Solidyne 2600 XD User Manual

Solidyne 2600 XD User Manual

Broadcast mixing consoles 2600 series
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Rev. 3.7 May.2015
solidynepro.com
Broadcast mixing consoles - 2600 series
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Summary of Contents for Solidyne 2600 XD

  • Page 1 Rev. 3.7 May.2015 solidynepro.com Broadcast mixing consoles - 2600 series Page 1...
  • Page 2 Page 2 Broadcast mixing consoles - 2600 series solidynepro.com...
  • Page 3: Table Of Contents

    1.2.3 Start devices output........5 2.5.1 USB 2602..........20 1.2.4 Cue.............6 2.5.2 2630 VQR module........21 1.2.5 ETM-CPU faders.........6 2.5.3 Solidyne “Studio Box”........21 1.2.6 On-Air mics button........6 2.5.3.1 Connections.............22 1.3 Expansions & accessories......6 2.5.3.2 Using the Studio Box..........22 1.3.1 VU and stereo phase vector......6 2.6 Set the inputs gain........22...
  • Page 4 Chapter 4 – Maintenance ....39 4.1 Fuses............39 4.2 On console’s temperature......39 4.3 Cleaning............39 4.4 Preventive maintenance.......39 4.5 Parts Replacement........39 4.6 Service Manual..........39 Chapter 5 - Specs & Measurements. .41 5.1 General Measurements......41 5.1.1 Microphone..............41 5.1.2 Line................41 5.1.3 Aux Input..............41 5.1.4 Balanced Outputs............41 5.1.5 Unbalanced Outputs...........41 5.1.6 Gain................41 5.1.7 Frequency Response..........41...
  • Page 5: Chapter 1 - Getting Started

    2602 modules also allow operation with Skype or Wiring kit SOL-45  telephone hybrids because each internally generates STUDIO BOX  its own Mix-Minus, so the "Solidyne 2600" console STUDIO BOX (headphone distributor/amp)  has two channels "Mix-Minus" for every 2602 Brief description 1.2.2 Outputs All outputs are located on the Master 2607.
  • Page 6: Cue

    At the section "Control Room", there is a button tures, which are described below: called "CUE to Speaker" that allows to send the CUE signal to the Control Room's main monitors and headphones. 2600 XL 2600 XX 2600 XD 2600 XZ INPUT 1.2.5...
  • Page 7: Timer / Clock

    Refer to "3.6 Module 2630 VQR" for the operation of this module. 1.3.4 AoIP output The output "AoIP" streams the program mix to an- other console Solidyne 2600. This streaming also be decoded with any streaming player software; or by using a Solidyne ADA102 decoder. 1.3.5 AES-3 outputs (AES/EBU) Optionally, models XL &...
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  • Page 9: Chapter 2 - Setup And Connections

    Solidyne SOL45 wiring kit SOL-25 /SOL-50 Cable RJ45-M to RJ45-M, flexible shielded, length 2,5/5 meters. Solidyne provides (as option) different kits of cables “SOL45”, designed to make the installation of a Soli- Note: Longer cables can be used using CAT-5 shielded dyne 2600 console in a few minutes.
  • Page 10: Parasitic Signals

    SOL-TAIL Adapter RJ-45-F to 8 cables (Bare Bone) ready CROSSTALK is the reception of signals coming from to weld any type of connector.. other lines of audio. This, like all unwanted noise, it can be supposed controlled when its level is below the level of the system residual noise.
  • Page 11: Inputs & Outputs Connections

    ONAIR light (Tally). controls for Studio and Control headphones. We rec- All inputs connectors are located under the rear panel, ommend to install at the Studios the Solidyne Studio using RJ-45 connectors. Remember: good connec- Box (optional): a headphones amplifier/mixer. This unit...
  • Page 12: Connecting The Phone Lines

    “hands free” connection. Consult with a the external hybrid. Solidyne dealer by this accessory. For make this your- The lines connected to console and the external hybrid self, please read the following indications.
  • Page 13: Input Modules

    Consider to buy the wiring kits SOL45 (2.1.1 10 Kohms (Bridging inputs). This is compatible with all “Solidyne SOL45 wiring kit”). current equipment (sound cards, CD-player, audio in- terfaces, etc.). But if you need to adapt the input to 600...
  • Page 14: Additional Signals On Master 2607

    Next tables are valid for all inputs and outputs, ON-AIR MONITOR + CUE balanced and unbalanced. WIRE COLOR 1 Input ON-AIR L Orange/White RJ45 NOMENCLATURE RJ-45 2 No connected Orange 3 Input ON-AIR R Green/White WIRE COLOR 4 GND Blue Orange/White 5 Input CUE Blue/White...
  • Page 15: Usb Connection

    2.3.5 Module 2602 (USB) The level of the digital signal is set according to the stan- dard K-15. The 0 VU (+4 dBu) corresponds to -15 dBfs at USB output. There are 15 dB of headroom before clipping The 2602 module connects directly to the computer via (above +4 dBu).
  • Page 16 (see 2.3.9 - General connection diagram "). "Start Devices" can also be used to launch audio files; or to switch video cameras using the Solidyne Audicom software (re- quires GPIO-USB adapter); or to trigger recorders, relays or other devices.
  • Page 17: Ground Connections Recommended For Protection Against Electric Storms

    2.3.8 Ground connections recommended for protection against electric storms solidynepro.com Broadcast mixing consoles - 2600 series Page 17...
  • Page 18: Schematic Diagram - Recommended Connection Of 2600 Consoles

    2.3.9 Schematic Diagram – Recommended connection of 2600 consoles Page 18 Broadcast mixing consoles - 2600 series solidynepro.com...
  • Page 19: Customizing The Modules

    Customizing the modules 2.4.1 Configuration mode By default, all microphone modules are switched-on According to the connections and use, some con- when master MIC button is on-air, but this feature can sole's modules can require a customized configura- be disabled for each channel. That’s very useful for tion.
  • Page 20: Auto-On (Only For Online Channels)

    2.4.2.5 Auto-On (only for online channels) 2.4.2.6 Remote dimming (PAD) The channel born on when turn on the console (disabled If PGM button is lighted, that channel is enabled to re- by default). This feature is used in automated stations spond to global dimming 'PAD', available on 'Virtual2600' which are reactivated automatically after a power outage.
  • Page 21: 2630 Vqr Module

    When replacing the Master module into her position, 2.5.3 Solidyne “Studio Box” be sure to attach the lock washers (star washers) in the top screws of the module. These washers en- sure electrical continuity between the plate of the...
  • Page 22: Connections

    2.5.3.1 Connections About Timer/Clock The display shows the current time (when the mics The StudioBox connects to the Solidyne 2600 mixer are off-air) or the time lapsed on air (when micro- console using a shielded twisted pair CAT-5, with an phones are on).
  • Page 23: Stl Link

    Default values are: Format: S folder “Solidyne IP Discovery” will copy to the HD. This folder con- tains the apps and instructions needed to obtain the 2600's IP ad- dress. Look for leame-readme.txt and follow the indications accord- Format: PCM 16 bits stereo ing the case.
  • Page 24: Using A Microwave Digital Link

    In URL enter: [protocol]://[sourceIP]:[port] Example: RTP://0.0.0.0:3030 In where RTP is the protocol used by the Solidyne 2600/IP; 0.0.0.0 means from any incoming IP and '3030' is the port used. Remember to enable your computer firewall to allow incoming streaming trought port 3030 (or the port that is used).
  • Page 25: Chapter 3 - Using The Mixer

    Chapter 3 Using the mixer Introduction You can discriminate different areas in the console: the input channels; the monitoring levels control, phone hybrid and talk-back (master 2607); and the VU-meters panel. The audio signals coming from the PC, Satellite, DAT, Mini-disc, Microphones, etc, enters to the con- The last scale LED (red) has a dual function: if oc- sole through the input channels that amplify them.
  • Page 26: 2007 Master Module

    2007 master module Studio headphones level Assigns PGM to Studio Studio monitors Assigns AUD to Studio speakers level Assigns ‘AIR’ input to Studio (external tuner). Control Room headphones Assigns PGM to Control Room Control Room Assigns AUD to Control Room monitor speakers Assigns SEND to Control Room Assigns ‘AIR’...
  • Page 27: Telephone Line Mini-Central

    This is  If the communication listens saturated, with high background because inside the hybrid Solidyne uses an audio pro- sound, the level of preset CUE is too high. Diminishes this level cessor for return signal that includes AGC, peak limiter until obtaining an optimal listening.
  • Page 28: Using A Cell Phone

    TEST button using a pencil c) adjust the tion in the audio signal that goes to air. So in Solidyne preset ADJ until minimizing the audio level (PGM) that hybrids we use a processed return channel, to avoid you hear on the CUE speaker.
  • Page 29: Cue

    If you have the Solidyne Studio BOX, you can talk at any time with the Control Room (using the Talkback button of CUE signal can be sent to the Control Room main Studio BOX);...
  • Page 30: 2610 Microphone Module & 2601 Line Module

    2610 Microphone module & 2601 Line module AUX / MIC input switch (AUX/LINE in 2301modules) Two bands EQ Gain adjustment for MIC input Assigns the channel to PGM output. Assigns the channel to AUD output. Assigns the channel to ‘SEND’ output.
  • Page 31: 2612 Microphone Modules

    2612 Microphone Modules At the right, a channel of a 2612 module is showed. The microphone module 2612 has three channels located in the same panel. This module requires the same space that two standard 2610 modules. The EQ and processor works with the MIC input only.
  • Page 32: Special Features Of 2602

    They also allow the management of digital hybrid Hybrid’s processor module conference, as each module generates its own out- put Mix-Minus. In particular using hybrid Solidyne DH-400; Module 2602 can remotely command them  If you acquired this module after purchase the console, allowing an unlimited number of simultaneous tele- please see “Chapter 2 –...
  • Page 33 The module has a complete panel with luminous Manages the level of lows added to the original level indicators that shows: signal. With the fader closed there is no recon- struction for low frequencies.  Degree of restoration for low frequencies. The level of reconstruction, or the amount of low Degree of restoration for high frequencies.
  • Page 34: Remote Control

    Use the "Solidyne IP Discovery" tool to not to use it. find the IP address of the console. Enter the IP address in a browser to access the Control Interface.
  • Page 35: Virtual Interface (/Vi Option)

    Accessing to Virtual Interface The file is a self-extracting ZIP. When run is created in the local folder a sub-folder called "Solidyne IP dis- To access to the control panel, user name and covery" that contains the applications and instruc- password are required.
  • Page 36: Advanced Settings

    Virtual2600 operation from the software is similar to the operation in real console. The software interface has some extra facilities: Automatic crossfades with adjustable time. • Microphones can group up to three masters • buttons. "PAD" button attenuation for line channels •...
  • Page 37 To save the changes click "Update" 3.8.4.3 Groups of microphones (Master Mic) 'Virtual 2600' has 3 buttons 'Master MIC'. The micro- phone channels can be assigned to any of the Mas- ter MIC buttons. This setting is common to all users.
  • Page 38 3.8.4.5 Network configuration Default the '2600 'works with Dynamic IP (DHCP), so that the router assigns an IP available. Can be as- signed a static IP in the "Network configuration" op- tion. Page 38 Broadcast mixing consoles - 2600 series solidynepro.com...
  • Page 39: Chapter 4 - Maintenance

    In order to obtain great results with the 2600 consoles the reverse side. This unique protection technology al- that Solidyne guarantees with its design and manufac- lows for a full protection from hands abrasion. The ture, we recommended following the indicated opera- 2600 console will remains unaltered after a full life of tive procedures in this manual.
  • Page 40: Chapter 5 - Specs & Measurements

    This page is intentionally left blank Chapter 5 Specs & Measurements General Measurements The radio stations that have their own Engineering De- Move GAIN to the minimum. Change the generator to partment sometimes needs to carry out measurements -45 dBm. Move the fader until you verify that can obtain when receiving the console.
  • Page 41: Aux Input

    5.1.3 Aux Input 5.1.8 Phase Connect the generator to the AUX left input. Select AUX Staying the conditions of the previous item, connect the and repeat the procedure explained for the line chan- generator to both microphone inputs (right and left). nels, with levels of -25 dBm and +4 dBm.
  • Page 42: Equivalent Input Noise

    Now, replace the audio generator by a resistor of 150 ohms placed inside the D-25 MIC input connector. Mea- sure the residual noise in the audio level meter with “A- weighting” filter. We will denominate it Vn(dBm). Verify in the oscilloscope that there is not any buzz; only ran- dom noise signal.
  • Page 43: Bock Diagrams

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  • Page 48: Technical Specs

    5.3 Technical specs Start external devices Audio Inputs One Start Devices output for each input module, to start external devices when open each channel fader. Out at minijack 1/8" // Ring = A & B – 2 inputs per channel. 2601 balanced stereo line and unba- A channel (left side) Tip= B channel (Rigth side) Open collector OFF= lanced AUX.
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