Eq Library - Yamaha mLAN Mixer Owner's Manual

EQ Library

# Title
01 Bass Drum 1
02
Bass Drum 2
03 Snare Drum 1
04
Snare Drum 2
05
Tom-tom 1
06 Cymbal
07
High Hat
08
Percussion
09 E.Bass 1
10
E.Bass 2
11 Syn.Bass 1
12
Syn.Bass 2
13
Piano 1
14
Piano 2
15 E.G.Clean
16
E.G.Crunch 1
17 E.G.Crunch 2
18
E.G.Dist. 1
19 E.G.Dist. 2
20
A.G.Stroke 1
21
A.G.Stroke 2
22 A.G.Arpeg. 1
23
A.G.Arpeg. 2
24
Brass Sec.
25
Male Vocal 1
26
Male Vocal 2
27 Female Vo. 1
28 Female Vo. 2
29
Chorus&Harmo
30
Total EQ 1
31 Total EQ 2
32 Total EQ 3
33 Bass Drum 3
34 Snare Drum 3
35
Tom-tom 2
36 Piano 3
37
Piano Low
38
Piano High
39 Fine-EQ Cass
40
Narrator
Emphasizes the low range of a bass drum and the attack created by the beater.
Creates a peak around 80Hz, producing a tight, stiff sound.
Emphasizes snapping and rimshot sounds.
Emphasizes the ranges of that classic rock snare drum sound.
Emphasizes the attack of tom-toms, and creates a long, "leathery" decay.
Emphasizes the attack of crash cymbals, extending the "sparkling" decay.
Use on a tight high-hat, emphasizing the mid to high range.
Emphasizes the attack and clarifies the high-range of instruments, such as shakers,
cabasas, and congas.
Makes a tight electric bass sound by cutting very low frequencies.
Unlike program 9, this program emphasizes the low range of an electric bass.
Use on a synth bass with emphasized low range.
Emphasizes the attack that is peculiar to a synth bass.
This is used to make a piano sound brighter.
Used in conjunction with a compressor, this program emphasizes the attack and low
range of a piano sound.
Use for line-recording an electric guitar or semi-acoustic guitar to get a slightly hard
sound.
Adjusts the tonal quality of a slightly distorted guitar sound.
A variation on program 16.
Makes a heavily distorted guitar sound clearer.
A variation on program 18.
Emphasizes the bright tones of an acoustic guitar.
A variation on program 20. You can also use it with a gutsy guitar sound.
Corrects arpeggio technique of an acoustic guitar.
A variation on program 22.
Use with trumpets, trombones, or sax. With one instrument, adjust the HIGH or
H-MID frequency.
Use as a template for male vocal. Adjust the HIGH or H-MID setting according to the
voice quality.
A variation on program 25.
Use as a template for female vocal. Adjust the HIGH or H-MID setting according to the
voice quality.
A variation on program 27.
Use as a template for a chorus. It makes the entire chorus much brighter.
Use on a stereo mix during mixdown. Sounds even better when used with a compres-
sor.
A variation on program 30.
A variation on program 30. Can also be used with stereo inputs or external effect
returns.
A variation on program 1. The low and mid range is removed.
A variation on program 3. It creates a thick sound.
A variation on program 5. Emphasizes the mid and high range.
A variation on program 13.
Use for the low range of a piano sound recorded in stereo.
Use for the high range of a piano sound recorded in stereo.
Use when recording to or from cassette tape to make the sound clearer.
Use when recording narration.
35
Description