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4 Enable the Preview check box in the Audio
section (Figure 7-5). When the Preview option is
checked, incoming audio is "patched through" to
the HDX-SDI audio outputs. Make sure that the
Mac system sound output device setting is set to
the HDX-SDI for this to work.
5 If you are capturing multi-channel audio and
wish to monitor all channels on stereo headphones
or speakers, enabled "Downmix to Output 1-2 on
Capture" option (page 41).
AUDIO PLAYBACK
To play back audio:
1 Choose View menu> Audio Playback>
HDX-SDI.
2 In the Sequences window, select your sequence.
3 Choose Sequence menu> Settings.
4 Click the Audio Outputs tab and configure the
outputs as needed. Consult your Final Cut Pro
documentation for details.
5 Go to the Audio Mixer to assign each audio
track to the desired HDX-SDI audio output, or
right-click on the Toggle Auto Select icon next to
each audio track in the track Time Line window.
F I N A L C U T P R O
Figure 7-6: Assigning audio tracks to HDX-SDI audio outputs.
REFRESH A/V DEVICE
If the connection with the hardware is disrupted
for some reason, you can bring the HDX-SDI back
on line by choosing View menu> Refresh A/V
Devices.
TIME CODE
To lock Final Cut Pro to time code during capture,
go to the Setup tab (Figure 6-4 on page 35) in
MOTU Video Setup and choose the Timecode
Source (page 37).
To configure the time code format being output by
the HDX-SDI hardware while Final Cut Pro is
playing back, go to the Setup tab (Figure 6-4 on
page 35) in MOTU Video Setup and choose the
desired destination from Timecode Destination
menu. Also check the following additional
Playback tab settings:
Playback 29.97 fps Timecode (page 38)
■
Playback Timecode Offset (page 38)
■
DEVICE CONTROL
The HDX-SDI Easy Install option installs device
control presets for Final Cut Pro that are fine-tuned
to work with a variety of formats during capture,
edit to tape and print to video operations.
To configure HDX-SDI RS-422 (Sony 9-pin)
device control in Final Cut Pro:
49
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