
Pro Tools Assignable I/O is available for any Stage inputs that are dicated by an uppercase “P”) not assigned to S3L system input channels in the Patchbay. For example, if 32 Stage inputs are assigned to S3L system input The Pre-/Post-Fader Direct Output pickoff point for Input...
Page 257 An output bus can be assigned to multiple output destina- tions. To monitor a Pro Tools Recording: To route a bus directly to Pro Tools for a recording: Make sure the S3L system and the Pro Tools system are con- Go to the Patchbay and click the tab. Outputs nected and configured.
Page 258: Using Input Mode
VENUE Link independently of Ethernet AVB audio (for example, if you are recording to Pro Tools using a source from the S3L system other than Ethernet AVB audio, but you want to exchange data between systems using VENUE Link).
Page 259 VENUE system. In the Ethernet Control section, select Enable VENUE Link. If you have not named your S3L system, choose the IP ad- dress of the S3L system VENUE Link connection from the pop-up menu (such as 169.xxx.xxx.xx).
Page 260: Using Venue Link
In the new Pro Tools session, mono and ste- • “Create a Session from VENUE” on page 265. reo tracks are created for all S3L system mono and stereo Input • “Importing VENUE Channel Names as Track Names” on Channels and FX Returns that have Stage inputs assigned to page 266 them.
Page 261 Importing VENUE Channel Names as Assignable Outputs In the Pro Tools session, new mono and ste- Track Names reo tracks are created for any S3L system channels patched to As- signable outputs under the tab in the VENUE Patchbay Pro Tools You can import VENUE channel names as track names into an patching grid.
Page 262 Creating a Pro Tools Marker from a On your VENUE system, select a snapshot from the snapshot Snapshot list and click Recall to recall that snapshot. With VENUE Link enabled, you can set individual snapshots to Recall any other Snapshots on your VENUE system as re- create a new Marker in the Pro Tools Timeline.
Page 263 Function switch or footswitch. For more information on using events, see Chapter 21, Selecting a Pro Tools Transport command from the Actions pop-up “Events.” When Function switch 16 is pressed, playback of the current Pro Tools session commences. S3L System Guide...
Page 264 Triggering Multiple Pro Tools Functions The following example shows how to record-enable all tracks from VENUE, arm the Pro Tools transport for recording, and ini- tiate recording using a single trigger. To record enable all tracks and initiate recording in Pro Tools: Make sure the Pro Tools system is connected, and VENUE Link is enabled on both systems.
Page 265: Specifications And Troubleshooting
Part VIII: Specifications and Troubleshooting...
Page 266: Chapter 26. Mechanical Specifications
Chapter 26: Mechanical Specifications S3 Control Surface Parameter Specification Height (front) 1.3 inches (32.0 mm) Height (back) 2.8 inches (71.7 mm) Maximum Width 28 inches (711.11 mm) Maximum Depth 14.3 inches (363.11 mm) Weight 13.8 lbs (6.2 kg) Power Requirements 100–240 V, 50–60 Hz, 200 W External PSU AC Input: IEC, 3-pin North American standard Power Connectors...
Page 267 2.2 in (57.3 mm) 28 in 1.8 in (711.1 mm) (45.2 mm) .6 in (14.4 mm) 14.3 in (363.1 mm) 1 in (25.4 mm) 1.3 in (32 mm) Dimensions, S3 control surface S3L System Guide...
Page 268: E3 Engine
E3 Engine Parameter Specification Maximum Height 3.5 inches (89 mm) Rack Spaces Maximum Width 19 inches (483 mm) Maximum Depth 14.6 inches (371.5 mm) Weight 21 lbs (9.5 kg) Power Requirements 100–240 V, 50–60 Hz Power Connector IEC, 3-pin North American standard Analog Audio Connectors (x8) XLR3-M balanced (x4), XLR3–F balanced (x4) Digital Audio Connectors (x4)
Page 269: Stage 16
Digital Audio Connectors (x2) AES3 XLR3-M 19 in (483 mm) 15.6 in (396 mm) 6.9 in (175.2 mm) 7.9 in (201 mm) 1.8 in (46.3 mm) 15.3 in (388.7 mm) 9.8 in (249 mm) Dimensions: Stage 16 S3L System Guide...
Page 270: Power And Status Led Codes
Power and Status LED Codes Network Port Snake Act and Sig LEDs Each S3 control surface, E3 engine, and Stage 16 Network port E3 Engine has its own Activity (Act) and Signal (Sig) LEDs. Each device is ready for use when the Act and Sig LEDs are lit solid for each One single-color LED on the front panel of the E3 engine lights to connected Network port.
Page 271: Chapter 27. Audio Specifications
Chapter 27: Audio Specifications All specifications subject to change. S3 Control Surface Audio Specifications S3 Analog Mic Inputs, Pad Disabled Value Parameter Conditions Units Min. Typ. Max. Volts Phantom Power +7.979 Input Sensitivity @ 997 Hz, Gain = 10 dB (min.) Gain = 60 dB, 150 ...
Page 272 = -1.523 dBu, 20 Hz – 20 kHz, INPUT Gain = 0 dB -117.8 -110.1 -98.3 Inter-Channel Crosstalk = -1.520 dBu, 20 Hz – 20 kHz, INPUT Gain = 0 dB (min.) 5.1k ohms Input Impedance @1 kHz S3L System Guide...
Page 273 S3 Analog Outputs Value Parameter Conditions Units Min. Typ. Max. +24.201 Output Sensitivity @ 997 Hz 103.5 ohms Output Impedance @1 kHz Residual Output Noise 20 Hz – 20 kHz Round Trip Latency Console input to Console output Round Trip Latency Console input to Stage 16 output S3 Headphone Output Value...
Page 274: E3 Engine Audio Specifications
= -1.276 dBu, 20 Hz – 20 kHz, INPUT Gain = 20 dB -122.1 -106.1 -95.0 Inter-Channel Crosstalk = +8.233 dBu, 20 Hz – 20 kHz, INPUT Gain = 10 dB (min.) 3.7k ohms Input Impedance @1 kHz S3L System Guide...
Page 275 E3 Analog Outputs Value Parameter Conditions Units Min. Typ. Max. +24.164 Output Sensitivity @ 997 Hz ohms Output Impedance @1 kHz Residual Output Noise 20 Hz – 20 kHz Round Trip Latency Engine input to Engine output Round Trip Latency Engine input to Stage output E3 AES/EBU Digital Inputs Value...
Page 276: Stage 16 Audio Specifications
= -1.276 dBu, 20 Hz – 20 kHz, INPUT Gain = 20 dB -122.9 -106.9 -95.2 Inter-channel Crosstalk = +8.233 dBu, 20 Hz – 20 kHz, INPUT Gain = 10 dB (min.) 3.7k Input Impedance @1 kHz ohms S3L System Guide...
Page 277 Stage 16 Analog Outputs Value Parameter Conditions Units Min. Typ. Max. +24.164 Output Sensitivity @ 997 Hz ohms Output impedance @1 kHz Residual output noise 20 Hz – 20 kHz Round trip latency Stage input to Stage output Stage 16 AES/EBU Digital Outputs Value Parameter Conditions...
Page 278: Chapter 28. S3L System Signal Flow Diagrams
Chapter 28: S3L System Signal Flow Diagrams Monitor Bus Signal Flow Diagram Chapter 28: S3L System Signal Flow Diagrams 287...
Page 279: Input Signal Flow Diagram
Input Signal Flow Diagram S3L System Guide...
Page 280: Output Signal Flow Diagram
Output Signal Flow Diagram Chapter 28: S3L System Signal Flow Diagrams 289...
Page 281: Chapter 29. Troubleshooting
Chapter 29: Troubleshooting This chapter provides troubleshooting and problem solving information. It includes a table of problems and solutions that provides an- swers to common questions, explains on-screen text messages, and refers you to specific sections later in this chapter or elsewhere in this guide for details and instructions.
Page 282 (See “Installing and Authorizing Plug-Ins” on page 161.) system starts or restarts Uninstall the plug-in listed in the authorization dialog (see A plug-in demo has expired. “Removing Plug-Ins” on page 163). S3L System Guide...
Page 283: Hardware Monitoring Window
Table 9. Troubleshooting Errors and Messages Symptom or Message Possible Cause Solution Warning Dialogs Bad or missing connection Check connections to other components. One or More Devices Have Reset the device. If unable to reset the device, power cycle the Failed A device needs to be reset.
Page 284: Performing A Soft Reset
If you press the C key too early in the startup process, the USB keyboard is reset instead of calling the Backup and Clear di- alog. If you do not see the backup and clear dialog, repeat the restart process and try again. Hardware Monitoring Alert S3L System Guide...
Page 285: Resetting Hardware Components
Resetting Hardware Components Resetting the Plug-In Racks Some hardware can be reset from the Options > Devices screen, If the plug-in racks go offline they need to be reset to resume nor- or by power-cycling the component. It is recommended that you mal operation.
Page 286: Using The System Restore Software
In the Restore/Update dialog, do one of the following to up- previously installed plug-ins from Avid or its Development Part- date or restore system software: ners must be installed from an external USB storage device using the original installers. See “Installing Plug-Ins” on page 162. S3L System Guide...
Page 287: Updating Firmware
Updating Firmware During an update or system restore, the system checks for new firmware. If newer firmware is found in the System Restore soft- ware, it is installed during system startup (FPGA only) and after system startup (all other devices). Chapter 29: Troubleshooting 297...
Page 288 Part IX: Reference...
Page 289: Chapter 30. Gpi Port Reference
Chapter 30: GPI Port Reference GPI Connector Pin Assignments GPI Port Specifications The GPI port is a female DB9 connector that provides two GPI A 9-pin, female DB9 connector provides a total of 2 General Pur- inputs and two GPI outputs. The following table shows the input pose Interface (GPI) Inputs and 2 Outputs.
Page 290: Gpi Wiring Diagrams
DB9 male connector, to connect to the female GPI connector on the E3 engine. GPI Output Driving an Externally Powered LED DB9M Wiring a Relay to Drive GPI DB9M No ground reference needed between systems. – External Power Supply S3L System Guide...
Page 291 GPI Output Driving a Logic Input DB9M Ground reference needed between systems. GPI Output Driving a Relay Using an External Power Supply DB9M External Power Supply Chapter 30: GPI Port Reference 303...
Page 292: Chapter 31. Ecx Ethernet Control
ECx host and client software installers are available in your Avid ECx provides the following: account after you activate the S3L system software and plug-ins. • Remote control of your system from a client computer, in- cluding laptops, tablets, smart phones, and other mobile de-...
Page 293 Installing the ECx Client Software cally restarts. After installing the host software on your S3L system, install the The ECx folder will remain on your VENUE system hard ECx client software on the computer you want to use to control drive after uninstalling, your system remotely.
Page 294: Overview Of Ecx Setup And Configuration
Configuration Standard wireless routers or WAP devices can be connected to You can control your S3L system (the “host”) with a remote com- the ECx port on your E3 engine for wireless remote control of puter (the “client”) using standard VNC (Virtual Network Com- your system.
Page 295: Setting Ip Addresses
• Subnet Mask: 255.255.255.0 • Default Gateway: 10.0.0.1 Setting an IP address manually Click Apply Select to activate the VENUE ECx Enable Remote Control host. Go to “Setting the Mac Client IP Address Manually” on page 309. S3L System Guide...
Page 296: Establishing A Wireless Connection
Setting the Mac Client IP Address Manually Setting the Windows Client IP Address Manually After manually setting the IP address in VENUE, you need to set After manually setting the IP address in VENUE, you need to set the IP address of your Windows client computer. the IP address of your Mac client computer.
Page 297 ECx host. Your system’s status will be displayed as “Waiting for connection.” – or – • If you are using a wired network, go to “Enabling Remote Go to “Setting the Windows Client IP Address Automatically” Operation” on page 314. on page 311. S3L System Guide...
Page 298 Setting the Mac Client IP Address Automatically Setting the Windows Client IP Address Automatically After setting the IP address in VENUE using DHCP, you need to After setting the IP address in VENUE using DHCP, you need to do the same for your Mac client computer. do the same for your Windows client computer.
Page 299: Establishing A Wireless Connection
WAP from the Security pop-up menu. • Enter the network password, and click Join To configure the security features on your wireless router or WAP device, see your device’s documentation. Go to “Enabling Remote Operation” on page 314. S3L System Guide...
Page 300 Establishing a Wireleless Connection on a In the Network name field, enter the SSID of the wireless Windows Client router or WAP device connected to VENUE ECx. To connect to a network that is broadcasting its SSID on Windows: Open the Connect to a Network window by clicking the net- work icon in the notification area.
Page 301: Enabling Remote Operation
“password”) and click Connect In order to enable remote operation of your S3L system, you need to have obtained valid IP addresses in VENUE and on your client computer. If you are using a wireless network, you also need to...
Page 302: Appendix A. E3 Engine Secure Usb Port
Appendix A: E3 Engine Secure USB Port The E3 engine features a secure internal USB port to connect and securely protect an iLok Smart Key. Use this port to keep one “master” iLok and its plug-in assets with the E3 engine at all times, safe from damage or loss. To access the port, the top panel of the E3 engine must be removed.
Page 303 Inside the E3 engine, locate the secure USB port and insert the iLok. Interior of the E3 engine showing an attached iLok Secure the iLok with the built-in cable tie. Replace the Top Panel and reattach with the 12 screws. S3L System Guide...
Page 304: Appendix B. Compliance
Appendix B: Compliance FCC Compliance for United States Environmental Compliance Radio and Television Interference Disposal of Waste Equipment by Users in the European Union Communication Statement NOTE: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules.
Page 305 Korean EMC Regulations For Avid S3 Control Surface and Avid Stage 16 For Avid E3 Engine S3L System Guide...
Page 306: Index
Index Numerics Cancel switch 33 Center Last Recalled Snapshot 189 0 dBVU 176 channel 48V 79 reset shortcut 47 Channel Control overview 34 A Unit has gone Offline 295 User assignment 54 Absolute (editing snapshots) 201 using 52 Actions 216 Channel display navigation 32 creating 221 Channel Name 65...
Page 307 Pro Tools 268 green (snapshot) 188 controlling USB record/playback 253 ground (GPI outputs) 301 creating actions 221 Groups creating triggers 138 , 219 , 254 , 268 , 269 and Variable Groups 88 creating, selecting, managing 138 , 217 S3L System Guide...
Page 308 hard knee 143 Latch (Event action behavior) 221 hardware levels display of unavailable 122 plug-ins 176 headphones linked Matrixes 114 level 134 linking hexadecimal 207 screen and console 40 high-pass filter 151 listen wedge 133 History 186 Live Sound Production Toolkit 257 house (Mains) locking snapshots 199 mute 94...
Page 309 Scope Sets 197 Pan 79 transferring 185 see also Width 79 Preview mode 202 and plug-ins 204 divergence 61 , 94 and Undo 203 when pasting 48 capabilities and overview 203 parameters 119 MIDI and MTC 205 S3L System Guide...
Page 310 Pro Tools assignable I/O 261 S3 control surface connecting 258 banking and selecting channels 43 Input mode 263 connections and switches 21 installing 257 features 2 Live Sound Production Toolkit 257 overview 29 using events to control Pro Tools 268 power connections 12 Virtual Soundcheck 259 Safe...
Page 311 237 VENUE Link stereo using 265 spread (Bal/Width) 73 View Mode stereo channels (see Make Stereo) 73 switches 37 stereo plug-ins 170 Virtual Soundcheck 259 Store 189 System Config 57 system requirements 5 , 255 S3L System Guide...
Page 312 Wait (Event List) 222 Warning Dialogs 293 While Active (Event action behavior) 221 Width 79 width (when pasting) 48 Word Clock I/O 22 X-fade (crossfade) 210 XOR (Event List) 219 yellow (snapshot) 188 Index 325...
Page 313 Avid Technical Support (USA) Product Information 2001 Junipero Serra Boulevard Visit the Online Support Center at For company and product information, Daly City, CA 94014-3886 USA www.avid.com/support visit us on the web at www.avid.com...

This manual is also suitable for:

S3 E3

Avid Technology S3L System Manual

Part I Overview

Chapter 1. Introduction to the S3L System

Chapter 2. Configuring and Connecting

Part II Description

Chapter 3. S3L System Control Overview

Chapter 4. Banking and Selecting Channels

Chapter 5. Channel Control

Chapter 6. Options

Signal Routing

Chapter 7. Inputs and Input Routing

Chapter 8. Outputs and Output Routing

Chapter 9. Groups

Chapter 10. Auxes and Variable Groups

Chapter 11. Matrix Mixers

Chapter 12. Patchbay

Chapter 13. Solo and Monitor Busses

Chapter 14. Muting and Mute Groups

Part IV Processing

Chapter 15. Dynamics

Chapter 16. EQ

Chapter 17. Plug-Ins

Chapter 18. Hardware Inserts

Chapter 19. Shows and File Management

Chapter 20. Snapshots

Chapter 21. Events

Chapter 22. Synchronization

Chapter 23. Using the Standalone Software

Part VI Recording and Playback

Chapter 24. 2-Track USB Recording and Playback

Chapter 25. Pro Tools Recording and Playback

Specifications and Troubleshooting

Chapter 26. Mechanical Specifications

Chapter 27. Audio Specifications

Chapter 28. S3L System Signal Flow Diagrams

Chapter 29. Troubleshooting

Chapter 30. GPI Port Reference

Chapter 31. Ecx Ethernet Control

Appendix A. E3 Engine Secure USB Port

Appendix B. Compliance

Index

Quick Links

Troubleshooting

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Questions and answers

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Summary of Contents for Avid Technology S3L System